159 books match the query 'Present' and 17 start with a
By Alfred H. Siemens
University of Texas Press, 1998
The wetlands of the San Juan Basin in Central Veracruz, Mexico, have been a favored place since the fifth century A.D., when Prehispanic people built an extensive network of canals and raised fields that allowed for almost year-round agriculture. Alfred Siemens' discovery of the remains of this network in the 1970s led him to uncover fifteen centuries of land-use history in the region. This book contains a full record of his findings.
Siemens organizes his history of the San Juan Basin around the question: What relationships exist between Prehispanic agriculture and the production systems of the tropical lowlands in our own time? This focus allows him to chart the changes in human perceptions and uses of the landscape, from the Prehispanic wetland agricultural system to the drained pastures of today's cattle ranches.
Amplified with air oblique photography, maps, and tables, and enriched with data from archaeology and colonial archives, this is an authoritative historical geography of a wetland landscape. Or, in the author's more modest words, "It seems to me that what I have here is a biography of a swamp."
Justino Fernández
University of Chicago Press, 1969
Ezequiel Adamovsky
Duke University Press, 2024
Michelle Follette Turk
University of Nevada Press, 2018
John K. Crellin and Jane Philpott
Duke University Press, 1997

Ann Wagner
University of Illinois Press, 1997
Whether in the private parlor, public hall, commercial "dance palace," or sleazy dive, dance has long been opposed by those who viewed it as immoral--more precisely as being a danger to the purity of those who practiced it, particularly women. In Adversaries of Dance, Ann Wagner presents a major study of opposition to dance over a period of four centuries in what is now the United States.
Wagner bases her work on the thesis that the tradition of opposition to dance "derived from white, male, Protestant clergy and evangelists who argued from a narrow and selective interpretation of biblical passages," and that the opposition thrived when denominational dogma held greater power over people's lives and when women's social roles were strictly limited.
Central to Wagner's work, which will be welcomed by scholars of both religion and dance, are issues of gender, race, and socioeconomic status.
Monroe C. Beardsley
University of Alabama Press, 1975
Loren Glass
University of Iowa Press, 2016
Edited by Gregory W. Kimura
University of Alaska Press, 2009
In 2009 Alaska celebrates its fiftieth anniversary of U.S. statehood. To commemorate that milestone, Alaska at 50 brings together some of today’s most noteworthy and recognizable writers and researchers to address the past, present, and future of Alaska. Divided into three overarching sections—art, culture, and humanities; law, economy, and politics; and environment, people, and place—Alaska at 50 is written in highly accessible prose. Illustrations and photographs of significant artefacts of Alaska history enliven the text. Each contributor brings a strong voice and prescription for the next fifty years, and the resulting work presents Alaskans and the nation with an overview of Alaska statehood and ideas for future development.

Stephen Mennell
University of Illinois Press, 1985
Anna Roosevelt
University of Arizona Press, 1994

Gilbert Chase
University of Illinois Press, 1987
Completely rewritten, the updated third edition of American Music broadens the scope of the classic text. Gilbert Chase devotes greater attention to modern forms like jazz, folk, and popular music, while expanding existing scholarship. Chase's musical tour begins with the various religious movements that dominated our musical expression for over two centuries. From there, he explores the rapid changes and artistic flowerings of the twentieth century—a series of musical revolutions that saw the development of "serious" instrumental music and an influential avant-garde alongside the birth of ragtime, jazz, and a far-reaching constellation of popular forms.
Written by the leading expert of his era, American Music is a long-standing classroom perennial and an indispensable guide to anyone interested in the United States and its musical heritage.
Edited by Ed Cray, Jonathan Kotler, and Miles Beller
University of Illinois Press, 1990
Ross, Susan
Rutgers University Press, 2006
American families today are noted for their wide variety of guises. Among the mix are single-parent families, childless-by-choice marriages, nuclear families, multigenerational families, and same-sex couples. Although this diversity has come under the scrutiny of everyone from politicians to the media, family diversity is not a recent development of contemporary culture. While nuclear families with a mother, a father, and children are the presumed historical norm, people have always resided in an assortment of family formations.
Bringing together essays by twenty-one distinguished scholars who have helped shape the field of family sociology in the last decade, this interdisciplinary anthology examines variation within family experience, especially as it has evolved across racial, ethnic, social, gender, and generational lines. The essays place historical and institutional frameworks at the center of the discussion.
The first part of the book focuses on the development of socially constructed dominant ideologies, demographic shifts in family composition, and historical perspectives on family rituals and mythmaking. Essays in the second part provide a historical perspective on the interdependence between the family as a social institution and other institutions. Selections highlight changes in women’s roles, the impact of economic, racial, and social inequalities on household labor and child care, the effects of war and military service, and the implications of the political climate for family welfare policy.
In-depth chapter introductions along with critical questions to spark class discussion make this an ideal text for courses focusing on family composition, trends, and controversies in the United States.
Frank Stricker
University of Illinois Press, 2020
Terry O'Connor
Michigan State University Press, 2013
In this fascinating book, Terry O’Connor explores a distinction that is deeply ingrained in much of the language that we use in zoology, human-animal studies, and archaeology—the difference between wild and domestic. For thousands of years, humans have categorized animals in simple terms, often according to the degree of control that we have over them, and have tended to see the long story of human-animal relations as one of increasing control and management for human benefit. And yet, around the world, species have adapted to our homes, our towns, and our artificial landscapes, finding ways to gain benefit from our activities and so becoming an important part of our everyday lives. These commensal animals remind us that other species are not passive elements in the world around us but intelligent and adaptable creatures. Animals as Neighbors shows how a blend of adaptation and opportunism has enabled many species to benefit from our often destructive footprint on the world. O’Connor investigates the history of this relationship, working back through archaeological records. By requiring us to take a multifaceted view of human-animal relations, commensal animals encourage a more nuanced understanding of those relations, both today and throughout the prehistory of our species.
By Mary Strong
University of Texas Press, 2012
From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system—that is, art—to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society.
In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types—the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today’s artists, many of whom are quoted in the book.