149 books match the query 'Russia (Federation)' and 12 start with a

cover of A History of Russia: Medieval, Modern, Contemporary, c.882-1996

A History of Russia

Medieval, Modern, Contemporary, c.882-1996

Paul Dukes

Duke University Press, 1998

Is today’s Russia capable of democracy, the free market, and a pluralist ideology? In this new edition of A History of Russia, Paul Dukes investigates these questions, taking into full account the extraordinary changes that have occurred since the arrival of first Mikhail Gorbachev and then Boris Yeltsin. Substantially expanded and rewritten, this new edition sets these events within the context of over 1100 years of Russian history. Dukes reviews the successive phases in Russian history from medieval Kiev and Muscovy to the current post-Soviet Union, with distinctive sections on political, economic, and cultural aspects of each period.
With its breadth of scope and conciseness of presentation, this third edition of A History of Russia will be invaluable to students of European and Russian history, and also to students of Russian language, literature, and social science.
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cover of A Revolutionary Dancer in Revolutionary Russia: Isadora Duncan in Russian and Soviet Culture

A Revolutionary Dancer in Revolutionary Russia

Isadora Duncan in Russian and Soviet Culture

Elena Yushkova

Central European University Press, 2026

In 1921, the legendary American dancer Isadora Duncan arrived in post-revolutionary Russia with an audacious goal: to build a new kind of dance school for a new world. Already celebrated for her groundbreaking performances across the Russian Empire from 1904 to 1913, Duncan had become an influential figure in the cultural life of the Silver Age, inspiring artists, writers, and thinkers alike.
This monograph offers a compelling exploration of Duncan’s Russian years—both before and after the October Revolution—drawing on rare archival sources and never-before-published Russian materials. It illuminates her artistic vision, her role in shaping early Soviet cultural debates, and the shifting political and aesthetic landscapes she navigated. From Silver Age reimaginations of antiquity to the rise of Socialist Realism and the modern revival of Duncan’s dance, this book traces the enduring legacy of a revolutionary artist in a world undergoing radical transformation.
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cover of After the Deluge: Regional Crises and Political Consolidation in Russia

After the Deluge

Regional Crises and Political Consolidation in Russia

Daniel S. Treisman

University of Michigan Press, 2001

After the Deluge offers a new, provocative interpretation of Russia's struggle in the 1990s to construct a democratic system of government in the largest and most geographically divided country in the world. The Russian Federation that emerged from the Soviet Union faced dissolution as the leaders of Russia's constituent units in the early 1990s defied Moscow's authority, declared sovereign states on their territory, refused to remit taxes, and even adopted national constitutions, flags, and anthems.
Yet, by mid-decade, a fragile equilibrium had emerged out of the apparently chaotic brinkmanship of central and regional officials. Based on extensive statistical analysis of previously unpublished data as well as interviews with numerous central and regional policymakers, After the Deluge suggests an original and counterintuitive interpretation of this experience.
In most cases, confrontations between regions and Moscow constituted a functional kind of drama. Regional leaders signaled just how much they were willing to risk to secure particular benefits. With a policy of "selective fiscal appeasement," federal officials directed subsidies, tax breaks, and other benefits to the most protest-prone regions, which in turn engendered a shift in local public opinion. By buying off potential regional dissenters, Moscow halted what might have become an accelerating bandwagon.
Besides offering insight into Russia's emerging politics, After the Deluge suggests a range of parallels to other cases of territorially divided states and empires--from contemporary China to Ottoman Turkey. It should appeal to a broad audience of scholars in political science, economics, history, geography, and policy studies.
Daniel S. Treisman is Assistant Professor of Political Science, University of California, Los Angeles.
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cover of After the Future: The Paradoxes of Postmodernism & Contemporary Russian Culture

After the Future

The Paradoxes of Postmodernism & Contemporary Russian Culture

Mikhail N. Epstein

University of Massachusetts Press, 1995

This book brings together for the first time in English the major writings of Mikhail Epstein, one of post-Soviet Russia's most prominent theoreticians of cultural studies and postmodernism. Written from a non-Western point of view yet informed by a familiarity with Western literary theory, it offers a fresh, lucid perspective on the post-communist literary scene as well as a practical and theoretical introduction to the new discipline of Russian “culturology.”

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cover of Agents of Terror: Ordinary Men and Extraordinary Violence in Stalin's Secret Police

Agents of Terror

Ordinary Men and Extraordinary Violence in Stalin's Secret Police

Alexander Vatlin; Edited, translated, and with an introduction by Seth Bernstein

University of Wisconsin Press, 2018

In the Great Terror of 1937–38 more than a million Soviet citizens were arrested or killed for political crimes they didn’t commit. What kind of people carried out this violent purge, and what motivated them? This book opens up the world of the Soviet perpetrator for the first time. Focusing on Kuntsevo, the Moscow suburb where Stalin had a dacha, Alexander Vatlin shows how Stalinism rewarded local officials for inventing enemies.
            Agents of Terror reveals stunning, detailed evidence from archives available for a limited time in the 1990s. Going beyond the central figures of the terror, Vatlin takes readers into the offices and interrogation rooms of secret police at the district level. Spurred at times by ambition, and at times by fear for their own lives, agents rushed to fulfill quotas for arresting “enemies of the people”—even when it meant fabricating the evidence. Vatlin pulls back the curtain on a Kafkaesque system, forcing readers to reassess notions of historical agency and moral responsibility in Stalin-era crimes.
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cover of Alaska's Hidden Wars: Secret Campaigns on the North Pacific Rim

Alaska's Hidden Wars

Secret Campaigns on the North Pacific Rim

Otis Hays Jr.

University of Alaska Press, 2004

On the eve of World War II, the national interests of Japan, the United States, and the Soviet Union collided in the North Pacific.

Alaska's Hidden Wars tells the story of the war in the North Pacific, a story of savage weather, isolation, and sacrifice.

Two island chains, the Aleutians and the Kuriles, became the focus of a series of major campaigns that pitted the Americans against the Japanese. Alaska's Hidden Wars chronicles the role of Japanese-American intelligence specialists and reveals a Japanese eyewitness account of the defense of Attu. Two virtually unknown aspects of the North Pacific war are also exposed: the brutal North Pacific weather and the imprisonment of American airmen in Kamchatka.

In 1942, the Japanese raided Dutch Harbor in the Aleutian Islands and occupied the islands of Kiska and Attu. The Americans mounted a vigorous campaign, and the Japanese retreated to the Kuriles. For the next two years, the Americans launched air raids and fleet bombardments, while American soldiers maintained lonely outposts along Aleutian coasts. But in 1945, when Japan finally surrendered, the Kuriles were taken, not by the waiting Americans, but by the Soviets.

Alaska's Hidden Wars is a fast-moving history that brings declassified archival sources to light and draws the reader into the lonely, bitter war fought in the North Pacific.
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cover of Aleksandr Sokurov: Russian Ark

Aleksandr Sokurov

Russian Ark

Birgit Beumers

Intellect Books, 2016

Released in 2002, Russian Ark drew astonished praise for its technique: shot with a Steadicam  in one ninety-six-minute take, it presented a dazzling whirl of movement as it followed the Marquis de Custine as he wandered through the vast Winter Palace in St. Petersburg—and through three hundred years of Russian history.
            This companion to Russian Ark addresses all key aspects of the film, beginning with a comprehensive synopsis, an in-depth analysis, and an account of the production history. Birgit Beumers goes on from there to discuss the work that went into the now-legendary Steadicam shot—which required two thousand actors and three orchestras—and she also offers an account of the film’s critical and public reception, showing how it helped to establish director Aleksandr Sokurov as perhaps the leading filmmaker in Russia today.
 
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cover of American Beginnings: The Prehistory and Palaeoecology of Beringia

American Beginnings

The Prehistory and Palaeoecology of Beringia

Edited by Frederick Hadleigh West

University of Chicago Press, 1996

During the last Ice Age, a thousand-mile-wide land bridge connected Siberia and Alaska, creating the region known as Beringia. Over twelve thousand years ago, a procession of large mammals and the humans who hunted them crossed this bridge to America. Much of the Russian evidence for this migration has until now remained largely inaccessible to American scholars. American Beginnings brings together for the first time in one volume the most up-to-date archaeological and palaeoecological evidence on Beringia from both Russia and America.

"An invaluable resource. . . . It will no doubt remain the key reference book for Beringia for many years to come."—Steven Mithen, Journal of Human Evolution

"Extraordinary. The fifty-six contributors . . . represent the most prominent American and Russian researchers in the region."—Choice

"Publication of this well-illustrated compendium is a great service to early American and especially Siberian Upper Paleolithic archaeology."—Nicholas Saunders, New Scientist

"This is a great book . . . perhaps the greatest contribution to the archaeology of Beringia that has yet been published. . . . This is the kind of book to which archaeology should aspire."—Herbert D.G. Maschner, Antiquity
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cover of An Anti-Bolshevik Alternative: The White Movement and the Civil War in the Russian North

An Anti-Bolshevik Alternative

The White Movement and the Civil War in the Russian North

Liudmila Novikova, Translated by Seth Bernstein

University of Wisconsin Press, 2018

The traditional narrative of the Russian Civil War is one of revolution against counterrevolution, Bolshevik Reds against Tsarist Whites. Liudmila Novikova convincingly demonstrates, however, that the struggle was not between a Communist future and a Tsarist past; instead, it was a bloody fight among diverse factions of a modernizing postrevolutionary state. Focusing on the sparsely populated Arkhangelsk region in northern Russia, she shows that the anti-Bolshevik government there, which held out from 1918 to early 1920, was a revolutionary alternative bolstered by broad popular support.

Novikova draws on declassified archives and sources in both Russia and the West to reveal the White movement in the north as a complex social and political phenomenon with a distinct regional context. She documents the politics of the Northern Government and its relations with the British and American forces who had occupied the ports of Murmansk and Arkhangelsk at the end of World War I. As the civil war continued, the increasing involvement of the local population transformed the conflict into a ferocious "people's war" until remaining White forces under General Yevgeny Miller evacuated the region in February 1920.
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cover of And They Lived Happily Ever After: Norms and Everyday Practices of Family and Parenthood in Russia and Eastern Europe

And They Lived Happily Ever After

Norms and Everyday Practices of Family and Parenthood in Russia and Eastern Europe

Helene Carlback

Central European University Press, 2012

Takes a comparative perspective on family life and childhood in the past half century in Russia and Eastern Europe, highlighting similarities and differences. Focuses on the problematic domains of the institutions and laws devised to cope with family difficulties, and discusses the social strains created by the transition from communist to post-communist national systems. In addition to the substantial historic analysis, actual challenges are also discussed. The essays examine the changing gender roles, alterations in legal systems, the burdens faced by married and unmarried women who are mothers, the contrasts between government rhteoric and the implementation of policies toward marriage, children and parenthood. By addressing the specifics of welfare politics under the Communist rule and the directions of their transformation in 1990–2000s, this book contributes to the understanding of social institutions and family policies in these countries and the problems of dealing with the socialist past that this region face.
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cover of Antonina

Antonina

Evgeniya Tur

Northwestern University Press, 1995

Patterned on the novels of the Brontë sisters, Antonina is a poignant account of a young Russian whose life is shaped by the cruel neglect of her stepparents, the financial ruin of her father and husband, and--the centerpiece of the novel--her failed love affair with a sensitive but weak young man.
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cover of At the Crossroads of the Avant-Garde: Ivan Aksyonov and Russian Modernism

At the Crossroads of the Avant-Garde

Ivan Aksyonov and Russian Modernism

Lars Kleberg, Charles Rougle

Northwestern University Press, 2026

Rediscovering a lost luminary of modernism and the Russian avant-garde
 
This kaleidoscopic biography offers readers a compelling microhistory of a revolutionary moment in art and politics through its portrait of an enigmatic but influential figure: Ivan Aksyonov authored the first book-length study about Pablo Picasso, translated Elizabethan drama, and was a literary adviser to Vsevolod Meyerhold, as well as a teacher of Sergei Eisenstein in Meyerhold’s institute and an important critic, before dying in 1935. Lars Kleberg traces Aksyonov’s influences, interlocutors, and creative output in multiple genres and media to bring a complicated and fascinating character back to life. Kleberg invites us to reconsider the avant-garde and to understand the political and artistic ferment of the revolutionary era and its aftermath in new, deeper ways.
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