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2026 Silver Medal for the Best LGBTQ+ Themed Book, Conference on Latin American History (CLAH)
2026 Honorable Mention, Book Award, Social History Society
2025 Best Book in Social Sciences Award, Southern Cone Section, Latin American Studies Association
2024 Sylvia Rivera Award in Transgender Studies, The Center for LGBTQ Studies at the Graduate Center, CUNY

A history of Argentina that examines how trans bodies were understood, policed, and shaped in a country that banned medically assisted gender affirmation practices and punished trans lives.

As a trans history of Argentina, a country that banned medically assisted gender affirmation practices and punished trans lives, A Body of One’s Own places the histories of trans bodies at the core of modern Argentinian history. Patricio Simonetto documents the lives of people who crossed the boundaries of gender from the early twentieth century to the present. Based on extensive archival research in public and community-based archives, this book explores the mainstream medical and media portrayals of trans or travesti people, the state policing of gender embodiment, the experiences of those transgressing the boundaries of gender, and the development of homemade technologies from prosthetics to the self-injection of silicone. A Body of One's Own explores how trans activists' challenges to the exclusionary effects of Argentina’s legal, cultural, social, and political cisgender order led to the passage of the Gender Identity Law in 2012. Analyzing the decisive yet overlooked impact of gender transformation in the formation of the nation-state, gender-belonging, and citizenship, this book ultimately shows that supposedly abstract struggles to define the shifting notions of "sex," citizenship, and nationhood are embodied material experiences.

Since the late nineteenth century, Brazilians have turned to documentaries to explain their country to themselves and to the world. In a magisterial history covering one hundred years of cinema, Darlene J. Sadlier identifies Brazilians’ unique contributions to a diverse genre while exploring how that genre has, in turn, contributed to the making and remaking of Brazil.

A Century of Brazilian Documentary Film is a comprehensive tour of feature and short films that have charted the social and political story of modern Brazil. The Amazon appears repeatedly and vividly. Sometimes—as in a prize-winning 1922 feature—the rainforest is a galvanizing site of national pride; at other times, the Amazon has been a focus for land-reform and Indigenous-rights activists. Other key documentary themes include Brazil’s swings from democracy to dictatorship, tensions between cosmopolitanism and rurality, and shifting attitudes toward race and gender. Sadlier also provides critical perspectives on aesthetics and media technology, exploring how documentaries inspired dramatic depictions of poverty and migration in the country’s Northeast and examining Brazilians’ participation in streaming platforms that have suddenly democratized filmmaking.

To many foreigners, Colombia is a nightmare of drugs and violence. Yet normal life goes on there, and, in Bogotá, it's even possible to forget that war still ravages the countryside. This paradox of perceptions—outsiders' fears versus insiders' realities—drew June Carolyn Erlick back to Bogotá for a year's stay in 2005. She wanted to understand how the city she first came to love in 1975 has made such strides toward building a peaceful civil society in the midst of ongoing violence. The complex reality she found comes to life in this compelling memoir.

Erlick creates her portrait of Bogotá through a series of vivid vignettes that cover many aspects of city life. As an experienced journalist, she lets the things she observes lead her to larger conclusions. The courtesy of people on buses, the absence of packs of stray dogs and street trash, and the willingness of strangers to help her cross an overpass when vertigo overwhelms her all become signs of convivencia—the desire of Bogotanos to live together in harmony despite decades of war. But as Erlick settles further into city life, she finds that "war in the city is invisible, but constantly present in subtle ways, almost like the constant mist that used to drip down from the Bogotá skies so many years ago."

Shattering stereotypes with its lively reporting, A Gringa in Bogotá is must-reading for going beyond the headlines about the drug war and bloody conflict.

The paleoecological history of the Americas is as complex as the region is broad: stretching from the Arctic Circle to Tierra del Fuego, the New World features some of the most extraordinary vegetation on the planet. But until now it has lacked a complete natural history. Alan Graham remedies that with A Natural History of the New World. With plants as his scientific muse, Graham traces the evolution of ecosystems, beginning in the Late Cretaceous period (about 100 million years ago) and ending in the present, charting their responses to changes in geology and climate.

            By highlighting plant communities’ roles in the environmental history of the Americas, Graham offers an overdue balance to natural histories that focus exclusively on animals. Plants are important in evolution’s splendid drama. Not only are they conspicuous and conveniently stationary components of the Earth’s ecosystems, but their extensive fossil record allows for a thorough reconstruction of the planet’s paleoenvironments. What’s more, plants provide oxygen, function as food and fuel, and provide habitat and shelter; in short, theirs is a history that can speak to many other areas of evolution.

A Natural History of the New World is an ambitious and unprecedented synthesis written by one of the world’s leading scholars of botany and geology. 

In 1988, a new health care system, the Sistema Único de Saúde (Unified Health Care System or SUS) was formally established in Brazil. The system was intended, among other goals, to provide universal access to health care services and to redefine health as a citizen’s right and a duty of the state. A Right to Health explores how these goals have unfolded within an urban peripheral community located on the edges of the northeastern city of Fortaleza. Focusing on the decade 1998–2008 and the impact of health care reforms on one low-income neighborhood, Jessica Jerome documents the tensions that arose between the ideals of the reforms and their entanglement with pervasive socioeconomic inequality, neoliberal economic policy, and generational tension with the community.

Using ethnographic and historical research, the book traces the history of political activism in the community, showing that, since the community’s formation in the early 1930s, residents have consistently fought for health care services. In so doing, Jerome develops a multilayered portrait of urban peripheral life and suggests that the notion of health care as a right of each citizen plays a major role not only in the way in which health care is allocated, but, perhaps more importantly, in how health care is understood and experienced.

Christen A. Smith argues that the dialectic of glorified representations of black bodies and subsequent state repression reinforces Brazil's racially hierarchal society. Interpreting the violence as both institutional and performative, Smith follows a grassroots movement and social protest theater troupe in their campaigns against racial violence. As Smith reveals, economies of black pain and suffering form the backdrop for the staged, scripted, and choreographed afro-paradise that dazzles visitors. The work of grassroots organizers exposes this relationship, exploding illusions and asking unwelcome questions about the impact of state violence performed against the still-marginalized mass of Afro-Brazilians.

Based on years of field work, Afro-Paradise is a passionate account of a long-overlooked struggle for life and dignity in contemporary Brazil.

A transformative study by Daniel S. Cozart, Afro-Peruvian Mestizos redefines the narrative of mestizaje in post-abolition Peru, uncovering the hidden histories and enduring strength of Afro-Peruvian communities.

Afro-Peruvian Mestizos: The Invisibility of Blackness in Post-Abolition Peru by Daniel S. Cozart investigates the ideologies of mestizaje, or racial mixing, that Latin American elites used to construct modern national identities during the nineteenth and twentieth centuries. Through close reading of archival records, legal documents, and literary works, Cozart uncovers the systematic exclusion of Afro-Peruvians from the nation's narrative of progress, revealing how their presence was deliberately omitted from official histories and censuses. The abolition of slavery in 1855 marked the beginning of a process where Afro-Peruvians were marginalized, their identities overshadowed by a national narrative that prioritized Indigenous heritage and whiteness.

Drawing on Michel-Rolph Trouillot's framework of historical production, the book traces the contradictions inherent in liberal and positivist ideologies that sought to forge a "raceless" society, all while silencing Afro-Peruvian voices and erasing their history. The conclusion reflects on the significance of erasure for Afro-Peruvians in the twentieth and twenty-first centuries, as they now demand to be seen. This book is a powerful examination of historical silences and the ongoing struggle for recognition in the face of systemic racism.

Alternative Maternities: Bodies, Death, and Argentine Citizenship Since 1820 interrogates the intimate and symbolic relationship between maternity and nationhood in Argentina through the lens of post-mortem maternal bodies. This interdisciplinary study brings together literary analysis, archival research, visual culture, and political history to examine how cultural productions deploy the image of the dead mother to define — and challenge — the boundaries of Argentine citizenship, especially for women, trans/travesti individuals, and those of Indigenous heritage. It focuses on the 200-year period between independence in 1820, when Argentine identity began to be defined, until the legalization of abortion at the end of 2020, which codified the right to non-maternity.

By tracing hagiographic and sacrificial depictions of figures like La Difunta Correa and Eva Perón across poetry, literature, visual art, and contemporary protest culture, the book reveals how narratives of Republican Motherhood continue to structure political and social belonging. Ultimately, this work shows how contemporary artists and authors are reconfiguring these maternal myths to queer, expand, and decolonize national identity.

In 1983, anthropologist Richard Pace began his fieldwork in the Amazonian community of Gurupá one year after the first few television sets arrived. On a nightly basis, as the community’s electricity was turned on, he observed crowds of people lining up outside open windows or doors of the few homes possessing TV sets, intent on catching a glimpse of this fascinating novelty. Stoic, mute, and completely absorbed, they stood for hours contemplating every message and image presented. So begins the cultural turning point that is the basis of Amazon Town TV, a rich analysis of Gurupá in the decades during and following the spread of television.

Pace worked with sociologist Brian Hinote to explore the sociocultural implications of television’s introduction in this community long isolated by geographic and communication barriers. They explore how viewers change their daily routines to watch the medium; how viewers accept, miss, ignore, negotiate, and resist media messages; and how television’s influence works within the local cultural context to modify social identities, consumption patterns, and worldviews.

The Roman Catholic church played a dominant role in colonial Brazil, so that women’s lives in the colony were shaped and constrained by the Church’s ideals for pure women, as well as by parallel concepts in the Iberian honor code for women. Records left by Jesuit missionaries, Roman Catholic church officials, and Portuguese Inquisitors make clear that women’s daily lives and their opportunities for marriage, education, and religious practice were sharply circumscribed throughout the colonial period. Yet these same documents also provide evocative glimpses of the religious beliefs and practices that were especially cherished or independently developed by women for their own use, constituting a separate world for wives, mothers, concubines, nuns, and witches.

Drawing on extensive original research in primary manuscript and printed sources from Brazilian libraries and archives, as well as secondary Brazilian historical works, Carole Myscofski proposes to write Brazilian women back into history, to understand how they lived their lives within the society created by the Portuguese imperial government and Luso-Catholic ecclesiastical institutions. Myscofski offers detailed explorations of the Catholic colonial views of the ideal woman, the patterns in women’s education, the religious views on marriage and sexuality, the history of women’s convents and retreat houses, and the development of magical practices among women in that era. One of the few wide-ranging histories of women in colonial Latin America, this book makes a crucial contribution to our knowledge of the early modern Atlantic World.

Cultural diplomacy—“winning hearts and minds” through positive portrayals of the American way of life—is a key element in U.S. foreign policy, although it often takes a backseat to displays of military might. Americans All provides an in-depth, fine-grained study of a particularly successful instance of cultural diplomacy—the Office of the Coordinator of Inter-American Affairs (CIAA), a government agency established by President Franklin D. Roosevelt in 1940 and headed by Nelson A. Rockefeller that worked to promote hemispheric solidarity and combat Axis infiltration and domination by bolstering inter-American cultural ties.

Darlene J. Sadlier explores how the CIAA used film, radio, the press, and various educational and high-art activities to convince people in the United States of the importance of good neighbor relations with Latin America, while also persuading Latin Americans that the United States recognized and appreciated the importance of our southern neighbors. She examines the CIAA’s working relationship with Hollywood’s Motion Picture Society of the Americas; its network and radio productions in North and South America; its sponsoring of Walt Disney, Orson Welles, John Ford, Gregg Toland, and many others who traveled between the United States and Latin America; and its close ties to the newly created Museum of Modern Art, which organized traveling art and photographic exhibits and produced hundreds of 16mm educational films for inter-American audiences; and its influence on the work of scores of artists, libraries, book publishers, and newspapers, as well as public schools, universities, and private organizations.

The encounter between Native American peoples and Europeans and their descendants has marked the history of every nation in the Americas, both North and South. Lucio Mansilla's Una excursión a los indios ranqueles, published in Argentina in 1870, is one of very few works in American letters that presents a vivid, firsthand account of a noncombative encounter between Native American and European civilizations.

This volume is the first English translation of Mansilla's classic work. Long noted for its humor, adventurousness, and narrative ingenuity, the book offers penetrating insights into fundamental issues of "civilization and barbarism," immigration, ethnic and racial diversity, and land ownership and tenancy.

Mansilla alone among his contemporaries espoused open dialogue as the best approach to the "Indian problem." Although the peace accord he sought to enact with the Ranquels was summarily disregarded by the Argentine government, which slowly gravitated towards a policy of ethnic cleansing and expropriation of Indian lands, the Expedition does narrate a rehearsal for a reconciliation that in the end never took place.

In providing a detailed account of the leftist opposition and its bloody repression in Brazil during the Old Republic and the early years of the Vargas regime, John W. F. Dulles gives considerable attention to the labor movement, generally neglected by historians. This study focuses on the formation and activities of anarchists and Communists, the two most important radical groups working within Brazilian labor. Relying on a wide variety of sources, including interviews and personal papers, Dulles supplies information that for the most part is unavailable in English and not easily accessible in Portuguese.

The struggles of Brazilian workers—usually against an alliance of company owners, state and federal troops, and state and federal governments—suffered reverses in 1920 and 1921. These setbacks were cited by Astrogildo Pereira and other admirers of Bolshevism as reasons for the proletariat to forsake anarchism and adhere to the Communist Party, Brazilian Section of the Communist International.

Anarchists and Communists, struggling against each other in the labor unions in the mid 1920’s, joined opposition journalists and politicians in supporting military rebels in a romantic uprising marked by adventure and suffering, jailbreaks and long marches, and death in the backlands.

Slowly, Brazilian Communism gained strength during the latter part of the 1920’s, but 1930 brought the beginnings of failure. Worse for the Party than the government crackdown and the Trotskyite dissidence was the growing attraction of the Aliança Liberal, the oppositionist political movement that brought Getúlio Vargas to power. While workers and Party members flocked to the Aliança in defiance of Party orders, sectarian edicts from Moscow resulted in the expulsion or demotion of the Party’s former leaders and in the condemnation of intellectuals.

Luís Carlos Prestes, “the Cavalier of Hope” who had led the military rebels in the mid-1920’s, turned to Communism—only to find himself not welcome in the Party. Taken to Russia by the Communist International in 1931, he was finally accepted into the Brazilian Party in absentia in 1934. Later that year, misled in Moscow by optimistic reports brought by Brazilian Communists, he agreed to lead a rebellion in Brazil. That decision and its consequences in 1935 were disastrous to Brazilian Communism.

The struggles among anarchists, Stalinists, and Trotskyites in Brazil were reflections of a worldwide struggle. This study discloses and assesses the effects of Moscow policy changes on Communism in Brazil and contributes to an understanding of Moscow’s policies throughout Latin America during this period.

Winner, Premio Flora Tristán Al Mejor Libro, Peru Section, Latin American Studies Association, 2019

After the Spanish victories over the Inca claimed Tawantinsuyu for Charles V in the 1530s, native Andeans undertook a series of perilous trips from Peru to the royal court in Spain. Ranging from an indigenous commoner entrusted with delivering birds of prey for courtly entertainment to an Inca prince who spent his days amid titles, pensions, and other royal favors, these sojourners were both exceptional and paradigmatic. Together, they shared a conviction that the sovereign’s absolute authority would guarantee that justice would be done and service would receive its due reward. As they negotiated their claims with imperial officials, Amerindian peoples helped forge the connections that sustained the expanding Habsburg realm’s imaginary and gave the modern global age its defining character.

Andean Cosmopolitans recovers these travelers’ dramatic experiences, while simultaneously highlighting their profound influences on the making and remaking of the colonial world. While Spain’s American possessions became Spanish in many ways, the Andean travelers (in their cosmopolitan lives and journeys) also helped to shape Spain in the image and likeness of Peru. De la Puente brings remarkable insights to a narrative showing how previously unknown peoples and ideas created new power structures and institutions, as well as novel ways of being urban, Indian, elite, and subject. As indigenous people articulated and defended their own views regarding the legal and political character of the “Republic of the Indians,” they became state-builders of a special kind, cocreating the colonial order.

Traces the shifting patterns of Jewish immigration and Argentine immigration policy. 

Argentina is home to the largest Jewish community in the Hispanic world, the second largest in the Western hemisphere. During successive political and social regimes, Argentina alternately barred Jews from entering the country and recruited them to immigrate, persecuted Jews as heretics or worse and welcomed them as productive settlers, restricted Jews by law and invested them with the fullest rights of citizenship. This volume traces the shifting patterns of Jewish immigration and Argentine immigration policy, both as manifestations of cultural and historical processes and as forces shaping the emergence of a large and energetic Jewish community. 

Within Argentina, many Jews followed traditional immigration strategies by consolidating communities and institutions in Buenos Aires and other cities. But many others settled on the land, in agricultural colonies sponsored by Baron Maurice de Hirsch’s Jewish Colonization Association, a group with far-reaching impact that is examined closely in this book. The Israeli kibbutz movement drew strength from the Argentine farming colonies, when beginning in 1949 groups of Argentine Jews immigrated to Israel to found kibbutzes. Eventually, in the face of political and economic upheavals with anti-Semitic undercurrents, almost 40,000 Jews left Argentina for Israel. A country of absorption became a country of exodus, and Zionism became a central focus of Argentine Jewry, interlocking families and fates separated by oceans and continents.

Argentines ask how their ultracivilized country, reputedly the most European in Latin America, could have relapsed into near-barbarism in the 1970s. This enlightening study seeks to answer that question by reviewing the underlying political events and intellectual foundations of the "dirty war" (1975–1978) and overlapping Military Process (1976–1982). It examines the ideologies and actions of the main protagonists—the armed forces, guerrillas, and organized labor—over time and traces them to their roots.

In the most comprehensive treatment of the subject to date, Hodges examines primary materials never seen by other researchers, including clandestinely published guerrilla documents, and interviews important actors in Argentina's political drama. His wide-ranging scholarship traces the origins of the national security and national salvation doctrines to the Spanish Inquisition, sixteenth-century witch hunts, and nineteenth-century reactions to the modernizing ideologies of liberalism, democracy, socialism, and communism.

Hodges posits that the "dirty war," Military Process, and revolutionary war to which they responded represented the culmination of social tensions that arose in 1930 with the launching of the Military Era by Argentina's first successful twentieth-century coup. He offers the disquieting hypothesis that as long as the "Argentine Question" remains unsettled the military may intervene again, the resistance movement will remain strong, and violence may continue even under a democratic government.

Art can be a powerful avenue of resistance to oppressive governments. During the dictatorship of Augusto Pinochet in Chile, some of the country’s least powerful citizens—impoverished women living in Santiago’s shantytowns—spotlighted the government’s failings and use of violence by creating and selling arpilleras, appliquéd pictures in cloth that portrayed the unemployment, poverty, and repression that they endured, their work to make ends meet, and their varied forms of protest. Smuggled out of Chile by human rights organizations, the arpilleras raised international awareness of the Pinochet regime’s abuses while providing income for the arpillera makers and creating a network of solidarity between the people of Chile and sympathizers throughout the world.

Using the Chilean arpilleras as a case study, this book explores how dissident art can be produced under dictatorship, when freedom of expression is absent and repression rife, and the consequences of its production for the resistance and for the artists. Taking a sociological approach based on interviews, participant observation, archival research, and analysis of a visual database, Jacqueline Adams examines the emergence of the arpilleras and then traces their journey from the workshops and homes in which they were made, to the human rights organizations that exported them, and on to sellers and buyers abroad, as well as in Chile. She then presents the perspectives of the arpillera makers and human rights organization staff, who discuss how the arpilleras strengthened the resistance and empowered the women who made them.

Supported with ample iconographic, ethnohistoric, etymological, and scientific evidence, Aztec Science is a groundbreaking endeavor introducing a new and radical approach to the study of Aztec art. It demonstrates that the Indigenous peoples of ancient Mesoamerica recorded scientific information about plants in their material culture. The detailed analysis of plant imagery in Aztec art, including in manuscripts such as the Codex Borgia, reveals that the cultural importance of maize and other plants was closely linked to scientific concepts that were well known in central Mexico centuries before they were subsequently “discovered” in Europe.

For the Nahua, Helen Burgos-Ellis argues, maize’s significance went far beyond economic value and religious importance. In Nahua art, references to maize, grass, and Quetzalcoatl reflect historic and scientifically relevant information. These images and glyphs, when studied against the ethnohistoric and scientific record of central Mexicans’ vast knowledge of plants, indicate that the Nahua understood key concepts about the maize plant, including its genetic origin from a common grass, pollination process, life cycle, and sexual reproduction. Consequently, the cultural significance of maize for the Nahuas was deeply intertwined with scientific understanding.

Aztec Science is a radical departure from bulk of the scholarship on the Codex Borgia, which has primarily been understood to contain calendrical and ritual information rather than botanical content, and is of significant interest to Pre-Columbianists and students and scholars of ethnohistory, Indigenous history and culture, traditional ecological knowledge, art history, and the history of science and botany.