22279 books match the query 'Social Science' and 1819 start with a

cover of Agrarian Crisis in India: The Case of Bihar

Agrarian Crisis in India

The Case of Bihar

By F. Tomasson Jannuzi

University of Texas Press, 1974

Although much has been written on agrarian reforms in India, there are few in-depth studies of specific states and none concerning the relevance of agrarian reforms to the economic development and political stability of Bihar— a state containing one-tenth of the people of India, a population comparable in magnitude to that of the United Kingdom or France. F. Tomasson Jannuzi's field research in Bihar, beginning with village-level surveys and interviews in 1956 and extending through repeated visits through August 1970, has enabled him to provide a unique perspective on events and issues associated with the continuing struggle to transform Bihar's agrarian structure.

Agrarian Crisis in India is at once a history of post-independence agrarian reforms in an important state of India, a detailed critique of the statutory loopholes that have frustrated successive land-reform measures, and a penetrating analysis of the economic, political, and social implications of the failure of agrarian reforms to be implemented in twentieth-century Bihar. The author's analysis of the case of Bihar provides insights not only into the agrarian crisis in Bihar but also into other agrarian societies in the midst of social and economic transformation.

Experts in the field of economic development traditionally have held that the goals of increased production and distributive justice must be approached in sequence. It has been considered almost axiomatic that economic growth will result initially in growing inequalities among classes within a region and among regions within a country. Professor Jannuzi suggests that in Bihar a compelling alternative to this conventional wisdom is an economic-development strategy based on the recognition that the agricultural-production and distributive-justice goals are inseparable and must be addressed simultaneously. He suggests that economic growth in rural Bihar may become impossible if distributive justice continues to be denied to significant sections of the peasantry and, conversely, that distributive justice will prove an illusory target unless economic growth can be assured. Professor Jannuzi recommends the implementation of specified agrarian reforms in Bihar as the prerequisite for meeting the agricultural-production and distributive-justice goals.

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cover of Agrarian Revolt in a Mexican Village

Agrarian Revolt in a Mexican Village

Paul Friedrich

University of Chicago Press, 1977

Agrarian Revolt in a Mexican Village deals with a Taráscan Indian village in southwestern Mexico which, between 1920 and 1926, played a precedent-setting role in agrarian reform. As he describes forty years in the history of this small pueblo, Paul Friedrich raises general questions about local politics and agrarian reform that are basic to our understanding of radical change in peasant societies around the world. Of particular interest is his detailed study of the colorful, violent, and psychologically complex leader, Primo Tapia, whose biography bears on the theoretical issues of the "political middleman" and the relation between individual motivation and socioeconomic change. Friedrich's evidence includes massive interviewing, personal letters, observations as an anthropological participant (e.g., in fiesta ritual), analysis of the politics and other village culture during 1955-56, comparison with other Taráscan villages, historical and prehistoric background materials, and research in legal and government agrarian archives.
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cover of Agricultural Intensification and Prehistoric Health in the Valley of Oaxaca, Mexico

Agricultural Intensification and Prehistoric Health in the Valley of Oaxaca, Mexico

Denise C. Hodges

University of Michigan Press, 1989

Author Denise C. Hodges examines the osteological remains from 14 archaeological sites in the Valley of Oaxaca, Mexico, in an attempt to address the relationship between the intensification of agriculture and the health status of the prehistoric population. Volume 9 of the subseries Prehistory and Human Ecology of the Valley of Oaxaca.
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cover of Agricultural Reason in the Shadow of Subsistence Capitalism: A Rural Ontology from Western India

Agricultural Reason in the Shadow of Subsistence Capitalism

A Rural Ontology from Western India

Arjun Appadurai

HAU, 2024

Analysis of an agrarian society confronted with capitalism.

This collection of essays by Arjun Appadurai based on his fieldwork in rural Maharashtra, India, in the early 1980s is one of the few anthropological treatments of agricultural reasoning. In conversation with agronomists, economists, and development anthropologists, the essays explore the ways agricultural technologies, changes in how surface wells are dug and managed, the provision and sharing of food and management of time, issues of scale in studying rural lives, and how local knowledge is formed and transformed reveal the distinctive character of rural Indian sociality. Locating these features in the context of “subsistence capitalism,” Appadurai draws our attention to the importance of relational practices and the pull of autonomy. These essays offer a close look at an agrarian society at the pivotal moment of its encounter with capitalist transformation and study ideas of measurement, sociality, and independence.
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cover of Ailing in Place: Environmental Inequities and Health Disparities in Appalachia

Ailing in Place

Environmental Inequities and Health Disparities in Appalachia

Michele Morrone

Ohio University Press, 2020

In Ailing in Place, Michele Morrone explores the relationship between environmental conditions in Appalachia and health outcomes that are too often ascribed to individual choices only. She applies quantitative data to observations from environmental health professionals to frame the ways in which the environment, as a social determinant of health, leads to health disparities in Appalachian communities. These examples—these stories of place—trace the impacts of water quality, waste disposal, and natural resource extraction on the health and quality of life of Appalachian people.

Public health is inextricably linked to place. Environmental conditions such as contaminated water, unsafe food, and polluted air are as important as culture, community, and landscape in characterizing a place and determining the health outcomes of the people who live there. In some places, the state of the environment is a consequence of historical activities related to natural resources and cultural practices. In others, political decisions to achieve short-term economic objectives are made with little consideration of long-term public health consequences.

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cover of Ain't But a Few of Us: Black Music Writers Tell Their Story

Ain't But a Few of Us

Black Music Writers Tell Their Story

Willard Jenkins, editor

Duke University Press, 2022

Despite the fact that most of jazz’s major innovators and performers have been African American, the overwhelming majority of jazz journalists, critics, and authors have been and continue to be white men. No major mainstream jazz publication has ever had a black editor or publisher. Ain’t But a Few of Us presents over two dozen candid dialogues with black jazz critics and journalists ranging from Greg Tate, Farah Jasmine Griffin, and Robin D. G. Kelley to Tammy Kernodle, Ron Welburn, and John Murph. They discuss the obstacles to access for black jazz journalists, outline how they contend with the world of jazz writing dominated by white men, and point out that these racial disparities are not confined to jazz but hamper their efforts at writing about other music genres as well. Ain’t But a Few of Us also includes an anthology section, which reprints classic essays and articles from black writers and musicians such as LeRoi Jones, Archie Shepp, A. B. Spellman, and Herbie Nichols.

Contributors
Eric Arnold, Bridget Arnwine, Angelika Beener, Playthell Benjamin, Herb Boyd, Bill Brower, Jo Ann Cheatham, Karen Chilton, Janine Coveney, Marc Crawford, Stanley Crouch, Anthony Dean-Harris, Jordannah Elizabeth, Lofton Emenari III, Bill Francis, Barbara Gardner, Farah Jasmine Griffin, Jim Harrison, Eugene Holley Jr., Haybert Houston, Robin James, Willard Jenkins, Martin Johnson, LeRoi Jones, Robin D. G. Kelley, Tammy Kernodle, Steve Monroe, Rahsaan Clark Morris, John Murph, Herbie Nichols, Don Palmer, Bill Quinn, Guthrie P. Ramsey Jr., Ron Scott, Gene Seymour, Archie Shepp, Wayne Shorter, A. B. Spellman, Rex Stewart, Greg Tate, Billy Taylor, Greg Thomas, Robin Washington, Ron Welburn, Hollie West, K. Leander Williams, Ron Wynn
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cover of Ain't I an Anthropologist: Zora Neale Hurston Beyond the Literary Icon

Ain't I an Anthropologist

Zora Neale Hurston Beyond the Literary Icon

Jennifer L. Freeman Marshall

University of Illinois Press, 2023

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston’s literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston’s two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston’s popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions.

Perceptive and original, Ain’t I an Anthropologist is an overdue reassessment of Zora Neale Hurston’s place in American cultural and intellectual life.

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cover of Air Split Open: Odetta, Joan Baez, and the American Folk Movement

Air Split Open

Odetta, Joan Baez, and the American Folk Movement

Mahmassani, Addie

University of Iowa Press, 2026

Nearly a decade ago, Bob Dylan fan Addie Mahmassani took a look at her large collection of books on the 1960s folk revival and asked what was missing. The answer was obvious: There was scarce feminist analysis of the scene. Air Split Open takes an important step in filling this gap.

Deploying her background in cultural history, gender, sexuality, and performance studies, Mahmassani tracks the interwoven careers of Odetta and Joan Baez, creating a new story of the folk revival that is at once incisive and entertaining, while also grappling with broader questions of the way male-centered historical narratives take shape in the context of American popular culture. A feminist take on the music scene that defined an era, Air Split Open is fueled by deep respect for the American folk tradition and all those, known and unknown, who have carried it forward.

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cover of Air Wars: Fight To Reclaim Public Broadcasting

Air Wars

Fight To Reclaim Public Broadcasting

Jerold Starr

Temple University Press, 2001

A riveting narrative of the price of politics, money, and ambition, and an inspirational account of how ordinary people can prevail over powerful interests, Air Wars tells how a grassroots movement of concerned citizens at WQED in Pittsburgh was able to overcome enormous institutional influence in their quest for public accountability.

These citizens believed strongly in public television's unique mission to serve the diverse social and cultural needs of local communities. When their own station neglected this mission in the search for national prestige and bigger revenues, they felt profoundly betrayed.

Jerold Starr exposes the political and commercial pressures that made strange bedfellows of the top officials of public broadcasting, the Democratic Party establishment, Pat Robertson and the Christian Coalition, home-shopping and "infomall" king Lowell "Bud" Paxson, and billionaire right-wing publisher/philanthropist Richard Mellon Scaife.

What began as a bitterly contested local struggle that disturbed the serenity of Mister Rogers' Neighborhood later became front-page national news with revelations of presidential candidate John McCain's influence-peddling scandal on behalf of media mogul Paxson. This was followed by congressional resolutions attacking the FCC's authority to regulate noncommercial educational broadcast licenses. The "Pittsburgh case" promises to be in the news for some time to come.

Far beyond Pittsburgh, Starr looks at how the reform movement has spread to major cities like Chicago, Phoenix, Jacksonville, and San Francisco, where citizen activists have successfully challenged public stations to be more community responsive.

Finally, he outlines an innovative plan for restructuring the public broadcasting service as an independently funded public trust. Joining this vision with a practical strategy, Starr describes the formation of Citizens for Independent Public Broadcasting, a national membership organization with a grassroots approach to putting the public back into public broadcasting.
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cover of Airborne Dreams: "Nisei" Stewardesses and Pan American World Airways

Airborne Dreams

"Nisei" Stewardesses and Pan American World Airways

Christine R. Yano

Duke University Press, 2011

In 1955 Pan American World Airways began recruiting Japanese American women to work as stewardesses on its Tokyo-bound flights and eventually its round-the-world flights as well. Based in Honolulu, these women were informally known as Pan Am’s “Nisei”—second-generation Japanese Americans—even though not all of them were Japanese American or second-generation. They were ostensibly hired for their Japanese-language skills, but few spoke Japanese fluently. This absorbing account of Pan Am’s “Nisei” stewardess program suggests that the Japanese American (and later other Asian and Asian American) stewardesses were meant to enhance the airline’s image of exotic cosmopolitanism and worldliness. As its corporate archives demonstrate, Pan Am marketed itself as an iconic American company pioneering new frontiers of race, language, and culture. Christine R. Yano juxtaposes the airline’s strategies and practices with the recollections of former “Nisei” flight attendants. In interviews with the author, these women proudly recall their experiences as young women who left home to travel the globe with Pan American World Airways, forging their own cosmopolitan identities in the process. Airborne Dreams is the story of an unusual personnel program implemented by an American corporation intent on expanding and dominating the nascent market for international air travel. That program reflected the Jet Age dreams of global mobility that excited postwar Americans, as well as the inequalities of gender, class, race, and ethnicity that constrained many of them.
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cover of Aircraft Stories: Decentering the Object in Technoscience

Aircraft Stories

Decentering the Object in Technoscience

John Law

Duke University Press, 2002

In Aircraft Stories noted sociologist of technoscience John Law tells “stories” about a British attempt to build a military aircraft—the TSR2. The intertwining of these stories demonstrates the ways in which particular technological projects can be understood in a world of complex contexts.
Law works to upset the binary between the modernist concept of knowledge, subjects, and objects as having centered and concrete essences and the postmodernist notion that all is fragmented and centerless. The structure and content of Aircraft Stories reflect Law’s contention that knowledge, subjects, and—particularly— objects are “fractionally coherent”: that is, they are drawn together without necessarily being centered. In studying the process of this particular aircraft’s design, construction, and eventual cancellation, Law develops a range of metaphors to describe both its fractional character and the ways its various aspects interact with each other. Offering numerous insights into the way we theorize the working of systems, he explores the overlaps between singularity and multiplicity and reveals rich new meaning in such concepts as oscillation, interference, fractionality, and rhizomatic networks.
The methodology and insights of Aircraft Stories will be invaluable to students in science and technology studies and will engage others who are interested in the ways that contemporary paradigms have limited our ability to see objects in their true complexity.
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cover of Akulmiut Neqait / Fish and Food of the Akulmiut

Akulmiut Neqait / Fish and Food of the Akulmiut

Ann Fienup-Riordan, Marie Meade, and Alice Rearden

University of Alaska Press, 2019

For centuries, the Akulmiut people—a Yup’ik group—have been sustained by the annual movements of whitefish. It is a food that sustains and defines them. To this day, many Akulmiut view not only their actions in the world, but their interactions with each other, as having a direct and profound effect on these fish. Not only are fish viewed as responding to human action and intention in many contexts, but the lakes and rivers fish inhabit are likewise viewed as sentient beings, with the ability to respond both positively and negatively to those who travel there.
This bilingual book details the lives of the Akulmiut living in the lake country west of Bethel, Alaska, in the villages of Kasigluk, Nunapitchuk, and Atmautluak. Akulmiut Neqait is based in conversations recorded with the people of these villages as they talk about their uniquely Yup'ik view of the world and how it has weathered periods of immense change in southwest Alaska. While many predicted that globalization would sound the death knoll for many distinctive traditions, these conversations show that Indigenous people all over the planet have sought to appropriate the world in their own terms. For all their new connectedness, the continued relevance of traditional admonitions cannot be denied.
 
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cover of Alabama and the Borderlands: From Prehistory To Statehood

Alabama and the Borderlands

From Prehistory To Statehood

Edited by R. Reid Badger and Lawrence A. Clayton

University of Alabama Press, 1985

Brings together the nation's leading scholars on the prehistory and early history of Alabama and the southeastern US

This fascinating collection was born of a concern with Alabama's past and the need to explore and explain that legacy, so often hidden by the veils of time, ignorance, or misunderstanding. In 1981 The University of Alabama celebrated its 150th anniversary, and each College contributed to the celebration by sponsoring a special sym­posium. The College of Arts and Sciences brought together the nation's leading scholars on the prehistory and early history of Alabama and the Southeastern United States, and for two memora­ble days in September 1981 several hundred interested listeners heard those scholars present their interpretations of Alabama's remarkable past.

The organizers of the symposium deliberately chose to focus on Alabama's history before statehood. Alabama as a constituent state of the Old South is well known. Alabama as a home of Indian cultures and civilizations of a high order, as an object of desire, exploration, and conquest in the sixteenth century, and as a border­land disputed by rival European nationalities for almost 300 years is less well known. The resulting essays in this collection prove as interesting, enlightening, and provocative to the casual reader as to the profes­sional scholar, for they are intended to bring to the general reader artifacts and documents that reveal the reali­ties and romance of that older Alabama.

Topics in the collection range from the Mississippian Period in archaeology and the de Soto expedition (and other early European explorations and settlements of Alabama) to the 1780 Siege of Mobile.

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cover of AlabamaNorth: African-American Migrants, Community, and Working-Class Activism in Cleveland, 1915-45

AlabamaNorth

African-American Migrants, Community, and Working-Class Activism in Cleveland, 1915-45

Kimberley L. Phillips

University of Illinois Press, 1999

Langston Hughes called it "a great dark tide from the South": the unprecedented influx of blacks into Cleveland that gave the city the nickname "Alabama North." Kimberley L. Phillips reveals the breadth of working class black experiences and activities in Cleveland and the extent to which these were shaped by traditions and values brought from the South. 

Migrants' moves north established complex networks of kin and friends and infused Cleveland with a highly visible southern African American culture. Phillips examines the variety of black fraternal, benevolent, social, and church-based organizations that working class migrants created and demonstrates how these groups prepared the way for new forms of individual and collective activism in workplaces and the city. Giving special consideration to the experiences of working class black women, AlabamaNorth reveals how migrants' expressions of tradition and community gave them a new consciousness of themselves as organized workers and created the underpinning for new forms of black labor activism.

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cover of Alarms & Epitaphs: The Art of Eric Ambler

Alarms & Epitaphs

The Art of Eric Ambler

Peter Wolfe

University of Wisconsin Press, 1993

Eric Ambler's novelistic career falls into two halves. In the first half belong the works he published between 1935–1940. These include the highly acclaimed Epitaph for a Spy (1938) and The Mask of Dimitrios (1939), both of which were made into successful films in 1944. The intrigue books of this period unfold in interwar Europe, a bitten-up, anxious place reeling between the extremes of fascism and Soviet communism. To reflect changes in the postwar world, Ambler set his later books in third-world countries where first-world financing collides with unstable, often revolutionary, politics—all within the shadow of large multinational corporations. These powerful firms with connections in high places take the same liberties as big governments have always done in works like Dr. Frigo (1974), the only Ambler book set in Latin America, and the best-selling The Care of Time (1981).
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cover of Alas Poor Ghost

Alas Poor Ghost

Gillian Bennett

Utah State University Press, 1999

In the rational modern world, belief in the supernatural seemingly has been consigned to the worlds of entertainment and fantasy. Yet belief in other worldly phenomena, from poltergeists to telepathy, remains strong, as Gillian Bennett's research shows. Especially common is belief in continuing contact with, or the continuing presence of, dead family members. Bennett interviewed women in Manchester, England, asking them questions about ghosts and other aspects of the supernatural. (Her discussion of how her research methods and interview techniques evolved is in itself valuable.) She first published the results of the study in the well-received Traditions of Belief: Women and the Supernatural, which has been widely used in folklore and women's studies courses. "Alas, Poor Ghost!" extensively revises and expands that work. In addition to a fuller presentation and analysis of the original field research and other added material, the author, assisted by Kate Bennett, a gerontological psychologist, presents and discusses new research with a group of women in Leicester, England.

Bennett is interested in more than measuring the extent of belief in other worldly manifestations. Her work explores the relationship between narrative and belief. She anticipated that her questions would elicit from her interviewees not just yes or no replies but stories about their experiences that confirmed or denied notions of the supernatural. The more controversial the subject matter, the more likely individuals were to tell stories, especially if their answers to questions of belief were positive. These were most commonly individualized narratives of personal experience, but they contained many of the traditional motifs and other content, including belief in the supernatural, of legends. Bennett calls them memorates and discusses the cultural processes, including ideas of what is a "proper" experience of the supernatural and a "proper" telling of the story, that make them communal as well as individual. These memorates provide direct and vivid examples of what the storytellers actually believe and disbelieve. In a final section, Bennett places her work in historical context through a discussion of case studies in the history of supernatural belief.

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cover of Alaska Codfish Chronicle: A History of the Pacific Cod Fishery in Alaska

Alaska Codfish Chronicle

A History of the Pacific Cod Fishery in Alaska

James Mackovjak

University of Alaska Press, 2019

Cod is one of the most widely consumed fish in the world. For many years, the Atlantic cod industry took center stage, but partly thanks to climate change and overfishing, it is more and more likely that the cod on your kitchen table or in your fast food fish fillets came from Alaska’s Pacific Cod Fishery.

Alaska Codfish Chronicle is the first comprehensive history of this fishery. It looks at the early decades of the fishery’s history, a period marked by hardship and danger, as well as the dominance of foreign fishermen. And the modern era, beginning in 1976 when the United States claimed an exclusive economic zone around the Alaska coasts, “Americanizing” the fishery and replacing the foreign fleets that had been ravaging the resources in the Gulf of Alaska and the Bering Sea. Today, the Pacific cod fishery is, in terms of poundage, the second largest fishery in Alaska, and considered among the best-managed fisheries in the world.

This history is extremely well documented, does not spare details, and is accessible to general readers. It incorporates nearly a hundred photographs and illustrations and is sprinkled with numerous observations from fishing industry journals and reports, even incorporating poems and recipes, making this an especially thorough and unique account of one of Alaska’s most iconic and important industries.
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cover of Alaska Native Cultures and Issues: Responses to Frequently Asked Questions

Alaska Native Cultures and Issues

Responses to Frequently Asked Questions

Edited by Libby Roderick

University of Alaska Press, 2010

Making up more than ten percent of Alaska's population, Native Alaskans are the state's largest minority group. Yet most non-Native Alaskans know surprisingly little about the histories and cultures of their indigenous neighbors, or about the important issues they face. This concise book compiles frequently asked questions and provides informative and accessible responses that shed light on some common misconceptions. With responses composed by scholars within the represented communities and reviewed by a panel of experts, this easy-to-read compendium aims to facilitate a deeper exploration and richer discussion of the complex and compelling issues that are part of Alaska Native life today.
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cover of Alaska at 50: The Past, Present, and Future of Alaska Statehood

Alaska at 50

The Past, Present, and Future of Alaska Statehood

Edited by Gregory W. Kimura

University of Alaska Press, 2009

In 2009 Alaska celebrates its fiftieth anniversary of U.S. statehood. To commemorate that milestone, Alaska at 50 brings together some of today’s most noteworthy and recognizable writers and researchers to address the past, present, and future of Alaska. Divided into three overarching sections—art, culture, and humanities; law, economy, and politics; and environment, people, and place—Alaska at 50 is written in highly accessible prose. Illustrations and photographs of significant artefacts of Alaska history enliven the text. Each contributor brings a strong voice and prescription for the next fifty years, and the resulting work presents Alaskans and the nation with an overview of Alaska statehood and ideas for future development.

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cover of Albert Murray and the Aesthetic Imagination of a Nation

Albert Murray and the Aesthetic Imagination of a Nation

Edited by Barbara A. Baker

University of Alabama Press, 2010

Reimagining America Through the Blues, Jazz, and the Cultural Vision of Albert Murray.

This collection consists of essays written by prominent African American literature, jazz, and Albert Murray scholars, reminiscences from Murray protégés and associates, and interviews with Murray himself. It illustrates Murray’s place as a central figure in African American arts and letters and as an American cultural pioneer.

Born in Nokomis, Alabama, and raised in Mobile, Albert Murray graduated from Tuskegee University, where he later taught, but he has long resided in New York City. He is the author of many critically acclaimed novels, memoirs, and essay collections, among them The Omni-Americans, South to a Very Old Place, Train Whistle Guitar, The Spyglass Tree, and The Seven League Boots. He is also a critic and visual artist, as well as a lifelong friend of and collaborator with artistic luminaries such as Ralph Ellison, Duke Ellington, and Romare Bearden. As such, his life and work are testaments to the centrality of southern and African American aesthetics in American art. Murray is widely viewed as a figure who, through his art and criticism, transforms the “fakelore” of white culture into a new folklore that illustrates the centrality of the blues and jazz idioms and reveals the black vernacular as what is most distinct about American art.
 

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cover of Albums of James Tissot

Albums of James Tissot

Willard Misfeldt

University of Wisconsin Press, 1982

Artist James Tissot compiled photographs of his work in three albums, which are reproduced in this book.

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cover of Alcatraz Screw: My Years as a Guard in America's Most Notorious Prison

Alcatraz Screw

My Years as a Guard in America's Most Notorious Prison

George H. Gregory & Intro by John W. Roberts

University of Missouri Press, 2002

Alcatraz Screw is a firsthand account from a prison guard’s perspective of some of the most storied years at the infamous U.S. Penitentiary at Alcatraz. George Gregory began his career as a guard for the Federal Bureau of Prisons in 1940. Following his training, he was sent to the federal prison at Sandstone, Minnesota. A few years later he enlisted in the Marine Corps. Badly wounded at Iwo Jima, he returned to Sandstone after a long rehabilitation. When the Bureau of Prisons closed Sandstone in 1947, Gregory was transferred to Alcatraz, which had been a federal penitentiary since 1934.
For the next fifteen years, Gregory worked on “The Rock.” He takes the reader along on a correctional officer’s tour of duty, showing what it was like to pull a lonely, tedious night of sentry duty in the Road Tower, or witness illicit transactions in the clothing room, or forcibly quell a riot in the cell blocks. Gregory provides an insider’s account of the tenures of all four of Alcatraz’s wardens and their sometimes contradictory approaches to administering the institution. He knew and regularly interacted with such legendary inmates as Robert Stroud (the Birdman of Alcatraz) and George “Machine Gun” Kelly.
Without glamorizing or demonizing either the staff or the convicts, Alcatraz Screw provides a candid portrayal of corruption, drug abuse, and sexual practices, as well as efforts at reform and unrecorded acts of kindness. Various incidents in the memoir convey the fear, hatred, frustration, boredom, and unavoidable tension of being incarcerated. With the inclusion of maps and diagrams of Alcatraz Island, as well as photographs of inmates, officers, and the prison itself, this book offers insight into life at the notorious Alcatraz from an unprecedented perspective.
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cover of Alchemy in the Rain Forest: Politics, Ecology, and Resilience in a New Guinea Mining Area

Alchemy in the Rain Forest

Politics, Ecology, and Resilience in a New Guinea Mining Area

Jerry K. Jacka

Duke University Press, 2015

In Alchemy in the Rain Forest Jerry K. Jacka explores how the indigenous population of Papua New Guinea's highlands struggle to create meaningful lives in the midst of extreme social conflict and environmental degradation. Drawing on theories of political ecology, place, and ontology and using ethnographic, environmental, and historical data, Jacka presents a multilayered examination of the impacts large-scale commercial gold mining in the region has had on ecology and social relations. Despite the deadly interclan violence and widespread pollution brought on by mining, the uneven distribution of its financial benefits has led many Porgerans to call for further development. This desire for increased mining, Jacka points out, counters popular portrayals of indigenous people as innate conservationists who defend the environment from international neoliberal development. Jacka's examination of the ways Porgerans search for common ground between capitalist and indigenous ways of knowing and being points to the complexity and interconnectedness of land, indigenous knowledge, and the global economy in Porgera and beyond.
 
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cover of Alcohol in Ancient Mexico

Alcohol in Ancient Mexico

Henry Bruman

University of Utah Press, 2000

Alcohol in Ancient Mexico reconstructs the variety and extent of distillation traditions in the ancient cultures of Mexico, describing in detail the various plants and processes used to make such beverages, their prevalence, and their significance for local culture.

The art of distillation arrived in Mexico with the Spaniards in the sixteenth century. However, well before that time, native skills and available resources had contributed to a well-developed tradition of intoxicating beverages, many of which are still produced and consumed.

In the 1930’s Henry Bruman visited various Mexican and Central American Indian tribes to reconstruct the variety and extent of these ancient traditions. He discerned five distinct areas defined by the culturally most significant beverages, all superimposed over the great mescal wine region. Within these five areas he noted wine made from cactus, cactus fruit, cornstalks, and mesquite pods; beer from sprouted maize; and fermented sap from pulque agaves.

Outside the mescal region he observed widespread consumption in the Yucatan of a wine made from fermented honey and balché bark, plus lesser-known beverages in other regions. He also observed the frequent inclusion in the fermentation process of alkaloid-bearing ingredients such as peyote and tobacco, plants whose roots or bark contain saponins—which act as cardiac poisons—and even poisons from certain toads.

Alcohol in Ancient Mexico also considers the relative absence of alcoholic drink in the southwestern United States, the introduction of sills following the Spanish conquest, and possible sources for the introduction of coconut wine.

Previously unpublished, the research presented here retains its relevance today, and the photographs offer a fascinating glimpse at a traditional world that has now almost vanished.

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cover of Alcohol, Science and Society Revisited

Alcohol, Science and Society Revisited

Edith Lisansky Gomberg, John A. Carpenter, and Helene Raskin White, Editors

University of Michigan Press, 1982

The publication of the original Alcohol, Science and Society in 1945 was an important part of the history of alcohol studies in America. Many books on alcohol and alcoholism have appeared since then, but none with the broad, interdisciplinary sweep of this early work.Now there is Alcohol, Science and Society Revisited. This volume updates the information and research generated in alcohol studies over the past thirty-seven years and points the direction for future research in the field. An array of experts has contributed original essays covering the full range of fields related to alcohol studies, which will be of interest to both students and professionals. The subjects include: psychology, sociology, physiology, biology, medicine, history, anthropology, religion, economics, and epidemiology, as well as prevention, intervention, legislation, and social control.
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cover of Alcott in Her Own Time: A Biographical Chronicle of Her LIfe, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates

Alcott in Her Own Time

A Biographical Chronicle of Her LIfe, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates

Shealy, Daniel

University of Iowa Press, 2005

By 1888, twenty years after the publication of Little Women, Louisa May Alcott (1832-1888) was one of the most popular and successful authors America had yet produced. In her pre-Little Women days, she concocted blood-and-thunder tales for low wages; post-Little Women, she specialized in domestic novels and short stories for children. Collected here for the first time are the reminiscences of people who knew her, the majority of which have not been published since their original appearance in the 19th and early 20th centuries.

Many of the printed recollections in this book appeared after Alcott became famous and showcase her as a literary lion, but others focus on her teen years, when she was living the life of Jo March; these intimate glimpses into the life of the Alcott family lead the reader to one conclusion: the family was happy, fun, and entertaining, very much like the fictional Marches. The recollections about an older and wealthier Alcott show a kind and generous, albeit outspoken, woman little changed by her money and status.

From Annie Sawyer Downs’s description of life in Concord to Anna Alcott Pratt’s recollections of the Alcott sisters’ acting days to Julian Hawthorne’s neighborly portrait of the Alcotts, the thirty-six recollections in this copiously illustrated volume tell the private and public story of a remarkable life.
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Aleutian Ethnography

Lucien Turner

University of Alaska Press, 2008

Lucien Turner was a pioneering nineteenth-century ethnographer whose study of Aleut communities surpassed the work of all of his contemporaries, and now his rare writings are collected here for the first time. Turner’s admittedly fragmentary ethnographic notes, which chronicle his complete immersion in three Aleut communities, reveal valuable insights into Aleutian cultures and the outsiders who lived among them in the nineteenth century. Carefully edited by Ray Hudson, An Aleutian Ethnography is an essential resource for scholars of American history and history of anthropology alike.
 
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Alex and the Hobo

A Chicano Life and Story

By José Inez Taylor and James M. Taggart

University of Texas Press, 2003

When a ten-year-old boy befriends a mysterious hobo in his southern Colorado hometown in the early 1940s, he learns about evil in his community and takes his first steps toward manhood by attempting to protect his new friend from corrupt officials. Though a fictional story, Alex and the Hobo is written out of the life experiences of its author, José Inez (Joe) Taylor, and it realistically portrays a boy's coming-of-age as a Spanish-speaking man who must carve out an honorable place for himself in a class-stratified and Anglo-dominated society.

In this innovative ethnography, anthropologist James Taggart collaborates with Joe Taylor to explore how Alex and the Hobo sprang from Taylor's life experiences and how it presents an insider's view of Mexicano culture and its constructions of manhood. They frame the story (included in its entirety) with chapters that discuss how it encapsulates notions that Taylor learned from the Chicano movement, the farmworkers' union, his community, his father, his mother, and his religion. Taggart gives the ethnography a solid theoretical underpinning by discussing how the story and Taylor's account of how he created it represent an act of resistance to the class system that Taylor perceives as destroying his native culture.

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cover of Alexis de Tocqueville on Democracy, Revolution, and Society

Alexis de Tocqueville on Democracy, Revolution, and Society

Alexis de Tocqueville

University of Chicago Press, 1980

Alexis de Tocqueville possessed one of the most fertile sociological imaginations of the nineteenth century. For more than 120 years, his uncanny predictive insight has continued to fascinate thinkers, and his writings have continued to influence our interpretations of history and society. His analyses of many issues remain relevant to current social and political problems. In this volume John Stone and Stephen Mennell bring together for the first time selections from the full range of Tocqueville's writings, selections that illustrate the depth of his insight and analysis.
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cover of Alfred Schutz on Phenomenology and Social Relations

Alfred Schutz on Phenomenology and Social Relations

Alfred Schutz

University of Chicago Press, 1972

Alfred Schutz (1899-1959) stood simultaneously in the camps of philosophy and sociology, and his writings constitute the framework of a sociology based on phenomenological considerations. Schutz's basic contributions issue from a critical synthesis of Husserl's phenomenology and Weber's sociology of understanding. He proceeds on the basis of the irreducible souce of all human knowledge in the immediate experiences of the conscious, alert, and active individual. In this volume Helmut Wagner has selected and skillfully correlated various passages both from Schutz's book The Phenomenology of the Social World and from his scattered papers and essays.
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cover of Alfredo Jaar: Decolonial Time and the Aesthetics of the Unfinished

Alfredo Jaar

Decolonial Time and the Aesthetics of the Unfinished

Florencia San Martin. With a Foreword by Wolfgang Kaleck.

Duke University Press, 2026

In Alfredo Jaar, the first critical academic survey devoted to the prominent Chilean-born artist, Florencia San Martín shows how his work takes up mourning, accountability, and failure, offering a new model for how to think about global contemporary art today.

In Alfredo Jaar, Florencia San Martín analyzes the work of the prominent Chilean-born artist Alfredo Jaar, whose work challenges the linear and triumphalist temporality of Western modernity that obscures the violence of colonization and globalization. San Martín argues that Jaar’s work represents decolonial time, exposing the limits of the violent systems we inhabit. His art, she maintains, is informed by and responds to two interconnected historical events relevant to his own life: the US-backed military coup that established Pinochet’s dictatorship in Chile and the implementation around the world of the corollary neoliberal economic system. San Martín explores the key themes in Jaar’s artistic practice—mourning, accountability, and failure—which situates the victims of the Chilean regime in a global context, directly confronts the architects of atrocity, and questions how ideas of diversity and inclusion have been co-opted by modern neoliberal discourses. Alfredo Jaar enables us to reimagine art history, offering a fresh paradigm with which to think about global contemporary art.
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cover of Alice Lakwena and the Holy Spirits: War in Northern Uganda, 1985–97

Alice Lakwena and the Holy Spirits

War in Northern Uganda, 1985–97

Heike Behrend

Ohio University Press, 1999

In August 1986, Alice Auma, a young Acholi woman in northern Uganda, proclaiming herself under the orders of a Christian spirit named Lakwena, raised an army called the “Holy Spirit Mobile Forces.” With it she waged a war against perceived evil, not only an external enemy represented by the National Resistance Army of the government, but internal enemies in the form of “impure” soldiers, witches, and sorcerers. She came very close to her goal of overthrowing the government but was defeated and fled to Kenya.

This book provides a unique view of Alice’s movement, based on interviews with its members and including their own writings, examining their perceptions of the threat of external and internal evil. It concludes with an account of the successor movements into which Alice’s forces fragmented and which still are active in the civil wars of the Sudan and Uganda.

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Alice Paul and the American Suffrage Campaign

Katharine H. Adams and Michael L. Keene

University of Illinois Press, 2007

Past biographies, histories, and government documents have ignored Alice Paul's contribution to the women's suffrage movement, but this groundbreaking study scrupulously fills the gap in the historical record. Masterfully framed by an analysis of Paul's nonviolent and visual rhetorical strategies, Alice Paul and the American Suffrage Campaign narrates the remarkable story of the first person to picket the White House, the first to attempt a national political boycott, the first to burn the president in effigy, and the first to lead a successful campaign of nonviolence.

Katherine H. Adams and Michael L. Keene also chronicle other dramatic techniques that Paul deftly used to gain publicity for the suffrage movement. Stunningly woven into the narrative are accounts of many instances in which women were in physical danger. Rather than avoid discussion of Paul's imprisonment, hunger strikes, and forced feeding, the authors divulge the strategies she employed in her campaign. Paul's controversial approach, the authors assert, was essential in changing American attitudes toward suffrage.

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Alice in Pornoland

Hardcore Encounters with the Victorian Gothic

Laura Helen Marks

University of Illinois Press, 2018

The unquenchable thirst of Dracula. The animal lust of Mr. Hyde. The acquiescence of Lewis Carroll's Alice. Victorian literature--with its overtones of prudishness, respectability, and Old World hypocrisy--belies a subverted eroticism. The Victorian Gothic is monstrous but restrained, repressed but perverse, static but transformative, and preoccupied by gender and sexuality in both regressive and progressive ways.

Laura Helen Marks investigates the contradictions and seesawing gender dynamics in Victorian-inspired adult films and looks at why pornographers persist in drawing substance and meaning from the era's Gothic tales. She focuses on the particular Victorianness that pornography prefers, and the mythologies of the Victorian era that fuel today's pornographic fantasies. In turn, she exposes what porning the Victorians shows us about pornography as a genre.

A bold foray into theory and other forbidden places, Alice in Pornoland reveals how modern-day Victorian Gothic pornography constantly emphasizes, navigates, transgresses, and renegotiates issues of gender, sexuality, and race.

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cover of Alien Capital: Asian Racialization and the Logic of Settler Colonial Capitalism

Alien Capital

Asian Racialization and the Logic of Settler Colonial Capitalism

Iyko Day

Duke University Press, 2016

In Alien Capital Iyko Day retheorizes the history and logic of settler colonialism by examining its intersection with capitalism and the racialization of Asian immigrants to Canada and the United States. Day explores how the historical alignment of Asian bodies and labor with capital's abstract and negative dimensions became one of settler colonialism's foundational and defining features. This alignment allowed white settlers to gloss over and expunge their complicity with capitalist exploitation from their collective memory. Day reveals this process through an analysis of a diverse body of Asian North American literature and visual culture, including depictions of Chinese railroad labor in the 1880s, filmic and literary responses to Japanese internment in the 1940s, and more recent examinations of the relations between free trade, national borders, and migrant labor. In highlighting these artists' reworking and exposing of the economic modalities of Asian racialized labor, Day pushes beyond existing approaches to settler colonialism as a Native/settler binary to formulate it as a dynamic triangulation of Native, settler, and alien populations and positionalities.
 
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cover of Alien Constructions: Science Fiction and Feminist Thought

Alien Constructions

Science Fiction and Feminist Thought

By Patricia Melzer

University of Texas Press, 2006

Though set in other worlds populated by alien beings, science fiction is a site where humans can critique and re-imagine the paradigms that shape this world, from fundamentals such as the sex and gender of the body to global power relations among sexes, races, and nations. Feminist thinkers and writers are increasingly recognizing science fiction's potential to shatter patriarchal and heterosexual norms, while the creators of science fiction are bringing new depth and complexity to the genre by engaging with feminist theories and politics. This book maps the intersection of feminism and science fiction through close readings of science fiction literature by Octavia E. Butler, Richard Calder, and Melissa Scott and the movies The Matrix and the Alien series.

Patricia Melzer analyzes how these authors and films represent debates and concepts in three areas of feminist thought: identity and difference, feminist critiques of science and technology, and the relationship among gender identity, body, and desire, including the new gender politics of queer desires, transgender, and intersexed bodies and identities. She demonstrates that key political elements shape these debates, including global capitalism and exploitative class relations within a growing international system; the impact of computer, industrial, and medical technologies on women's lives and reproductive rights; and posthuman embodiment as expressed through biotechnologies, the body/machine interface, and the commodification of desire. Melzer's investigation makes it clear that feminist writings and readings of science fiction are part of a feminist critique of existing power relations—and that the alien constructions (cyborgs, clones, androids, aliens, and hybrids) that populate postmodern science fiction are as potentially empowering as they are threatening.

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cover of Alien Encounters: Popular Culture in Asian America

Alien Encounters

Popular Culture in Asian America

Mimi Thi Nguyen and Thuy Linh Nguyen Tu, eds.

Duke University Press, 2007

Alien Encounters showcases innovative directions in Asian American cultural studies. In essays exploring topics ranging from pulp fiction to multimedia art to import-car subcultures, contributors analyze Asian Americans’ interactions with popular culture as both creators and consumers. Written by a new generation of cultural critics, these essays reflect post-1965 Asian America; the contributors pay nuanced attention to issues of gender, sexuality, transnationality, and citizenship, and they unabashedly take pleasure in pop culture.

This interdisciplinary collection brings together contributors working in Asian American studies, English, anthropology, sociology, and art history. They consider issues of cultural authenticity raised by Asian American participation in hip hop and jazz, the emergence of an orientalist “Indo-chic” in U.S. youth culture, and the circulation of Vietnamese music variety shows. They examine the relationship between Chinese restaurants and American culture, issues of sexuality and race brought to the fore in the video performance art of a Bruce Lee–channeling drag king, and immigrant television viewers’ dismayed reactions to a Chinese American chef who is “not Chinese enough.” The essays in Alien Encounters demonstrate the importance of scholarly engagement with popular culture. Taking popular culture seriously reveals how people imagine and express their affective relationships to history, identity, and belonging.

Contributors. Wendy Hui Kyong Chun, Kevin Fellezs, Vernadette Vicuña Gonzalez, Joan Kee, Nhi T. Lieu, Sunaina Maira, Martin F. Manalansan IV, Mimi Thi Nguyen, Robyn Magalit Rodriguez, Sukhdev Sandhu, Christopher A. Shinn, Indigo Som, Thuy Linh Nguyen Tu, Oliver Wang

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cover of Alien Forms and Minor Genres: A Speculative Handbook of Academic Labor

Alien Forms and Minor Genres

A Speculative Handbook of Academic Labor

Tina Chen

Duke University Press, 2026

Alien Forms and Minor Genres speculates about how and why academia cultivates, manages, and rewards academic labor. Examining these issues within the context of the multidisciplinary field of Global Asias, Tina Chen tracks the diverse trajectories of research creation to delineate capaciously-imagined forms of scholarly labor and demonstrate their constructed value. She uses an experimental structure, setting examples of intellectual work in academia such as the book proposal, the lesson plan, and the syllabi against more in-depth genre criticism of research and service activities. By giving readers a look behind the curtain at these routine parts of academia and exploring the potential for alternative genres in intellectual inquiry, Chen reconceptualizes the nature, function, and praxis of scholarly work, showing how processes of academic labor are critical to creating and advancing scholarly knowledge.
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cover of Alien Identities: Exploring Differences in Film and Fiction

Alien Identities

Exploring Differences in Film and Fiction

Edited by Deborah Cartmell, Heidi Kaye, I. Q. Hunter, and Imelda Whelehan

Pluto Press, 1999

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cover of Alien Neighbors, Foreign Friends: Asian Americans, Housing, and the Transformation of Urban California

Alien Neighbors, Foreign Friends

Asian Americans, Housing, and the Transformation of Urban California

Charlotte Brooks

University of Chicago Press, 2009

Between the early 1900s and the late 1950s, the attitudes of white Californians toward their Asian American neighbors evolved from outright hostility to relative acceptance. Charlotte Brooks examines this transformation through the lens of California’s urban housing markets, arguing that the perceived foreignness of Asian Americans, which initially stranded them in segregated areas, eventually facilitated their integration into neighborhoods that rejected other minorities.

Against the backdrop of cold war efforts to win Asian hearts and minds, whites who saw little difference between Asians and Asian Americans increasingly advocated the latter group’s access to middle-class life and the residential areas that went with it. But as they transformed Asian Americans into a “model minority,” whites purposefully ignored the long backstory of Chinese and Japanese Americans’ early and largely failed attempts to participate in public and private housing programs. As Brooks tells this multifaceted story, she draws on a broad range of sources in multiple languages, giving voice to an array of community leaders, journalists, activists, and homeowners—and insightfully conveying the complexity of racialized housing in a multiracial society.

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cover of Alien Soil: Oral Histories of Great Migration Newark

Alien Soil

Oral Histories of Great Migration Newark

Katie Singer

Rutgers University Press, 2024

Alien Soil: Oral Histories of Great Migration Newark explores Newark’s Krueger-Scott African-American Cultural Center collection of over 100 oral histories. Historian Katie Singer separates these stories into thematic categories of social and political events, including church, work, and activism, in order to paint an intimate portrait of everyday urbanity and the larger Black urban experience in Newark. Through the examination of these Krueger-Scott narratives, Singer challenges historical falsehoods with the lived experiences of Newarkers who traveled North during the Great Migration, as well as established city residents. Alien Soil effectively contextualizes Newark history and re-inserts Black voices into historiography traditionally dominated by “outsiders."

The book begins with the Krueger-Scott Mansion’s deep history, followed by the sequence of events surrounding the proposed Cultural Center. Last owned by African-American millionaire and beauty-culture entrepreneur Louise Scott, the Victorian Krueger-Scott Mansion was built by beer baron Gottfried Krueger in 1888. Through the history of the Mansion, and the ultimately failed Cultural Center project, one learns about the Newark that African Americans migrated to, what they found when they got there, how living in the city changed them, and how they, individually and collectively, changed Newark.

After the Cultural Center project was officially halted in 2000, the cassette tapes of the oral history interviews were stored away at the Newark Public Library. Ten years later they were unearthed, and ultimately digitized. As of yet, no one has applied these sources directly to their research. Deeply committed to these rich, insightful stories, Singer calls for a more thoughtful consideration of all cities, reminding us that Newark is much more than its 1967 rebellion.
 
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Alien

Reflections on Being an Immigrant

Sandro Galea

University of Chicago Press, 2026

A personal treatise from distinguished social scientist Sandro Galea on the indelible effects of being an immigrant—and what it means for the greater good.

“I am one of the lucky ones,” writes Sandro Galea. Galea left home in Malta at fourteen with his parents and sister as the island was rocked by political turmoil. The family made their way to Canada and Galea, in turn, eventually made his way to the United States. This is the story of Galea’s long, surreal journey of forging a life in a series of new and unfamiliar places.

With spare and deeply affecting prose, Alien is a poignant exploration of what it means to build a life across borders—and why it’s important for all of us. Galea’s intimate and personal story frames the experience of being an immigrant in terms of its indelible lessons on adaptation, identity, belonging, and shared generosity. Galea also captures at once the joys and the uncertainties that define the process of uprooting one life to begin another abroad. His is a reflection on empathy, on precarity, and on the effect of immigrating, in which one becomes keenly aware of how quickly life—and the world—can change.

Blending philosophical inquiry and personal story, Alien bridges the gap between storytelling and scholarship and, in doing so, gifts us an essential aperture on the world not everyone experiences—and the value of having those who do.

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Alienated Women

A Study on Polish Women's Writing, 1845 -1918

Grazyna Borkowska

Central European University Press, 2001

Women’s studies are still in their infancy in Poland and this pioneering book is one of the most comprehensive and well-researched studies on nineteenth-century Polish women prose writers. Selecting writers that reflect the most turbulent time in Polish women’s literature, such as Klementyna Hoffmanowa, Narcyza Zmichovska, Eliza Orzeszkowa and Zofia Nalkowska. Borkowska’s approach of major feminist theories and post-feminist thought results in astonishing findings that throw new light on Polish women writers and their contribution to European thought. The author’s intelligent and effective use of feminist criticism and clarity of thought make Alienated Women a landmark study, suitable for (all students) and scholars of Polish literature, women’s studies and feminist theory.
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cover of Alienhood: Citizenship, Exile, And The Logic Of Difference

Alienhood

Citizenship, Exile, And The Logic Of Difference

Katarzyna Marciniak

University of Minnesota Press, 2006

“Alien” has a double meaning in the United States, suggesting both “foreigner” and “extraterrestrial creature.” In Alienhood, Katarzyna Marciniak explores this semantic duality. Interrogating the dominant images of aliens in American popular culture—and in legal, historical, linguistic, and literary discourses—Marciniak examines “alienhood” and the impact it has on the daily experiences of migrants, legal or illegal.

Using examples from exilic literature and cinema, including the works of Julia Alvarez, Eva Hoffman, Gregory Nava, and Roman Polanski, Alienhood theorizes multicultural experiences of liminal characters that belong in the interstices between nations. Investigating gendered, racialized, and ideological formations of “aliens,” Marciniak’s readings put into dialogue narratives from both the second world and the third world in relation to “first worldness.” This dialogue problematizes the meanings of “transnational” and brings the so-called second world into these debates. In doing so, Marciniak reorients the study of immigrant or exile subjects beyond the celebrated notion of transnationalism.

With its unique focus on “aliens” in relation to discourses of immigration, exile, and displacement, Alienhood shows how transnationality is, for many dislocated people, an unattainable privilege.

Katarzyna Marciniak is associate professor of English at Ohio University.
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cover of Aliens R Us: The Other in Science Fiction Cinema

Aliens R Us

The Other in Science Fiction Cinema

Edited by Ziauddin Sardar and Sean Cubitt

Pluto Press, 2002

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cover of Aliens: An Anthropology of Science Fiction

Aliens

An Anthropology of Science Fiction

Edited by George E. Slusser and Eric S. Rabkin

Southern Illinois University Press, 1987

How and when does there come to be an “an­thropology of the alien?” This set of essays, written for the eighth J. Lloyd Eaton Confer­ence on Fantasy and Science Fiction, is con­cerned with the significance of that question. “[Anthropology] is the science that must desig­nate the alien ifit is to redefine a place for itself in the universe,” according to the Introduction.

The idea of the alien is not new. In the Re­naissance, Montaigne’s purpose in describing an alien encounter was excorporation—man­kind was the “savage” because the artificial devices of nature controlled him. Shake­speare’s version of the alien encounter was in­corporation; his character of Caliban is brought to the artificial, political world of man and incor­porated into the body politic

“The essays in this volume . . . show, in their general orientation, that the tribe of

Shakespeare still, in literary studies at least, outnumbers that of Montaigne.” These essays show the interrelation of the excorporating pos­sibilities to the internal soundings of the alien encounter within the human mind and form.

This book is divided into three parts: “Searchings: The Quest for the Alien” includes “The Aliens in Our Mind,” by Larry Niven; “Effing the Ineffable,” by Gregory Benford; “Border Patrols,” by Michael Beehler; “Alien Aliens,” by Pascal Ducommun; and “Metamorphoses of the Dragon,” by George E. Slusser.

“Sightings: The Aliens among Us” includes “Discriminating among Friends,” by John Huntington; “Sex, Superman, Sociobiology,” by Joseph D. Miller; “Cowboys and Telepaths,” by Eric S. Rabkin; “Robots,” by Noel Perrin; “Aliens in the Supermarket,” by George R. Guffey; and “Aliens ‘R’ U.S.,” by Zoe Sofia.

“Soundings: Man as the Alien” includes “H. G. Wells’ Familiar Aliens,” by John R. Reed; “Inspiration and Possession,” by Clayton Koelb; “Cybernauts in Cyberspace,” by David Porush; “The Human Alien,” by Leighton Brett Cooke; “From Astarte to Barbie,” by Frank McConnell; and “An Indication of Monsters;” by Colin Greenland.
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cover of Alimentary Tracts: Appetites, Aversions, and the Postcolonial

Alimentary Tracts

Appetites, Aversions, and the Postcolonial

Parama Roy

Duke University Press, 2010

In Alimentary Tracts Parama Roy argues that who eats and with whom, who starves, and what is rejected as food are questions fundamental to empire, decolonization, and globalization. In crucial ways, she suggests, colonialism reconfigured the sensorium of colonizer and colonized, generating novel experiences of desire, taste, and appetite as well as new technologies of the embodied self. For colonizers, Indian nationalists, diasporic persons, and others in the colonial and postcolonial world orders, the alimentary tract functioned as an important corporeal, psychoaffective, and ethicopolitical contact zone, in which questions of identification, desire, difference, and responsibility were staged.

Interpreting texts that have addressed cooking, dining, taste, hungers, excesses, and aversions in South Asia and its diaspora since the mid-nineteenth century, Roy relates historical events and literary figures to tropes of disgust, abstention, dearth, and appetite. She analyzes the fears of pollution and deprivation conveyed in British accounts of the so-called Mutiny of 1857, complicates understandings of Mohandas K. Gandhi’s vegetarianism, examines the “famine fictions” of the novelist-actor Mahasweta Devi, and reflects on the diasporic cookbooks and screen performances of Madhur Jaffrey. This account of richly visceral global modernity furnishes readers with a new idiom for understanding historical action and cultural transformation.

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cover of Alive in the Sound: Black Music as Counterhistory

Alive in the Sound

Black Music as Counterhistory

Ronald Radano

Duke University Press, 2025

In Alive in the Sound, Ronald Radano proposes a new understanding of US Black music by focusing on the key matter of value, manifested musically in its seemingly embodied qualities—spirit, soul, and groove. While acknowledging these qualities are always embedded in Black music, Radano shows they developed not simply from performance but from musicians’ status as laborers inhabiting an enduring racial-economic contradiction: Black music originated publicly as an exchangeable property owned by people whose subhuman status granted them—as “natural” musicians—indelible properties of sound. As a contradiction of the rules of ownership, wherein enslaved property was forbidden the right to own, modern Black music emerges after emancipation as a primary possession, moving dialectically into commercial markets and counterhistorically back into Black worlds. Slavery’s seminal contests of ownership underlie modern musical sensations of aliveness, which become the chief measure of value in popular music. By reconceiving US Black music history as a history of value, Radano rethinks the music’s place in US and global culture.
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cover of Alive in the Writing: Crafting Ethnography in the Company of Chekhov

Alive in the Writing

Crafting Ethnography in the Company of Chekhov

Kirin Narayan

University of Chicago Press, 2012

Anton Chekhov is revered as a boldly innovative playwright and short story writer—but he wrote more than just plays and stories. In Alive in the Writing—an intriguing hybrid of writing guide, biography, and literary analysis—anthropologist and novelist Kirin Narayan introduces readers to some other sides of Chekhov: his pithy, witty observations on the writing process, his life as a writer through accounts by his friends, family, and lovers, and his venture into nonfiction through his book Sakhalin Island. By closely attending to the people who lived under the appalling conditions of the Russian penal colony on Sakhalin, Chekhov showed how empirical details combined with a literary flair can bring readers face to face with distant, different lives, enlarging a sense of human responsibility.

Highlighting this balance of the empirical and the literary, Narayan calls on Chekhov to bring new energy to the writing of ethnography and creative nonfiction alike. Weaving together selections from writing by and about him with examples from other talented ethnographers and memoirists, she offers practical exercises and advice on topics such as story, theory, place, person, voice, and self. A new and lively exploration of ethnography, Alive in the Writing shows how the genre’s attentive, sustained connection with the lives of others can become a powerful tool for any writer.

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cover of All Anybody Ever Wanted of Me Was to Work: The Memoirs of Edith Bradley Rendleman

All Anybody Ever Wanted of Me Was to Work

The Memoirs of Edith Bradley Rendleman

Edith Bradley Rendleman. Edited by Jane Adams

Southern Illinois University Press, 1996

From All Anybody Ever Wanted of Me Was to Work...

"Starting around 1950, people stopped raising chickens, milking cows, and raising hogs. They just buy it at the store, ready to eat. A lot buy a steer and have it processed in Dongola and put it in their freezer. What a difference! Girls have got it so easy now. They don't even know what it was like to start out. And I guess my mother's life, when she started out, was as hard again as mine, because they had to make everything by hand. I don't know if it could get any easier for these girls. But they don't know what it was like, and they never will. Everything is packaged. All you do is go to the store and buy you a package and cook it. Automatic washers and dryers. I'm glad they don't have to work like I did. Very glad."

Edith Bradley Rendleman's story of her life in southern Illinois is remarkable in many ways. Recalling the first half of the twentieth century in great detail, she vividly cites vignettes from her childhood as her family moved from farm to farm until settling in 1909 in the Mississippi bottoms of Wolf Lake. She recounts the lives and times of her family and neighbors during an era gone forever.

Remarkable for the vivid details that evoke the past, Rendleman's account is rare in another respect: memoirs of the time—usually written by people from elite or urban families—often reek of nostalgia. But Rendleman's memoir differs from the norm. Born poor in rural southern Illinois, she tells an unvarnished tale of what it was really like growing up on a tenant farm early this century.

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