1116 books match the query 'Africa' and 141 start with a

cover of African Activists of the Twentieth Century: Hani, Maathai, Mpama/Palmer, Saro-Wiwa

African Activists of the Twentieth Century

Hani, Maathai, Mpama/Palmer, Saro-Wiwa

Hugh Macmillan

Ohio University Press, 2022

An omnibus collection of concise and up-to-date biographies of four influential figures from modern African history.

Chris Hani, by Hugh Macmillan
Chris Hani was one of the most highly respected leaders of the African National Congress, the South African Communist Party, and uMkhonto we Sizwe. His assassination in 1993 threatened to upset the country’s transition to democracy and prompted an intervention by Nelson Mandela that ultimately accelerated apartheid’s demise.

Wangari Maathai, by Tabitha Kanogo
This concise biography tells the story of Wangari Maathai, the Kenyan activist and Nobel Peace Prize winner who devoted her life to campaigning for environmental conservation, sustainable development, democracy, human rights, gender equality, and the eradication of poverty.

Josie Mpama/Palmer: Get Up and Get Moving, by Robert R. Edgar
Highly critical of the patriarchal attitudes that hindered Black women’s political activism, South Africa’s Josie Mpama/Palmer was an outspoken advocate for women’s social and political equality, a member of the Communist Party of South Africa, and an antiapartheid activist.

Ken Saro-Wiwa, by Roy Doron and Toyin Falola
A penetrating, accessible portrait of the Nigerian activist whose execution galvanized the world. Ken Saro-Wiwa became a martyr and symbolized modern Africans’ struggle against military dictatorship, corporate power, and environmental exploitation.

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cover of African Animation: History, Culture, and Industry

African Animation

History, Culture, and Industry

Boukary Sawadogo

Rutgers University Press, 2027

Against the backdrop of the rising interest in African stories in mainstream media, African Animation looks at a more than century-old animation practice that remains largely unknown. Carefully organized, this book offers a comprehensive treatment that canvases animation from all over the continent, analyzing its history, socio-political contexts, artistic and technological development, visual cultures, and economic market conditions. African animation also contributes to the broader landscape of animation studies: how does our view of the history of animation change when we add an African perspective to the otherwise dominating perspectives of Hollywood, Japanese, and Korean animation? What does animation look and feel like in other parts of the world? African animation has always been there; this book helps us pay attention to it. This is a must-read for those interested in African animation, including artists, industry insiders, and fans.

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cover of African Apocalypse: The Story of Nontetha Nkwenkwe, a Twentieth-Century South African Prophet

African Apocalypse

The Story of Nontetha Nkwenkwe, a Twentieth-Century South African Prophet

Robert R. Edgar; Hilary SapireRobert R.

Ohio University Press, 1999

The devastating influenza epidemic of 1918 ripped through southern Africa. In its aftermath, revivalist and millenarian movements sprouted. Prophets appeared bearing messages of resistance, redemption, and renewal. African Apocalypse: The Story of Nontetha Nkwenkwe, A Twentieth-Century Prophet is the remarkable story of one such prophet, a middle-aged Xhosa woman named Nontetha. After surviving the deadly virus, Nontetha proclaimed that a series of dreams revealed to her that the influenza had been a punishment from God. Consequently, she embarked on a mission to reform her society. She imposed numerous prohibitions and rules on her followers. In a parallel movement, in 1919, millenarian Israelites congregated in the holy village of Ntabelanga, 100 miles north of Nontetha’s area, to await the end of the world. In May 1921, police killed nearly 200 Israelites near Queenstown in a showdown over attempts to expel the settlers. Accused of sedition by an alarmed government, Nontetha was committed to Fort Beaufort Mental Hospital in 1922. On Nontetha’s death in 1935, officials buried her in an unmarked pauper’s grave. In 1997, Edgar and Sapire located Nontetha’s grave. Of Edgar’s efforts to return Nontetha to her home, the New York Times said, “One would not expect, perhaps, that a mild-mannered professor from Howard University would turn out to be the Indiana Jones of South Africa.” African Apocalypse touches on a variety of themes, including African Christianity, gender, protest, the social history of madness, and the engagement of professional historians in contemporary issues.
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cover of African Art and Leadership

African Art and Leadership

Edited by Douglas Fraser and Herbert M. Cole

University of Wisconsin Press, 1972

A series of fourteen thought-provoking essays by art historians, anthropologists, and historians analyzes the complex interactions between art and leadership in sub-Saharan Africa. Amply and carefully illustrated throughout.
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cover of African Asylum at a Crossroads: Activism, Expert Testimony, and Refugee Rights

African Asylum at a Crossroads

Activism, Expert Testimony, and Refugee Rights

Iris Berger

Ohio University Press, 2015

African Asylum at a Crossroads: Activism, Expert Testimony, and Refugee Rights examines the emerging trend of requests for expert opinions in asylum hearings or refugee status determinations. This is the first book to explore the role of court-based expertise in relation to African asylum cases and the first to establish a rigorous analytical framework for interpreting the effects of this new reliance on expert testimony.

Over the past two decades, courts in Western countries and beyond have begun demanding expert reports tailored to the experience of the individual claimant. As courts increasingly draw upon such testimony in their deliberations, expertise in matters of asylum and refugee status is emerging as an academic area with its own standards, protocols, and guidelines. This deeply thoughtful book explores these developments and their effects on both asylum seekers and the experts whose influence may determine their fate.

Contributors: Iris Berger, Carol Bohmer, John Campbell, Katherine Luongo, E. Ann McDougall, Karen Musalo, Tricia Redeker Hepner, Amy Shuman, Joanna T. Tague, Meredith Terretta, and Charlotte Walker-Said.

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cover of African Democracies and African Politics

African Democracies and African Politics

M. A. Mohamed Salih

Pluto Press, 2001

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cover of African Diasporic Cinema: Aesthetics of Reconstruction

African Diasporic Cinema

Aesthetics of Reconstruction

Daniela Ricci

Michigan State University Press, 2020

African Diasporic Cinema: Aesthetics of Reconstruction analyzes the aesthetic strategies adopted by contemporary African diasporic filmmakers to express the reconstruction of identity. Having left the continent, these filmmakers see Africa as a site of representation and cultural circulation. The diasporic experience displaces the center and forges new syncretic identities. Through migratory movement, people become foreigners, Others—and in this instance, black. The African diasporic condition in the Western world is characterized by the intersection of various factors: being African and bearing the historical memory of the continent; belonging to a black minority in majority-white societies; and finally, having historically been the object of negative, stereotyped representation. As a result, quests for the self and self-reconstruction are frequent themes in the films of the African diaspora, and yet the filmmakers refuse to remain trapped in the confines of an assigned, rigid identity. Reflecting these complex circumstances, this book analyzes the contemporary diaspora through the prism of cultural hybridization and the processes of recomposing fragmented identities, out of which new identities emerge.
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cover of African Ecomedia: Network Forms, Planetary Politics

African Ecomedia

Network Forms, Planetary Politics

Cajetan Iheka

Duke University Press, 2021

In African Ecomedia, Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture. Iheka shows how, through visual media such as film, photography, and sculpture, African artists deliver a unique perspective on the socioecological costs of media production, from mineral and oil extraction to the politics of animal conservation. Among other works, he examines Pieter Hugo's photography of electronic waste recycling in Ghana and Idrissou Mora-Kpai's documentary on the deleterious consequences of uranium mining in Niger. These works highlight not only the exploitation of African workers and the vast scope of environmental degradation but also the resourcefulness and creativity of African media makers. They point to the unsustainability of current practices while acknowledging our planet's finite natural resources. In foregrounding Africa's centrality to the production and disposal of media technology, Iheka shows the important place visual media has in raising awareness of and documenting ecological disaster even as it remains complicit in it.
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cover of African Encounters with Domesticity

African Encounters with Domesticity

Karen Tranberg Hansen

Rutgers University Press, 1992

 Anthropologists usually think of domesticity as the activities related to the home and the family. Such activities have complex meanings associated with the sense of space, work, gender, and power. The contributors to this interdisciplinary collection of papers examine how indigenous African notions of domesticity interact with Western notions to transform the meaning of such activities. They explore the interactions of notions of domesticity in a number of settings in the twentieth century and the kinds of personal troubles and public issues these interactions have provoked. They also demonstrate that domesticity, as it emerged in Africa through the colonial encounter, was culturally constructed, and they show how ideologies of work, space, and gender interact with broader political-economic processes.

In her introduction, Hansen explains how the meaning of domesticity has changed and been contested in the West, specifies which of these shifting meanings are relevant in the African context, and summarizes the historical processes that have affected African ideologies of domesticity.
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cover of African Entrepreneurship: Muslim Fula Merchants in Sierra Leone

African Entrepreneurship

Muslim Fula Merchants in Sierra Leone

Alusine Jalloh

Ohio University Press, 1999

Between 1961 and 1978, Muslim Fula immigrants from different West African countries became one of the most successful mercantile groups in Freetown, the capital city of Sierra Leone. African Entrepreneurship, published by Ohio University Press on December 31, 1999, examines the commercial activities of Fula immigrants and their offspring in Sierra Leone. Author Alusine Jalloh explores the role of Islam in Fula commercial organizations and social relationships, as well as the connection between Fula merchants and politics.

Departing from the prevailing scholarship, Jalloh characterizes the Fula businesses as independent, rather than appendages of Western expatriate commerce. In addition to establishing successful businesses, Fula merchants established Islamic educational institutions for propogating the Muslim faith and promoting Islamic scholarship.

This study also examines the evolution of Fula chieftaincy from the colonial era to the postcolonial period and documents the importance of mercantile wealth and networks in the election of Fula chiefs in Freetown. African Entrepreneurship makes an important contribution to the understudied role of African business in Sierra Leone.
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cover of African Exodus: Migration and the Future of Europe

African Exodus

Migration and the Future of Europe

Asfa-Wossen Asserate

Haus Publishing, 2018

In 2015, an unprecedented number of people from Africa and the Near East took flight and sought refuge in Europe. By the end of that year, some 1.8 million migrants had arrived in the EU, the vast majority having come across the Mediterranean. Since then, despite measures to host some of the people fleeing the Syrian war in Turkey and concurrent attempts to physically seal off some borders in Eastern Europe, the numbers of refugees traveling to Europe has continued to top half a million annually.  A mass migration on a scale not witnessed in modern times is underway, and it has presented Europe with its greatest challenge of the twenty-first century.

Asfa-Wossen Asserate argues here that building higher fences or finding more effective methods of integration will only, in the long term, perpetuate rather than solve the problems associated with these large numbers of displaced refugees. We need to realize that we are only treating the symptoms of an oncoming catastrophe and that, if we are to respond to mass migration, we will ultimately have to understand its causes. African Exodus places its emphasis firmly on the causes of the refugee crisis, which are to be found not least in Europe itself, and charts ways in which we might deal with it effectively in the long term.

In the course of this analysis, Asserate asks why our view of Africa—a troubled continent, but rich in so many ways—is so distorted. How can we combat the corrupt, authoritarian regimes that stymie progress and development? Why are millions fleeing to Europe? How is the EU complicit in the migration crisis? And finally, in practical terms: what can be done, and what prospects does the future hold?
 
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cover of African Filmmaking: Five Formations

African Filmmaking

Five Formations

Kenneth W. Harrow

Michigan State University Press, 2017

This volume attempts to join the disparate worlds of Egyptian, Maghrebian, South African, Francophone, and Anglophone African cinema—that is, five “formations” of African cinema. These five areas are of particular significance—each in its own way. The history of South Africa, heavily marked by apartheid and its struggles, differs considerably from that of Egypt, which early on developed its own “Hollywood on the Nile.” The history of French colonialism impacted the three countries of the Maghreb—Tunisia, Algeria, and Morocco—differently than those in sub-Saharan Africa, where Senegal and Sembène had their own great effect on the Sahelian region. Anglophone Africa, particularly the films of Ghana and Nigeria, has dramatically altered the ways people have perceived African cinema for decades. History, geography, production, distribution, and exhibition are considered alongside film studies concerns about ideology and genre. This volume provides essential information for all those interested in the vital worlds of cinema in Africa since the time of the Lumière brothers.
 
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cover of African Fractals: Modern Computing and Indigenous Design

African Fractals

Modern Computing and Indigenous Design

Eglash, Ron

Rutgers University Press, 1999

Fractals are characterized by the repetition of similar patterns at ever-diminishing scales. Fractal geometry has emerged as one of the most exciting frontiers on the border between mathematics and information technology and can be seen in many of the swirling patterns produced by computer graphics. It has become a new tool for modeling in biology, geology, and other natural sciences.

Anthropologists have observed that the patterns produced in different cultures can be characterized by specific design themes. In Europe and America, we often see cities laid out in a grid pattern of straight streets and right-angle corners. In contrast, traditional African settlements tend to use fractal structures-circles of circles of circular dwellings, rectangular walls enclosing ever-smaller rectangles, and streets in which broad avenues branch down to tiny footpaths with striking geometric repetition. These indigenous fractals are not limited to architecture; their recursive patterns echo throughout many disparate African designs and knowledge systems.

Drawing on interviews with African designers, artists, and scientists, Ron Eglash investigates fractals in African architecture, traditional hairstyling, textiles, sculpture, painting, carving, metalwork, religion, games, practical craft, quantitative techniques, and symbolic systems. He also examines the political and social implications of the existence of African fractal geometry. His book makes a unique contribution to the study of mathematics, African culture, anthropology, and computer simulations.
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cover of African Futures: Essays on Crisis, Emergence, and Possibility

African Futures

Essays on Crisis, Emergence, and Possibility

Edited by Brian Goldstone and Juan Obarrio

University of Chicago Press, 2017

Civil wars, corporate exploitation, AIDS, and Ebola—but also democracy, burgeoning cities, and unprecedented communication and mobility: the future of Africa has never been more uncertain. Indeed, that future is one of the most complex issues in contemporary anthropology, as evidenced by the incredible wealth of ideas offered in this landmark volume. A consortium comprised of some of the most important scholars of Africa today, this book surveys an intellectual landscape of opposed perspectives in order to think within the contradictions that characterize this central question: Where is Africa headed?
           
The experts in this book address Africa’s future as it is embedded within various social and cultural forms emerging on the continent today: the reconfiguration of the urban, the efflorescence of signs and wonders and gospels of prosperity, the assorted techniques of legality and illegality, lotteries and Ponzi schemes, apocalyptic visions, a yearning for exile, and many other phenomena. Bringing together social, political, religious, and economic viewpoints, the book reveals not one but multiple prospects for the future of Africa. In doing so, it offers a pathbreaking model of pluralistic and open-ended thinking and a powerful tool for addressing the vexing uncertainties that underlie so many futures around the world.  
 
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cover of African Hustler Narratives: E-Fraud Economy and Postmillennial Capitalism

African Hustler Narratives

E-Fraud Economy and Postmillennial Capitalism

Daniel Chukwuemeka

University of Michigan Press, 2027

Across contemporary African literature, hustlers appear as online scammers, sex workers, undocumented migrants, and others who pursue self-advancement through unconventional or compromising means. African Hustler Narratives asks what these figures reveal when we look beyond the familiar discourse of morality or criminality. Daniel Chukwuemeka argues that the hustler’s pursuit of self-advancement through improvised means constitutes a response to structural exclusion from global capitalism, which a purely moral or criminal framing misses entirely. 

Moving from earlier forms of hustling to the digital world of e-fraud, Chukwuemeka shows how African writers use these morally complicated figures to explore economic inequality and the difficult choices that arise when the neoliberal promise of opportunity collides with the realities of systemic exclusion. Chukwuemeka also extends the hustler motif to those who tell and study these stories. Though their work differs from the e-scammer’s, African writers and critics negotiate Global North publishing and academic valuation systems that reproduce the disparities they interrogate, making the e-scammer their doppelgänger.

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cover of African Intellectual Heritage

African Intellectual Heritage

Molefi Asante

Temple University Press, 1996

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cover of African Intellectuals and Decolonization

African Intellectuals and Decolonization

Nicholas M. Creary

Ohio University Press, 2012

Decades after independence for most African states, the struggle for decolonization is still incomplete, as demonstrated by the fact that Africa remains associated in many Western minds with chaos, illness, and disorder. African and non-African scholars alike still struggle to establish the idea of African humanity, in all its diversity, and to move Africa beyond its historical role as the foil to the West. As this book shows, Africa’s decolonization is an ongoing process across a range of fronts, and intellectuals—both African and non-African—have significant roles to play in that process. The essays collected here examine issues such as representation and retrospection; the roles of intellectuals in the public sphere; and the fundamental question of how to decolonize African knowledges. African Intellectuals and Decolonization outlines ways in which intellectual practice can serve to de-link Africa from its global representation as a debased, subordinated, deviant, and inferior entity. ContributorsLesley Cowling, University of the Witwatersrand Nicholas M. Creary, University at Albany Marlene De La Cruz, Ohio University Carolyn Hamilton, University of Cape Town George Hartley, Ohio University Janet Hess, Sonoma State University T. Spreelin McDonald, Ohio University Ebenezer Adebisi Olawuyi, University of Ibadan Steve Odero Ouma, University of Nairobi Oyeronke Oyewumi, State University of New York at Stony Brook Tsenay Serequeberhan, Morgan State University
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cover of African Intimacies: Race, Homosexuality, and Globalization

African Intimacies

Race, Homosexuality, and Globalization

Neville Hoad

University of Minnesota Press, 2007

There have been few book-length engagements with the question of sexuality in Africa, let alone African homosexuality. African Intimacies simultaneously responds to the public debate on the “Africanness” of homosexuality and interrogates the meaningfulness of the terms “sexuality” and “homosexuality” outside Euro-American discourse. Speculating on cultural practices interpreted by missionaries as sodomy and resistance to colonialism, Neville Hoad begins by analyzing the 1886 Bugandan martyrs incident—the execution of thirty men in the royal court. Then, in a series of close readings, he addresses questions of race, sex, and globalization in the 1965 Wole Soyinka novel The Interpreters, examines the emblematic 1998 Lambeth conference of Anglican bishops, considers the imperial legacy in depictions of the HIV/AIDS crisis, and reveals how South African writer Phaswane Mpe’s contemporary novel Welcome to Our Hillbrow problematizes notions of African identity and cosmopolitanism.Hoad’s assessment of the historical valence of homosexuality in Africa shows how the category has served a key role in a larger story, one in which sexuality has been made in line with a vision of white Western truth, limiting an understanding of intimacy that could imagine an African universalism.Neville Hoad is assistant professor of English at the University of Texas, Austin.
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cover of African Leaders of the Twentieth Century, Volume 2: Cabral, Machel, Mugabe, Sirleaf

African Leaders of the Twentieth Century, Volume 2

Cabral, Machel, Mugabe, Sirleaf

Allen F. Isaacman

Ohio University Press, 2022

This omnibus edition brings together concise and up-to-date biographies of Amílcar Cabral, Samora Machel, Robert Mugabe, and Ellen Johnson Sirleaf. African Leaders of the Twentieth Century, Volume 2 complements courses in history and political science and is an informative collection for general readers.

Amílcar Cabral: A Nationalist and Pan-Africanist Revolutionary, by Peter Karibe Mendy
Amílcar Cabral’s charismatic and visionary leadership, his pan-Africanist solidarity and internationalist commitment to “every just cause in the world,” remain relevant to contemporary struggles for emancipation and self-determination. This concise biography is an ideal introduction to his life and legacy.

Mozambique’s Samora Machel: A Life Cut Short, by Allen F. Isaacman and Barbara S. Isaacman
From his anti-colonial military leadership to the presidency of independent Mozambique, Samora Machel held a reputation as a revolutionary hero to the oppressed. Although killed in a 1987 plane crash, for many Mozambicans his memory lives on as a beacon of hope for the future.

Robert Mugabe, by Sue Onslow and Martin Plaut
For some, Zimbabwe’s Robert Mugabe was a liberation hero who confronted white rule and oversaw the radical redistribution of land. For others, he was a murderous dictator who drove his country to poverty. This concise biography reveals the complexity of the man who led Zimbabwe for its first decades of independence.

Ellen Johnson Sirleaf, by Pamela Scully
Nobel Peace Prize–winner and two-time Liberian president Ellen Johnson Sirleaf speaks to many of the key themes of the twenty-first century. Among these are the growing power of women in the arenas of international politics and human rights; the ravaging civil wars of the post–Cold War era in which sexual violence is used as a weapon; and the challenges of transitional justice in building postconflict societies.

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cover of African Leaders of the Twentieth Century: Biko, Selassie, Lumumba, Sankara

African Leaders of the Twentieth Century

Biko, Selassie, Lumumba, Sankara

Lindy Wilson

Ohio University Press, 2015

This omnibus edition brings together concise and up-to-date biographies of Steve Biko, Emperor Haile Selassie, Patrice Lumumba, and Thomas Sankara. African Leaders of the Twentieth Century will complement courses in history and political science and serve as a useful collection for the general reader. Steve Biko, by Lindy Wilson Steve Biko inspired a generation of black South Africans to claim their true identity and refuse to be a part of their own oppression. This short biography shows how fundamental he was to the reawakening and transformation of South Africa in the second half of the twentieth century and just how relevant he remains. Emperor Haile Selassie, by Bereket Habte Selassie Emperor Haile Selassie was an iconic figure of the twentieth century, a progressive monarch who ruled Ethiopia from 1916 to 1974. The fascinating story of the emperor¹s life is also the story of modern Ethiopia. Patrice Lumumba, by Georges Nzongola-Ntalaja Patrice Lumumba was a leader of the independence struggle in what is today the Democratic Republic of the Congo. Decades after his assassination, Lumumba remains one of the heroes of the twentieth-century Africanindependence movement. Thomas Sankara: An African Revolutionary, by Ernest Harsch Thomas Sankara, often called the African Che Guevara, was president of Burkina Faso, one of the poorest countries in Africa, until his assassination during the military coup that brought down his government. This is the first English-language book to tell the story of Sankara’s life and struggles.
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cover of African Miracle, African Mirage: Transnational Politics and the Paradox of Modernization in Ivory Coast

African Miracle, African Mirage

Transnational Politics and the Paradox of Modernization in Ivory Coast

Abou B. Bamba

Ohio University Press, 2016

Throughout the 1960s and 1970s, Ivory Coast was touted as an African miracle, a poster child for modernization and the ways that Western aid and multinational corporations would develop the continent. At the same time, Marxist scholars—most notably Samir Amin—described the capitalist activity in Ivory Coast as empty, unsustainable, and incapable of bringing real change to the lives of ordinary people. To some extent, Amin’s criticisms were validated when, in the 1980s, the Ivorian economy collapsed.

In African Miracle, African Mirage, Abou B. Bamba incorporates economics, political science, and history to craft a bold, transnational study of the development practices and intersecting colonial cultures that continue to shape Ivory Coast today. He considers French, American, and Ivorian development discourses in examining the roles of hydroelectric projects and the sugar, coffee, and cocoa industries in the country’s boom and bust. In so doing, he brings the agency of Ivorians themselves to the fore in a way not often seen in histories of development. Ultimately, he concludes that the “maldevelopment” evident by the mid-1970s had less to do with the Ivory Coast’s “insufficiently modern” citizens than with the conflicting missions of French and American interests within the context of an ever-globalizing world.

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cover of African Motors: Technology, Gender, and the History of Development

African Motors

Technology, Gender, and the History of Development

Joshua Grace

Duke University Press, 2021

In African Motors, Joshua Grace examines how Tanzanian drivers, mechanics, and passengers reconstituted the automobile into a uniquely African form between the late 1800s and the early 2000s. Drawing on hundreds of oral histories, extensive archival research, and his ethnographic fieldwork as an apprentice in Dar es Salaam's network of garages, Grace counters the pervasive narratives that Africa is incompatible with technology and that the African use of cars is merely an appropriation of technology created elsewhere. Although automobiles were invented in Europe and introduced as part of colonial rule, Grace shows how Tanzanians transformed them, increasingly associating their own car use with maendeleo, the Kiswahili word for progress or development. Focusing on the formation of masculinities based in automotive cultures, Grace also outlines the process through which African men remade themselves and their communities by adapting technological objects and systems for local purposes. Ultimately, African Motors is an African-centered story of development featuring everyday examples of Africans forging both individual and collective cultures of social and technological wellbeing through movement, making, and repair.
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cover of African Performance Arts and Political Acts

African Performance Arts and Political Acts

Naomi André, Yolanda Covington-Ward, and Jendele Hungbo, Editors

University of Michigan Press, 2021

African Performance Arts and Political Actspresents innovative formulations for how African performance and the arts shape the narratives of cultural history and politics. This collection, edited by Naomi André, Yolanda Covington-Ward, and Jendele Hungbo, engages with a breadth of African countries and art forms, bringing together speech, hip hop, religious healing and gesture, theater and social justice, opera, radio announcements, protest songs, and migrant workers’ dances. The spaces include village communities, city landscapes, prisons, urban hostels, Township theaters, opera houses, and broadcasts through the airwaves on television and radio as well as in cyberspace. Essays focus on case studies from Cameroon, the Democratic Republic of the Congo, Nigeria, Senegal, South Africa, and Tanzania.

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cover of African Pharmakon: The Asylum as Shrine from Slavery to the Return

African Pharmakon

The Asylum as Shrine from Slavery to the Return

Nana Osei Quarshie

University of Chicago Press, 2025

Explores how psychiatry in Ghana was never just about medicine; it was about migration, exile, and the politics of who gets to stay and who must be cast out.
 
For centuries, mental distress in West Africa has been subject to a mix of healing, harming, ritual, and regulation. In African Pharmakon, Nana Osei Quarshie questions conventional narratives about colonial psychiatry. Instead of displacing African therapeutic traditions, he argues, European psychiatric institutions in fact built upon them, adapting long-standing techniques of social control and healing.
 
With a focus on Ghana, Quarshie explores the shifting landscape of West African mental health practices, tracking their transformation from shrine-based rituals to colonial asylums and modern psychiatric institutions. Combining extensive archival research and ethnographic fieldwork, including the first scholarly examination of patient records from the Accra Psychiatric Hospital, Quarshie identifies five enduring techniques that have shaped the treatment of mental distress: spiritual pawning, logging, manhunting, mass expulsion, and pharmacotherapy.
 
Rejecting the simplistic opposition of Indigenous healing versus colonial oppression, African Pharmakon provides a nuanced account of how psychiatric care in Ghana became a tool of empowerment as well as exclusion. This pioneering study reframes our understanding of psychiatry and mental health governance in West Africa, past and present.
 
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cover of African Political Parties: Evolution, Institutionalisation and Governance

African Political Parties

Evolution, Institutionalisation and Governance

Edited by M. A. Mohamed Salih

Pluto Press, 2003

The authors of this collection interrogate the political health of African political parties and evaluate the theory and practice of party functions, ideology and structure. Through fresh analysis using a variety of case studies, they question the democratic credentials of African political parties and propose new methods for achieving inclusive, broad-based representation.

Themes include the evolution and institutionalisation of African political parties; the unique historical, political and social circumstances that shaped their structures and functions.Morten Bøås In the governance trajectory, the authors question the relationship between African political parties and government; political parties and representation; political parties and electoral systems; and political parties and parliament. Case studies include Ethiopia, Ghana, Kenya, Botswana, Namibia, South Africa, Tanzania, Zambia, Zimbabwe and many others.
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cover of African Print Cultures: Newspapers and Their Publics in the Twentieth Century

African Print Cultures

Newspapers and Their Publics in the Twentieth Century

Edited by Derek R. Peterson, Emma Hunter, and Stephanie Newell

University of Michigan Press, 2016

The essays collected in African Print Cultures claim African newspapers as subjects of historical and literary study. Newspapers were not only vehicles for anticolonial nationalism. They were also incubators of literary experimentation and networks by which new solidarities came into being. By focusing on the creative work that African editors and contributors did, this volume brings an infrastructure of African public culture into view.

The first of four thematic sections, “African Newspaper Networks,” considers the work that newspaper editors did to relate events within their locality to happenings in far-off places. This work of correlation and juxtaposition made it possible for distant people to see themselves as fellow travellers. “Experiments with Genre” explores how newspapers nurtured the development of new literary genres, such as poetry, realist fiction, photoplays, and travel writing in African languages and in English. “Newspapers and Their Publics” looks at the ways in which African newspapers fostered the creation of new kinds of communities and served as networks for public interaction, political and otherwise. The final section, “Afterlives, ” is about the longue durée of history that newspapers helped to structure, and how, throughout the twentieth century, print allowed contributors to view their writing as material meant for posterity.


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cover of African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms

African Rhythm and African Sensibility

Aesthetics and Social Action in African Musical Idioms

John M. Chernoff

University of Chicago Press, 1981

"We have in this book a Rosetta stone for mediating, or translating, African musical behavior and aesthetics."—Andrew Tracey, African Music

"John Miller Chernoff, who spent 10 years studying African drumming, has a flair for descriptive writing, and his first-person narratives should be easily understood by any reader, while ringing unmistakably true for the reader who has also been to West Africa."—Roderick Knight, Washington Post Book World

"Ethnomusicologists must be proud that their discipline has produced a book that will, beyond doubt, rank as a classic of African studies."—Peter Fryer, Research in Literatures

"A marvelous book. . . . Not many scholars will ever be able to achieve the kind of synthesis of 'doing' and 'writing about' their subject matter that Chernoff has achieved, but he has given us an excellent illustration of what is possible."—Chet Creider, Culture

"Chernoff develops a brilliant and penetrating musicological essay that is, at the same time, an intensely personal and even touching account of musical and cultural discovery that anyone with an interest in Africa can and should read. . . . No other writing comes close to approaching Chernoff's ability to convey a feeling of how African music 'works'"—James Koetting, Africana Journal

"Four stars. One of the few books I know of that talks of the political, social, and spiritual meanings of music. I was moved. It was so nice I read it twice."—David Byrne of "Talking Heads"

The companion cassette tape has 44 examples of the music discussed in the book. It consists of field recordings illustrating cross-rhythms, multiple meters, call and response forms, etc.
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cover of African Science: Witchcraft, Vodun, and Healing in Southern Benin

African Science

Witchcraft, Vodun, and Healing in Southern Benin

Douglas J. Falen

University of Wisconsin Press, 2020

In this sensitive and personal investigation into Benin's occult world, Douglas J. Falen wrestles with the challenges of encountering a reality in which magic, science, and the Vodun religion converge into a single universal force. He takes seriously his Beninese interlocutors' insistence that the indigenous phenomenon known as àze ("witchcraft") is an African science, credited with fantastic and productive deeds, such as teleportation and supernatural healing.

Although the Beninese understanding of àze reflects positive scientific properties in its use of specialized knowledge to harness nature's energy and realize economic success, its boundless power is inherently ambivalent because it can corrupt its users, who dispense death and destruction. Witches and healers are equivalent to supervillains and superheroes, locked in epic battles over malevolent and benevolent human desires. Beninese people's discourse about such mystical confrontations expresses a philosophy of moral duality and cosmic balance. Falen demonstrates how a deep engagement with another lived reality opens our minds and contributes to understanding across cultural difference.
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African Security

Local Issues and Global Connections

Abu Bakarr Bah

Ohio University Press, 2024

African Security: Local Issues and Global Connections provokes new ways of thinking about solutions to African security—solutions that consider the eclectic and sometimes disparate natures of African conflicts and that address both their domestic and their external dimensions. The book centers on the concept of glocalized security, which draws from sociological critiques that point to localization within globalization. This edited collection brings the concept of glocalization into African security studies by examining the fusion of domestic and external drivers of conflicts and how that relationship creates a glocalized security situation across Africa. The chapters in this volume engage the literature on domestic and external causes of conflicts in Africa, most notably issues of patrimonialism, ethnicity, natural resources, climate change, and geopolitics. These conflict drivers are woven in with known theories on security, such as neocolonialism, liberal peace, responsibility to protect (R2P), and collective security. The book presents rich qualitative and historical data, convincingly analyzed and theorized. Contributors: Folahanmi Aina, Alfred Babo, Abu Bakarr Bah, Noamane Cherkaoui, Nikolas Emmanuel, Tenley K. Erickson, John Mwangi Githigaro, Michael Nwankpa, Norman Sempijja, and Akram Zaoui
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cover of African Soccerscapes: How a Continent Changed the World’s Game

African Soccerscapes

How a Continent Changed the World’s Game

Peter Alegi

Ohio University Press, 2010

From Accra and Algiers to Zanzibar and Zululand, Africans have wrested control of soccer from the hands of Europeans, and through the rise of different playing styles, the rituals of spectatorship, and the presence of magicians and healers, have turned soccer into a distinctively African activity. African Soccerscapes explores how Africans adopted soccer for their own reasons and on their own terms. Soccer was a rare form of “national culture” in postcolonial Africa, where stadiums and clubhouses became arenas in which Africans challenged colonial power and expressed a commitment to racial equality and self-determination. New nations staged matches as part of their independence celexadbrations and joined the world body, FIFA. The Confédération africaine de football democratized the global game through antiapartheid sanctions and increased the number of African teams in the World Cup finals. In this compact, highly readable book Alegi shows that the result of this success has been the departure of huge numbers of players to overseas clubs and the growing influence of private commercial interests on the African game. But the growth of women’s soccer and South Africa’s hosting of the 2010 World Cup also challenge the one-dimensional notion of Africa as a backward, “tribal” continent populated by victims of war, corruption, famine, and disease.
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African Students in East Germany, 1949-1975

Sara Pugach

University of Michigan Press, 2022

This book explores the largely unexamined history of Africans who lived, studied, and worked in the German Democratic Republic. African students started coming to the East in 1951 as invited guests who were offered scholarships by the East German government to prepare them for primarily technical and scientific careers once they returned home to their own countries. Drawn from previously unexplored archives in Germany, Ghana, Kenya, Zambia, and the United Kingdom, African Students in East Germany, 1949–1975 uncovers individual stories and reconstructs the pathways that African students took in their journeys to the GDR and what happened once they got there. The book places these experiences within the larger context of German history, questioning how ideas of African racial difference that developed from the eighteenth through the early twentieth centuries impacted East German attitudes toward the students.

The book additionally situates African experiences in the overlapping contexts of the Cold War and decolonization. During this time, nations across the Western and Soviet blocs were inviting Africans to attend universities and vocational schools as part of a drive to offer development aid to newly independent countries and encourage them to side with either the United States or Soviet Union in the Cold War. African leaders recognized their significance to both Soviet and American blocs, and played on the desire of each to bring newly independent nations into their folds. Students also recognized their importance to Cold War competition, and used it to make demands of the East German state. The book is thus located at the juncture of many different histories, including those of modern Germany, modern Africa, the Global Cold War, and decolonization.

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cover of African Successes, Volume I: Government and Institutions

African Successes, Volume I

Government and Institutions

Edited by Sebastian Edwards, Simon Johnson, and David N. Weil

University of Chicago Press, 2016

Studies of African economic development frequently focus on the daunting challenges the continent faces. From recurrent crises to ethnic conflicts and long-standing corruption, a raft of deep-rooted problems has led many to regard the continent as facing many hurdles to raise living standards. Yet Africa has made considerable progress in the past decade, with a GDP growth rate exceeding five percent in some regions. The African Successes series looks at recent improvements in living standards and other measures of development in many African countries with an eye toward identifying what shaped them and the extent to which lessons learned are transferable and can guide policy in other nations and at the international level.
           
The first volume in the series, African Successes: Governments and Institutions considers the role governments and institutions have played in recent developments and identifies the factors that enable economists to predict the way institutions will function.
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African Successes, Volume II

Human Capital

Edited by Sebastian Edwards, Simon Johnson, and David N. Weil

University of Chicago Press, 2016

Studies of African economic development frequently focus on the daunting challenges the continent faces. From recurrent crises to ethnic conflicts and long-standing corruption, a raft of deep-rooted problems has led many to regard the continent as facing many hurdles to raise living standards. Yet Africa has made considerable progress in the past decade, with a GDP growth rate exceeding five percent in some regions. The African Successes series looks at recent improvements in living standards and other measures of development in many African countries with an eye toward identifying what shaped them and the extent to which lessons learned are transferable and can guide policy in other nations and at the international level.
           
The second volume in the series, African Successes: Human Capital turns the focus toward Africa’s human capital deficit, measured in terms of health and schooling. It offers a close look at the continent’s biggest challenges, including tropical disease and the spread of HIV.
         
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cover of African Successes, Volume III: Modernization and Development

African Successes, Volume III

Modernization and Development

Edited by Sebastian Edwards, Simon Johnson, and David N. Weil

University of Chicago Press, 2016

Studies of African economic development frequently focus on the daunting challenges the continent faces. From recurrent crises to ethnic conflicts and long-standing corruption, a raft of deep-rooted problems has led many to regard the continent as facing many hurdles to raise living standards. Yet Africa has made considerable progress in the past decade, with a GDP growth rate exceeding five percent in some regions. The African Successes series looks at recent improvements in living standards and other measures of development in many African countries with an eye toward identifying what shaped them and the extent to which lessons learned are transferable and can guide policy in other nations and at the international level.
           
The third volume in the series, African Successes: Modernization and Development looks at the rise in private production in spite of difficult institutional and physical environments. The volume emphasizes the ways that technologies, including mobile phones, have made growth in some areas especially dynamic.
       
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cover of African Successes, Volume IV: Sustainable Growth

African Successes, Volume IV

Sustainable Growth

Edited by Sebastian Edwards, Simon Johnson, and David N. Weil

University of Chicago Press, 2016

Studies of African economic development frequently focus on the daunting challenges the continent faces. From recurrent crises to ethnic conflicts and long-standing corruption, a raft of deep-rooted problems has led many to regard the continent as facing many hurdles to raise living standards. Yet Africa has made considerable progress in the past decade, with a GDP growth rate exceeding five percent in some regions. The African Successes series looks at recent improvements in living standards and other measures of development in many African countries with an eye toward identifying what shaped them and the extent to which lessons learned are transferable and can guide policy in other nations and at the international level.
           
The fourth volume in the series, African Successes: Sustainable Growth combines informative case studies with careful empirical analysis to consider the prospects for future African growth.
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cover of African Tales

African Tales

Compiled by Harold Scheub

University of Wisconsin Press, 2005

The latest work from Harold Scheub, one of the world's leading scholars of African folktales, is the broadest collection yet assembled with tales from the entire continent of Africa, north to south. It brings together mythic, fantastic, and coming-of-age tales, some transcribed more than a hundred years ago, others dating to modern-day Africa. Scheub includes the work of storytellers from major African language groups, as well as many storytellers whose work is not often heard outside of Africa. This anthology offers a classroom-ready collection that should appeal to any scholar of African literature and culture. Realizing that these tales are part of a dying art, Scheub writes for the inner ear in everyone, bringing an oral tradition to life in written form.
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cover of African Theatre for Development

African Theatre for Development

Edited by Kamal Salhi

Intellect Books, 1998

African Theatre for Development acts as a forum for investigating how African Theatre works and what its place is in this postmodern society. It provides the subject with a degree of detail unmatched in previous books, reflecting a new approach to the study of the performing arts in this region. The collection:

• reveals the dynamic position of the arts and culture in post-independent countries as well as changes in influences and audiences,
• shows African theatre to be about aesthetics and rituals, the sociological and the political, the anthropological and the historical,
• examines theatre's role as a performing art throughout the continent, representing ethnic identities and defining intercultural relationships,
• investigates African theatre's capacity to combine contemporary cultural issues into the whole artistic fabric of performing arts, and
• considers the variety of voices, forms and practices through which contemporary African intellectual circles are negotiating the forces of tradition and modernity.

The book provides an opportunity to discover contemporary material from experts, critics and artists from across the world. The contributions are in a language and style that allow them to be read either as aids to formal study or as elements of discussion to interest the general reader.
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cover of African Underclass: Urbanization, Crime & Colonial Order in Dar es Salaam 1919-61

African Underclass

Urbanization, Crime & Colonial Order in Dar es Salaam 1919-61

Andrew Burton

Ohio University Press, 2005

African Underclass examines the social, political, and administrative repercussions of rapid urbanization in colonial Dar es Salaam, and the evolution of official policy that viewed urbanization as inextricably linked with social disorder. This policy marginalized numbers of young Africans entering the town---and thus, paradoxically, the policy itself subverted the colonial order. "Well researched and sharply written---one of the best and most stimulating accounts of urbanization in Eastern Africa to have been produced in recent years."---John McCracken, emeritus professor of history, University of StirlingAndrew Burton is assistant director of the British Institute in Eastern Africa.
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cover of African Womanhood in Colonial Kenya, 1900–1950: 1900-1950

African Womanhood in Colonial Kenya, 1900–1950

1900-1950

Tabitha Kanogo

Ohio University Press, 2000

This book explores the history of African womanhood in colonial Kenya. By focussing on key sociocultural institutions and practices around which the lives of women were organized, and on the protracted debates that surrounded these institutions and practices during the colonial period, it investigates the nature of indigenous, mission, and colonial control of African women.

The pertinent institutions and practices include the legal and cultural status of women, clitoridectomy, dowry, marriage, maternity and motherhood, and formal education. By following the effects of the all-pervasive ideological shifts that colonialism produced in the lives of women, the study investigates the diverse ways in which a woman’s personhood was enhanced, diminished, or placed in ambiguous predicaments by the consequences, intended and unintended, of colonial rule as administered by both the colonizers and the colonized. The study thus tries to historicize the reworkings of women’s lives under colonial rule. The transformations that resulted from these reworkings involved the negotiation and redefinition of the meaning of individual liberties and of women’s agency, along with the reconceptualization of kinship relations and of community.

These changes resulted in—and often resulted from—increased mobility for Kenyan women, who were enabled to cross physical, cultural, economic, social, and psychological frontiers that had been closed to them prior to colonial rule. The conclusion to which the experiences of women in colonial Kenya points again and again is that for these women, the exercise of individual agency, whether it was newly acquired or repeatedly thwarted, depended in large measure on the unleashing of forces over which no one involved had control. Over and over, women found opportunities to act amid the conflicting policies, unintended consequences, and inconsistent compromises that characterized colonial rule.

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African Women Playwrights

Edited and with an Introduction by Kathy A. Perkins. Foreword by Amandina Lihamb

University of Illinois Press, 2008

This anthology consists of nine plays by a diverse group of women from throughout the African continent. The plays focus on a wide range of issues, such as cultural differences, AIDS, female circumcision, women's rights to higher education, racial and skin color identity, prostitution as a form of survival for young girls, and nonconformist women resisting old traditions. In addition to the plays themselves, this collection includes commentaries by the playwrights on their own plays, and editor Kathy A. Perkins provides additional commentary and a bibliography of published and unpublished plays by African women.

The playwrights featured are Ama Ata Aidoo, Violet R. Barungi, Tsitsi Dangarembga, Nathalie Etoke, Dania Gurira, Andiah Kisia, Sindiwe Magona, Malika Ndlovu (Lueen Conning), Juliana Okoh, and Nikkole Salter.

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cover of African Women Writing Resistance: An Anthology of Contemporary Voices

African Women Writing Resistance

An Anthology of Contemporary Voices

Jennifer Browdy de Hernandez

University of Wisconsin Press, 2010

African Women Writing Resistance is the first transnational anthology to focus on women’s strategies of resistance to the challenges they face in Africa today.  The anthology brings together personal narratives, testimony, interviews, short stories, poetry, performance scripts, folktales, and lyrics. Thematically organized, it presents women’s writing on such issues as intertribal and interethnic conflicts, the degradation of the environment, polygamy, domestic abuse, the controversial traditional practice of female genital cutting, Sharia law, intergenerational tensions, and emigration and exile.
    Contributors include internationally recognized authors and activists such as Wangari Maathai and Nawal El Saadawi, as well as a host of vibrant new voices from all over the African continent and from the African diaspora. Interdisciplinary in scope, this collection provides an excellent introduction to contemporary African women’s literature and highlights social issues that are particular to Africa but are also of worldwide concern.  It is an essential reference for students of African studies, world literature, anthropology, cultural studies, postcolonial studies, and women’s studies.
 
 
A Choice Outstanding Academic Book

Outstanding Book, selected by the Public Library Association

Best Books for High Schools, Best Books for Special Interests, and Best Books for Professional Use, selected by the American Association of School Libraries
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cover of Africanizing Oncology: Creativity, Crisis, and Cancer in Uganda

Africanizing Oncology

Creativity, Crisis, and Cancer in Uganda

Marissa Mika

Ohio University Press, 2021

An innovative contemporary history that blends insights from a variety of disciplines to highlight how a storied African cancer institute has shaped lives and identities in postcolonial Uganda. Over the past decade, an increasingly visible crisis of cancer in Uganda has made local and international headlines. Based on transcontinental research and public engagement with the Uganda Cancer Institute that began in 2010, Africanizing Oncology frames the cancer hospital as a microcosm of the Ugandan state, as a space where one can trace the lived experiences of Ugandans in the twentieth century. Ongoing ethnographic fieldwork, patient records, oral histories, private papers from US oncologists, American National Cancer Institute records, British colonial office reports, and even the architecture of the institute itself show how Ugandans understood and continue to shape ideas about national identity, political violence, epidemics, and economic life. Africanizing Oncology describes the political, social, technological, and biomedical dimensions of how Ugandans created, sustained, and transformed this institute over the past half century. With insights from science and technology studies and contemporary African history, Marissa Mika’s work joins a new wave of contemporary histories of the political, technological, moral, and intellectual aspirations and actions of Africans after independence. It contributes to a growing body of work on chronic disease and situates the contemporary urgency of the mounting cancer crisis on the continent in a longer history of global cancer research and care. With its creative integration of African studies, science and technology studies, and medical anthropology, Africanizing Oncology speaks to multiple scholarly communities.
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cover of Africans in Europe: The Culture of Exile and Emigration from Equatorial Guinea to Spain

Africans in Europe

The Culture of Exile and Emigration from Equatorial Guinea to Spain

Michael Ugarte

University of Illinois Press, 2013

What differentiates emigration from exile? This book delves theoretically and practically into this core question of population movements. Tracing the shifts of Africans into and out of Equatorial Guinea, it explores a small former Spanish colony in central Africa. Michael Ugarte examines the writings of Equatorial Guinean exiles and migrants, considering the underlying causes of such moves and arguing that the example of Equatorial Guinea is emblematic of broader dynamics of cultural exchange in a postcolonial world.

Based on personal stories of people forced to leave and those who left of their own accord, Africans in Europe captures the nuanced realities and widespread impact of mobile populations. By focusing on the geographical, emotional, and intellectual dynamics of Equatorial Guinea's human movements, readers gain an inroad to "the consciousness of an age" and an understanding of the global realities that will define the cultural, economic, and political currents of the twenty-first century.

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After Genocide

Memory and Reconciliation in Rwanda

Nicole Fox

University of Wisconsin Press, 2023

In the wake of unthinkable atrocities, it is reasonable to ask how any population can move on from the experience of genocide. Simply remembering the past can, in the shadow of mass death, be retraumatizing. So how can such momentous events be memorialized in a way that is productive and even healing for survivors? Genocide memorials tell a story about the past, preserve evidence of the violence that occurred, and provide emotional support to survivors. But the goal of amplifying survivors’ voices can fade amid larger narratives entrenched in political motivations.

In After Genocide,Nicole Fox investigates the ways memorials can shape the experiences of survivors decades after mass violence has ended. She examines how memorializations can both heal and hurt, especially when they fail to represent all genders, ethnicities, and classes of those afflicted. Drawing on extensive interviews with Rwandans, Fox reveals their relationships to these spaces and uncovers those voices silenced by the dominant narrative—arguing that the erasure of such stories is an act of violence itself. The book probes the ongoing question of how to fit survivors in to the dominant narrative of healing and importantly demonstrates how memorials can shape possibilities for growth, national cohesion, reconciliation, and hope for the future.

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After the TRC

Reflections on Truth and Reconciliation

Wilmot James

Ohio University Press, 2001

Has South Africa dealt effectively with the past, and is the country ready to face the future? What are the challenges facing both government and civil society in the years ahead? These and other questions are explored in this collection of essays by international and local commentators on the Truth and Reconciliation Commission.

A range of perspectives on whether the TRC met its objectives of truth and reconciliation is presented. The areas of particular contention-the payment of reparation, the granting of amnesty, and memorialization-are also examined.

Finally, the major challenges facing South Africa are identified, and ways of meeting these challenges and developing the assets of the nation are explored.

Contributors: Haribert Adam, Kanya Adam, Alex Boraine, Colin Bundy, Mary Burton, John de Gruchy, Richard Goldstone, Willem Heath, Wilmot James, Jeffrey Lever, Mahmood Mamdani, Gary Minkley, Njabulo Ndebele, Dumisa Ntsebeza, Kaizer Nyatsumba, Grace Naledi Pandor, Mamphela Ramphele, Ciraj Rassool, Albie Sachs, Patricia Valdez, Linda van de Vijver, Jan van Eck, Frederik Van Zyl Slabbert, Charles Villa-Vicencio, Francis Wilson, and Leslie Witz

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cover of After the Thrill Is Gone: A Decade of Post-Apartheid South Africa, Volume 103

After the Thrill Is Gone

A Decade of Post-Apartheid South Africa, Volume 103

Grant Farred and Rita Barnard, eds.

Duke University Press, 0

After the Thrill Is Gone is a serious appraisal of what South African democracy has yielded and has failed to yield in the era following the heady expectations of liberation from apartheid’s multiple repressions. Since that time, South Africa has revealed itself as a turbulent, dynamic nation. After the release of black political prisoners in 1990 and the first national democratic election in 1994, its citizens have witnessed a massive increase in crime, unemployment, and poverty and an educational system in chaos.

In a range of politically inflected essays by philosophers, community activists, political scientists, sociologists, literary scholars, and cultural and postcolonial theorists—many of whom are diasporic or resident South Africans—this special issue of SAQ provides a critical look at the realities of black majority governance, at the African National Congress, and at the costs of ANC rule to the populace. One essay draws a condemning sketch of poverty and violence in the townships and the growing communities of squatters that continue despite the emergence of democracy. A philosophical piece contemplates the practice of human rights in a South African society grappling with the memory of apartheid abuses. The fiction and poetry in the collection explore sexual identity, including issues created by the AIDS epidemic, and offer critiques of government policies. Using comic strips, another contributor demonstrates the ability of South African popular culture to satirize the nation’s political status quo. Taken together, the essays in After the Thrill Is Gone open a sobering perspective on South Africa’s recent history, its present, and its future.

Contributors. Rita Barnard, Patrick Bond, Ashwin Desai, Emmanuel Chukwudi Eze, Grant Fared, Michiel Heyns, Shaun Irlam, Neil Lazarus, Michael MacDonald, Zine Magubane, Richard Pithouse, Lesego Rampolokeng, Adam Sitze

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cover of Age of Concrete: Housing and the Shape of Aspiration in the Capital of Mozambique

Age of Concrete

Housing and the Shape of Aspiration in the Capital of Mozambique

David Morton

Ohio University Press, 2019

Age of Concrete is a history of the making of houses and homes in the subúrbios of Maputo (Lourenço Marques), Mozambique, from the late 1940s to the present. Often dismissed as undifferentiated, ahistorical “slums,” these neighborhoods are in fact an open-air archive that reveals some of people’s highest aspirations. At first people built in reeds. Then they built in wood and zinc panels. And finally, even when it was illegal, they risked building in concrete block, making permanent homes in a place where their presence was often excruciatingly precarious.

Unlike many histories of the built environment in African cities, Age of Concrete focuses on ordinary homebuilders and dwellers. David Morton thus models a different way of thinking about urban politics during the era of decolonization, when one of the central dramas was the construction of the urban stage itself. It shaped how people related not only to each other but also to the colonial state and later to the independent state as it stumbled into being.

Original, deeply researched, and beautifully composed, this book speaks in innovative ways to scholarship on urban history, colonialism and decolonization, and the postcolonial state. Replete with rare photographs and other materials from private collections, Age of Concrete establishes Morton as one of a handful of scholars breaking new ground on how we understand Africa’s cities.

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Agency in African History

Lauren V. Jarvis, Rachel M. Petrocelli, and Wallace Teska

Ohio University Press, 2027

Agency in African History is the first edited volume of African history to offer sustained engagement with the idea of agency. Agency is ubiquitous and invisible, contested and yet foundational to the field. These contradictory qualities contribute to the polarization of the term and a stalemate in debates surrounding its use. This volume proposes a way forward by breaking agency down into parts, disaggregating the terms and concepts often associated with agency, and reckoning with historians’ uses and misuses of the term. The book explores how agency has shaped the field of African history and the historical discipline more broadly. Tracing the concept back to the contributions of Black abolitionists and intellectuals in the eighteenth century, the volume challenges popular genealogies of agency in Western academe. Simultaneously, it suggests productive future possibilities for the framework.

The volume contributes to lively debates on the concept of agency in adjoining fields. Recent works in cultural theory, including Naminata Diabate’s Naked Agency (Duke University Press, 2020) and Olúf?´mi Táíwò’s Against Decolonisation (Hurst, 2022), have reinvigorated discussions within African studies about the applicability of agency. In the broader historical discipline, special issues of the Journal of Social History and the American Historical Review (both 2023) have centered on the problems and promises of agency as a historiographical framework, mostly from a Euro-American perspective. This volume makes an urgent intervention in these important conversations, arguing that historians of Africa must both adapt to new scholarly insights and contribute their unique perspectives from a field typically ignored in the formulation of world-historical concepts.

Agency in African History is addressed to historians of Africa and to a broader interdisciplinary audience interested in agency. This interdisciplinary audience includes scholars of African studies—cultural theorists, political scientists, anthropologists, and others—as well as historians of world regions beyond Africa. Individual contributions cover the seventeenth century to the present day and range in subject matter from histories of decolonization and international relations to the Atlantic slave trade, art history, urban studies, sports studies, and cultural theory.

Contributors

Mathew Ayodele
Felicitas Becker
Emily S. Burrill
Robin P. Chapdelaine
Kate Cowcher
Naminata Diabate
Walter Hawthorne
Lauren V. Jarvis
Rachel M. Petrocelli
Ian Read
Jodie Yuzhou Sun
Wallace Teska
Chepchirchir Tirop

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cover of Aid to Africa: So Much To Do, So Little Done

Aid to Africa

So Much To Do, So Little Done

Carol Lancaster

University of Chicago Press, 1999

Why, despite decades of high levels of foreign aid, has development been so disappointing in most of Sub-Saharan Africa, leading to rising numbers of poor and fueling political instabilities? While not ignoring the culpability of Africans in these problems, Carol Lancaster finds that much of the responsibility is in the hands of the governments and international aid agencies that provide assistance to the region. The first examination of its kind, Aid to Africa investigates the impact of bureaucratic politics, special interest groups, and public opinion in aid-giving countries and agencies. She finds that aid agencies in Africa often misdiagnosed problems, had difficulty designing appropriate programs that addressed the local political environment, and failed to coordinate their efforts effectively.

This balanced but tough-minded analysis does not reject the potential usefulness of foreign aid but does offer recommendations for fundamental changes in how governments and multilateral aid agencies can operate more effectively.

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