1563 books match the query 'African American & Black Studies' and 135 start with a

cover of Act Like You Know: African-American Autobiography and White Identity

Act Like You Know

African-American Autobiography and White Identity

Crispin Sartwell

University of Chicago Press, 1998

Frederick Douglass, Harriet Jacobs, W.E.B. DuBois, Zora Neale Hurston, Malcolm X—their words speak firmly, eloquently, personally of the impact of white America on the lives of African-Americans. Black autobiographical discourses, from the earliest slave narratives to the most contemporary urban raps, have each in their own way gauged and confronted the character of white society. For Crispin Sartwell, as philosopher, cultural critic, and white male, these texts, through their exacting insights and external perspective, provide a rare opportunity, a means of glimpsing and gaining access to contents and core of white identity.

There is, Sartwell contends, a fundamental elusiveness to that identity. Whiteness defines itself as normative, as a neutral form of the human condition, marking all other forms of identity as "racial" or "ethnic" deviations. Invisible to itself, white identity seeks to define its essence over and against those other identities, in effect defining itself through opposition and oppression. By maintaining fictions of black licentiousness, violence, and corruption, white identity is able to cast itself as humane, benevolent, and pure; the stereotype fabricates not only the oppressed but the oppressor as well. Sartwell argues that African-American autobiography perceives white identity from a particular and unique vantage point; one that is knowledgeable and intimate, yet fundamentally removed from the white world and thus unencumbered by its obfuscating claims to normativity.

Throughout this provocative work, Sartwell steadfastly recognizes the many ways in which he too is implicated in the formulation and perpetuation of racial attitudes and discourse. In Act Like You Know, he challenges both himself and others to take a long, hard look in the mirror of African-American autobiography, and to find there, in the light of those narratives, the visible features of white identity.
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cover of Activist Sentiments: Reading Black Women in the Nineteenth Century

Activist Sentiments

Reading Black Women in the Nineteenth Century

P. Gabrielle Foreman

University of Illinois Press, 2009

Activist Sentiments takes as its subject women who in fewer than fifty years moved from near literary invisibility to prolific productivity. Grounded in primary research and paying close attention to the historical archive, this book offers against-the-grain readings of the literary and activist work of Harriet Jacobs, Harriet Wilson, Frances E. W. Harper, Victoria Earle Matthews and Amelia E. Johnson.

Part literary criticism and part cultural history, Activist Sentiments examines nineteenth-century social, political, and representational literacies and reading practices. P. Gabrielle Foreman reveals how Black women's complex and confrontational commentary–often expressed directly in their journalistic prose and organizational involvement--emerges in their sentimental, and simultaneously political, literary production.

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cover of Adolescence in a Moroccan Town

Adolescence in a Moroccan Town

Davis, Susan S

Rutgers University Press, 1999

Adolescence is in many ways a culturally constructed category, with different meanings for different societies. Susan Schaefer Davis and Douglas A. Davis have studied adolescence in Zawiya, a town in northern Morocco. They examine changes in views of adolescence, changes in adolescent behavior, and differences in the adolescent experiences of boys and girls over the past few decades.

Rashid was eighteen in 1982, when he helped us understand the feelings and activities of young people in his neighborhood, no longer a boy but not quite a man. He liked to talk about how his feelings and his understanding had grown from the time described, when he was just a kid. He recalled his dreams and plans in one of the hundreds of conversations we had about adolescence in this Moroccan town. His generation of youth in "Zawiya," on the western edge of North Africa, are the subject of this book.
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cover of Adopted Territory: Transnational Korean Adoptees and the Politics of Belonging

Adopted Territory

Transnational Korean Adoptees and the Politics of Belonging

Eleana J. Kim

Duke University Press, 2010

Since the end of the Korean War, an estimated 200,000 children from South Korea have been adopted into white families in North America, Europe, and Australia. While these transnational adoptions were initiated as an emergency measure to find homes for mixed-race children born in the aftermath of the war, the practice grew exponentially from the 1960s through the 1980s. At the height of South Korea’s “economic miracle,” adoption became an institutionalized way of dealing with poor and illegitimate children. Most of the adoptees were raised with little exposure to Koreans or other Korean adoptees, but as adults, through global flows of communication, media, and travel, they have come into increasing contact with each other, Korean culture, and the South Korean state. Since the 1990s, as Korean children have continued to leave to be adopted in the West, a growing number of adult adoptees have been returning to Korea to seek their cultural and biological origins. In this fascinating ethnography, Eleana J. Kim examines the history of Korean adoption, the emergence of a distinctive adoptee collective identity, and adoptee returns to Korea in relation to South Korean modernity and globalization. Kim draws on interviews with adult adoptees, social workers, NGO volunteers, adoptee activists, scholars, and journalists in the U.S., Europe, and South Korea, as well as on observations at international adoptee conferences, regional organization meetings, and government-sponsored motherland tours.
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cover of Adventures in Shondaland: Identity Politics and the Power of Representation

Adventures in Shondaland

Identity Politics and the Power of Representation

Griffin, Rachel Alicia

Rutgers University Press, 2018

Innovator Award for Edited Collection from the Central States Communication Association (CSCA)

Shonda Rhimes is one of the most powerful players in contemporary American network television. Beginning with her break-out hit series Grey’s Anatomy, she has successfully debuted Private Practice, Scandal, How to Get Away with Murder, The Catch, For The People, and Station 19. Rhimes’s work is attentive to identity politics, “post-” identity politics, power, and representation, addressing innumerable societal issues. Rhimes intentionally addresses these issues with diverse characters and story lines that center, for example, on interracial friendships and relationships, LGBTIQ relationships and parenting, the impact of disability on familial and work dynamics, and complex representations of womanhood. This volume serves as a means to theorize Rhimes’s contributions and influence by inspiring provocative conversations about television as a deeply politicized institution and exploring how Rhimes fits into the implications of twenty-first century television.  
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cover of Affirmative Action in Medicine: Improving Health Care for Everyone

Affirmative Action in Medicine

Improving Health Care for Everyone

James L. Curtis, M.D.

University of Michigan Press, 2003

Affirmative action programs have significantly changed American medicine for the better, not only in medical school admissions and access to postgraduate training but also in bringing a higher quality of health care to all people. James L. Curtis approaches this important transition from historical, statistical, and personal perspectives. He tells how over the course of his medical education and career as a psychiatrist and professor--often as the first or only African American in his cohort--the status of minorities in the medical professions grew from a tiny percentage to a far more equitable representation of the American population.
Advancing arguments from his earlier book, Blacks, Medical Schools, and Society, Curtis evaluates the outcomes of affirmative action efforts over the past thirty years. He describes formidable barriers to minority access to medical-education opportunities and the resulting problems faced by minority patients in receiving medical treatment. His progress report includes a review of two thousand minority students admitted to U.S. medical schools in 1969, following them through graduation and their careers, comparing them with the careers of two thousand of their nonminority peers. These samples provide an important look at medical schools that, while heralding dramatic progress in physician education and training opportunity, indicates much room for further improvement.
A basic hurdle continues to face African Americans and other minorities who are still confined to segregated neighborhoods and inferior school systems that stifle full scholastic development. Curtis urges us as a nation to develop all our human resources through an expansion of affirmative action programs, thus improving health care for everyone.
James L. Curtis is Clinical Professor Emeritus of Psychiatry, Columbia University College of Physicians and Surgeons.
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cover of Africa in America: Slave Acculturation and Resistance in the American South and the British Caribbean, 1736-1831

Africa in America

Slave Acculturation and Resistance in the American South and the British Caribbean, 1736-1831

Michael Mullin

University of Illinois Press, 1992

Extensive archival and anecdotal sources support Michael Mullin's description of slavery as it was practiced in tidewater Virginia, on the rice coast of the Carolinas, and in Jamaica and Barbados. Drawing upon case histories, Mullin offers new and definitive information about how African people met and often overcame the challenges and deprivations of their new lives through religion, family life, and economic strategies.
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cover of African American Arts: Activism, Aesthetics, and Futurity

African American Arts

Activism, Aesthetics, and Futurity

weems, carrie mae

Bucknell University Press, 2020

Signaling such recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle Monáe, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S. The essays in African American Arts: Activism, Aesthetics, and Futurity engage readers in critical conversations by activists, scholars, and artists reflecting on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities. Scholars from the fields of communication, theater, queer studies, media studies, performance studies, dance, visual arts, and fashion design, to name a few, collectively ask: What are the connections between African American arts, the work of social justice, and creative processes? If we conceive the arts as critical to the legacy of Black activism in the United States, how can we use that construct to inform our understanding of the complicated intersections of African American activism and aesthetics? How might we as scholars and creative thinkers further employ the arts to envision and shape a verdant society?

Contributors: Carrie Mae Weems, Carmen Gillespie, Rikki Byrd, Amber Lauren Johnson, Doria E. Charlson, Florencia V. Cornet, Daniel McNeil, Lucy Caplan, Genevieve Hyacinthe, Sammantha McCalla, Nettrice R. Gaskins, Abby Dobson, J. Michael Kinsey, Shondrika Moss-Bouldin, Julie B. Johnson, Sharrell D. Luckett, Jasmine Eileen Coles, Tawnya Pettiford-Wates, Rickerby Hinds.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 
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cover of African American Foodways: Explorations of History and Culture

African American Foodways

Explorations of History and Culture

Edited by Anne L. Bower

University of Illinois Press, 2006

Ranging from seventeenth-century West African fare to contemporary fusion dishes using soul food ingredients, the essays in this book provide an introduction to many aspects of African American foodways and an antidote to popular misconceptions about soul food. Examining the combination of African, Caribbean, and South American traditions, the volume's contributors offer lively insights from history, literature, sociology, anthropology, and African American studies to demonstrate how food's material and symbolic values have contributed to African Americans' identity for centuries. Individual chapters examine how African foodways survived the passage into slavery, cultural meanings associated with African American foodways, and the contents of African American cookbooks, both early and recent.

Contributors are Anne L. Bower, Robert L. Hall, William C. Whit, Psyche Williams-Forson, Doris Witt, Anne Yentsch, Rafia Zafar.

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cover of African American Fraternal Associations and the History of Civil Society in the United States, Volume 28

African American Fraternal Associations and the History of Civil Society in the United States, Volume 28

Katherine A. Lynch, ed.

Duke University Press, 0

The role of African American fraternal organizations in black civic engagement has been largely overlooked by scholars of African American history. While scholars have traditionally emphasized the role of the black church, social clubs, and civil rights organizations, this special issue of Social Science History explores the significance of fraternal organizations of men and women in the African American community from Reconstruction to the mid-twentieth century. It illustrates how these organizations helped foster solidarity, build identity, and encourage collective action.

The contributors construct a historical portrait of black fraternal orders during the nineteenth and twentieth centuries. They argue that African Americans were more likely than whites to form fraternal orders and to sustain them, using them to guard members against unemployment and other misfortunes. They examine the ritual life of fraternal organizations, paying particular attention to rites of initiation and to the values they reflected about collective identity, gender relations, equality, and collective action. Finally, they show how social networks that black fraternal organizations fostered led to successful legal battles for the right to assemble and to the later civil rights movement of the twentieth century.

Contributors. Bayliss J. Camp, Marshall Ganz, Orit Kent, Ariane Liazos, Jennifer Lynn Oser, Theda Skocpol, Joe W. Trotter

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cover of African American History Reconsidered

African American History Reconsidered

Pero Gaglo Dagbovie

University of Illinois Press, 2010

This groundbreaking volume establishes new perspectives on black history--its scholarship and pedagogy, scholars and interpreters, and evolution as a profession.

Pero Gaglo Dagbovie discusses a wide range of issues and themes for understanding and analyzing African American history, the twentieth century black historical enterprise, and the teaching of African American history for the twenty-first century. Additional topics include the hip-hop generation's relationship to and interpretations of African American history; past, present, and future approaches to the subject; and the social construct of knowledge in African American historiography. An examination of definitions of black history from W. E. B. Du Bois's The Souls of Black Folk and a survey of early black women historians lend further dimension and authenticity to the volume. A bold contribution to the growing fields of African American historiography and the philosophy of black history, African American History Reconsidered offers numerous analytical frameworks for understanding and delving into a variety of dimensions of the African American historical experience.

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cover of African American Jeremiad Rev: Appeals For Justice In America

African American Jeremiad Rev

Appeals For Justice In America

David Howard-Pitney

Temple University Press, 2005

Begun by Puritans, the American jeremiad, a rhetoric that expresses indignation and urges social change, has produced passionate and persuasive essays and speeches throughout the nation's history. Showing that black leaders have employed this verbal tradition of protest and social prophecy in a way that is specifically African American, David Howard-Pitney examines the jeremiads of Frederick Douglass, Booker T. Washington, Ida B. Wells, W.E.B. DuBois, Mary McLeod Bethune, Martin Luther King, Jr., and Malcolm X, as well as more contemporary figures such as Jesse Jackson and Alan Keyes. This revised and expanded edition demonstrates that the African American jeremiad is still vibrant, serving as a barometer of faith in America's perfectibility and hope for social justice.This new edition features: * A new chapter on Malcolm X * An updated discussion of Jesse Jackson * A new discussion of Alan Keyes
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cover of African American Life in the Rural South, 1900-1950

African American Life in the Rural South, 1900-1950

Edited with an introduction by R. Douglas Hurt

University of Missouri Press, 2003

During the first half of the twentieth century, degradation, poverty, and hopelessness were commonplace for African Americans who lived in the South’s countryside, either on farms or in rural communities. Many southern blacks sought relief from these conditions by migrating to urban centers. Many others, however, continued to live in rural areas. Scholars of African American rural history in the South have been concerned primarily with the experience of blacks as sharecroppers, tenant farmers, textile workers, and miners. Less attention has been given to other aspects of the rural African American experience during the early twentieth century.
 
African American Life in the Rural South, 1900–1950 provides important new information about African American culture, social life, and religion, as well as economics, federal policy, migration, and civil rights. The essays particularly emphasize the efforts of African Americans to negotiate the white world in the southern countryside.
 
Filling a void in southern studies, this outstanding collection provides a substantive overview of the subject. Scholars, students, and teachers of African American, southern, agricultural, and rural history will find this work invaluable.
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cover of African American Organized Crime: A Social History

African American Organized Crime

A Social History

Schatzberg, Rufus

Rutgers University Press, 1997

While stories of organized crime most often dwell on groups like the Mafia and Chinese Triad or Tongs, African Americans also have a long history of organized crime. Why have scholars and journalists paid so little attention to African American organized crime? What can a history of these criminal networks teach us about the social, political, and economic challenges that face African Americans today? What is specific to African American organized crime, and how do these networks differ from the criminal organizations of other racial and ethnic groups? How can a historical study of African American organized crime enrich our understanding of all criminal activity?

Rufus Schatzberg and Robert Kelly take us through almost a century of African American organized crime. Chapters focus on the numbers gambling that took place in New York City from 1920 to 1940, the criminal groups that operated in ghettos from the 1940s to the 1970s, and the gang activities that began in the 1970s and continues today. While providing a compelling analysis of African American organized crime, the authors also challenge existing stereotypes of African Americans and demonstrate the importance of studying any criminal activity within its historical and social context.

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cover of African American Perspectives on Political Science

African American Perspectives on Political Science

edited by Wilbur C. Rich, foreword by Charles V. Hamilton

Temple University Press, 2007

Race matters in both national and international politics. Starting from this perspective, African American Perspectives on Political Science presents original essays from leading African American political scientists. Collectively, they evaluate the discipline, its subfields, the quality of race-related research, and omissions in the literature. They argue that because Americans do not fully understand the many-faceted issues of race in politics in their own country, they find it difficult to comprehend ethnic and racial disputes in other countries as well. In addition, partly because there are so few African Americans in the field, political science faces a danger of unconscious insularity in methodology and outlook. Contributors argue that the discipline needs multiple perspectives to prevent it from developing blind spots. Taken as a whole, these essays argue with great urgency that African American political scientists have a unique opportunity and a special responsibility to rethink the canon, the norms, and the directions of the discipline.
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cover of African American Political Thought: A Collected History

African American Political Thought

A Collected History

Edited by Melvin L. Rogers and Jack Turner

University of Chicago Press, 2021

African American Political Thought offers an unprecedented philosophical history of thinkers from the African American community and African diaspora who have addressed the central issues of political life: democracy, race, violence, liberation, solidarity, and mass political action. Melvin L. Rogers and Jack Turner have brought together leading scholars to reflect on individual intellectuals from the past four centuries, developing their list with an expansive approach to political expression. The collected essays consider such figures as Martin Delany, Ida B. Wells, W. E. B. Du Bois,  James Baldwin, Toni Morrison, and Audre Lorde, whose works are addressed by scholars such as Farah Jasmin Griffin, Robert Gooding-Williams, Michael Dawson, Nick Bromell, Neil Roberts, and Lawrie Balfour.

While African American political thought is inextricable from the historical movement of American political thought, this volume stresses the individuality of Black thinkers, the transnational and diasporic consciousness, and how individual speakers and writers draw on various traditions simultaneously to broaden our conception of African American political ideas.  This landmark volume gives us the opportunity to tap into the myriad and nuanced political theories central to Black life. In doing so, African American Political Thought: A Collected History transforms how we understand the past and future of political thinking in the West.
 
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cover of African American Religious History: A Documentary Witness

African American Religious History

A Documentary Witness

Milton C. Sernett, ed.

Duke University Press, 2000

This widely-heralded collection of remarkable documents offers a view of African American religious history from Africa and early America through Reconstruction to the rise of black nationalism, civil rights, and black theology of today. The documents—many of them rare, out-of-print, or difficult to find—include personal narratives, sermons, letters, protest pamphlets, early denominational histories, journalistic accounts, and theological statements. In this volume Olaudah Equiano describes Ibo religion. Lemuel Haynes gives a black Puritan’s farewell. Nat Turner confesses. Jarena Lee becomes a female preacher among the African Methodists. Frederick Douglass discusses Christianity and slavery. Isaac Lane preaches among the freedmen. Nannie Helen Burroughs reports on the work of Baptist women. African Methodist bishops deliberate on the Great Migration. Bishop C. H. Mason tells of the Pentecostal experience. Mahalia Jackson recalls the glory of singing at the 1963 March on Washington. Martin Luther King, Jr. writes from the Birmingham jail.
Originally published in 1985, this expanded second edition includes new sources on women, African missions, and the Great Migration. Milton C. Sernett provides a general introduction as well as historical context and comment for each document.
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cover of African American Urban History since World War II

African American Urban History since World War II

Edited by Kenneth L. Kusmer and Joe W. Trotter

University of Chicago Press, 2009

Historians have devoted surprisingly little attention to African American urban history ofthe postwar period, especially compared with earlier decades. Correcting this imbalance, African American Urban History since World War II features an exciting mix of seasoned scholars and fresh new voices whose combined efforts provide the first comprehensive assessment of this important subject.

The first of this volume’s five groundbreaking sections focuses on black migration and Latino immigration, examining tensions and alliances that emerged between African Americans and other groups. Exploring the challenges of residential segregation and deindustrialization, later sections tackle such topics as the real estate industry’s discriminatory practices, the movement of middle-class blacks to the suburbs, and the influence of black urban activists on national employment and social welfare policies. Another group of contributors examines these themes through the lens of gender, chronicling deindustrialization’s disproportionate impact on women and women’s leading roles in movements for social change. Concluding with a set of essays on black culture and consumption, this volume fully realizes its goal of linking local transformations with the national and global processes that affect urban class and race relations.

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cover of African American Women Writers in New Jersey, 1836-2000: A Biographical Dictionary and Bibliographic Guide

African American Women Writers in New Jersey, 1836-2000

A Biographical Dictionary and Bibliographic Guide

Moses, Sibyl E

Rutgers University Press, 2006

Selected as a "New Jersey Notable Book for 1995-2005" by the New Jersey Center for the Book
Awarded the 2004 Certificate of Commendation by the American Association for State and Local History​


African American Women Writers in New Jersey, 1836-2000 is the first and only reference book to identify and document the lives, intellectual contributions, and publications of over one hundred African American women writers in the Garden State from 1836 through 2000. Many, such as Jessie Redmon Fauset, Alice Perry Johnson, Sharon Bell Mathis, Ntozake Shange, Claudia C. Tate, Ruby Ora Williams, and Marion Thompson Wright, were born in the state. Others, like Amina Baraka, E. Alma Flagg, Helen Jackson Lee, Gertrude Williams Pitts, and Dorothy Porter Wesley, although not born there, were residents of New Jersey for more than fifteen years, and made significant contributions during that time.

This volume contains biographical and bibliographical information for each author. There are photographs of the writers as well as citations for their published pamphlets, books, reports, and articles. Sibyl E. Moses has enhanced the text with characteristic excerpts from the poetry and prose of selected writers. The two appendixes highlight the distribution of African American women writers in New Jersey both by city or town, and by genre.

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cover of African American Women and the Vote, 1837–1965

African American Women and the Vote, 1837–1965

Ann D. Gordon

University of Massachusetts Press, 1997

Written by leading scholars of African American and women's history, the essays in this volume seek to reconceptualize the political history of black women in the United States by placing them “at the center of our thinking.” The book explores how slavery, racial discrimination, and gender shaped the goals that African American women set for themselves, their families, and their race and looks at the political tools at their disposal. By identifying key turning points for black women, the essays create a new chronology and a new paradigm for historical analysis. The chronology begins in 1837 with the interracial meeting of antislavery women in New York City and concludes with the civil rights movement of the 1960s.

The contributors focus on specific examples of women pursuing a dual ambition: to gain full civil and political rights and to improve the social conditions of African Americans. Together, the essays challenge us to rethink common generalizations that govern much of our historical thinking about the experience of African American women.

Contributors include Bettina Aptheker, Elsa Barkley Brown, Willi Coleman, Gerald R. Gill, Ann D. Gordon, Evelyn Brooks Higginbotham, Cynthia Neverdon-Morton, Martha Prescod Norman, Janice Sumler-Edmond, Rosalyn Terborg-Penn, and Bettye Collier-Thomas.

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cover of African American Women in Congress

African American Women in Congress

Gill, LaVerne McCain

Rutgers University Press, 1997

Shirley Chisholm, the first Black woman in the U.S. House of Representatives, was elected in 1968. That was nearly a hundred years after the election of the first African American man to Congress and fifty years after the first woman. A quarter of a century after Chisholm's election, the first Black woman, Carol Moseley-Braun, was elected to the United States Senate. It was not until 1993, when ten additional Black women won seats in the 103rd Congress, that African American women were allowed to serve their country and their constituencies in any substantial numbers. In 1997 that historic moment will very likely be lost as congressional districts are redrawn by court order. This remarkable book by LaVerne Gill preserves the history of the struggles and accomplishments of these fifteen courageous women, and will move others to learn from and follow their example.

African American Women in Congress details the life and career histories of Shirley Chisholm, Barbara Jordan, Yvonne Burke, Cardiss Collins, Katie Hall, Eleanor Holmes Norton, Maxine Waters, Barbara-Rose Collins, Carol Moseley-Braun, Corinne Brown, Carrie Meek, Cynthia McKinney, Eva Clayton, Eddie Bernice Johnson, and Sheila Jackson-Lee. Each profile contains a picture of its subject, interview material, and resumés. Arranged chronologically, the book introduces the reader to issues of vital importance to the Black community—Reconstruction, enfranchisement, lynchings and harassment, civil rights struggles, the founding of advocacy groups, the power of the Congressional Black Caucus, the creation of majority minority districts that allowed greater representation in Congress, the struggle of largely Black Washington, D.C., for representation, and the recent dismantling of past gains by a Republican majority. Gill also describes the uphill battles for social justice and the rights of women that the fifteen women had to wage even within their own political parties, political organizations, and districts.

For general readers, high school and college students, and anyone interested in the political process, this book is illuminating and inspiring reading.
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cover of African Americans and Jews in the Twentieth Century: Studies in Convergence and Conflict

African Americans and Jews in the Twentieth Century

Studies in Convergence and Conflict

Edited by V.P. Franklin, Nancy L. Grant, Harold M. Kletnick, & Genna Rae McNeil

University of Missouri Press, 1998

In 1993 distinguished historian Nancy L. Grant organized "Blacks and Jews: An American Historical Perspective," a conference held at Washington University in St. Louis and dedicated to the exploration of Black-Jewish relations in twentieth-century America. Featuring presentations by historians, sociologists, and political scientists, this conference reflected Grant's devotion to scholarship on multicultural relations and the continuing struggle for racial equality in the United States. After Grant's untimely death in 1995, V. P. Franklin and the other contributors completed the work of readying these essays for publication with the assistance of the coeditors. African Americans and Jews in the Twentieth Century is the culmination of the innovative research and ideas presented at the conference.

In the long struggle to bring social justice to American society, Blacks and Jews have often been close allies. In both the past and the present, however, there has also been serious conflict and competition between the groups in social, economic, and political spheres.

Focusing on the complexity of the relationships between Blacks and Jews in America, these essays examine the convergence and conflict that have characterized Black-Jewish interactions over the past century. African Americans and Jews in the Twentieth Century provides an intellectual foundation for continued dialogue and future cooperative efforts to improve social justice in this society and will be an invaluable resource for the study of race relations in the United States in the twentieth century.

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cover of African Americans in U.S. Foreign Policy: From the Era of Frederick Douglass to the Age of Obama

African Americans in U.S. Foreign Policy

From the Era of Frederick Douglass to the Age of Obama

Edited by Linda Heywood, Allison Blakely, Charles Stith, and Joshua C. Yesnowitz

University of Illinois Press, 2015

Bookended by remarks from African American diplomats Walter C. Carrington and Charles Stith, the essays in this volume use close readings of speeches, letters, historical archives, diaries, memoirs of policymakers, and newly available FBI files to confront much-neglected questions related to race and foreign relations in the United States. Why, for instance, did African Americans profess loyalty and support for the diplomatic initiatives of a nation that undermined their social, political, and economic well-being through racist policies and cultural practices? Other contributions explore African Americans' history in the diplomatic and consular services and the influential roles of cultural ambassadors like Joe Louis and Louis Armstrong. The volume concludes with an analysis of the effects on race and foreign policy in the administration of Barack Obama.

Groundbreaking and critical, African Americans in U.S. Foreign Policy expands on the scope and themes of recent collections to offer the most up-to-date scholarship to students in a range of disciplines, including U.S. and African American history, Africana studies, political science, and American studies.

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cover of African Americans in the Furniture City: The Struggle for Civil Rights in Grand Rapids

African Americans in the Furniture City

The Struggle for Civil Rights in Grand Rapids

Randal Maurice Jelks

University of Illinois Press, 2006

African Americans in the Furniture City is unique not only in terms of its subject, but also for its framing of the African American struggle for survival, civil rights, and community inside a discussion of the larger white community. Examining the African-American community of Grand Rapids, Michigan between 1850 and 1954, Randal Maurice Jelks uncovers the ways in which its members faced urbanization, responded to structural racism, developed in terms of occupations, and shaped their communal identities.

Focusing on the intersection of African Americans' nineteenth-century cultural values and the changing social and political conditions in the first half of the twentieth century, Jelks pays particularly close attention to the religious community's influence during their struggle toward a respectable social identity and fair treatment under the law. He explores how these competing values defined the community's politics as it struggled to expand its freedoms and change its status as a subjugated racial minority.

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cover of African Intellectual Heritage

African Intellectual Heritage

Molefi Asante

Temple University Press, 1996

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cover of African or American?: Black Identity and Political Activism in New York City, 1784-1861

African or American?

Black Identity and Political Activism in New York City, 1784-1861

Leslie M. ALexander

University of Illinois Press, 2012

During the early national and antebellum eras, black leaders in New York City confronted the tenuous nature of Northern emancipation. Despite the hope of freedom, black New Yorkers faced a series of sociopolitical issues including the persistence of Southern slavery, the threat of forced removal, racial violence, and the denial of American citizenship. Even efforts to create community space within the urban landscape, such as the African Burial Ground and Seneca Village, were eventually demolished to make way for the city's rapid development. In this illuminating history, Leslie M. Alexander chronicles the growth and development of black activism in New York from the formation of the first black organization, the African Society, in 1784 to the eve of the Civil War in 1861. In this critical period, black activists sought to formulate an effective response to their unequal freedom. Examining black newspapers, speeches, and organizational records, this study documents the creation of mutual relief, religious, and political associations, which black men and women infused with African cultural traditions and values.

As Alexander reveals, conflicts over early black political strategy foreshadowed critical ideological struggles that would bedevil the black leadership for generations to come. Initially, black leaders advocated racial uplift through a sense of communalism and connection to their African heritage. Yet by the antebellum era, black activists struggled to reconcile their African identity with a growing desire to gain American citizenship. Ultimately, this battle resulted in competing agendas; while some leaders argued that the black community should dedicate themselves to moral improvement and American citizenship, others began to consider emigrating to Africa or Haiti. In the end, the black leadership resolved to assert an American identity and to expand their mission for full equality and citizenship in the United States. This decision marked a crucial turning point in black political strategy, for it signaled a new phase in the quest for racial advancement and fostered the creation of a nascent Black Nationalism. 

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cover of African-American Mayors: Race, Politics, and the American City

African-American Mayors

Race, Politics, and the American City

Edited by David R. Colburn and Jeffrey S. Adler

University of Illinois Press, 2001

On November 7, 1967, the voters of Cleveland, Ohio, and Gary, Indiana, elected the nation's first African-American mayors to govern their cities. Ten years later more than two hundred black mayors held office, and by 1993 sixty-seven major urban centers, most with majority-white populations, were headed by African Americans.

Once in office, African-American mayors faced vexing challenges. In large and small cities from the Sunbelt to the Rustbelt, black mayors assumed office during economic downturns and confronted the intractable problems of decaying inner cities, white flight, a dwindling tax base, violent crime, and diminishing federal support for social programs. Many encountered hostility from their own parties, city councils, and police departments; others worked against long-established power structures dominated by local business owners or politicians. Still others, while trying to respond to multiple demands from a diverse constituency, were viewed as traitors by blacks expecting special attention from a leader of their own race. All struggled with the contradictory mandate of meeting the increasing needs of poor inner-city residents while keeping white businesses from fleeing to the suburbs.

This is the first comprehensive treatment of the complex phenomenon of African-American mayors in the nation's major urban centers. Offering a diverse portrait of leadership, conflict, and almost insurmountable obstacles, this volume assesses the political alliances that brought black mayors to office as well as their accomplishments--notably, increased minority hiring and funding for minority businesses--and the challenges that marked their careers. Mayors profiled include Carl B. Stokes (Cleveland), Richard G. Hatcher (Gary), "Dutch" Morial (New Orleans), Harold Washington (Chicago), Tom Bradley (Los Angeles), Marion Barry (Washington, D.C.), David Dinkins (New York City), Coleman Young (Detroit), and a succession of black mayors in Atlanta (Maynard Jackson, Andrew Young, and Bill Campbell).Probing the elusive economic dimension of black power, African-American Mayors demonstrates how the same circumstances that set the stage for the victories of black mayors exaggerated the obstacles they faced.

[more]
cover of African-American Poetry of the Nineteenth Century: AN ANTHOLOGY

African-American Poetry of the Nineteenth Century

AN ANTHOLOGY

Edited by Joan R. Sherman

University of Illinois Press, 1992

In this bestselling companion to her pioneering study, Invisible Poets, Joan Sherman continues to make new generations aware of the "invisible" legacy of nineteenth-century black American poetry. The 171 poems here, by thirty-five men and women, have been transcribed
from first editions and are annotated in detail.
 
[more]
cover of Africana Studies: Theoretical Futures

Africana Studies

Theoretical Futures

Edited by Grant Farred

Temple University Press, 2022

As Africana Studies celebrates its fiftieth anniversary throughout the United States, this invigor ating collection presents possibilities for the future of the discipline’s theoretical paths. The essays in Africana Studies focus on philosophy, science, and technology; poetry, literature, and music; the crisis of the state; issues of colonialism, globalization, and neoliberalism; and the ever-expanding diaspora. The editor and contributors to this volume open exciting avenues for new narratives, philosophies, vision, and scale in this critical field of study—formed during the 1960s around issues of racial injustice in America—to show what Africana Studies is already in the process of becoming.

Africana Studies recognizes how the discipline has been shaped, changing over the decades as scholars have opened new modes of theoretical engagement such as addressing issues of gender and sexuality, politics, and cultural studies. The essays debate and (re)consider black and diasporic life to sustain, provoke, and cultivate Africana Studies as a singular yet polyvalent mode of thinking.

Contributors: Akin Adeṣọkan, John E. Drabinski, Zeyad El Nabolsy, Pierre-Philippe Fraiture, Kasareka Kavwahirehi, Gregory Pardlo, Radwa Saad, Sarah Then Bergh, and the editor

[more]
cover of Africana Thought, Volume 108

Africana Thought, Volume 108

Grant Farred, ed.

Duke University Press, 0

This special issue of South Atlantic Quarterly brings together scholars from a range of disciplines—including philosophy, anthropology, and literature—who are committed to thinking about the condition of contemporary black life. Moving among Africa, the United States, and the Caribbean, this issue demonstrates the vibrancy and historical roots of Africana thought and philosophy.

One essay reveals the intricate richness of Africana thought, moving through psychoanalysis, folktales, Western metaphysics, and a critique of the political. Another essay offers a cautionary tale about the prospects for black life in the United States, even in the wake of Barack Obama’s historic political victory. A third essay argues that a “dead zone”—a place where black lives are lost, where hopes are dashed, where history has failed the black subject—exists between the black elite and the disenfranchised black underclass. Still another essay addresses how the discourse about the political has triumphed over everything else in considerations of colonialism and its aftermath and proposes that a turn to culture might offer a new thinking of black futures.

[more]
cover of Africans and Native Americans: The Language of Race and the Evolution of Red-Black Peoples

Africans and Native Americans

The Language of Race and the Evolution of Red-Black Peoples

Jack D. Forbes

University of Illinois Press, 1993

Jack D. Forbes's monumental Africans and Native Americans has become a canonical text in the study of relations between the two groups. Forbes explores key issues relating to the evolution of racial terminology and European colonialists' perceptions of color, analyzing the development of color classification systems and the specific evolution of key terms such as black, mulatto, and mestizo--terms that no longer carry their original meanings. Forbes also presents strong evidence that Native American and African contacts began in Europe, Africa, and the Caribbean.
[more]
cover of Afrindian Fictions: Diaspora, Race, and National Desire in South Africa

Afrindian Fictions

Diaspora, Race, and National Desire in South Africa

Pallavi Rastogi

The Ohio State University Press, 2008

In the first published book-length study of Indian fiction in South Africa, Pallavi Rastogi demonstrates that Indians desire South African citizenship in the fullest sense of the word, a longing for inclusion that is asserted through an “Afrindian” identity. Afrindian Fictions: Diaspora, Race, and National Desire in South Africa examines Afrindian identity and blurs the racial binary of black and white interaction in South African studies as well as unsettles the East-West paradigm of migration dominant in South Asian diaspora studies.
 
While offering incisive analyses of the work of the most important South African Indian writers today—Ahmed Essop, Farida Karodia, Achmat Dangor, Imraan Coovadia, and Praba Moodley among others—the author also places South African Indian fiction within broader literary traditions. Rastogi’s project of recovery shines a light on the rich but neglected literature by South African Indians. The book closes with interviews conducted with six key South African Indian writers. Here the authors not only reflect on their own writing but also comment on many of the issues raised in the book itself, particularly the role of Indians in South Africa today, and the status of South African Indian writing.
 
Afrindian Fictions is a valuable introduction to South African Indian literature as well as a major interrogation of some of the foundational notions of post-colonial literary studies.
 
[more]
cover of Afro Asia: Revolutionary Political and Cultural Connections between African Americans and Asian Americans

Afro Asia

Revolutionary Political and Cultural Connections between African Americans and Asian Americans

Fred Ho and Bill V. Mullen, eds.

Duke University Press, 2008

With contributions from activists, artists, and scholars, Afro Asia is a groundbreaking collection of writing on the historical alliances, cultural connections, and shared political strategies linking African Americans and Asian Americans. Bringing together autobiography, poetry, scholarly criticism, and other genres, this volume represents an activist vanguard in the cultural struggle against oppression.

Afro Asia opens with analyses of historical connections between people of African and of Asian descent. An account of nineteenth-century Chinese laborers who fought against slavery and colonialism in Cuba appears alongside an exploration of African Americans’ reactions to and experiences of the Korean “conflict.” Contributors examine the fertile period of Afro-Asian exchange that began around the time of the 1955 Bandung Conference, the first meeting of leaders from Asian and African nations in the postcolonial era. One assesses the relationship of two important 1960s Asian American activists to Malcolm X and the Black Panthers. Mao Ze Dong’s 1963 and 1968 statements in support of black liberation are juxtaposed with an overview of the influence of Maoism on African American leftists.

Turning to the arts, Ishmael Reed provides a brief account of how he met and helped several Asian American writers. A Vietnamese American spoken-word artist describes the impact of black hip-hop culture on working-class urban Asian American youth. Fred Ho interviews Bill Cole, an African American jazz musician who plays Asian double-reed instruments. This pioneering collection closes with an array of creative writing, including poetry, memoir, and a dialogue about identity and friendship that two writers, one Japanese American and the other African American, have performed around the United States.

Contributors: Betsy Esch, Diane C. Fujino, royal hartigan, Kim Hewitt, Cheryl Higashida, Fred Ho,
Everett Hoagland, Robin D. G. Kelley, Bill V. Mullen, David Mura, Ishle Park, Alexs Pate, Thien-bao Thuc Phi, Ishmael Reed, Kalamu Ya Salaam, Maya Almachar Santos, JoYin C. Shih, Ron Wheeler, Daniel Widener, Lisa Yun

[more]
cover of Afro-Atlantic Flight: Speculative Returns and the Black Fantastic

Afro-Atlantic Flight

Speculative Returns and the Black Fantastic

Michelle D. Commander

Duke University Press, 2017

In Afro-Atlantic Flight Michelle D. Commander traces how post-civil rights Black American artists, intellectuals, and travelers envision literal and figurative flight back to Africa as a means by which to heal the dispossession caused by the slave trade. Through ethnographic, historical, literary, and filmic analyses, Commander shows the ways that cultural producers such as Octavia Butler, Thomas Allen Harris, and Saidiya Hartman engage with speculative thought about slavery, the spiritual realm, and Africa, thereby structuring the imaginary that propels future return flights.  She goes on to examine Black Americans’ cultural heritage tourism in and migration to Ghana; Bahia, Brazil; and various sites of slavery in the US South to interrogate the ways that a cadre of actors produces “Africa” and contests master narratives. Compellingly, these material flights do not always satisfy Black Americans’ individualistic desires for homecoming and liberation, leading Commander to focus on the revolutionary possibilities inherent in psychic speculative returns and to argue for the development of a Pan-Africanist stance that works to more effectively address the contemporary resonances of slavery that exist across the Afro-Atlantic.
[more]
cover of Afro-Nostalgia: Feeling Good in Contemporary Black Culture

Afro-Nostalgia

Feeling Good in Contemporary Black Culture

Badia Ahad-Legardy

University of Illinois Press, 2021

As early as the eighteenth century, white Americans and Europeans believed that people of African descent could not experience nostalgia. As a result, black lives have been predominately narrated through historical scenes of slavery and oppression. This phenomenon created a missing archive of romantic historical memories.

Badia Ahad-Legardy mines literature, visual culture, performance, and culinary arts to form an archive of black historical joy for use by the African-descended. Her analysis reveals how contemporary black artists find more than trauma and subjugation within the historical past. Drawing on contemporary African American culture and recent psychological studies, she reveals nostalgia’s capacity to produce positive emotions. Afro-nostalgia emerges as an expression of black romantic recollection that creates and inspires good feelings even within our darkest moments.

Original and provocative, Afro-Nostalgia offers black historical pleasure as a remedy to contend with the disillusionment of the present and the traumas of the past.

[more]
cover of Afrocentric Idea Revised

Afrocentric Idea Revised

Molefi Asante

Temple University Press, 1998

This new edition of The Afrocentric Idea boldly confronts the contemporary challenges that have been launched against Molefi Kete Asante's philosophical, social, and cultural theory. By rendering  a critique of some post-modern positions as well as the old structured Eurocentric orientations discussed in the first edition, this new edition contains lively engagements with views expressed by Mary Lefkowitz, Paul Gilroy, and Cornel West. Expanding on his core ideas, Asante has cast The Afrocentric Idea in the tradition of provocative critiques of the established social order. This is a fresh and dynamic location of culture within the context of  social change.
[more]
cover of Afrofuturism, Volume 20

Afrofuturism, Volume 20

Alondra Nelson

Duke University Press, 0

Challenging mainstream technocultural assumptions of a raceless future, Afrofuturism explores culturally distinct approaches to technology. This special issue addresses the intersection between African diasporic culture and technology through literature, poetry, science fiction and speculative fiction, music, visual art, and the Internet and maintains that racial identity fundamentally influences technocultural practices.
The collection includes a reflection on the ideologies of race created by cultural critics in their analyses of change wrought by the information age; an interview with Nalo Hopkinson, the award-winning novelist and author of speculative fiction novels Midnight Robber and Brown Girl in the Ring, who fuses futuristic thinking with Caribbean traditions; an essay on how contemporary R&B music presents African American reflections on the technologies of everyday life; and an article examining early interventions by the black community to carve out a distinct niche in cyberspace.

Contributors. Ron Eglash, Anna Everett, Tana Hargest, Nalo Hopkinson, Tracie Morris, Alondra Nelson, Kalí Tal, Fatimah Tuggar, Alexander G. Weheliye
Alondra Nelson is a Ph.D. candidate in the American Studies Program at New York University and is the Ann Plato Fellow at Trinity College. She will begin teaching in the African American Studies and Sociology Departments at Yale University in the fall of 2002.

Contributors. Ron Eglash, Anna Everett, Tana Hargest, Nalo Hopkinson, Alondra Nelson, Tracie Morris, Kali Tal, Fatimah Tuggar, Alexander G. Weheliye

[more]
cover of Afroindigenization: A Theory of Grassroots Cultural Practice

Afroindigenization

A Theory of Grassroots Cultural Practice

Catherine A. John

Duke University Press, 2026

In Afroindigenization, Catherine A. John addresses the underbelly of spiritual resilience shaping a range of African diasporic institutions, traditions, and practices. John argues that repressed forms of indigenous African knowledge systems manifest in a myriad of culturally embodied ways in African diaspora spaces and places. From mermaid lore in rural Jamaica to hip-hop trance-induced dance in Los Angeles to the stories of two debaters-turned-social-media-influencers, John shows how the descendants of enslaved Africans express the signs and substance of their afroindigenous power through collective creativity. Drawing from scholars such as Vèvè Clark, Hortense Spillers, Dianne M. Stewart, and Sylvia Wynter, Afroindigenization exposes the cultural and spiritual ancestries that lie at the heart of modern Black identities and practices.
[more]
cover of Afromodernism: Six Turning Points

Afromodernism

Six Turning Points

Kobena Mercer

Duke University Press, 2027

Across the twentieth century, Black artists transformed the visual meanings of Blackness under modernity. Introducing a fresh approach, Kobena Mercer shows how such changes were driven by the creative friction of cross-cultural dialogue. In Afromodernism, Mercer examines dialogic aesthetics of ambiguation, hyphenation, and transcoding among African American, Caribbean, and Black British artists at six key turning points, including the New Negro presence at the world’s fairs of the 1900s, Harlem Renaissance encounters with African art, post-1945 abstraction, and the 1960s critique of the society of spectacle. Putting artists such as Aaron Douglas, Elizabeth Catlett, Frank Bowling, and Adrian Piper into conversation with such critical thinkers as W. E. B. Du Bois, Michel Foucault, and Stuart Hall, Mercer reframes the arc of modernism within the Black Atlantic and opens a new angle on twentieth-century art.
[more]
cover of After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought

After #Ferguson, After #Baltimore

The Challenge of Black Death and Black Life for Black Political Thought

Barnor Hesse and Juliet Hooker, special issue editors

Duke University Press, 2017

Drawing primarily on the US #blacklivesmatter movement, contributors to this issue come to terms with the crisis in the meaning of black politics during the post–civil rights era as evidenced in the unknown trajectories of black protests. The authors' timely essays frame black protests and the implications of contemporary police killings of black people as symptomatic of a crisis in black politics within the white limits of liberal democracy.

Topics in this issue include the contemporary politics of black rage; the significance of the Ferguson and Baltimore black protests in circumventing formal electoral politics; the ways in which centering the dead black male body draws attention away from other daily forms of racial and gender violence that particularly affect black women; the problem of white nationalisms motivated by a sense of white grievance; the international and decolonial dimensions of black politics; and the relation between white sovereignty and black life politics.

Contributors. Barnor Hesse, Juliet Hooker, Minkah Makalani, John Márquez, Junaid Rana, Deborah Thompson, Shatema Threadcraft
[more]
cover of After Freedom: A Cultural Study In The Deep South

After Freedom

A Cultural Study In The Deep South

Hortense Powdermaker

University of Wisconsin Press, 1993

First published in 1939, After Freedom is the first complete ethnography of an African American community in the United States.
[more]
cover of After Palmares: Diaspora, Inheritance, and the Afterlives of Zumbi

After Palmares

Diaspora, Inheritance, and the Afterlives of Zumbi

Marc A. Hertzman

Duke University Press, 2024

In After Palmares, Marc A. Hertzman tells the rise, fall, and afterlives of Palmares, one of history’s largest and longest-lasting maroon societies. Forged during the seventeenth century by formerly enslaved Africans in what would become northeast Brazil, Palmares stood for a century, withstanding sustained attacks from two European powers. In 1695, colonial forces assassinated its most famous leader, Zumbi. Hertzman examines the remarkable ways that Palmares and its inhabitants lived on after Zumbi’s death, creating vivid portraits of those whose lives and voices scholars have often assumed are inaccessible. With an innovative approach to African languages, and paying close attention to place as well as African and diasporic spiritual beliefs, Hertzman reshapes our understanding of Palmares and Zumbi and advances a new framework for studying fugitive slave communities and marronage in the African diaspora.
[more]
cover of After War Times: An African American Childhood in Reconstruction-Era Florida

After War Times

An African American Childhood in Reconstruction-Era Florida

T. Thomas Fortune

University of Alabama Press, 2014

A firsthand account of African American childhood, freedom, and resilience in Reconstruction-era Florida.

T. Thomas Fortune was a leading African American publisher, editor, and journalist of the late nineteenth and early twentieth centuries, who was born a slave in antebellum Florida, lived through emancipation, and rose to become a literary lion of his generation. In T. Thomas Fortune's “After War Times,” Daniel R. Weinfeld brings together a series of twenty-three autobiographical articles Fortune wrote about his formative childhood during Reconstruction and subsequent move to Washington, DC.

By 1890, Fortune had founded a predecessor organization to the National Association for the Advancement of Colored People, known as the National Afro-American League, but his voice found its most powerful expression and influence in poetry, prose, and journalism. It was as a journalist that Fortune stirred national controversy by issuing a passionate appeal to African American southerners: “I propose to start a crusade,” he proclaimed in June 1900, “to have the negroes of the South leave that section and to come north or go elsewhere. It is useless to remain in the South and cry Peace! Peace! When there is no peace.” The movement he helped propel became known as “the Great Migration.”

By focusing on Thomas’s ruminations about his disillusion with post–Civil War Florida, Weinfeld highlights the sources of Fortune’s deep disenchantment with the South, which intensified when the Reconstruction order gave way to Jim Crow–era racial discrimination and violence. Decades after he left the South, Fortune’s vivid memories of incidents and personalities in his past informed his political opinions and writings. Scholars and readers interested in Southern history in the aftermath of the Civil War, especially the experiences of African Americans, will find much of interest in this vital collection of primary writings.
 

[more]
cover of Against the Closet: Black Political Longing and the Erotics of Race

Against the Closet

Black Political Longing and the Erotics of Race

Aliyyah I. Abdur-Rahman

Duke University Press, 2012

In Against the Closet, Aliyyah I. Abdur-Rahman interrogates and challenges cultural theorists' interpretations of sexual transgression in African American literature. She argues that, from the mid-nineteenth century through the twentieth, black writers used depictions of erotic transgression to contest popular theories of identity, pathology, national belonging, and racial difference in American culture. Connecting metaphors of sexual transgression to specific historical periods, Abdur-Rahman explains how tropes such as sadomasochism and incest illuminated the psychodynamics of particular racial injuries and suggested forms of social repair and political redress from the time of slavery, through post-Reconstruction and the civil rights and black power movements, to the late twentieth century.

Abdur-Rahman brings black feminist, psychoanalytic, critical race, and poststructuralist theories to bear on literary genres from slave narratives to science fiction. Analyzing works by African American writers, including Frederick Douglass, Pauline Hopkins, Harriet Jacobs, James Baldwin, and Octavia Butler, she shows how literary representations of transgressive sexuality expressed the longings of African Americans for individual and collective freedom. Abdur-Rahman contends that those representations were fundamental to the development of African American forms of literary expression and modes of political intervention and cultural self-fashioning.

[more]
cover of Agitations: Ideologies and Strategies in African American Politics

Agitations

Ideologies and Strategies in African American Politics

Kevin R. Anderson

University of Arkansas Press, 2010

Though the activities of the National Association for the Advancement of Colored People (NAACP), the Southern Christian Leadership Conference (SCLC), and the Student Nonviolent Coordinating Committee (SNCC) were unified in their common idea of resistance to oppression, these groups fought their battles on multiple fronts. The NAACP filed lawsuits and aggressively lobbied Congress and state legislatures, while Martin Luther King Jr. and SCLC challenged the racial status quo through nonviolent mass action, and the SNCC focused on community empowerment activities. In Agitations, Kevin Anderson studies these various activities in order to trace the ideological foundations of these groups and to understand how diversity among African Americans created multiple political strategies.

Agitations goes beyond the traditionally acknowledged divide between integrationist and accommodationist wings of African American politics to explore the diverse fundamental ideologies and strategic outcomes among African American activists that still define, influence, and complicate political life today.

[more]
cover of Ain't But a Few of Us: Black Music Writers Tell Their Story

Ain't But a Few of Us

Black Music Writers Tell Their Story

Willard Jenkins, editor

Duke University Press, 2022

Despite the fact that most of jazz’s major innovators and performers have been African American, the overwhelming majority of jazz journalists, critics, and authors have been and continue to be white men. No major mainstream jazz publication has ever had a black editor or publisher. Ain’t But a Few of Us presents over two dozen candid dialogues with black jazz critics and journalists ranging from Greg Tate, Farah Jasmine Griffin, and Robin D. G. Kelley to Tammy Kernodle, Ron Welburn, and John Murph. They discuss the obstacles to access for black jazz journalists, outline how they contend with the world of jazz writing dominated by white men, and point out that these racial disparities are not confined to jazz but hamper their efforts at writing about other music genres as well. Ain’t But a Few of Us also includes an anthology section, which reprints classic essays and articles from black writers and musicians such as LeRoi Jones, Archie Shepp, A. B. Spellman, and Herbie Nichols.

Contributors
Eric Arnold, Bridget Arnwine, Angelika Beener, Playthell Benjamin, Herb Boyd, Bill Brower, Jo Ann Cheatham, Karen Chilton, Janine Coveney, Marc Crawford, Stanley Crouch, Anthony Dean-Harris, Jordannah Elizabeth, Lofton Emenari III, Bill Francis, Barbara Gardner, Farah Jasmine Griffin, Jim Harrison, Eugene Holley Jr., Haybert Houston, Robin James, Willard Jenkins, Martin Johnson, LeRoi Jones, Robin D. G. Kelley, Tammy Kernodle, Steve Monroe, Rahsaan Clark Morris, John Murph, Herbie Nichols, Don Palmer, Bill Quinn, Guthrie P. Ramsey Jr., Ron Scott, Gene Seymour, Archie Shepp, Wayne Shorter, A. B. Spellman, Rex Stewart, Greg Tate, Billy Taylor, Greg Thomas, Robin Washington, Ron Welburn, Hollie West, K. Leander Williams, Ron Wynn
[more]
cover of Ain't I an Anthropologist: Zora Neale Hurston Beyond the Literary Icon

Ain't I an Anthropologist

Zora Neale Hurston Beyond the Literary Icon

Jennifer L. Freeman Marshall

University of Illinois Press, 2023

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston’s literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston’s two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston’s popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions.

Perceptive and original, Ain’t I an Anthropologist is an overdue reassessment of Zora Neale Hurston’s place in American cultural and intellectual life.

[more]
cover of AlabamaNorth: African-American Migrants, Community, and Working-Class Activism in Cleveland, 1915-45

AlabamaNorth

African-American Migrants, Community, and Working-Class Activism in Cleveland, 1915-45

Kimberley L. Phillips

University of Illinois Press, 1999

Langston Hughes called it "a great dark tide from the South": the unprecedented influx of blacks into Cleveland that gave the city the nickname "Alabama North." Kimberley L. Phillips reveals the breadth of working class black experiences and activities in Cleveland and the extent to which these were shaped by traditions and values brought from the South. 

Migrants' moves north established complex networks of kin and friends and infused Cleveland with a highly visible southern African American culture. Phillips examines the variety of black fraternal, benevolent, social, and church-based organizations that working class migrants created and demonstrates how these groups prepared the way for new forms of individual and collective activism in workplaces and the city. Giving special consideration to the experiences of working class black women, AlabamaNorth reveals how migrants' expressions of tradition and community gave them a new consciousness of themselves as organized workers and created the underpinning for new forms of black labor activism.

[more]
cover of Albert Murray and the Aesthetic Imagination of a Nation

Albert Murray and the Aesthetic Imagination of a Nation

Edited by Barbara A. Baker

University of Alabama Press, 2010

Reimagining America Through the Blues, Jazz, and the Cultural Vision of Albert Murray.

This collection consists of essays written by prominent African American literature, jazz, and Albert Murray scholars, reminiscences from Murray protégés and associates, and interviews with Murray himself. It illustrates Murray’s place as a central figure in African American arts and letters and as an American cultural pioneer.

Born in Nokomis, Alabama, and raised in Mobile, Albert Murray graduated from Tuskegee University, where he later taught, but he has long resided in New York City. He is the author of many critically acclaimed novels, memoirs, and essay collections, among them The Omni-Americans, South to a Very Old Place, Train Whistle Guitar, The Spyglass Tree, and The Seven League Boots. He is also a critic and visual artist, as well as a lifelong friend of and collaborator with artistic luminaries such as Ralph Ellison, Duke Ellington, and Romare Bearden. As such, his life and work are testaments to the centrality of southern and African American aesthetics in American art. Murray is widely viewed as a figure who, through his art and criticism, transforms the “fakelore” of white culture into a new folklore that illustrates the centrality of the blues and jazz idioms and reveals the black vernacular as what is most distinct about American art.
 

[more]
cover of Alien Soil: Oral Histories of Great Migration Newark

Alien Soil

Oral Histories of Great Migration Newark

Katie Singer

Rutgers University Press, 2024

Alien Soil: Oral Histories of Great Migration Newark explores Newark’s Krueger-Scott African-American Cultural Center collection of over 100 oral histories. Historian Katie Singer separates these stories into thematic categories of social and political events, including church, work, and activism, in order to paint an intimate portrait of everyday urbanity and the larger Black urban experience in Newark. Through the examination of these Krueger-Scott narratives, Singer challenges historical falsehoods with the lived experiences of Newarkers who traveled North during the Great Migration, as well as established city residents. Alien Soil effectively contextualizes Newark history and re-inserts Black voices into historiography traditionally dominated by “outsiders."

The book begins with the Krueger-Scott Mansion’s deep history, followed by the sequence of events surrounding the proposed Cultural Center. Last owned by African-American millionaire and beauty-culture entrepreneur Louise Scott, the Victorian Krueger-Scott Mansion was built by beer baron Gottfried Krueger in 1888. Through the history of the Mansion, and the ultimately failed Cultural Center project, one learns about the Newark that African Americans migrated to, what they found when they got there, how living in the city changed them, and how they, individually and collectively, changed Newark.

After the Cultural Center project was officially halted in 2000, the cassette tapes of the oral history interviews were stored away at the Newark Public Library. Ten years later they were unearthed, and ultimately digitized. As of yet, no one has applied these sources directly to their research. Deeply committed to these rich, insightful stories, Singer calls for a more thoughtful consideration of all cities, reminding us that Newark is much more than its 1967 rebellion.
 
[more]