4030 books match the query 'Language Arts & Disciplines' and 351 start with a

cover of A Literary History of Iowa

A Literary History of Iowa

Clarence A. Andrews

University of Iowa Press, 1972

Originally published in 1972, A Literary History of Iowa, which features writers published in book form between 1856 and the late 1960s, returns to print. One of Iowa's native sons, Ellis Parker Butler, once said that in Iowa 12 dollars were spent for fertilizer each time a dollar was spent for literature. Many readers will be surprised to learn from this book the extent of Iowa's distinguished literary past---the many prizes and praise received by her authors. To those already familiar with Iowa's credits, A Literary History of Iowa will be a nostalgic and informative delight. During the 1920s and 1930s, Iowa had good claim to recognition as the literary capital of the country. Clarence Andrews says that as he grew up he knew a host of Iowa writers. "I also knew that Iowa was winning a diproportionate share of the Pulitzer Prizes---Hamlin Garland, Margaret Wilson, Susan Glaspell, Frank Luther Mott, "Ding" Darling, Clark Mollenhoff. It was winning its share or more of prizes offered by publishers---and its authors' books were being selected as Book-of-the-Month and Literary Guild books. I knew too about Carl Van Vechten as part of that avant-garde group of midwest exiles---including Fitzgerald, Anderson, and Hemingway."A Literary History of Iowa looks at Iowans who knew and cared for the state---people who wrote poetry, plays, musical plays, novels, and short stories about Iowa subjects, Iowa ideas, Iowa people. These writers often have dealt with such themes as the state's history, the rise of technology and its impact on the community, provincialism and exploitation, the problems of personal adjustment, and the family and the community. John T. Frederick, whose own books are paramount in Iowa's literary history, has pointed to Iowa's special contributions to the literature of rural life in saying that no other state can show its portrayal in "fiction so rich, so varied, and so generally sound as can Iowa."
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cover of A Manual for Writers of Research Papers, Theses, and Dissertations, Ninth Edition: Chicago Style for Students and Researchers

A Manual for Writers of Research Papers, Theses, and Dissertations, Ninth Edition

Chicago Style for Students and Researchers

Kate L. Turabian

University of Chicago Press, 2018

When Kate L. Turabian first put her famous guidelines to paper, she could hardly have imagined the world in which today’s students would be conducting research. Yet while the ways in which we research and compose papers may have changed, the fundamentals remain the same: writers need to have a strong research question, construct an evidence-based argument, cite their sources, and structure their work in a logical way. A Manual for Writers of Research Papers, Theses, and Dissertations—also known as “Turabian”—remains one of the most popular books for writers because of its timeless focus on achieving these goals.

This new edition filters decades of expertise into modern standards. While previous editions incorporated digital forms of research and writing, this edition goes even further to build information literacy, recognizing that most students will be doing their work largely or entirely online and on screens. Chapters include updated advice on finding, evaluating, and citing a wide range of digital sources and also recognize the evolving use of software for citation management, graphics, and paper format and submission. The ninth edition is fully aligned with the recently released Chicago Manual of Style, 17th edition, as well as with the latest edition of The Craft of Research.

Teachers and users of the previous editions will recognize the familiar three-part structure. Part 1 covers every step of the research and writing process, including drafting and revising. Part 2 offers a comprehensive guide to Chicago’s two methods of source citation: notes-bibliography and author-date. Part 3 gets into matters of editorial style and the correct way to present quotations and visual material.  A Manual for Writers also covers an issue familiar to writers of all levels: how to conquer the fear of tackling a major writing project.

Through eight decades and millions of copies, A Manual for Writers has helped generations shape their ideas into compelling research papers. This new edition will continue to be the gold standard for college and graduate students in virtually all academic disciplines.
  • Bestselling, trusted, and time-tested advice for writing research papers
  • The best interpretation of Chicago style for higher education students and researchers
  • Definitive, clear, and easy to read, with plenty of examples
  • Shows how to compose a strong research question, construct an evidence-based argument, cite sources, and structure work in a logical way
  • Essential for anyone interested in learning about research
  • Everything any student or teacher needs to know concerning paper writing
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cover of A Manual for Writers of Research Papers, Theses, and Dissertations, Tenth Edition: "The Chicago Manual of Style" for Student Researchers

A Manual for Writers of Research Papers, Theses, and Dissertations, Tenth Edition

"The Chicago Manual of Style" for Student Researchers

Kate L. Turabian

University of Chicago Press, 2026

The gold standard for generations of college and graduate students writing research papers, now thoroughly updated to reflect today’s expectations. 

Whether you are writing your first college research paper or your dissertation, A Manual for Writers of Research Papers, Theses, and Dissertations—also known as “Turabian”—remains a classic resource because of its timeless focus on the fundamentals of good research writing. For more than eight decades, it has offered comprehensive guidance on current expectations for academic writing. Based on the idea that writing a paper means engaging in a conversation with others in your field, it shows you how to conduct research, craft an argument, and produce an original work based on evidence and reasoning that responds to and builds on what others have previously written. Along the way, it also serves as a reference for cultivating consistent and respectful practices toward your readers in citations, language choices, and paper format.

This new edition reflects the continuing evolution in academic writing conventions. It has been updated to reflect the most current editions of The Craft of Research and The Chicago Manual of Style and features the following additional changes:

  • A redesign for easier navigation 
  • Extensive coverage of the appropriate use of generative AI 
  • A rewritten chapter on visual communication
  • Greater attention to writing centers and tutors
  • New notes for students and instructors on how to use the book
  • Refreshed examples throughout 

Further, new ancillary written and video materials to support your use of the book are available online at Turabian.org.

With nearly 10 million copies sold, A Manual for Writers remains the most trusted and time-tested reference for writing research papers. Authoritative, clear, and easy to read with plenty of examples, it is the essential guide for any student or teacher concerned with research and good writing.

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cover of A Matter of Facts: The Value of Evidence in an Information Age

A Matter of Facts

The Value of Evidence in an Information Age

Laura A. Millar

American Library Association, 2019

“Like Orwell and Bradbury, like Stanley and Siskind, Laura Millar has written a book that people in the future will look back on and say, ‘This is one of the books that helped us to survive until a new era.’” — from the Foreword by Lee McIntyre

The safeguarding of authentic facts is essential, especially in this disruptive Orwellian age, where digital technologies have opened the door to a post-truth world in which “alternative facts” can be so easily accepted as valid. And because facts matter, evidence matters. In this urgent manifesto, archives luminary Millar makes the case that authentic and accurate records, archives, data, and other sources of documentary proof are crucial in supporting and fostering a society that is respectful, democratic, and self-aware. An eye-opening treatise for the general public, an invaluable resource for archives students, and a provocative call-to-arms for information and records professionals, Millar’s book

  • explains the concept of evidence and discusses the ways in which records, archives, and data are not just useful tools for our daily existence but also essential sources of evidence both today and in the future;
  • includes plentiful examples that illustrate the critical role evidence plays in upholding rights, enforcing responsibilities, tracing family or community stories, and capturing and sharing memories; and
  • examines the impact of digital technologies on how records and information are created and used.

With documentary examples ranging from Mesopotamian clay tablets to World War II photographs to today’s Twitter messages and Facebook posts, Millar’s stirring book will encourage readers to understand more fully the importance of their own records and archives, for themselves and for future generations.

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cover of A Minefield of Dreams: Triumphs and Travails of Independent Writing Programs

A Minefield of Dreams

Triumphs and Travails of Independent Writing Programs

Justin Everett

University Press of Colorado, 2017

In A Minefield of Dreams: Triumphs and Travails of Independent Writing Programs, Justin Everett and Cristina Hanganu-Bresch highlight both cautionary tales and stories of resounding success that can inspire and provide paths toward addressing the challenges faced by faculty who lead independent writing programs (IWPs). More than a decade after O'Neill, Crow, and Burton's survey of IWPs—and with attention to some of the same programs addressed in that collection—the contributors to this collection assess the state of IWPs at a variety of American and Canadian institutions. The four sections in the book address key issues faced by IWPs: the quest for independence; disciplinarity, labor, and professionalization; curricular reforms, program design, and faculty training and empowerment; and rhetorics of transformation and justice.
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cover of A More Dangerous Game: How a Young Sportswriter Met Patty Hearst and Landed in Federal Prison

A More Dangerous Game

How a Young Sportswriter Met Patty Hearst and Landed in Federal Prison

Jay Weiner

University of Minnesota Press, 2027

From precocious sportswriter to Federal Prisoner #01150-134: The intersection of sports and the revolutionary 1970s, with one ambitious young man caught in the middle

Jay Weiner was an aspiring teenage sportswriter when he met Jack Scott, the charismatic, activist journalist who would become his mentor, immersing him in the political and social issues roiling sports—and so much else—in the late 1960s and 1970s. Weiner became a zealous student of Scott, joining a new tradition of sports journalism that interrogated questions of race, power, and politics alongside the games themselves. But his blind devotion took a treacherous turn when Scott took Weiner, as a surprise for his twentieth birthday, to a secluded Pennsylvania farmhouse where heiress-turned-FBI-most-wanted Patty Hearst was hiding out with her Symbionese Liberation Army kidnappers-turned-comrades.

A More Dangerous Game is Weiner’s story of coming of age in a shocking fashion. A wild mosaic of sports, journalism, betrayal, justice, courage, and redemption, his memoir charts the meeting of sports and the radical left in the 1970s, with Weiner unwittingly caught in the middle and left behind by his mentor. In the engaged, edgy style of a seasoned sportswriter, Weiner describes the fallout after that fateful encounter with the country’s most wanted fugitives: three years of federal subpoenas, impossible decisions, and, ultimately, four months in prison for refusing to testify before a grand jury.

With exhaustive background reporting, Weiner fits together the seemingly disparate pieces of his unlikely journey from young sportswriter to frightened FBI target to emboldened Federal Prisoner #01150-134. From its examination of the life and work of Jack Scott to its surprising angle on the well-chronicled saga of Patty Hearst, A More Dangerous Game is the engrossing story of a time when examining sports as a mirror of society put a writer on the cutting edge of one of the most notorious stories of a generation.

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cover of A Nation of Bookworms?: Czechs as Readers

A Nation of Bookworms?

Czechs as Readers

Jirí Trávnícek

Karolinum Press, 2021

Nation of Bookworms takes an in-depth look at the reading culture of the Czech Republic--the country with the highest number of libraries per capita worldwide. Drawing on studies and oral interviews of Czech readers conducted by the National Library of the Czech Republic and the Institute of Czech Literature between 2007 and 2018, the book presents intriguing new research on Czech readership and society. Jiří Trávníček deftly sifts through hard data and first-person reportage, illuminating the myriad components that make up reading culture, such as print-reading, screen-reading, libraries, book sales, the social lives of readers, time spent reading, and reading preferences. Trávníček also takes a global look at literary love, exploring the parallels between the reading cultures of other countries and the Czechs’ unique fervor for the written word. Nation of Bookworms is essential reading for bibliophiles on every continent.
 
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cover of A Nation of Speechifiers: Making an American Public after the Revolution

A Nation of Speechifiers

Making an American Public after the Revolution

Carolyn Eastman

University of Chicago Press, 2009

In the decades after the American Revolution, inhabitants of the United States began to shape a new national identity. Telling the story of this messy yet formative process, Carolyn Eastman argues that ordinary men and women gave meaning to American nationhood and national belonging by first learning to imagine themselves as members of a shared public.

She reveals that the creation of this American public—which only gradually developed nationalistic qualities—took place as men and women engaged with oratory and print media not only as readers and listeners but also as writers and speakers. Eastman paints vibrant portraits of the arenas where this engagement played out, from the schools that instructed children in elocution to the debating societies, newspapers, and presses through which different groups jostled to define themselves—sometimes against each other. Demonstrating the previously unrecognized extent to which nonelites participated in the formation of our ideas about politics, manners, and gender and race relations, A Nation of Speechifiers provides an unparalleled genealogy of early American identity.

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cover of A Nation’s Undesirables: Mixed-Race Children and Whiteness in the Post-Nazi Era

A Nation’s Undesirables

Mixed-Race Children and Whiteness in the Post-Nazi Era

Tracey Owens Patton

The Ohio State University Press, 2024

An innovative investigation of the entangled histories of race, transnational adoption, and post-Nazi Germany.

In a moving blend of family history and cutting-edge scholarship, Tracey Owens Patton’s A Nation’s Undesirables synthesizes work in rhetorical postmemory studies, critical adoption studies, Afrofuturism, and more to tell the story of her mother and aunt, Lore and Lilli. Two of thousands of children born to white German women and Black American men after World War II, the twins moved to the United States at age seven, where their mother renounced her parental rights and put them into the adoption system. They did not see her again for fifty-two years.

Patton takes up the twins’ story and their reckoning with their mixed-race, Black German identity to disrupt standard narratives around World War II, Black experiences in Germany, and race and adoption. Combining family interviews, historical artifacts, and autoethnographic reflection, Patton composes a new narrative of women and Black German children in the postwar era. In examining the systemic racism of Germany’s efforts to move children like Lore and Lilli out of the country—and the suppression of German women’s bodily autonomy—Patton amplifies the once unacknowledged identities of these Black German children to broaden our understanding of citizenship, racism, and sexism after World War II.

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cover of A Natural History of Negation

A Natural History of Negation

Laurence R. Horn

CSLI, 1989

This book offers a unique synthesis of past and current work on the structure, meaning, and use of negation and negative expressions, a topic that has engaged thinkers from Aristotle and the Buddha to Freud and Chomsky. Horn's masterful study melds a review of scholarship in philosophy, psychology, and linguistics with original research, providing a full picture of negation in natural language and thought; this new edition adds a comprehensive preface and bibliography, surveying research since the book's original publication.
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cover of A New Civil Right: Telecommunications Equality for Deaf and Hard of Hearing Americans

A New Civil Right

Telecommunications Equality for Deaf and Hard of Hearing Americans

Karen Peltz Strauss

Gallaudet University Press, 2006

When three deaf men in the 1960s invented and sold TTYs, the first teletypewriting devices that allowed deaf people to communicate by telephone, they started a telecommunications revolution for deaf people throughout America. A New Civil Right: Telecommunications Equality for Deaf and Hard of Hearing Americans chronicles the history of this movement, which lagged behind new technical developments decades after the advent of TTYs.

In this highly original work, Author Karen Peltz Strauss reveals how the paternalism of the hearing-oriented telecommunications industries slowed support for technology for deaf users. Throughout this comprehensive account, she emphasizes the grassroots efforts behind all of the eventual successes. A New Civil Right recounts each advance in turn, such as the pursuit of special customer premises equipment (SCPE) from telephone companies; the Telecommunications Act of 1982 and the Telecommunications Accessibility Enhancement Act of 1988 and the 1990 Americans with Disabilities Act, which required nationwide relay telephone services for deaf and hard of hearing users.

Strauss painstakingly details how all of these advances occurred incrementally, first on local and state levels, and later through federal law. It took exhaustive campaigning to establish 711 for nationwide relay dialing, while universal access to television captioning required diligent legal and legislative work to pass the Decoder Circuitry Act in 1990. The same persistence resulted in the enactment of the Telecommunications Act of 1996, which required all off-the-shelf communications equipment, including new wireless technology, to be readily accessible to deaf users.

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cover of A New Language, A New World: Italian Immigrants in the United States, 1890-1945

A New Language, A New World

Italian Immigrants in the United States, 1890-1945

Nancy C. Carnevale

University of Illinois Press, 2012

An examination of Italian immigrants and their children in the early twentieth century, A New Language, A New World is the first full-length historical case study of one immigrant group's experience with language in America. Incorporating the interdisciplinary literature on language within a historical framework, Nancy C. Carnevale illustrates the complexity of the topic of language in American immigrant life. By looking at language from the perspectives of both immigrants and the dominant culture as well as their interaction, this book reveals the role of language in the formation of ethnic identity and the often coercive context within which immigrants must negotiate this process.
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cover of A Paradigm for Program Semantics

A Paradigm for Program Semantics

Chris Brink and Ingrid Rewitsky

CSLI, 2001

This book provides a synthesis of four versions of program semantic—srelational semantics, predicate transformer semantics, information systems, and domain theory—showing, through an exhaustive case study analysis, that it is possible to do back-and-forth translation from any of these versions of program semantics into any of the others, and demonstrating that while there are many variations of each, in principle they may be thought of as intertranslatable.
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cover of A Pedagogy of Possibility: Bakhtinian Perspectives on Composition Studies

A Pedagogy of Possibility

Bakhtinian Perspectives on Composition Studies

Kay Halasek

Southern Illinois University Press, 1999

In a book that itself exemplifies the dialogic scholarship it proposes, Kay Halasek reconceives composition studies from a Bakhtinian perspective, focusing on both the discipline's theoretical assumptions and its pedagogies.

Framing her discussions at every level of the discipline—theoretical, historical, pedagogical—Halasek provides an overview of portions of the Bakhtinian canon relevant to composition studies, explores the implications of Mikhail Bakhtin's work in the teaching of writing and for current debates about the role of theory in composition studies, and provides a model of scholarship that strives to maintain dialogic balance between practice and theory, between composition studies and Bakhtinian thought.

Halasek's study ranges broadly across the field of composition, painting in wide strokes a new picture of the discipline, focusing on the finer details of the rhetorical situation, and teasing out the implications of Bakhtinian thought for classroom practice by examining the nature of critical reading and writing, the efficacy and ethics of academic discourse, student resistance, and critical and conflict pedagogy. The book ends by setting out a pedagogy of possibility, what Halasek terms elsewhere a "post-critical pedagogy" that redefines and redirects current discussions of home versus academic literacies and discourses.

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cover of A Place for Dialogue: Language, Land Use, and Politics in Southern Arizona

A Place for Dialogue

Language, Land Use, and Politics in Southern Arizona

Sharon McKenzie Stevens

University of Iowa Press, 2007

 In A Place for Dialogue, Sharon McKenzie Stevens views the contradictions and collaborations involved in the management of public land in southern Arizona—and by extension the entire arid West—through the lens of political rhetoric. Revealing the socioecological relationships among cattlemen and environmentalists as well as developers and recreationists, she analyzes the ways that language shapes landscape by shaping decisions about land use.

Stevens focuses on the collaborative Sonoran Desert Conservation Plan initiated by Pima County, Arizona, the ubiquitous use of scientific argument to defend contradictory practices, and the construction and negotiation of rancher/environmentalist identities to illuminate both literally and metaphorically the dynamics of land use politics. Drawing specifically upon extensive interviews with a diverse array of agents on all sides of the debate—ranchers, environmentalists, scientists, land managers, government officials—on historical narratives, and on her own conflicting experiences as someone who grew up with those who work the western lands, she demonstrates that it is possible to use differences to solve, rather than to aggravate, the entrenched problems that bridge land and language.  

By integrating her richly textured case study of a fragile region with rhetorical approaches to narrative, science-based argument, and collective identities, Stevens makes a significant contribution to the fields of rhetoric, land management, and cultural studies. 

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cover of A Poet's Guide to Poetry, Second Edition

A Poet's Guide to Poetry, Second Edition

Mary Kinzie

University of Chicago Press, 2013

In A Poet’s Guide to Poetry, Mary Kinzie brings her decades of expertise as poet, critic, and director of the creative writing program at Northwestern University to bear in a comprehensive reference work for any writer wishing to better understand poetry. Detailing the formal concepts of poetry and methods of poetic analysis, she shows how the craft of writing can guide the art of reading poems. Using examples from the major traditions of lyric and meditative poetry in English from the medieval period to the present, Kinzie considers the sounds and rhythms of poetry along with the ideas and thought-units within poems. Kinzie also shares her own successful classroom tactics that encourage readers to approach a poem as if it were provisional.

The three parts of A Poet’s Guide to Poetry lead the reader through a carefully planned introduction to the ways we understand poetry. The first section provides careful, step-by-step instruction to familiarize students with the formal elements of poems, from the most obvious feature through the most subtle. The second part carefully examines meter and rhythm, as well as providing a theoretical and practical overview of free verse. The final section offers helpful chapters on writing in form. Rounding out the volume are writing exercises for beginning and advanced writers, a dictionary of poetic terms, and a bibliography of further reading.

For this new edition, Kinzie has carefully reworked the introductory material and first chapter, as well as amended the annotated bibliography to include the most recent works of criticism. The updated guide also contains revised exercises and adjustments throughout the text to make the work as lucid and accessible as possible.
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cover of A Reference Grammar of Chinese Sentences with Exercises

A Reference Grammar of Chinese Sentences with Exercises

Henry Hung-Yeh Tiee

University of Arizona Press, 1986

Begins with simple single-word-subject and simple-predicate sentences and moves systematically to transformed simple sentences and finally to compound and complex sentences. Each sentence structure is not only descriptively analyzed, but also formulated in a pedagogical pattern with examples. Exercises are provided in each unit.
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cover of A Rhetoric of Doing: Essays on Written Discourse in Honor of James L. Kinneavy

A Rhetoric of Doing

Essays on Written Discourse in Honor of James L. Kinneavy

Edited by Stephen P. Witte, Neil Nakadate, and Roger D. Cherry

Southern Illinois University Press, 1992

Concerned with both the nature and the practice of discourse, the eighteen essays collected here treat rhetoric as a dynamic enterprise of inquiry, exploration, and application, and in doing so reflect James L. Kinneavy’s firm belief in the vital relationship between theory and practice, his commitment to a spirit of accommodation and assimilation that promotes the development of ever more powerful theories and ever more useful practices.

A thorough introduction provides the reader with clear summaries of the essays by leading-edge theorists, researchers, and teachers of writing and rhetoric. A "field context" for the ideas presented in this book is provided through the division of the various chapters into four major sections that focus on classical rhetoric and rhetorical theory in historical contexts; on dimensions of discourse theory, aspects of discourse communities, and the sorts of knowledge people access and use in producing written texts; on writing in school-related contexts; and on several dimensions of nonacademic writing. A fifth section contains a bibliographic survey and an appreciation of James Kinneavy’s work. The exceptional range of these essays makes A Rhetoric of Doing an ecumenical examination of the current state of mind in rhetoric and written communication, a survey and description of what discourse and those in the field of discourse are, in fact, doing.

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cover of A Rhetoric of Irony

A Rhetoric of Irony

Wayne C. Booth

University of Chicago Press, 1975

Perhaps no other critical label has been made to cover more ground than "irony," and in our time irony has come to have so many meanings that by itself it means almost nothing. In this work, Wayne C. Booth cuts through the resulting confusions by analyzing how we manage to share quite specific ironies—and why we often fail when we try to do so. How does a reader or listener recognize the kind of statement which requires him to reject its "clear" and "obvious" meaning? And how does any reader know where to stop, once he has embarked on the hazardous and exhilarating path of rejecting "what the words say" and reconstructing "what the author means"?

In the first and longer part of his work, Booth deals with the workings of what he calls "stable irony," irony with a clear rhetorical intent. He then turns to intended instabilities—ironies that resist interpretation and finally lead to the "infinite absolute negativities" that have obsessed criticism since the Romantic period.

Professor Booth is always ironically aware that no one can fathom the unfathomable. But by looking closely at unstable ironists like Samuel Becket, he shows that at least some of our commonplaces about meaninglessness require revision. Finally, he explores—with the help of Plato—the wry paradoxes that threaten any uncompromising assertion that all assertion can be undermined by the spirit of irony.
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cover of A Rhetoric of Style

A Rhetoric of Style

Barry Brummett

Southern Illinois University Press, 2008

Exploring style in a global culture


In A Rhetoric of Style, Barry Brummett illustrates how style is increasingly a global system of communication as people around the world understand what it means to dress a certain way, to dance a certain way, to decorate a certain way, to speak a certain way. He locates style at the heart of popular culture and asserts that it is the basis for social life and politics in the twenty-first century.

Brummett sees style as a system of signification grounded largely in image, aesthetics, and extrarational modes of thinking. He discusses three important aspects of this system—its social and commercial structuring, its political consequences, and its role as the chief rhetorical system of the modern world. He argues that aesthetics and style are merging into a major engine of the global economy and that style is becoming a way to construct individual identity, as well as social and political structures of alliance and opposition. It is through style that we stereotype or make assumptions about others’ political identities, their sexuality, their culture, and their economic standing.

To facilitate theoretical and critical analysis, Brummett develops a systematic rhetoric of style and then demonstrates its use through an in-depth exploration of gun culture in the United States. Armed with an understanding of how this rhetoric of style works methodologically, students and scholars alike will have the tools to do their own analyses. Written in clear and engaging prose, A Rhetoric of Style presents a novel discussion of the workings of style and sheds new light on a venerable and sometimes misunderstood rhetorical concept by illustrating how style is the key to constructing a rhetoric for the twenty-first century.

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cover of A Right to Read: Segregation and Civil Rights in Alabama's Public Libraries, 1900–1965

A Right to Read

Segregation and Civil Rights in Alabama's Public Libraries, 1900–1965

Patterson Toby Graham

University of Alabama Press, 2006

This original and significant contribution to the historiography of the civil rights movement and education in the South details a dramatic and disturbing chapter in American cultural history.

The tradition of American public libraries is closely tied to the perception that these institutions are open to all without regard to social background. Such was not the case in the segregated South, however, where public libraries barred entry to millions of African Americans and provided tacit support for a culture of white supremacy. A Right to Read is the first book to examine public library segregation from its origins in the late 19th century through its end during the tumultuous years of the 1960s civil rights movement. Graham focuses on Alabama, where African Americans, denied access to white libraries, worked to establish and maintain their own "Negro branches." These libraries-separate but never equal-were always underfunded and inadequately prepared to meet the needs of their constituencies.

By 1960, however, African Americans turned their attention toward desegregating the white public libraries their taxes helped support. They carried out "read-ins" and other protests designed to bring attention and judicial pressure upon the segregationists. Patterson Toby Graham contends that, for librarians, the civil rights movement in their institutions represented a conflict of values that pitted their professional ethics against regional mores. He details how several librarians in Alabama took the dangerous course of opposing segregationists, sometimes with unsettling results.

This groundbreaking work built on primary evidence will have wide cross-disciplinary appeal. Students and scholars of southern and African-American history, civil rights, and social science, as well as academic and public librarians, will appreciate Graham's solid research and astute analysis.

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cover of A Saturnalia of Bunk: Selections from The Free Lance, 1911–1915

A Saturnalia of Bunk

Selections from The Free Lance, 1911–1915

H. L. Mencken

Ohio University Press, 2017

H. L. Mencken’s reputation as a journalist and cultural critic of the twentieth century has endured well into the twenty-first. His early contributions as a writer, however, are not very well known. He began his journalistic career as early as 1899 and in 1910 cofounded the Baltimore Evening Sun. The next year he initiated a column—The Free Lance—that ran six days a week for four and a half years, until the Sun discontinued it, partially in response to Mencken’s controversial defense of Germany during World War One.

In this early forum for his renowned wit, Mencken broached many of the issues to which he would return again and again over his career, establishing himself as a fearless iconoclast willing to tackle the most divisive subjects and apply a heady mix of observation, satire, and repartee to clear away what he regarded as the “saturnalia of bunk” that clouded American thinking. The Free Lance reveals Mencken at his scintillating best as a journalist, polemicist, and satirist.

These columns are collected here for the first time, edited and annotated by Mencken expert and critic S. T. Joshi. This extraordinary collection is an invaluable resource for Mencken scholars and fans and provides an entertaining immersion into the early twentieth-century American zeitgeist.

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cover of A Sense of Urgency: How the Climate Crisis Is Changing Rhetoric

A Sense of Urgency

How the Climate Crisis Is Changing Rhetoric

Debra Hawhee

University of Chicago Press, 2023

A study of how the climate crisis is changing human communication from a celebrated rhetorician.
 

Why is it difficult to talk about climate change? Debra Hawhee argues that contemporary rhetoric relies on classical assumptions about humanity and history that cannot conceive of the present crisis. How do we talk about an unprecedented future or represent planetary interests without privileging our own species? A Sense of Urgency explores four emerging answers, their sheer novelty a record of both the devastation and possible futures of climate change. In developing the arts of magnitude, presence, witness, and feeling, A Sense of Urgency invites us to imagine new ways of thinking with our imperiled planet.
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cover of A Shared History: Writing in the High School, College, and University, 1856-1886

A Shared History

Writing in the High School, College, and University, 1856-1886

Amy J. Lueck

Southern Illinois University Press, 2020

In the nineteenth century, advanced educational opportunities were not clearly demarcated and defined. Author Amy J. Lueck demonstrates that public high schools, in addition to colleges and universities, were vital settings for advanced rhetoric and writing instruction. Lueck shows how the history of high schools in Louisville, Kentucky, connects with, contradicts, and complicates the accepted history of writing instruction and underscores the significance of high schools to rhetoric and composition history and the reform efforts in higher education today.
 
Lueck explores Civil War- and Reconstruction-era challenges to the University of Louisville and nearby local high schools, their curricular transformations, and their fate in regard to national education reform efforts. These institutions reflect many of the educational trends and developments of the day: college and university building, the emergence of English education as the dominant curriculum for higher learning, student-centered pedagogies and educational theories, the development and transformation of normal schools, the introduction of manual education and its mutation into vocational education, and the extension of advanced education to women, African American, and working-class students.
 
Lueck demonstrates a complex genealogy of interconnections among high schools, colleges, and universities that demands we rethink our categories and standards of assessment and our field’s history. A shift in our historical narrative would promote a move away from an emphasis on the preparation, transition, and movement of student writers from high school to college or university and instead allow a greater focus on the fostering of rich rhetorical practices and pedagogies at all educational levels. As the definition of college-level writing becomes increasingly contested once again, Lueck invites a reassessment of the discipline’s understanding of contemporary programs based in high schools like dual-credit and concurrent enrollment.
 
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cover of A Slow Approach to Visual Literacy in Higher Education: Lesson Plans for Critical Discernment

A Slow Approach to Visual Literacy in Higher Education

Lesson Plans for Critical Discernment

Dana Statton Thompson and Stephanie Beene

American Library Association, 2024

The principles of “slow librarianship”—which prioritizes reflection, collaboration, solidarity, and valuing all kinds of contributions—can also support deeper and more sustained learning and understanding. This book emphasizes the importance of attention and focus to the process of visual literacy, demonstrating how this approach supports ACRL’s Visual Literacy Competency Standards for Higher Education and the Framework for Visual Literacy in Higher Education. Library workers, educators, and instructors will discover
  • dozens of flexible lesson plans for teaching visual literacy, scaffolded by competency levels: novice, intermediate, and advanced;
  • ways to integrate slow looking into the classroom, emphasizing careful observation and the sustained act of looking;
  • techniques for showing learners how to select images with intention, as well as carefully determine when and how to share those images;
  • reasons why slow creating is essential to understanding and applying visual literacy in the twenty-first century; and
  • a look at how increasing access to internet connectivity, generative artificial intelligence (AI), and new ethics for sharing and using information online will affect the future of visual literacy.
[more]
cover of A Sourcebook for Ancient Greek: Grammar, Poetry, and Prose

A Sourcebook for Ancient Greek

Grammar, Poetry, and Prose

John Tomarchio

Catholic University of America Press, 2022

This book was designed for students transitioning from the study of Greek grammar to translation of texts. It was developed in classroom use for classroom use, in the context of an integrated Great Books program in liberal arts and sciences. It is meant for students not only of Classics, but more, for students of Humanities interested in direct engagement of primary sources. Each Greek text offered for translation was chosen for its theoretical interest as well as the interest of its Greek. The selections of Greek literature offered in this Sourcebook are wide-ranging. The indisputable standard of excellence for classicists is of course the Attic dialect of Athens in its glory. However, this Sourcebook is meant for students of liberal arts and sciences whose interests range far more widely. Thus, it does not hesitate to extend not only backward to the archaic Greek of Homer, but also forward to the koine Greek of the Alexandrian and Roman empires. Greek works were chosen for being seminal to Western thinking today, chosen to give students of Western arts and sciences introductions to its Greek sources Naturally, Greek grammar is taught to the newcomer analytically and sequentially, but the continuing student needs to synthesize these distended enumerations of elements and principles. Accordingly, grammatical synopses are not appended as reference tables but placed front and center as objects of study. The grammar tables offer synoptic views of integral parts of Greek grammar to show the form and logic of the whole part of speech or part of a sentence. On the basis of these tables, detailed grammatical notes and commentary appended to Greek selections that follow are tailored for continuing students.
[more]
cover of A Sourcebook for Classical Logic

A Sourcebook for Classical Logic

John Tomarchio

Catholic University of America Press, 2023

This Sourcebook offers a brief sequence in classical Logic befitting an unspecialized study for students of liberal arts and sciences. The sequence is made up of select texts of the Aristotelian Organon, mostly the opening chapters of each treatise, in the traditional order, where Aristotle lays out the primary elements of reasoning. Study aids accompany these primary texts, providing students with mnemonics and diagrams developed for classroom use in the great books programs St. John’s College. The culmination of this Aristotelian Logic sequence is selections from the Posterior Analytics where Aristotle offers an account of the demonstrative reasoning of theoretical sciences. The interest of this Sourcebook, as of Aristotelian Logic, is search for such knowledge. This Aristotelian sequence is preceded by a sequence of readings in Medieval grammatica speculativa, or philosophy of language. This propaedeutic sequence begins with an ancient source to which that metaphysically minded ‘grammar’ recurred, namely Augustine’s De magistro, or On the Teacher. It is a dialogue between Augustine and his son about the triadic relation of the spoken word to the word thought and the thing thought about. This aporetic dialectic between Augustine and his son proves effective in awakening students to the theoretical stakes of Logic. Similarly, from later theological inquiries into language for purposes of scriptural interpretation more general theories of language emerged. The theoretical uses thus made of Aristotelian Logic by the Jewish theologian Maimonides and the Catholic Thomas Aquinas whet student appetite for the technical matter of the Organon sequence to follow.
[more]
cover of A Sourcebook for Classical Rhetoric

A Sourcebook for Classical Rhetoric

John Tomarchio

Catholic University of America Press, 2023

This Sourcebook is intended for students of liberal arts and great books. It treats such books as primary sources for inquiring into the nature of human speech because they clarify the terms and stakes of perennial questions thinking human beings ask themselves about persuasive speaking. By crystallizing viable claims about the nature of what we confront in politics and society—live claims for us to confront in our own, with the stakes of that confrontation being live as well—they originate a dialectic with one another and with us their readers. Cicero called rhetoric a liberal art necessary for every citizen of a free republic. In the polities of ancient Greece and Rome, rhetoric was politically potent because oratory was the regular means of political decision. Words were decisive, often a matter of life and death, not merely for individuals but for peoples. In human milieux where human speech is so politically decisive, reflection upon its nature became keen. The selections of this sourcebook have been arranged in three sequences. The first two sequences comprise philosophical dialogues on the ends of rhetoric. Selections from Plato’s Gorgias, Phaedrus, and Apology examine the rhetorician or teacher of rhetoric, and then Cicero’s De oratore offers us a dialectic among practitioners about its practice. The philosophical dialogues on the art’s intended ends and causative effects provide the theoretical and ethical context for examining its means. These philosophical dialogues are thus propaedeutic to the third sequence, which focusses on the art itself with selections from Aristotle’s treatise On Rhetoric, paired with orations from Thucydides’ History of the Peloponnesian War.
[more]
cover of A Sourcebook for English Lyric Poetry

A Sourcebook for English Lyric Poetry

John Tomarchio

Catholic University of America Press, 2023

This Sourcebook is not a survey of English lyric poems but rather a florilegium. It singles out great poems of the last five centuries worthy of study in liberal education—in Great Books programs, Core curricula, and the Humanities generally. The poems were selected not as representative of the author’s time or oeuvre, but rather as addressed to the reader and the reader’s time by virtue of their representing the nature of things. That is what makes a poem great and worthy of inquiry, in John Tomarchio’s judgement. The capacities, needs, and interests of students of such great poetry were the principles of selection. To arrange the great poems selected Tomarchio looked to their meters as a formal measure intrinsic to them, rather than to epochal divisions. The paradigmatic example of this is the classical English sonnet. Many an English poet has submitted themselves to the self-discipline of this poetic form born in the classical period of English poetry in Tudor England. But what of such historical context? When Robert Frost chooses to write a sonnet in the 20th century, why associate it more with the free verse of e.e. cummings than of the quincentenary sonnet tradition his chosen form invokes for context? The Sourcebook arranges poems according to five such metrical modes, however along with an Index by poet as well . Tomarchio’s enumeration of poetic modes does not presume to be either exhaustive or normative, but rather interpretative of poetic practices and hopefully more elucidative than historical considerations. Further, as understanding great poetry’s means deepens interpretation of ends, the Sourcebook begins with a propaedeutic “grammar” that introduces students to such devices of poetic art as meter, rhyme, and trope.
[more]
cover of A Starter's Guide for Academic Library Leaders: Advice in Conversation

A Starter's Guide for Academic Library Leaders

Advice in Conversation

Amanda Clay Powers

American Library Association, 2019

The path towards leadership starts with you. But you don’t have to go it alone. For this book, the authors sat down with many of the library leaders they most admire for a series of conversations about the aspects of the job that they find the most fascinating (and challenging). Much like the chats you might have over coffee at a conference or with a mentor, these frank discussions will nourish you with nuts-and-bolts wisdom on a diverse range of academic library management issues. Among the topics and situations broached are

  • balancing personal values against the common refrain “you don’t get to be who you want to be in positions like ours”;
  • five questions to ask that reveal much about organizational culture and climate;
  • creating a culture of change, including why a newly promoted director chose to make the most drastic changes in the first 100 days;
  • forming a “dean team” to help frame responses with consideration to institutional culture;
  • the value of demystifying the budget for the entire library staff;
  • using tools such as a personal “learning journal” to fuel professional development;
  • cultivating a personal network by setting up meetings at local libraries during conferences;
  • the risks that result from jumping into a situation too fast and boxing yourself into a corner;
  • lessons learned from failed initiatives;
  • examples of navigating controversies, such as a director’s response to a WPA mural with a racist message; and
  • managing facilities, with an example of how injecting a previously ignored library voice into a building project led to a tripling of the space.

Between these covers you’ll find guidance, ideas, and inspiration as you continue your leadership journey.

[more]
cover of A Tanizaki Feast: The International Symposium in Venice

A Tanizaki Feast

The International Symposium in Venice

Adriana Boscaro and Anthony Hood Chambers, Editors

University of Michigan Press, 1998

This volume presents 18 eighteen essays, written by scholars from six countries, on Tanizaki Jun’ichiro (1886–1965), one of the great writers of the 20th century. The essays were originally prepared for a landmark international symposium in Venice in 1995, at which 22 speakers addressed an audience of about two hundred students and scholars in the Aula Magna of the University of Venice. Topics include Tanizaki’s fiction, plays, and film scenarios; his aesthetics; his place in Japanese intellectual history; his depiction of the West; his use of humor; and film adaptations of his works. In 1964 Tanizaki was elected to honorary membership in the American Academy and Institute of Arts and Letters, the first Japanese to be so honored; and it is widely believed that he was being considered for the Nobel Prize in Literature.
[more]
cover of A Taste for Language: Literacy, Class, and English Studies

A Taste for Language

Literacy, Class, and English Studies

James Ray Watkins Jr.

Southern Illinois University Press, 2009

“This is a book about the American Dream as it has become embodied in the university in general and in the English department in particular,” writes James Ray Watkins at the start of A Taste for Language: Literacy, Class, and English Studies. In it, Watkins argues that contemporary economic and political challenges require a clear understanding of the identity of English studies, making elementary questions about literacy, language, literature, education, and class once again imperative.  

A personal history of university-level English studies in the twentieth century, A Taste for Language combines biography, autobiography, and critical analysis to explore the central role of freshman English and literary studies in the creation and maintenance of the middle class. It tells a multi-generational story of the author and his father, intertwined with close reading of texts and historical analysis. The story moves from depression-era Mississippi, where the author's father was born, to a contemporary English department, where the author now teaches.

Watkins looks at not only textbooks, scholars, and the academy but also at families and other social institutions. A rich combination of biography, autobiography, and critical analysis, A Taste for Language questions what purpose an education in English language and literature serves in the lives of the educated in a class-based society and whether English studies has become wholly irrelevant in the twenty-first century. 

[more]
cover of A Teaching Subject: Composition Since 1966, New Edition

A Teaching Subject

Composition Since 1966, New Edition

Joseph Harris

Utah State University Press, 2012

In this classic text, Joseph Harris traces the evolution of college writing instruction since the Dartmouth Seminar of 1966. A Teaching Subject offers a brilliant interpretive history of the first decades during which writing studies came to be imagined as a discipline separable from its partners in English studies. Postscripts to each chapter in this new edition bring the history of composition up to the present.

Reviewing the development of the field through five key ideas, Harris unfolds a set of issues and tensions that continue to shape the teaching of writing today. Ultimately, he builds a case, now deeply influential in its own right, that composition defines itself through its interest and investment in the literacy work that students and teachers do together. Unique among English studies fields, composition is, Harris contends, a teaching subject.

[more]
cover of A Thousand and One Afternoons in Chicago

A Thousand and One Afternoons in Chicago

Ben Hecht

University of Chicago Press, 1992

In 1921, Ben Hecht wrote a column for the Chicago Daily News that his editor called “journalism extraordinary; journalism that invaded the realm of literature.” Hecht’s collection of sixty-four of these pieces, illustrated with striking pen drawings by Herman Rosse, is a timeless caricature of urban American life in the jazz age, updated with a new Introduction for the twenty-first century. From the glittering opulence of Michigan Avenue to the darkest ruminations of an escaped convict, from captains of industry to immigrant day laborers, Hecht captures 1920s Chicago in all its furor, intensity, and absurdity.

“The hardboiled audacity and wit that became Hecht’s signature as Hollywood’s most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history.”—L. S. Klepp, Voice Literary Supplement

 

 

[more]
cover of A Thousand and One Afternoons in Chicago

A Thousand and One Afternoons in Chicago

Ben Hecht

University of Chicago Press, 2009

In 1921, Ben Hecht wrote a column for the Chicago Daily News that his editor called “journalism extraordinary; journalism that invaded the realm of literature.” Hecht’s collection of sixty-four of these pieces, illustrated with striking pen drawings by Herman Rosse, is a timeless caricature of urban American life in the jazz age, updated with a new Introduction for the twenty-first century. From the glittering opulence of Michigan Avenue to the darkest ruminations of an escaped convict, from captains of industry to immigrant day laborers, Hecht captures 1920s Chicago in all its furor, intensity, and absurdity.

“The hardboiled audacity and wit that became Hecht’s signature as Hollywood’s most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history.”—L. S. Klepp, Voice Literary Supplement

 

 

[more]
cover of A Tohono O'odham Grammar

A Tohono O'odham Grammar

Ofelia Zepeda

University of Arizona Press, 1983

This first pedagogical grammar of the Papago language features twenty chapters on grammatical constructions and five sample dialogs—plus abbreviations, symbols, summary of grammatical elements, and two glossaries. Classroom-tested for teaching both native and non-native speakers, the text also offers linguists an overview of the Papago language not available elsewhere.
[more]
cover of A Translation of Lao-tzu’s Tao Te Ching and Wang Pi’s Commentary

A Translation of Lao-tzu’s Tao Te Ching and Wang Pi’s Commentary

Translated by Paul J. Lin

University of Michigan Press, 1977

During the Spring-Autumn period (722–420 BCE) and the time of the Warring States (480–222 CE), China was in great turmoil. Intellectuals and social reformers sifted through their wisdom and knowledge of China’s experiences up to then, attempting to find a solution to their situation.
The Tao Te Ching, one of the foremost products of the era, is a metaphysical book, a source of the highest political thought. Many readers have found in it representations of the highest ideals of human endeavors. Yet given its likely oral origin and the technological limitations of its early textual transmission, the Tao Te Ching raises numerous questions related to authorship, date of origin, internal organization, textual coherence, and editorial history.
Of the scores of translations of the Tao Te Ching, the great majority are based on the edition prepared by the third-century scholar Wang Pi. Wang’s profound commentary is itself a deeply influential text in the development of Taoist thought. Paul Lin presents the commentary, otherwise unavailable in English, in the form of footnotes accompanying his meticulous rendition of the Taoist classic.
[more]
cover of A Trauma-Informed Approach to Library Services

A Trauma-Informed Approach to Library Services

Rebecca Tolley

American Library Association, 2014

We are only now coming to terms with how common trauma really is; a landmark Kaiser study that surveyed patients receiving physicals found that almost two-thirds had experienced at least one form of abuse, neglect, or other trauma as a child. Though originating in the fields of health and social services, trauma-informed care is a framework that holds great promise for application to library work. Empathetic service, positive patron encounters, and a more trusting workplace are only a few of the benefits that this approach offers. In this important book Tolley, experienced in both academic and public libraries, brings these ideas into the library context. Library administrators, directors, and reference and user services staff will all benefit from learning 

  • the six key principles of trauma-informed care;
  • characteristics of a trusting and transparent library organization, plus discussion questions to promote a sense of psychological safety among library workers;
  • how certain language and labels can undermine mutuality, with suggested phrases that will help library staff demonstrate neutrality to patron ideas and views during information requests;
  • delivery models that empower patrons; 
  • advice on balancing free speech on campus with students’ need for safety;
  • how appropriate furniture arrangement can help people suffering from PTSD feel safe;
  • guidance on creating safe zones for LGBTQIA+ children, teens, and adults; and
  • self-assessment tools to support change toward trauma-responsive library services.
[more]
cover of A Trauma-Informed Framework for Supporting Patrons: The PLA Workbook of Best Practices

A Trauma-Informed Framework for Supporting Patrons

The PLA Workbook of Best Practices

The Public Library Association Social Worker Task Force

American Library Association, 2022

Whether it’s navigating a crisis or witnessing a community member struggling with tough times, coming face to face with trauma and adversity can be uncomfortable. But in striving to learn more about challenging behaviors, and how we can better interact with library patrons and our coworkers, we can come to see that people are complex and not simply “problems.” This workbook from the PLA Social Worker Task Force (SWTF) provides a collection of powerful tools to add to your customer service toolbox. It’s filled with prompts, exercises, and best practices that shed light on how trauma can affect people, helping you build confidence in your ability to support your library’s patrons. You will
 
  • delve into what trauma is and how it impacts library work;
  • be introduced to a framework for utilizing a trauma-informed lens in your interactions;
  • practice exercises to spur personal reflection on common concerns bound up with library work and the policies relating to these issues; and
  • gain hand-on tools and techniques, including strategies for de-escalation and guidance on the impacts of involving law-enforcement and banning patrons.
 
You will also explore various scenarios which provide the opportunity to integrate what you’ve learned and practice responding through a trauma-informed lens, including
 
  • Mental Health Challenges
  • Sleeping at the Library
  • Strong Personal Odor
  • Personal Belongings
  • Suspected Intoxication/Under the Influence
  • Substance Use
  • Threatening Verbal and Nonverbal Behavior
  • Unsheltered Teens
  • Adult Self-Neglect
  • Child Abuse or Assault
  • Solicitation or Panhandling
  • Stealing
  • Child Unattended After Closing
[more]
cover of A Voice Of Their Own: The Woman Suffrage Press, 1840-1910

A Voice Of Their Own

The Woman Suffrage Press, 1840-1910

Martha Solomon

University of Alabama Press, 1991

A Voice of Their Own explores the consciousness-raising role of the American Suffrage press of the latter half of the 19th century.  From the first women's rights convention--a modest gathering of three hundred sympathizers led by Elizabeth Cady Stanton--grew the ever-expanding movement for equal rights, greater protection, and improved opportunities.  Although the leaders of that and subsequent conventions realized that such public rallies, with their exhortative speeches, were crucial in gaining support for the movement, they also recognized the potentioal impact of another medium--woman's suffrage periodicals, written and published by and expressly for women.  The eleven essays of this volume demonstrate how the suffrage press-- in such works as Woman's Journal, Woman's Tribune, Woman's Exponent, and Farmer's Wife-- was able to educate an audience of women readers, crate a sense of community among them, and help alter their self-image.
[more]
cover of A War of Words in the Discourse of Trade: The Rhetorical Constitution of Metaphor

A War of Words in the Discourse of Trade

The Rhetorical Constitution of Metaphor

Philip Eubanks

Southern Illinois University Press, 2000

This study by Phillip Eubanks challenges traditional accounts of metaphor and significantly expands theories of "conceptual" metaphor by examining Trade Is War metaphor as it occurs in concrete discourse.

Although scholarly interest in metaphor as an aesthetic, linguistic, and cognitive phenomenon has long endured, Eubanks is among the first to consider metaphor in its sociohistorical role. Questioning major accounts of metaphor from Aristotle to the present, Eubanks argues that metaphor is not just influenced by but actually is constituted by its concrete operation.

Far-reaching in its implications for our understanding of metaphor, Eubanks’s premise enables us to see metaphor as a sweeping rhetorical entity even as it accounts for the more localized operations of metaphor of interest to linguists, philosophers of language, and cognitive scientists. Providing a new model of metaphoric functioning, Eubanks reconsiders the most promising account of metaphor to date, the notion of "conceptual metaphor.”

Eubanks focuses on the conceptual metaphor Trade Is War—a metaphor found wherever people discuss business and commerce—to develop his rhetorical model of metaphor. He analyzes Trade Is War as it occurs in the print news media, on television discussion shows, in academic works, in popular nonfiction and novels, in historic economic commentary, and in focus group talk. While these examples do reveal a rich variety in the make-up of Trade Is War, much more than mere variety is at stake.

Trade Is War is implicated in an extended and rhetorically complex conversation with other metaphors and literal concepts: trade is peace, Trade Is a Game, Trade Is Friendship, Trade is a Journey, and Markets Are Containers. The recognition and analysis of this constituting conversation furthers a reevaluation theory. What also emerges, however, is a valuable portrait of the discourse of trade itself, a discourse that depends importantly upon a responsive interchange of metaphors.

[more]
cover of A War of Words: The Rhetorical Leadership of Jefferson Davis

A War of Words

The Rhetorical Leadership of Jefferson Davis

R. Jarrod Atchison

University of Alabama Press, 2017

A rhetorical analysis of Jefferson Davis’s public discourse

Numerous biographies of Jefferson Davis have been penned; however, until now, there had been no substantive analysis of his public discourse as president of the Confederacy. R. Jarrod Atchison’s A War of Words uses concepts from rhetorical theory and public address to help answer a question that has intrigued scholars from a variety of disciplines since the collapse of the Confederacy: what role, if any, did Davis play in the collapse of Confederate nationalism?
 
Most discussions of Davis and nationalism focus on the military outcomes of his controversial wartime decisions. A War of Words focuses less on military outcomes and argues instead that, in the context of the Confederacy, Jefferson Davis’s rhetorical leadership should have been responsible for articulating a vision for the nation—including the core tenets of its identity, the values the nation should hold dear, the principles it should never compromise, and the goals it should set for its future. Undoubtedly, Davis possessed the skills necessary to make a persuasive public argument. It is precisely because Davis’s oratory skills were so powerful that there is room to judge how he used them. In short, being a great orator is not synonymous with successful rhetorical leadership.
 
Atchison posits that Davis’s initial successes constrained his rhetorical options later in the war. A War of Words concludes that, in the end, Davis’s rhetorical leadership was a failure because he was unable to articulate a coherent Confederate identity in light of the sacrifices endured by the populace in order to sustain the war effort.
[more]
cover of A Word on Words: The Best of John Seigenthaler's Interviews

A Word on Words

The Best of John Seigenthaler's Interviews

Edited by Pat Toomay and Frye Gaillard; Epilogue by Andrew Maraniss

Vanderbilt University Press, 2023

For years the legendary John Seigenthaler hosted A Word on Words on Nashville's public television station, WNPT. During the show’s four-decade run (1972 to 2013), he interviewed some of the most interesting and most impor­tant writers of our time. These in-depth exchanges revealed much about the writers who appeared on his show and gave a glimpse into their creative pro­cesses. Seigenthaler was a deeply engaged reader and a generous interviewer, a true craftsman. Frye Gaillard and Pat Toomay have collected and transcribed some of the iconic interactions from the show.

Featuring interviews with:
Arna Bontemps • Marshall Chapman • Pat Conroy • Rodney Crowell • John Egerton • Jesse Hill Ford • Charles Fountain • William Price Fox • Kinky Friedman • Frye Gaillard • Nikki Giovanni • Doris Kearns Goodwin • David Halberstam • Waylon Jennings • John Lewis • David Maraniss • William Marshall • Jon Meacham • Ann Patchett • Alice Randall • Dori Sanders • John Seigenthaler Sr. • Marty Stuart • Pat Toomay
[more]
cover of A Working Model for Contingent Faculty

A Working Model for Contingent Faculty

Robert Samuels

University Press of Colorado, 2023

In A Working Model for Contingent Faculty, Robert Samuels offers an outline of fair and effective practices for improving the working conditions of faculty in precarious positions. Drawing on more than twenty years of union activism and university teaching, Samuels examines programs, policies, and practices that work for non-tenure-track faculty in the University of California system. His detailed analysis of facts on the ground offers a foundation upon which faculty in contingent positions can build arguments for improved working conditions. Throughout the book, Samuels focuses on the central issues of academic freedom, job security, compensation, shared governance, evaluation and promotion, benefits, and dispute resolution as well as critical but less often addressed concerns such as funding for professional development family leave policies, technology training, and summer teaching. A Working Model, as a result, offers resources that can support progress well beyond the University of California system.
[more]
cover of A World of Turmoil: The United States, China, and Taiwan in the Long Cold War

A World of Turmoil

The United States, China, and Taiwan in the Long Cold War

stephen hartnett

Michigan State University Press, 2021

The United States, the People’s Republic of China, and Taiwan have danced on the knife’s edge of war for more than seventy years. A work of sweeping historical vision, A World of Turmoil offers case studies of five critical moments: the end of World War II and the start of the Long Cold War; the almost-nuclear war over the Quemoy Islands in 1954–1955; the détente, deceptions, and denials surrounding the 1972 Shanghai Communiqué; the Taiwan Strait Crisis of 1995–1996; and the rise of postcolonial nationalism in contemporary Taiwan. Diagnosing the communication dispositions that structured these events reveals that leaders in all three nations have fallen back on crippling stereotypes and self-serving denials in their diplomacy. The first communication-based study of its kind, this book merges history, rhetorical criticism, and advocacy in a tour de force of international  scholarship. By mapping the history of miscommunication between the United States, China, and Taiwan, this provocative study shows where and how our entwined relationships have gone wrong, clearing the way for renewed dialogue, enhanced trust, and new understandings.
[more]
cover of A Writer Reforms (the Teaching of) Writing: Donald Murray and the Writing Process Movement, 1963–1987

A Writer Reforms (the Teaching of) Writing

Donald Murray and the Writing Process Movement, 1963–1987

Michael J. Michaud

University Press of Colorado, 2024

In this archival investigation, Michael J. Michaud examines the life and work of Donald M. Murray, an important disciplinary and educational reformer who has for too long been misunderstood, caricatured, and dismissed by many writing studies theorists and historians. Focusing on Murray’s work at the University of New Hampshire from the 1960s to the 1980s, Michaud offers a corrective intended to establish a new legacy for Murray. Grounded in an understanding of the significance of his personal backstory to his reform efforts and narrated through the lens of a close reading of the day-to-day details of his work during the heady years of the writing process movement, A Writer Reforms (the Teaching of) Writing recounts the numerous innovations Murray contributed to composition pedagogy and traces the impact of his work on the growth of the field during a critical period in its development.
[more]
cover of A Writer's Guide to Mindful Reading

A Writer's Guide to Mindful Reading

Ellen C. Carillo

University Press of Colorado, 2017

A Writer's Guide to Mindful Reading develops and enacts the mindful reading pedagogy described in Ellen C. Carillo's scholarly monograph Securing a Place for Reading in Composition: The Importance of Teaching for Transfer (Utah State UP). Offering a comprehensive approach to literacy instruction by focusing on reading and writing, A Writer's Guide to Mindful Reading supports students as they become more reflective, deliberate, and mindful readers and writers by working within a metacognitive framework. The reading selections, assignments, and activities in this innovative textbook move students toward this goal by providing opportunities to apply and reflect on multiple ways of reading and writing, positioning students to develop a metacognitive awareness crucial to transferring what they learn about reading and writing to other courses and contexts. Because many of the difficulties that students encounter when writing are related to the difficulties posed by reading complex texts, A Writer's Guide to Mindful Reading gives instructors the tools to help students develop a repertoire of reading strategies that will help them become stronger readers and—by extension—stronger writers.
[more]
cover of A Year in the Story Room: Ready-to-Use Programs for Children

A Year in the Story Room

Ready-to-Use Programs for Children

Dawn R. Roginski

American Library Association, 2014

[more]
cover of A Year of Programs for Millennials and More

A Year of Programs for Millennials and More

Amy Alessio

American Library Association, 2015

[more]
cover of A Year of Programs for Teens 2

A Year of Programs for Teens 2

Amy Alessio

American Library Association, 2011

[more]