754 books match the query 'Native American Studies' and 76 start with a

cover of Amulets, Effigies, Fetishes, and Charms: Native American Artifacts and Spirit Stones from the Northeast

Amulets, Effigies, Fetishes, and Charms

Native American Artifacts and Spirit Stones from the Northeast

Edward J. Lenik

University of Alabama Press, 2016

Interpreting Sacred Objects: Indigenous Material Culture and Spiritual Meaning in the Northeast.

Decorated stone artifacts are a significant part of archaeological studies of Native Americans in the Northeast. The artifacts illuminated in Amulets, Effigies, Fetishes, and Charms: Native American Artifacts and Spirit Stones from the Northeast include pecked, sculpted, or incised figures, images, or symbols. These are rendered on pebbles, plaques, pendants, axes, pestles, and atlatl weights, and are of varying sizes, shapes, and designs. Lenik draws from Indian myths and legends and incorporates data from ethnohistoric and archaeological sources together with local environmental settings in an attempt to interpret the iconography of these fascinating relics. For the Algonquian and Iroquois peoples, they reflect identity, status, and social relationships with other Indians as well as beings in the spirit world.

Lenik begins with background on the Indian cultures of the Northeast and includes a discussion of the dating system developed by anthropologists to describe prehistory. The heart of the content comprises more than eighty examples of portable rock art, grouped by recurring design motifs. This organization allows for in-depth analysis of each motif. The motifs examined range from people, animals, fish, and insects to geometric and abstract designs. Information for each object is presented in succinct prose, with a description, illustration, possible interpretation, the story of its discovery, and the location where it is now housed. Lenik also offers insight into the culture and lifestyle of the Native American groups represented. An appendix listing places to see and learn more about the artifacts and a glossary are included.

The material in this book, used in conjunction with Lenik’s previous research, offers a reference for virtually every known example of northeastern rock art. Archaeologists, students, and connoisseurs of Indian artistic expression will find this an invaluable work.

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cover of An 1860 English-Hopi Vocabulary Written in the Deseret Alphabet

An 1860 English-Hopi Vocabulary Written in the Deseret Alphabet

Kenneth R. Beesley

University of Utah Press, 2014

In 1859 Brigham Young sent two Mormon missionaries to live among the Hopi, “reduce their dialect to a written language,” and then teach it to the Hopi so that they would be able to read the Book of Mormon in their own tongue. Young instructed the men to teach the Hopi to write in the Deseret Alphabet, a phonemic system that he was promoting in place of the traditional Latin alphabet. While the Deseret Alphabet faded out of use in just over twenty years, the manuscript penned in Deseret by one of the missionaries has remained in existence. For decades it sat unidentified in the Archives of the Church of Jesus Christ of the Latter-day Saints in Salt Lake Citya mystery document having no title, author, or date. But authors Beesley and Elzinga have now traced the manuscript’s origin to the missionaries of 1859-60 and decoded its Hopi-English vocabulary written in the short-lived Deseret Alphabet. The resulting book offers a fascinating mix of linguistics, Mormon history, and Native American studies.
     The volume reproduces all 486 vocabulary entries of the original manuscript, presenting the Deseret and the modern English and Hopi translations. It explains the history of the Deseret Alphabet as well as that of the Mormon missions to the Hopi, while fleshing out the background of the two missionaries, Marion Jackson Shelton, who wrote the manuscript, and his companion, Thales Hastings Haskell. The book will be of interest to linguists, historians, ethnographers, and others who are curious about the unique combination of topics this work connects. 
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cover of An Ojibwe Home in the City: White Earth Women and Community Organizing in Minneapolis

An Ojibwe Home in the City

White Earth Women and Community Organizing in Minneapolis

Sasha Maria Suarez

University of Minnesota Press, 2026

The story of generations of Ojibwe women who built a thriving Indigenous home in the urban heart of Minneapolis

Minneapolis became home to White Earth Ojibwe people not through a centralized movement but through generations of determined, behind-the-scenes work by Ojibwe women. These women were organizing not in the streets, but in sewing clubs, churches, classrooms, and kitchens to bring people together and form interconnected communities. Rooted in care, tradition, and persistence, their labor laid the foundation for a thriving urban Indigenous population that continues to shape the city today.

An Ojibwe Home in the City tells the histories of Louise and Emily Peake, Winnie Jourdain, Ignatia Broker, and other Ojibwe women who endeavored to make space for Native families in South Minneapolis. From the 1930s through the 1970s, these women built institutions, secured services, and fought for culturally grounded education—all while working inside systems never intended for them. Their efforts led to the creation of vital community hubs such as the Division of Indian Work and the Minneapolis American Indian Center and helped ensure that future generations would stay connected to their culture, even in an urban setting.

Far broader than a local history, this book challenges what we think we know about Native activism in the twentieth century, shifting the focus from protest to perseverance and steady commitment. Intimate, compelling, and deeply grounded in community, An Ojibwe Home in the City is both a tribute and a revelation—an essential and personal account of how Indigenous women made a place for their people in a changing world.

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cover of Ancestral Places: Understanding Kanaka Geographies

Ancestral Places

Understanding Kanaka Geographies

Katrina-Ann R. Kapa'anaokalaokeola Nakoa Oliveira

Oregon State University Press, 2014

Ancestral Places explores the deep connections that ancestral Kanaka (Native Hawaiians) enjoyed with their environment. It honors the mo‘olelo (historical accounts) of the ancestral places of our kupuna (ancestors), and reveals how these mo‘olelo and our relationships with the ‘aina (land) inform a Kanaka sense of place.

Katrina-Ann R. Kapa‘anaokalaokeola Nakoa Oliveira elucidates a Kanaka geography and provides contemporary scholars with insights regarding traditional culture—including the ways in which Kanaka utilize cartographic performances to map our ancestral places and retain our mo‘olelo, such as reciting creation accounts, utilizing nuances embedded in language, and dancing hula.

A Kanaka by birth, a kumu ‘olelo Hawai‘i (language teacher) by profession, and a geographer by training, Oliveira’s interests intersect at the boundary where words and place-making meet her ancestral land. Thus, Ancestral Places imbues the theoretical with sensual practice. The book’s language moves fluidly between Hawaiian and English, terms are nimbly defined, and the work of the field is embodied: geographic layers are enacted within the text, new understandings created—not just among lexica, but amidst illustrations, charts, terms, and poetry.  

In Ancestral Places, Oliveira reasserts both the validity of ancestral knowledge systems and their impact in modernity. Her discussion of Kanaka geographies encompasses the entire archipelago, offering a new framework in Kanaka epistemology.
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cover of Ancient Architecture of the Southwest

Ancient Architecture of the Southwest

By William N. Morgan

University of Texas Press, 1994

During more than a thousand years before Europeans arrived in 1540, the native peoples of what is now the southwestern United States and northern Mexico developed an architecture of rich diversity and beauty. Vestiges of thousands of these dwellings and villages still remain, in locations ranging from Colorado in the north to Chihuahua in the south and from Nevada in the west to eastern New Mexico.

This study presents the most comprehensive architectural survey of the region currently available. Organized in five chronological sections that include 132 professionally rendered site drawings, the book examines architectural evolution from humble pit houses to sophisticated, multistory pueblos. The sections explore concurrent Mogollon, Hohokam, and Anasazi developments, as well as those in the Salado, Sinagua, Virgin River, Kayenta, and other areas, and compare their architecture to contemporary developments in parts of eastern North America and Mesoamerica. The book concludes with a discussion of changes in Native American architecture in response to European influences.

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cover of Ancient Indigenous Cuisines: Archaeological Explorations of the Midcontinent

Ancient Indigenous Cuisines

Archaeological Explorations of the Midcontinent

Edited by Susan M. Kooiman, Jodie A. O'Gorman, and Autumn M. Painter

University of Alabama Press, 2025

New essays from foodways archaeology related to cuisine in social, cultural, and environmental contexts.

This collection of original essays is the first to cover recent trends in foodways archaeology in the Midwest using the concept of cuisine: the selection of food ingredients and methods of food preparation, cooking, and serving/consumption in relation to their social, cultural, and environmental contexts. This work span the Early Archaic (9000 BC) to Late Precontact (up to around AD 1500) in ecological zones of present-day Michigan, Indiana, Illinois, Wisconsin, Minnesota, North Dakota, and Manitoba. Chapters trace development from hunter-gathering to horticultural practices to the more robust farming/fishing/hunting model centered on maize, squash, and other domesticates.

As Susan M. Kooiman, Jodie A. O’Gorman, and Autumn M. Painter note, identification of past cooking habits and evolving methods for foodstuffs identification can help archaeologists to reconstruct foodways and connect food behaviors with identity and associated fundamental societal beliefs. Contributors to this collection use cutting-edge methods and perspectives and consider a range of questions and outcomes that demonstrate the versatility and strength of culinary studies. To move the field forward, contributors also note areas for further analysis and improvement.

This volume targets archaeologists and students, archaeobotanists and zooarchaeologists, and those curious about Indigenous food culture. Engaging content includes chapters on the construction of earth ovens, the use-alteration of pottery and residue, a discussion of cuisine combining plant and animal data with ceramic trends, and the various contexts of plates to understand cooking methods and the social role of cuisine. Others examine faunal remains, the plant remains of feasting, the introduction of maize, the use of limestone nixtamalization, and archaeobotanical assemblages that reveal shifts in cuisine. A conclusion addresses the question, Why cuisine?

 

CONTRIBUTORS

Rebecca K. Albert / Alleen Betzenhauser / Jennifer R. Haas / Mary M. King / Susan M. Kooiman / Mary E. Malainey / Terrance J. Martin / Fernanda Neubauer / Kelsey Nordine / Jodie A. O’Gorman / Autumn M. Painter / Jeffrey M. Painter / Kimberly Schaefer / Mary Simon

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cover of Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography

Ancient Objects and Sacred Realms

Interpretations of Mississippian Iconography

Edited by F. Kent Reilly, III, and James F. Garber

University of Texas Press, 2006

Between AD 900-1600, the native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States conceived and executed one of the greatest artistic traditions of the Precolumbian Americas. Created in the media of copper, shell, stone, clay, and wood, and incised or carved with a complex set of symbols and motifs, this seven-hundred-year-old artistic tradition functioned within a multiethnic landscape centered on communities dominated by earthen mounds and plazas. Previous researchers have referred to this material as the Southeastern Ceremonial Complex (SECC).

This groundbreaking volume brings together ten essays by leading anthropologists, archaeologists, and art historians, who analyze the iconography of Mississippian art in order to reconstruct the ritual activities, cosmological vision, and ideology of these ancient precursors to several groups of contemporary Native Americans. Significantly, the authors correlate archaeological, ethnographic, and art historical data that illustrate the stylistic differences within Mississippian art as well as the numerous changes that occur through time. The research also demonstrates the inadequacy of the SECC label, since Mississippian art is not limited to the Southeast and reflects stylistic changes over time among several linked but distinct religious traditions. The term Mississippian Iconographic Interaction Sphere (MIIS) more adequately describes the corpus of this Mississippian art. Most important, the authors illustrate the overarching nature of the ancient Native American religious system, as a creation unique to the native American cultures of the eastern United States.

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cover of Anonimo Mexicano

Anonimo Mexicano

Richley Crapo and Bonnie Glass-Coffin

Utah State University Press, 2005

Anonimo Mexicano is the first publication of the full Nahuatl text and English translation of a rare and important Native history of preconquest Mexico. Written circa 1600 by an anonymous Tlaxcaltecan author, it is an epic account of the settling of central Mexico by Nahua peoples from the northern frontier. They developed a sophisticated culture with powerful city states and an agricultural economy, fought great wars, established dynasties, and recorded their history and legends in painted books. The Mexica became the most powerful of these nations until their conquest by the Spanish with the help of the Tlaxcalteca, who were rivals of the Mexica and whose national origin tale was recorded in Anonimo Mexicano.
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cover of Anthropologists and Indians in the New South

Anthropologists and Indians in the New South

Edited by Rachel Bonney and J. Anthony Paredes; Foreword by Raymond D. Fogelson

University of Alabama Press, 2001

Choice Outstanding Academic Title for 2002
 
A clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past
 
Southern Indians have experienced much change in the last half of the 20th century. In rapid succession since World War II, they have passed through the testing field of land claims litigation begun in the 1950s, played upon or retreated from the civil rights movement of the 1960s, seen the proliferation of “wannabe” Indian groups in the 1970s, and created innovative tribal enterprises—such as high-stakes bingo and gambling casinos—in the 1980s. The Native American Graves Protection and Repatriation Act of 1990 stimulated a cultural renewal resulting in tribal museums and heritage programs and a rapprochement with their western kinsmen removed in “Old South” days.
 
Anthropology in the South has changed too, moving forward at the cutting edge of academic theory. This collection of essays reflects both that which has endured and that which has changed in the anthropological embrace of Indians from the New South. Beginning as an invited session at the 30th-anniversary meeting of the Southern Anthropological Society held in 1996, the collection includes papers by linguists, archaeologists, and physical anthropologists, as well as comments from Native Americans.
 
This broad scope of inquiry—ranging in subject from the Maya of Florida, presumed biology, and alcohol-related problems to pow-wow dancing, Mobilian linguistics, and the “lost Indian ancestor” myth—results in a volume valuable to students, professionals, and libraries. Anthropologists and Indians in the New South is a clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past.
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cover of Anthropology and the Racial Politics of Culture

Anthropology and the Racial Politics of Culture

Lee D. Baker

Duke University Press, 2010

In the late nineteenth century, if ethnologists in the United States recognized African American culture, they often perceived it as something to be overcome and left behind. At the same time, they were committed to salvaging “disappearing” Native American culture by curating objects, narrating practices, and recording languages. In Anthropology and the Racial Politics of Culture, Lee D. Baker examines theories of race and culture developed by American anthropologists during the late nineteenth century and early twentieth. He investigates the role that ethnologists played in creating a racial politics of culture in which Indians had a culture worthy of preservation and exhibition while African Americans did not.

Baker argues that the concept of culture developed by ethnologists to understand American Indian languages and customs in the nineteenth century formed the basis of the anthropological concept of race eventually used to confront “the Negro problem” in the twentieth century. As he explores the implications of anthropology’s different approaches to African Americans and Native Americans, and the field’s different but overlapping theories of race and culture, Baker delves into the careers of prominent anthropologists and ethnologists, including James Mooney Jr., Frederic W. Putnam, Daniel G. Brinton, and Franz Boas. His analysis takes into account not only scientific societies, journals, museums, and universities, but also the development of sociology in the United States, African American and Native American activists and intellectuals, philanthropy, the media, and government entities from the Bureau of Indian Affairs to the Supreme Court. In Anthropology and the Racial Politics of Culture, Baker tells how anthropology has both responded to and helped shape ideas about race and culture in the United States, and how its ideas have been appropriated (and misappropriated) to wildly different ends.

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cover of Anti-Indianism in Modern America: A Voice from Tatekeya's Earth

Anti-Indianism in Modern America

A Voice from Tatekeya's Earth

Elizabeth Cook-Lynn

University of Illinois Press, 2000

Addressing Native American studies past, present, and future, the essays in New Indians, Old Wars tackle the discipline head-on, presenting a radical revision of the popular view of the American West in the process. Instead of luxuriating in the West's past glories or accepting the widespread historians' view of it as a shared place, Elizabeth Cook-Lynn argues that the American West should be fundamentally understood as stolen.

Cook-Lynn says that the Indian Wars of Resistance to the nineteenth- and twentieth-century colonial effort to seize native lands and resources must be given standing in the face of the ever-growing imperial narrative of America--because the terror the world is now witnessing may be the direct consequence of events which began in America's earliest dealings with the natives of this continent. Cook-Lynn's story examines the ongoing and perennial relationship of conflict between colonizers and indigenous people, and it is a story that every American must read.

Cook-Lynn understands that the story of the American West teaches the political language of land theft and tyranny. She argues that to remedy this situation, Native American studies must be considered and pursued as its own discipline, rather than as a subset of history or anthropology. She makes an impassioned claim that such a shift, not merely an institutional or theoretical change, could allow Native American studies to play an important role in defending the sovereignty of indigenous nations today.

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cover of Apachean Culture History and Ethnology

Apachean Culture History and Ethnology

Keith H. Basso

University of Arizona Press, 1971

This volume grew out of a symposium held at the Annual Meeting of the American Anthropological Association in November 1969 at New Orleans, Louisiana. The "Apachean Symposium" was designed to provide an opportunity for scholars engaged in research on southern Athapaskan cultures to report upon their findings, and wherever possible, to link them to known fact and existing theory. The diverse work presented here will add significantly to the knowledge about Apachean cultures, and each of contributions also pertains directly to wider spheres of anthropological concern.
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cover of Arapaho Historical Traditions: Hinono'einoo3itoono

Arapaho Historical Traditions

Hinono'einoo3itoono

Alonzo Moss, Sr.

University of Manitoba Press, 2005

Told by Paul Moss (1911-1995), a highly respected storyteller and ceremonial leader, these twelve texts introduce us to an immensely rich literature. As works of an oral tradition, they had until now remained beyond the reach of those who do not speak the Arapaho language. Here, for the first time, these outstanding examples of indigenous North American literature are printed in their original language (in the standard orthography used on the Wind River Reservation) but made accessible to a wider audience through English translation and comprehensive introductions, notes, commentaries and an Arapaho-English glossary.The Arapaho traditions chosen for this anthology tell of hunting, scouting, fighting, horse-stealing, capture and escape, friendly encounters between tribes, diplomacy and war, conflict with the U.S. and battles with its troops. They also include accounts of vision quests and religious rites, the fate of an Arapaho woman captured by Utes, and Arapaho uses of the "Medicine Wheel"in the Bighorn Mountains.
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cover of Arikara Agriculture: Mother Corn’s Gift to the Sahnish People

Arikara Agriculture

Mother Corn’s Gift to the Sahnish People

Arikara Agriculture Project; With collaborators Kelly Kindscher, Loren Yellow Bird, Michael Yellow Bird, Logan Sutton, Loren White, and Lisa Castle

University of Arizona Press, 2027

Drawing on a remarkable combination of early twentieth-century field notes, archaeological evidence, historical accounts, and the voices of Arikara collaborators, Arikara Agriculture: Mother Corn’s Gift to the Sahnish People offers a richly layered account of one of the Plains’ most accomplished agricultural societies. 

Living along the Missouri River in present-day North and South Dakota, the Sahnish (Arikara) people cultivated expansive fields of corn, beans, squash, sunflowers, and other crops, sustaining vibrant communities and extensive trade networks. At the heart of this remarkable book are the invaluable records of ethnobotanist Melvin Gilmore, who documented the knowledge of Arikara elders between 1916 and 1924, capturing a lifeway on the cusp of profound change.

More than a historical study, this volume foregrounds the cultural, spiritual, and ecological significance of agriculture in Sahnish life. The contributors discuss how corn was the center of the Arikaras’ world and how it, and other agricultural crops, were important not just as food but also for the culture. The book illuminates traditional horticultural methods, food preparation techniques, and the enduring relevance of these practices today. 

Both a vital contribution to ethnobiology and a community-centered preservation of knowledge, this work speaks to ongoing conversations about Indigenous foodways, resilience, and the revitalization of traditional ecological knowledge.

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cover of Arrow Rock: The Story of a Missouri Village

Arrow Rock

The Story of a Missouri Village

Authorene Wilson Phillips

University of Missouri Press, 2005

Arrow Rock, so named because Native Americans once went there to shape their arrowheads from the flint found along the Missouri River, is a small historic village. Today fewer than one hundred people call Arrow Rock home, but its scenic location and rich history continue to attract thousands of visitors every year.
In June 1804, the Corps of Discovery passed “the big arrow rock,” as William Clark noted in his journal, “a handsome spot for a town . . . the situation is elegant, commanding and healthy, the land about it fine, well-timbered and watered.” Settlers soon arrived, some bringing slaves who developed the large farms; the village that was established grew slowly but saw profits from trade on the river. The beginnings of trade in the far west, the gold rush, and the Civil War all had profound effects on the settlers.
Meanwhile, area residents were having an effect on the world. George Caleb Bingham, who became known as the “Missouri artist,” participated in the founding of the town and built a home there, and Dr. John Sappington, an early resident of Arrow Rock, saved thousands of lives by perfecting a treatment for malaria. Also calling Arrow Rock home were numerous influential politicians, including three governors, M. M. Marmaduke, Claiborne Fox Jackson, and John Sappington Marmaduke.
Life changed after the Civil War, and Arrow Rock changed, too. As railroads and major highways bypassed the town, many people moved away and fewer came through. Arrow Rock provides insight into the progression of history and its effects on one small Missouri town. The story of this village, now a historic site, brings to life the history of America: early days of settlement, an era of prosperity and power for some and incredible hardship for others, wars, a decline, and a rebirth. In addition, the long roll call of those who visited the area provides a history of the opening of the West.
This book will prove valuable to those interested in Missouri history; the developing nation; and the geographical, political, and recreational forces that were at work as so many came and went. Like a visit to Arrow Rock itself, this book allows readers to step back into history and appreciate a time when the river was the highway.
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cover of Art for an Undivided Earth: The American Indian Movement Generation

Art for an Undivided Earth

The American Indian Movement Generation

Jessica L. Horton

Duke University Press, 2017

In Art for an Undivided Earth Jessica L. Horton reveals how the spatial philosophies underlying the American Indian Movement (AIM) were refigured by a generation of artists searching for new places to stand. Upending the assumption that Jimmie Durham, James Luna, Kay WalkingStick, Robert Houle, and others were primarily concerned with identity politics, she joins them in remapping the coordinates of a widely shared yet deeply contested modernity that is defined in great part by the colonization of the Americas. She follows their installations, performances, and paintings across the ocean and back in time, as they retrace the paths of Native diplomats, scholars, performers, and objects in Europe after 1492. Along the way, Horton intervenes in a range of theories about global modernisms, Native American sovereignty, racial difference, archival logic, artistic itinerancy, and new materialisms. Writing in creative dialogue with contemporary artists, she builds a picture of a spatially, temporally, and materially interconnected world—an undivided earth.
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cover of As If the Land Owned Us: An Ethnohistory of the White Mesa Utes

As If the Land Owned Us

An Ethnohistory of the White Mesa Utes

Robert S. McPherson

University of Utah Press, 2011

The Ute people of White Mesa have a long, colorful, but neglected history in the Four Corners region. Although they ranged into the Great Basin, Southwest, and parts of the Rocky Mountains as hunters, gatherers, and warriors, southeastern Utah was home. There they adapted culturally and physically to the austere environment while participating in many of the well-known events of their times.

In As If the Land Owned Us, Robert McPherson has gathered the wisdom of White Mesa elders as they imparted knowledge about their land—place names, uses, teachings, and historic events tied to specific sites—providing a fresh insight into the lives of these little-known people. While there have been few published studies about the Southern Utes, this ethnohistory is the first to mix cultural and historic events. The book illustrates the life and times of the White Mesa Utes as they faced multiple changes to their lifeways. It is time for their history to be told in their terms.
 

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cover of As Long As The River Shall Run: An Ethnohistory Of Pyramid Lake Indian Reservation

As Long As The River Shall Run

An Ethnohistory Of Pyramid Lake Indian Reservation

Martha C. Knack

University of Nevada Press, 1999

The history of the Northern Paiutes of Pyramid Lake in northwestern Nevada is one fraught with the conflicts and tensions of the modern West—relentless encroachment by non-Indians into Indian lands; disputes over scarce water; endangerment of a rare and valuable species of fish—all played out on a stage that stretches from the centers of national politics in Washington, DC, to a remote desert reservation where an ancient people struggles to preserve the traditional center of its spiritual and economic life. Martha Knack’s and Omer Stewart’s brilliant interdisciplinary study of the Pyramid Lake Reservation, first published in 1984, is considered a major landmark in American Indian history—a lucid and insightful examination of the Paiutes, their reservation, and the ongoing controversy over control of their land and the life-giving Truckee River waters that feed Pyramid Lake. The complex interethnic relations described in this book offer readers a case study of the dominant issues in Indian affairs and the themes of the legislation and court decisions that shape the fates of native peoples.
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cover of As Long as the Rivers Run: Hydroelectric Development and Native Communities

As Long as the Rivers Run

Hydroelectric Development and Native Communities

James B. Waldram

University of Manitoba Press, 1993

In past treaties, the Aboriginal people of Canada surrendered title to their lands in return for guarantees that their traditional ways of life would be protected. Since the 1950s, governments have reneged on these commitments in order to acquire more land and water for hydroelectric development. James B. Waldram examines this controversial topic through an analysis of the politics of hydroelectric dam construction in the Canadian Northwest, focusing on three Aboriginal communities in Manitoba and Saskatchewan. He argues that little has changed in our treatment of Aboriginal people in the past hundred years, when their resources are still appropriated by the government “for the common good.” Using archival materials, personal interviews and largely inaccessible documents and letters, Waldram highlights the clear parallel between the treatment of Aboriginal people in the negotiations and agreements that accompany hydro development with the treaty and scrip processes of the past century.
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cover of Asserting Native Resilience: Pacific Rim Indigenous Nations Face the Climate Crisis

Asserting Native Resilience

Pacific Rim Indigenous Nations Face the Climate Crisis

Edited by Zoltán Grossman and Alan Parker

Oregon State University Press, 2012

Indigenous nations are on the front line of the climate crisis. With cultures and economies among the most vulnerable to climate-related catastrophes, Native peoples are developing twenty-first century responses to climate change that serve as a model for Natives and non-Native communities alike.

Native American tribes in the Pacific Northwest and Indigenous peoples around the Pacific Rim have already been deeply affected by droughts, flooding, reduced glaciers and snowmelts, seasonal shifts in winds and storms, and the northward movement of species on the land and in the ocean. Using tools of resilience, Native peoples are creating defenses to strengthen their communities, mitigate losses, and adapt where possible.

Asserting Native Resilience presents a rich variety of perspectives on Indigenous responses to the climate crisis, reflecting the voices of more than twenty contributors, including tribal leaders, scientists, scholars, and activists from the Pacific Northwest, British Columbia, Alaska, and Aotearoa / New Zealand, and beyond. Also included is a resource directory of Indigenous governments, NGOs, and communities and a community organizing booklet for use by Northwest tribes.


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cover of At Home in the World

At Home in the World

Michael Jackson

Duke University Press, 1995

Ours is a century of uprootedness, with fewer and fewer people living out their lives where they are born. At such a time, in such a world, what does it mean to be "at home?" Perhaps among a nomadic people, for whom dwelling is not synonymous with being housed and settled, the search for an answer to this question might lead to a new way of thinking about home and homelessness, exile and belonging. At Home in the World is the story of just such a search. Intermittently over a period of three years Michael Jackson lived, worked, and traveled extensively in Central Australia. This book chronicles his experience among the Warlpiri of the Tanami Desert.
Something of a nomad himself, having lived in New Zealand, Sierra Leone, England, France, Australia, and the United States, Jackson is deft at capturing the ambiguities of home as a lived experience among the Warlpiri. Blending narrative ethnography, empirical research, philosophy, and poetry, he focuses on the existential meaning of being at home in the world. Here home becomes a metaphor for the intimate relationship between the part of the world a person calls "self" and the part of the world called "other." To speak of "at-homeness," Jackson suggests, implies that people everywhere try to strike a balance between closure and openness, between acting and being acted upon, between acquiescing in the given and choosing their own fate. His book is an exhilarating journey into this existential struggle, responsive at every turn to the political questions of equity and justice that such a struggle entails.
A moving depiction of an aboriginal culture at once at home and in exile, and a personal meditation on the practice of ethnography and the meaning of home in our increasingly rootless age, At Home in the World is a timely reflection on how, in defining home, we continue to define ourselves.
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cover of At the Desert's Green Edge: An Ethnobotany of the Gila River Pima

At the Desert's Green Edge

An Ethnobotany of the Gila River Pima

Amadeo M. Rea; With a Foreword by Gary Paul Nabhan; Sumi-e Illustrations by Takashi Ijichi; Linguistic Consultant Culver Cassa

University of Arizona Press, 1997

The Akimel O'odham, or Pima Indians, of the northern Sonoran Desert continue to make their home along Arizona's Gila River despite the alarming degradation of their habitat that has occurred over the past century. The oldest living Pimas can recall a lush riparian ecosystem and still recite more than two hundred names for plants in their environment, but they are the last generation who grew up subsisting on cultivated native crops or wild-foraged plants. Ethnobiologist Amadeo M. Rea has written the first complete ethnobotany of the Gila River Pima and has done so from the perspective of the Pimas themselves.

At the Desert's Green Edge weaves the Pima view of the plants found in their environment with memories of their own history and culture, creating a monumental testament to their traditions and way of life. Rea first discusses the Piman people, environment, and language, then proceeds to share their botanical knowledge in entries for 240 plants that systematically cover information on economic botany, folk taxonomy, and linguistics. The entries are organized according to Pima life-form categories such as plants growing in water, eaten greens, and planted fruit trees. All are anecdotal, conveying the author's long personal involvement with the Pimas, whether teaching in their schools or learning from them in conversations and interviews.

At the Desert's Green Edge is an archive of otherwise unavailable plant lore that will become a benchmark for botanists and anthropologists. Enhanced by more than one hundred brush paintings of plants, it is written to be equally useful to nonspecialists so that the Pimas themselves can turn to it as a resource regarding their former lifeways. More than an encyclopedia of facts, it is the Pimas' own story, a witness to a changing way of life in the Sonoran Desert.
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cover of At the Risk of Being Heard: Identity, Indigenous Rights, and Postcolonial States

At the Risk of Being Heard

Identity, Indigenous Rights, and Postcolonial States

Bartholomew Dean and Jerome M. Levi, Editors

University of Michigan Press, 2003

Leading experts in the analysis of ethnicity and indigenous rights explore the questions of why and how the circumstances of indigenous peoples are improving in some places of the world, while their human rights continue to be abused in others. Drawing on case studies from Asia, Africa, Australia, and the Americas, chapters explore how political organization, natural resource management, economic development, and conflicting definitions over cultural, linguistic, religious, and territorial identity have informed indigenous strategies for empowerment.
Combining rich ethnographic descriptions with clear theoretical analyses, At the Risk of Being Heard considers the paradoxical challenges and opportunities confronting indigenous peoples at the dawn of the twenty-first century. In the face of state-sanctioned violence, indigenous peoples encounter considerable risks when asserting their rights, especially to self-determination. Yet, if they remain silent or absent from new arenas of power, hiding in marginalized homelands or cultural practices, they risk being invisible to those allies that would aid them in their struggles for survival.
At the Risk of Being Heard offers needed insights for individuals working on issues of governance, sustainable development, resource management, globalization, and indigenous affairs. It will undoubtedly appeal to undergraduate and graduate students in anthropology, sociology, history, political science, peace studies, and to those students in courses that explore relationships among postcolonial states, indigenous peoples, and human rights.
Bartholomew Dean is Assistant Professor of Anthropology, University of Kansas. Jerome M. Levi is Associate Professor of Anthropology, Carleton College.
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cover of Aymara Indian Perspectives on Development in the Andes

Aymara Indian Perspectives on Development in the Andes

Amy Eisenberg

University of Alabama Press, 2013

Explores the relationship between indigenous people, the management of natural resources, and the development process in a modernizing region of Chile
 
Aymara Indians are a geographically isolated, indigenous people living in the Andes Mountains near Chile’s Atacama Desert, one of the most arid regions of the world. As rapid economic growth in the area has begun to divert scarce water to hydroelectric and agricultural projects, the Aymara struggle to maintain their sustainable and traditional systems of water use, agriculture, and pastoralism.

In Aymara Indian Perspectives on Development in the Andes, Amy Eisenberg provides a detailed exploration of the ethnoecological dimensions of the tension between the Aymara, whose economic, spiritual, and social life are inextricably tied to land and water, and three major challenges: the paving of Chile Highway 11, the diversion of the Altiplano waters of the Río Lauca for irrigation and power-generation, and Chilean national park policies regarding Aymara communities, their natural resources, and cultural properties within Parque Nacional Lauca, the International Biosphere Reserve.

Pursuing collaborative research, Eisenberg performed ethnographic interviews with Aymara people in more than sixteen Andean villages, some at altitudes of 4,600 meters. Drawing upon botany, agriculture, natural history, physical and cultural geography, history, archaeology, and social and environmental impact assessment, she presents deep, multifaceted insights from the Aymara’s point of view.

Illustrated with maps and dramatic photographs by John Amato, Aymara Indian Perspectives on Development in the Andes provides an account of indigenous perspectives and concerns related to economic development that will be invaluable to scholars and policy-makers in the fields of natural and cultural resource preservation in and beyond Chile.
 
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cover of Aztec Antichrist: Performing the Apocalypse in Early Colonial Mexico

Aztec Antichrist

Performing the Apocalypse in Early Colonial Mexico

Ben Leeming

University Press of Colorado, 2022

In Aztec Antichrist, Ben Leeming presents a transcription, translation, and study of two sixteenth-century Nahuatl religious plays that are likely the earliest surviving presentations of the Antichrist legend in the Americas, and possibly the earliest surviving play scripts in the whole of the New World in any language.
 
Discovered in the archives of the Hispanic Society of America in New York inside a notebook of miscellaneous Nahuatl-Christian texts written almost entirely by an Indigenous writer named Fabían de Aquino, the plays are filled with references to human sacrifice, bloodletting, ritual divination, and other religious practices declared “idolatrous” at a time when ecclesiastical authorities actively sought to suppress writing about Indigenous religion. These are Indigenous plays for an Indigenous audience that reveal how Nahuas made sense of Christianity and helped form its colonial image—the title figure is a powerful Indigenous being, an “Aztec Antichrist,” who violently opposes the evangelizing efforts of the church and seeks to draw converted Nahuas back to the religious practices of their ancestors. These practices include devotion to Nahua deities such as Tlaloc, Quetzalcoatl, and Tezcatlipoca who, in one of the most striking moves made by Aquino, are cast as characters in the plays.
 
Along with the translations, Leeming provides context and analysis highlighting these rare and fascinating examples of early Indigenous American literature that offer a window into the complexity of Nahua interactions with Christianity in the early colonial period. The work is extremely valuable to all students and scholars of Latin American religion, colonialism, Indigenous history, and early modern history and theater.
 
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cover of Aztec Ceremonial Landscapes

Aztec Ceremonial Landscapes

Davíd Carrasco

University Press of Colorado, 1999

A result of four years of cooperative research between the University of Colorado and the Templo Mayor Project of Mexico’s National Institute of Anthropology and History, Aztec Ceremonial Landscapes (formerly available as To Change Place) offers new interpretive models from the fields of archaeoastronomy, history of religion, anthropology, art history, and archaeology. Included are contributions by such noted experts as Eduardo Matos Moctezuma, Davíd Carrasco, Alfredo López Austin, Doris Heyden, Richard F. Townsend, Anthony Aveni, Henry B. Nicholson, Elizabeth Boone, Felipe Solis, and Johanna Broda, with a new introduction by William Fash.
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