Edward J. Lenik
University of Alabama Press, 2016
Interpreting Sacred Objects: Indigenous Material Culture and Spiritual Meaning in the Northeast.
Decorated stone artifacts are a significant part of archaeological studies of Native Americans in the Northeast. The artifacts illuminated in Amulets, Effigies, Fetishes, and Charms: Native American Artifacts and Spirit Stones from the Northeast include pecked, sculpted, or incised figures, images, or symbols. These are rendered on pebbles, plaques, pendants, axes, pestles, and atlatl weights, and are of varying sizes, shapes, and designs. Lenik draws from Indian myths and legends and incorporates data from ethnohistoric and archaeological sources together with local environmental settings in an attempt to interpret the iconography of these fascinating relics. For the Algonquian and Iroquois peoples, they reflect identity, status, and social relationships with other Indians as well as beings in the spirit world.
Lenik begins with background on the Indian cultures of the Northeast and includes a discussion of the dating system developed by anthropologists to describe prehistory. The heart of the content comprises more than eighty examples of portable rock art, grouped by recurring design motifs. This organization allows for in-depth analysis of each motif. The motifs examined range from people, animals, fish, and insects to geometric and abstract designs. Information for each object is presented in succinct prose, with a description, illustration, possible interpretation, the story of its discovery, and the location where it is now housed. Lenik also offers insight into the culture and lifestyle of the Native American groups represented. An appendix listing places to see and learn more about the artifacts and a glossary are included.
The material in this book, used in conjunction with Lenik’s previous research, offers a reference for virtually every known example of northeastern rock art. Archaeologists, students, and connoisseurs of Indian artistic expression will find this an invaluable work.
Kenneth R. Beesley
University of Utah Press, 2014
Sasha Maria Suarez
University of Minnesota Press, 2026
The story of generations of Ojibwe women who built a thriving Indigenous home in the urban heart of Minneapolis
Minneapolis became home to White Earth Ojibwe people not through a centralized movement but through generations of determined, behind-the-scenes work by Ojibwe women. These women were organizing not in the streets, but in sewing clubs, churches, classrooms, and kitchens to bring people together and form interconnected communities. Rooted in care, tradition, and persistence, their labor laid the foundation for a thriving urban Indigenous population that continues to shape the city today.
An Ojibwe Home in the City tells the histories of Louise and Emily Peake, Winnie Jourdain, Ignatia Broker, and other Ojibwe women who endeavored to make space for Native families in South Minneapolis. From the 1930s through the 1970s, these women built institutions, secured services, and fought for culturally grounded education—all while working inside systems never intended for them. Their efforts led to the creation of vital community hubs such as the Division of Indian Work and the Minneapolis American Indian Center and helped ensure that future generations would stay connected to their culture, even in an urban setting.
Far broader than a local history, this book challenges what we think we know about Native activism in the twentieth century, shifting the focus from protest to perseverance and steady commitment. Intimate, compelling, and deeply grounded in community, An Ojibwe Home in the City is both a tribute and a revelation—an essential and personal account of how Indigenous women made a place for their people in a changing world.
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Katrina-Ann R. Kapa'anaokalaokeola Nakoa Oliveira
Oregon State University Press, 2014
By William N. Morgan
University of Texas Press, 1994
During more than a thousand years before Europeans arrived in 1540, the native peoples of what is now the southwestern United States and northern Mexico developed an architecture of rich diversity and beauty. Vestiges of thousands of these dwellings and villages still remain, in locations ranging from Colorado in the north to Chihuahua in the south and from Nevada in the west to eastern New Mexico.
This study presents the most comprehensive architectural survey of the region currently available. Organized in five chronological sections that include 132 professionally rendered site drawings, the book examines architectural evolution from humble pit houses to sophisticated, multistory pueblos. The sections explore concurrent Mogollon, Hohokam, and Anasazi developments, as well as those in the Salado, Sinagua, Virgin River, Kayenta, and other areas, and compare their architecture to contemporary developments in parts of eastern North America and Mesoamerica. The book concludes with a discussion of changes in Native American architecture in response to European influences.
Edited by Susan M. Kooiman, Jodie A. O'Gorman, and Autumn M. Painter
University of Alabama Press, 2025
New essays from foodways archaeology related to cuisine in social, cultural, and environmental contexts.
This collection of original essays is the first to cover recent trends in foodways archaeology in the Midwest using the concept of cuisine: the selection of food ingredients and methods of food preparation, cooking, and serving/consumption in relation to their social, cultural, and environmental contexts. This work span the Early Archaic (9000 BC) to Late Precontact (up to around AD 1500) in ecological zones of present-day Michigan, Indiana, Illinois, Wisconsin, Minnesota, North Dakota, and Manitoba. Chapters trace development from hunter-gathering to horticultural practices to the more robust farming/fishing/hunting model centered on maize, squash, and other domesticates.
As Susan M. Kooiman, Jodie A. O’Gorman, and Autumn M. Painter note, identification of past cooking habits and evolving methods for foodstuffs identification can help archaeologists to reconstruct foodways and connect food behaviors with identity and associated fundamental societal beliefs. Contributors to this collection use cutting-edge methods and perspectives and consider a range of questions and outcomes that demonstrate the versatility and strength of culinary studies. To move the field forward, contributors also note areas for further analysis and improvement.
This volume targets archaeologists and students, archaeobotanists and zooarchaeologists, and those curious about Indigenous food culture. Engaging content includes chapters on the construction of earth ovens, the use-alteration of pottery and residue, a discussion of cuisine combining plant and animal data with ceramic trends, and the various contexts of plates to understand cooking methods and the social role of cuisine. Others examine faunal remains, the plant remains of feasting, the introduction of maize, the use of limestone nixtamalization, and archaeobotanical assemblages that reveal shifts in cuisine. A conclusion addresses the question, Why cuisine?
CONTRIBUTORS
Rebecca K. Albert / Alleen Betzenhauser / Jennifer R. Haas / Mary M. King / Susan M. Kooiman / Mary E. Malainey / Terrance J. Martin / Fernanda Neubauer / Kelsey Nordine / Jodie A. O’Gorman / Autumn M. Painter / Jeffrey M. Painter / Kimberly Schaefer / Mary Simon
Edited by F. Kent Reilly, III, and James F. Garber
University of Texas Press, 2006
Between AD 900-1600, the native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States conceived and executed one of the greatest artistic traditions of the Precolumbian Americas. Created in the media of copper, shell, stone, clay, and wood, and incised or carved with a complex set of symbols and motifs, this seven-hundred-year-old artistic tradition functioned within a multiethnic landscape centered on communities dominated by earthen mounds and plazas. Previous researchers have referred to this material as the Southeastern Ceremonial Complex (SECC).
This groundbreaking volume brings together ten essays by leading anthropologists, archaeologists, and art historians, who analyze the iconography of Mississippian art in order to reconstruct the ritual activities, cosmological vision, and ideology of these ancient precursors to several groups of contemporary Native Americans. Significantly, the authors correlate archaeological, ethnographic, and art historical data that illustrate the stylistic differences within Mississippian art as well as the numerous changes that occur through time. The research also demonstrates the inadequacy of the SECC label, since Mississippian art is not limited to the Southeast and reflects stylistic changes over time among several linked but distinct religious traditions. The term Mississippian Iconographic Interaction Sphere (MIIS) more adequately describes the corpus of this Mississippian art. Most important, the authors illustrate the overarching nature of the ancient Native American religious system, as a creation unique to the native American cultures of the eastern United States.
Richley Crapo and Bonnie Glass-Coffin
Utah State University Press, 2005
Edited by Rachel Bonney and J. Anthony Paredes; Foreword by Raymond D. Fogelson
University of Alabama Press, 2001
Lee D. Baker
Duke University Press, 2010
Baker argues that the concept of culture developed by ethnologists to understand American Indian languages and customs in the nineteenth century formed the basis of the anthropological concept of race eventually used to confront “the Negro problem” in the twentieth century. As he explores the implications of anthropology’s different approaches to African Americans and Native Americans, and the field’s different but overlapping theories of race and culture, Baker delves into the careers of prominent anthropologists and ethnologists, including James Mooney Jr., Frederic W. Putnam, Daniel G. Brinton, and Franz Boas. His analysis takes into account not only scientific societies, journals, museums, and universities, but also the development of sociology in the United States, African American and Native American activists and intellectuals, philanthropy, the media, and government entities from the Bureau of Indian Affairs to the Supreme Court. In Anthropology and the Racial Politics of Culture, Baker tells how anthropology has both responded to and helped shape ideas about race and culture in the United States, and how its ideas have been appropriated (and misappropriated) to wildly different ends.
Elizabeth Cook-Lynn
University of Illinois Press, 2000
Addressing Native American studies past, present, and future, the essays in New Indians, Old Wars tackle the discipline head-on, presenting a radical revision of the popular view of the American West in the process. Instead of luxuriating in the West's past glories or accepting the widespread historians' view of it as a shared place, Elizabeth Cook-Lynn argues that the American West should be fundamentally understood as stolen.
Cook-Lynn says that the Indian Wars of Resistance to the nineteenth- and twentieth-century colonial effort to seize native lands and resources must be given standing in the face of the ever-growing imperial narrative of America--because the terror the world is now witnessing may be the direct consequence of events which began in America's earliest dealings with the natives of this continent. Cook-Lynn's story examines the ongoing and perennial relationship of conflict between colonizers and indigenous people, and it is a story that every American must read.
Cook-Lynn understands that the story of the American West teaches the political language of land theft and tyranny. She argues that to remedy this situation, Native American studies must be considered and pursued as its own discipline, rather than as a subset of history or anthropology. She makes an impassioned claim that such a shift, not merely an institutional or theoretical change, could allow Native American studies to play an important role in defending the sovereignty of indigenous nations today.
Keith H. Basso
University of Arizona Press, 1971
Alonzo Moss, Sr.
University of Manitoba Press, 2005
Arikara Agriculture Project; With collaborators Kelly Kindscher, Loren Yellow Bird, Michael Yellow Bird, Logan Sutton, Loren White, and Lisa Castle
University of Arizona Press, 2027
Drawing on a remarkable combination of early twentieth-century field notes, archaeological evidence, historical accounts, and the voices of Arikara collaborators, Arikara Agriculture: Mother Corn’s Gift to the Sahnish People offers a richly layered account of one of the Plains’ most accomplished agricultural societies.
Living along the Missouri River in present-day North and South Dakota, the Sahnish (Arikara) people cultivated expansive fields of corn, beans, squash, sunflowers, and other crops, sustaining vibrant communities and extensive trade networks. At the heart of this remarkable book are the invaluable records of ethnobotanist Melvin Gilmore, who documented the knowledge of Arikara elders between 1916 and 1924, capturing a lifeway on the cusp of profound change.
More than a historical study, this volume foregrounds the cultural, spiritual, and ecological significance of agriculture in Sahnish life. The contributors discuss how corn was the center of the Arikaras’ world and how it, and other agricultural crops, were important not just as food but also for the culture. The book illuminates traditional horticultural methods, food preparation techniques, and the enduring relevance of these practices today.
Both a vital contribution to ethnobiology and a community-centered preservation of knowledge, this work speaks to ongoing conversations about Indigenous foodways, resilience, and the revitalization of traditional ecological knowledge.
Authorene Wilson Phillips
University of Missouri Press, 2005
Jessica L. Horton
Duke University Press, 2017
Robert S. McPherson
University of Utah Press, 2011
The Ute people of White Mesa have a long, colorful, but neglected history in the Four Corners region. Although they ranged into the Great Basin, Southwest, and parts of the Rocky Mountains as hunters, gatherers, and warriors, southeastern Utah was home. There they adapted culturally and physically to the austere environment while participating in many of the well-known events of their times.
In As If the Land Owned Us, Robert McPherson has gathered the wisdom of White Mesa elders as they imparted knowledge about their land—place names, uses, teachings, and historic events tied to specific sites—providing a fresh insight into the lives of these little-known people. While there have been few published studies about the Southern Utes, this ethnohistory is the first to mix cultural and historic events. The book illustrates the life and times of the White Mesa Utes as they faced multiple changes to their lifeways. It is time for their history to be told in their terms.
Martha C. Knack
University of Nevada Press, 1999

James B. Waldram
University of Manitoba Press, 1993
Edited by Zoltán Grossman and Alan Parker
Oregon State University Press, 2012
Michael Jackson
Duke University Press, 1995
Amadeo M. Rea; With a Foreword by Gary Paul Nabhan; Sumi-e Illustrations by Takashi Ijichi; Linguistic Consultant Culver Cassa
University of Arizona Press, 1997
Bartholomew Dean and Jerome M. Levi, Editors
University of Michigan Press, 2003
Amy Eisenberg
University of Alabama Press, 2013
Ben Leeming
University Press of Colorado, 2022
Davíd Carrasco
University Press of Colorado, 1999