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This groundbreaking historical examination analyzes the 1741 New York Conspiracy trials: a pivotal moment in colonial American history when the city's legal system prosecuted an alleged slave conspiracy with severe and controversial consequences. Thomas J. Davis meticulously reconstructs the trials and executions that resulted from this supposed uprising, providing crucial insights into the intersection of race, ethnicity, legal practice, and social control in colonial New York.

During the spring and summer of 1741, New York authorities conducted dramatic trials in response to fears of a coordinated slave rebellion. Between May 11 and August 29, 1741, the city executed 35 individuals: thirteen Black men were burned at the stake, seventeen Black men were hanged, and two white men and two white women were also executed. These brutal punishments reflected the city's intense fear and the racialized nature of colonial justice.

Davis's analysis examines the primary source material to investigate what this historical episode reveals about colonial New York's racial hierarchies, ethnic tensions, and legal systems. The work scrutinizes the trials themselves, asking critical questions: Was there truly a conspiracy, or was the event primarily a product of hysteria and rumor? How did racial prejudices, economic anxieties, and the structure of colonial authority shape legal proceedings?

Beyond the courtroom drama, Davis explores the broader implications of these trials for understanding slavery in northern colonies, where enslaved people were not as visible but equally integral to colonial society. The book demonstrates how fear, whether grounded in reality or stoked by rumor, could mobilize entire communities and transform legal systems into instruments of racialized control. This work has become essential reading for understanding how colonial societies constructed narratives of racial threat and employed legal mechanisms to enforce racial subordination.

Antebellum secret societies ranged politically from those with progressive or even revolutionary agendas to those that pursued conservative or oppressive goals. This book shows how, in the years leading up to the Civil War, these clandestine organizations exacerbated existing sectional tensions in the United States. Lause's research indicates that the pervasive influence of secret societies may have played a part in key events such as the Freesoil movement, the beginning of the Republican party, John Brown's raid on Harpers Ferry, Lincoln's election, and the Southern secession process of 1860-1861.

This exceptional study encompasses both white and African American secret society involvement, revealing the black fraternal experience in antebellum America as well as the clandestine operations that provided assistance to escaped slaves via the Underground Railroad. Unraveling these pervasive and extensive networks of power and influence, A Secret Society History of the Civil War demonstrates that antebellum secret societies played a greater role in affecting Civil War-era politics than has been previously acknowledged.

An accessible guide to the work of American psychologist and affect theorist Silvan Tomkins

 

The brilliant and complex theories of psychologist Silvan Tomkins (1911–1991) have inspired the turn to affect in the humanities, social sciences, and elsewhere. Nevertheless, these theories are not well understood. A Silvan Tomkins Handbook makes his theories portable across a range of interdisciplinary contexts and accessible to a wide variety of contemporary scholars and students of affect. 

A Silvan Tomkins Handbook provides readers with a clear outline of Tomkins’s affect theory as he developed it in his four-volume masterwork Affect Imagery Consciousness. It shows how his key terms and conceptual innovations can be used to build robust frameworks for theorizing affect and emotion. In addition to clarifying his affect theory, the Handbook emphasizes Tomkins’s other significant contributions, from his broad theories of imagery and consciousness to more focused concepts of scenes and scripts. With their extensive experience engaging and teaching Tomkins’s work, Adam J. Frank and Elizabeth A. Wilson provide a user-friendly guide for readers who want to know more about the foundations of affect studies.

Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A “lean, straggly-haired New Yorker,” as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors.

By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication—an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century.

Without the labor of the captives and slaves, the Ottoman empire could not have attained and maintained its strength in early modern times. With Anatolia as the geographic focus, Leslie Peirce searches for the voices of the unfree, drawing on archives, histories written at the time, and legal texts.

Unfree persons comprised two general populations: slaves and captives. Mostly household workers, slaves lived in a variety of circumstances, from squalor to luxury. Their duties varied with the status of their owner. Slave status might not last a lifetime, as Islamic law and Ottoman practice endorsed freeing one’s slave.

Captives were typically seized in raids, generally to disappear, their fates unknown. Victims rarely returned home, despite efforts of their families and neighbors to recover them. The reader learns what it was about the Ottoman environment of the sixteenth and seventeenth centuries that offered some captives the opportunity to improve the conditions of their bondage. The book describes imperial efforts to fight against the menace of captive-taking despite the widespread corruption among the state’s own officials, who had their own interest in captive labor.

From the fortunes of captives and slaves the book moves to their representation in legend, historical literature, and law, where, fortunately, both captors and their prey are present.

While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. A Staggering Revolution includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke-White's industrial and documentary pictures, the collective undertakings by California's Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League.