3388 books match the query 'Fiction' and 126 start with b

cover of BALLAD OF TRENCHMOUTHT TAGGART

BALLAD OF TRENCHMOUTHT TAGGART

M. GLENN TAYLOR

West Virginia University Press, 2008

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cover of Backflash: A Parker Novel

Backflash

A Parker Novel

Richard Stark

University of Chicago Press, 2011

Parker embarks on one of the most complicated heists in the whole of the classic hard-boiled series, knocking over a casino floating on the Hudson

Richard Stark’s Parker novels are the hardest of hard-boiled, classic crime novels where the heists are huge, the body counts are high, and the bad guys usually win. 

The Parker novels have been a huge influence on countless writers and filmmakers, including Quentin Tarantino, Stephen King, George Pelecanos, Colson Whitehead, Lucy Sante, John Banville, and many more. Their stripped-down language and hard-as-nails amorality create an unforgettable world where the next score could be the big one, but your next mistake could also be your last. There’s nothing else like them.


Parker's got a couple of rules that have helped keep him alive throughout his long career. One of those is never to work on a boat. But with a gambling boat cruising down the Hudson, stuffed to the gunwales with cash, Parker’s got a plan, a team, and a new rule: a shot at a big enough score makes any rule worth breaking. Parker and his crew hit the boat, hard, but as always, there are a lot of complications—and a lot of bodies—before this one's in the bag.

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cover of Backwoods Tales: Paddy McGann, Sharp Snaffles, and Bill Bauldy

Backwoods Tales

Paddy McGann, Sharp Snaffles, and Bill Bauldy

William Gilmore Simms

University of Arkansas Press, 2010

The writings of William Gilmore Simms (1806–1870) provide a sweeping fictional portrait of the colonial and antebellum South in all of its regional diversity. Simms’s account of the region is more comprehensive than that of any other author of his time; he treats the major intellectual and social issues of the South and depicts the bonds and tensions among all of its inhabitants. By the mid-1840s Simms’s novels were so well known that Edgar Allan Poe could call him “the best novelist which this country has, on the whole, produced.” The twelfth volume in the ongoing Arkansas Edition of the works of William Gilmore Simms, Backwoods Tales brings together three of the best examples of his comic writing. All were written during the last decade of Simms’s life, when he had become a master of his craft. These three tales belong in the tradition of southern backwoods humor, a genre that flourished before the Civil War and produced classic tales by such authors as George Washington Harris, Johnson Jones Hooper, and Thomas Bangs Thorpe. Paddy McGann, “Sharp Snaffles,” and “Bill Bauldy” are all frame tales, told by rustic narrators in authentic dialect, with frequent pauses for libation and comment. These three pieces of writing, never before published together, stand among the best examples of American humor of the nineteenth century.
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cover of Bad Sheep

Bad Sheep

Katja Lange-Müller

Seagull Books, 2024

A touching and sensitive tale of love and loss that unfolds in a divided Berlin in the 1980s.
 
Against the backdrop of West Berlin in 1987, meet Soja—a skilled typesetter, a refugee from East Germany, and a temporary florist with a generous heart. Her life takes an unexpected turn when she crosses paths with Harry—a tall, free-spirited individual with a quietly determined demeanor, haunted by a complex past and an uncertain future. Their encounter sets in motion a fateful connection that leaves a lasting mark on Soja’s life.
 
The remnants of their story are encapsulated in a school notebook, containing precisely eighty-nine undated entries where Harry chronicled his thoughts during their time together. However, conspicuous by its absence in the narrative is Soja herself. Years later, driven by the need to tell their tale and fill the void left by Harry, she embarks on a poignant journey of remembrance.
 
As Soja revisits the man who both impressed her with determination and disconcerted her with a mysterious gift, she finds herself captivated by his childlike essence. Despite Harry’s troubled history—ten years in prison, probation violations due to discontinued drug therapy, and the looming threat of immediate imprisonment—Soja remains resolute in her passion for him.
 
Katja Lange-Müller, an acclaimed storyteller, skillfully draws readers into the heart of this novel. With sensitivity, humor, and melancholy, she unfolds the narrative of an unhappy love story that transforms into the greatest happiness in life. Along the way, Lange-Müller paints an atmospherically dense portrait of the divided and stagnant Berlin of the 1980s, creating a captivating and emotionally charged reading experience.
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cover of Bad Words: Selected Short Prose

Bad Words

Selected Short Prose

Ilse Aichinger

Seagull Books, 2018

A moving work of fiction from one of the most important writers of postwar Austrian and German literature.

Born in 1921 to a Jewish mother, Ilse Aichinger  (1921–2016)  survived World War II in Vienna, while her twin sister Helga escaped with one of the last Kindertransporte to England in 1938. Many of their relatives were deported and murdered. Those losses make themselves felt throughout Aichinger’s writing, which since her first and only novel, The Greater Hope, in 1948, has highlighted displacement, estrangement, and a sharp skepticism toward language. By 1976, when she published Bad Words in German, her writing had become powerfully poetic, dense, and experimental. This volume presents the whole of the original Bad Words in English for the first time, along with a selection of Aichinger’s other short stories of the period; together, they demonstrate her courageous effort to create and deploy a language unmarred by misleading certainties, preconceived rules, or implicit ideologies.
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cover of Bai Ganyo: Incredible Tales of a Modern Bulgarian

Bai Ganyo

Incredible Tales of a Modern Bulgarian

Aleko Konstantinov

University of Wisconsin Press, 2010

A comic classic of world literature, Aleko Konstantinov’s 1895 novel Bai Ganyo follows the misadventures of rose-oil salesman Ganyo Balkanski (“Bai” is a Bulgarian title of intimate respect) as he travels in Europe. Unkempt but endearing, Bai Ganyo blusters his way through refined society in Vienna, Dresden, and St. Petersburg with an eye peeled for pickpockets and a free lunch. Konstantinov’s satire turns darker when Bai Ganyo returns home—bullying, bribing, and rigging elections in Bulgaria, a new country that had recently emerged piecemeal from the Ottoman Empire with the help of Czarist Russia.
    Bai Ganyo has been translated into most European languages, but now Victor Friedman and his fellow translators have finally brought this Balkan masterpiece to English-speaking readers, accompanied by a helpful introduction, glossary, and notes.
 
 
Winner, Bulgarian Studies Association Book Prize
 
Finalist, Foreword Magazine’s Multicultural Fiction Book of the Year
 
Winner, John D. Bell Book Prize, Bulgarian Studies Association
 
Best Books for Special Interests, selected by the American Association for School Libraries
 
Best Books for High Schools, selected by the American Association for School Libraries
 
Best Books for Special Interests, selected by the Public Library Association
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cover of Bait

Bait

David Albahari

Northwestern University Press, 2001

In self-exile in Canada after the collapse of Yugoslavia and his mother's death, the narrator of Bait is listening to a series of tapes he recorded of his mother years before. As her story is told, he reflects on her life and their relationship, attempting to come to terms with his Jewishness and his own new life in a foreign culture.
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cover of Balkan Beauty, Balkan Blood: Modern Albanian Short Stories

Balkan Beauty, Balkan Blood

Modern Albanian Short Stories

Robert Elsie

Northwestern University Press, 2006

Although Albanian literature dates back to the 1500s, creative prose in that nation is very much a twentieth-century phenomenon; and much as the early literature in Albanian was interrupted by Ottoman rule—and oppression—its later emergence was stymied and stunted by Stalinist politics and propaganda. What this volume documents is, then, a literature at once venerable and nascent, a tradition in the making, however deep its roots. In these stories representing the last three decades of Albanian writing—especially the burst of creativity in the newfound freedom of the 1990s—readers will encounter work that reflects the literary paradox of Eastern Europe in the late twentieth century: the startling originality of the new uneasily coupled with the strains of history; the sophistication and self-consciousness of late (or post-) modernity married to the simplicity of a literature first finding its voice; a refusal of political influence and pressure expressed through frankly political subject matter.

Albania's more established writers (including Dritëro Agolli, Ismail Kadare, Teodor Laço, and Eqrem Basha) appear here alongside newer talents (such as Ylljet Aliçka, Mimoza Ahmeti, Elivra Dones, Lindita Arapi, and Kim Mehmeti), providing English-speaking readers with an elucidating and entertaining overview of the recent history, and the future, of the nation's literature.
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cover of Balkan Blues: Writing Out of Yugoslavia

Balkan Blues

Writing Out of Yugoslavia

Joanna Labon

Northwestern University Press, 1995

This collection first appeared as a special issue of Storm, the British literary journal of new eastern European writing. Joanna Labon has selected excellent, timely essays, stories, drama, and prose by exiled or silenced members of the Yugoslav intelligentsia.

Contributors: Dubravka Ugrešić, Bogdan Bogdanović, Dragan Velikić, Danilo Kiš, Drago Jančar, Mirko Kovač, Goran Stefanovski, Dževad Karahasan, and Slobodan Blagojević.
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cover of Ballad of Another Time: A Novel

Ballad of Another Time

A Novel

Jose Luis Gonzalez; Translated by Asa Zatz

University of Wisconsin Press, 2004

“A haunting, almost uncanny tale of love and honor in which the three main characters move through a world of secret passions and silences. . . .  [Set in Puerto Rico], scenes of impoverished farmers, madwomen, and men in coffee shops and cafes combine to form a blend of voices and landscapes whose essence can be distilled into three words: tobacco, coffee, and sugar. . . . Asa Zatz must be praised for bringing into his English version the beauty and melody of [González’s] Spanish original.”—Marjorie Agosin, New York Times Book Review
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cover of Ballad of Descent

Ballad of Descent

Martin Vopenka

Northwestern University Press, 1995

Martin and Tomas leave Prague on Christmas Day for "that other country." Although their destination is the mountains, their departure has been initiated by a search for their own identity—people in their country have become alike, losing their individuality and becoming products of a totalitarian regime. The pair become the guests of a high school teacher, but Martin falls in love with the teacher's daughter only to lose her in a police suppression, and the Other Country is revealed as a merciless machine of oppression that throws its people into despair.
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cover of Banning Queer Blood: Rhetorics of Citizenship, Contagion, and Resistance

Banning Queer Blood

Rhetorics of Citizenship, Contagion, and Resistance

Jeffrey A. Bennett

University of Alabama Press, 2009

Frames blood donation as a performance of civic identity closely linked to the meaning of citizenship

In Banning Queer Blood, Jeffrey Bennett frames blood donation as a performance of civic identity closely linked to the meaning of citizenship. However, with the advent of HIV came the notion of blood donation as a potentially dangerous process. Bennett argues that the Food and Drug Administration, by employing images that specifically depict gay men as contagious, has categorized gay men as a menace to the nation. The FDA's ban on blood donation by gay men served to propagate the social misconceptions about gay men that continue to circulate within both the straight and LGBT/Queer communities.

Bennett explores the role of scientific research cited by these banned-blood policies and its disquieting relationship to government agencies, including the FDA. Bennett draws parallels between the FDA's position on homosexuality and the historical precedents of discrimination by government agencies against racial minorities. The author concludes by describing the resistance posed by queer donors, who either lie in order to donate blood or protest discrimination at donation sites, and by calling for these prejudiced policies to be abolished.





 
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cover of Barbarian Spring

Barbarian Spring

Jonas Lüscher

Haus Publishing, 2014

On a business trip to Tunisia, Preising, a leading Swiss industrialist, is invited to spend the week with the daughter of a local gangster. He accompanies her to the wedding of two London city traders at a desert luxury resort that was once the site of an old Berber oasis. With the wedding party in full swing and the bride riding up the aisle on a camel, no one is aware that the global financial system stands on the brink of collapse. As the wedding guests nurse their hangovers, they learn that the British pound has depreciated tenfold, and their world begins to crumble around them.

So begins Barbarian Spring, the debut novel from Jonas Lüscher, a major emerging voice in European fiction. The timely and unusual novel centers on a culture clash between high finance and the value system of the Maghreb. Provocative and entertaining, Barbarian Spring is a refreshingly original and all-too-believable satire for our times.
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cover of Barnstorm: Contemporary Wisconsin Fiction

Barnstorm

Contemporary Wisconsin Fiction

Edited by Raphael Kadushin

University of Wisconsin Press, 2005

Though the best American writers live everywhere now, a popular fiction persists: our strongest literary voices are strictly bi-coastal ones. Barnstorm sets out to disprove that cliché and to undermine another one as well: the sense of regional fiction as something quaint, slightly regressive, and full of local color. The stories in this collection capture our global reality with a ruthless, unaffected voice. Lorrie Moore's "The Jewish Hunter" is a dark romance that's by turns cynical and guileless. Mack Friedman catches the smoking feel of first love in his "Setting the Lawn on Fire," and Jesse Lee Kercheval's "Brazil" is a raucous, ultimately mournful road trip. For Jane Hamilton, Wisconsin is a gorgeous but bittersweet homecoming, and for Kelly Cherry, in her achingly elegiac "As It Is in Heaven," it's the hopeful new world, juxtaposed with a bleak, tweedy England. Dwight Allen's "The Green Suit" evokes the young man edging toward adulthood, in a New York that's as flamboyant as an opera, and Tenaya Darlington, in her "A Patch of Skin," constructs a pure horror story, because the horror of loneliness is something we all know. Together Barnstorm's eclectic voices suggest that every coast now, even the Great Lakes' shores, are at the very center of our best, and truest, national literature.

Not for sale in the United Kingdom.
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cover of Barren Island

Barren Island

Carol Zoref

New Issues Poetry and Prose, 2017

How does one remember a world that literally no longer exists? How do the moral imperatives to do so correspond to the personal needs that make it possible? Told from the point-of-view of Marta Eisenstein Lane on the occasion of her 80th birthday, Barren Island is the story of a factory island in New York’s Jamaica Bay, where the city’s dead horses and other large animals were rendered into glue and fertilizer from the mid-19th century until the 1930’s. The island itself is as central to the story as the members of the Jewish, Greek, Italian, Irish, and African-American factory families that inhabit it, including those who live their entire lives steeped in the smell of burning animal flesh. The story begins with the arrival of the Eisenstein family, immigrants from Eastern Europe, and explores how the political and social upheavals of the 1930’s affect them and their neighbors in the years between the stock market crash of October 1929 and the start of World War II ten years later. Labor strife, union riots, the New Deal, the World’s Fair, and the struggle to save European Jews from the growing threat of Nazi terror inform this novel as much as the explosion of civil and social liberties between the two World Wars. Barren Island, finally, is a novel in which the existence of God is argued with a God that may no longer exist or, perhaps, never did.
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cover of Barren Lives

Barren Lives

By Graciliano Ramos

University of Texas Press, 1971

A peasant family, driven by the drought, walks to exhaustion through an arid land. As they shelter at a deserted ranch, the drought is broken and they linger, tending cattle for the absentee ranch owner, until the onset of another drought forces them to move on, homeless wanderers again. Yet, like the desert plants that defeat all rigors of wind and weather, the family maintains its will to survive in the harsh and solitary land. Intimately acquainted with the region of which he writes and keenly appreciative of the character of its inhabitants, into whose minds he has penetrated as few before him, Graciliano Ramos depicts them in a style whose austerity well becomes the spareness of the subject, creating a gallery of figures that rank as classic in contemporary Brazilian literature.

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cover of Be Faithful Unto Death

Be Faithful Unto Death

Zsigmond Móricz

Central European University Press, 1996

Be Faithful unto Death is the moving story of a bright and sensitive schoolboy growing up in an old-established boarding school in the city of Debrecen in eastern Hungary. Misi, a dreamer and would-be writer, is falsely accused of stealing a winning lottery ticket. The torments through which he goes – and grows – are superbly described.

The novel is brimming with vivid detail from the provincial life that Móricz knew so well and shot through with a sense of the tragic fate of a newly truncated Hungary.

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cover of Beach Umbrella

Beach Umbrella

Cyrus Colter

University of Iowa Press, 1970

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cover of Bealport: A Novel of a Town

Bealport

A Novel of a Town

Jeffrey Lewis

Haus Publishing, 2018

Bealport, Maine is one of the forgotten towns of America, a place that all too often seems to have its best days behind it. And perhaps nothing symbolizes that more than the old shoe factory—“NORUMBEGA Makers of Fine Footwear Since 1903”—that has been perpetually on the brink of failure, and is now up for sale. But maybe there’s hope? A private equity savant with a fondness for the factory’s shoes buys it—and thus sets in motion a story with profound implications for the town, and for the larger question of how we live today. The factory is a hobby for him, but it represents infinitely more for the residents of Bealport: not only their livelihoods but their self-respect, their connectedness, their sense of self-sufficiency are all bound up in it. Can this high-flying outsider understand that? How will he negotiate the complicated long-term relationships that define the town and its families?

In Bealport, Jeffrey Lewis takes us inside the town, revealing its secrets, acknowledging its problems, and honoring its ambitions. Brilliantly deploying a large cast from all walks of life, this novel reveals small town America in the early twenty-first century through the interwoven secrets and desires of its residents, and through them delivers a striking portrait of America at a moment of national uncertainty.

Bealport, called “a hugely satisfying read” by the Evening Standard and “deeply appealing” by the Times Literary Supplement, is now available in paperback.
 
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cover of Bear County, Michigan: Stories

Bear County, Michigan

Stories

John Counts

Northwestern University Press, 2025

Following desperate characters in desperate circumstances in the rural Midwest

In these colorful, darkly comic stories, veteran journalist and crime reporter John Counts takes readers to an often-ignored part of the country: a fictional Great Lakes coastal town in northern Michigan defined by beauty and bleakness. The cast of characters in these connected stories ranges from addicts to backwoods misfits to ruined lumber families, all bound together by their desire to obtain something just out of reach. Big Frank breaks out of a rehab facility trying to outrun grief. The women in the village of Brotherhood grapple with sterility resulting from an environmental calamity. A local politician must convince her mother to leave a nudist colony. And in the final, sweeping story, a splinter group from the local tribe attempts to reclaim its ancestral land by force. The people of Bear County and their predicaments encompass the wildly original and yet totally ordinary truths about American life off the beaten track.

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cover of Bearheart: The Heirship Chronicles

Bearheart

The Heirship Chronicles

Gerald Vizenor Vizenor

University of Minnesota Press, 1990

Bearheart, Gerald Vizenors first novel, overturns “terminal creeds” and violence in a decadent material culture. American civilization has collapsed and Proude Cedarfair, his wife, Rosina, and a bizarre collection of disciples, are forced on a pilgrimage when government agents descend on the reservation to claim their sacred cedar trees for fuel. The tribal pilgrims reverse the sentiments of Manifest Destiny and travel south through the ruins of a white world that ran out of gas.

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cover of Beatrice of Bayou Têche

Beatrice of Bayou Têche

Alice Ilgenfritz Jones

University of Wisconsin Press, 2001

Beatrice of Bayou Têche is a work of great historical and artistic interest: a late-nineteenth-century novel by a white woman about a black woman artist-protagonist. As the introduction for this reprint edition shows, Alice Ilgenfritz Jones was the first white woman to take an extended interest in the intersection of creativity, race, and gender. In Beatrice, Jones seeks to unveil the relationships between white and African Americans during the twenty years before the Civil War by following her mixed-race protagonist from her childhood as a slave in New Orleans through her career as a free woman and inspired painter and opera singer. Beatrice renders the white author’s effort to find a place for the mixed-race woman in relation to paradigms of creativity that are not only gendered but racialized. In the process, it exposes the fault lines of ideology and literary convention that underlie attempts to negotiate issues of race, gender, and creativity in late nineteenth-century America.

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cover of Beautiful Soon Enough

Beautiful Soon Enough

Margo Berdeshevsky

University of Alabama Press, 2009

Winner of FC2's American Book Review/Ronald Sukenick Innovative Fiction Prize
 
Margo Berdeshevsky’s Beautiful Soon Enough is a collection of hypnotic stories that capture the lives—worldly, sexual, obsessive—of twenty–three arresting women.These are snapshots and collages: stories of women on the outside, looking in; of women content to end their affairs; of young women learning the power of seduction; and of older women reminiscing about past loves. They are women who cannot live without love’s embrace, and women who have found it and feel that it is never enough. They are women d'un certain âge and women with naked hearts, of any age.Berdeshevsky’s tales cross the planet: from beds in Paris to the roofs of Havana, from Venice Beach to the hills of Dubrovnik. With settings as varied as the characters they depict, these tales illuminate the lives of women desperate for a balance between love, comfort, and freedom. Personal, driven, and lyrical, together they are Beautiful Soon Enough.
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cover of Beautiful Women

Beautiful Women

Giuseppe Antonio Borgese

Northwestern University Press, 2001

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cover of Beauty and the Beast: The Original Story

Beauty and the Beast

The Original Story

Gabrielle-Suzanne Barbot de Villeneuve

Iter Press, 2020

Gabrielle-Suzanne Barbot de Villeneuve, the little-known author of Beauty and the Beast, was a successful novelist and fairytale writer in mid eighteenth-century France. While her novels are rarely read today, her compelling fairytale has become universally recognized. This edition is the first integral English translation of Villeneuve’s original tale. The introduction seeks to illuminate the publication of Beauty and the Beast in its historical and literary context, and brings to life the dynamic female characters that first populated this enchanting tale: the courageous Beauty, the Fairy Queen, the Amazon Queen, the Lady Fairy, and the powerful, but mischievous elderly fairy.

The Other Voice in Early Modern Europe: The Toronto Series volume 74
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cover of Beggar’s Bedlam

Beggar’s Bedlam

Nabarun Bhattacharya

Seagull Books, 2024

A hilarious and absurdist take on the political landscape of West Bengal, India.

Beggar’s Bedlam is a surreal novel that unleashes the chaos of the carnival on the familiar. Part literary descendent of Bulgakov’s The Master and Margarita and part a reconstruction of lost Bengali history, Nabarun Bhattacharya’s masterpiece is a jubilant, fizzing wire of subaltern anarchy and insurrection.
 
Marshall Bhodi Sarkar and his lieutenant Sarkhel surreptitiously dig on the banks of the Ganges River looking for crude oil reserves. Instead, they unearth curved daggers, rusty broadswords, and a Portuguese cannon. Bhodi is an occasional military man and the lead sorcerer of the secret black-magic sect named Choktar. He joins forces with the flying Flaperoos—men with a predilection for alcohol and petty vandalism—to declare outright war against the Marxist–Leninist West Bengal government. In a bloodless revolution that is fascinating in its utter implausibility, a motley crew of yet more implausible characters come together in a magic-realist fictional remapping of Calcutta.
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cover of Behind the Lines: Bugulma and Other Stories

Behind the Lines

Bugulma and Other Stories

Jaroslav Hasek

Karolinum Press, 2012

Jaroslav Hašek is a Czech writer most famous for his wickedly funny, widely read, yet incomplete novel The Good Soldier Schweik, a series of absurdist vignettes about a recalcitrant WWI soldier. Hašek—in spite of a life of buffoonery and debauchery—was remarkably prolific. He wrote hundreds of short stories that all display both his extraordinary gift for satire and his profound distrust of authority. Behind the Lines presents a series of nine short stories first published in the Prague Tribune and considered to be some of Hašek’s best. Based on his experiences as a Red Commissar in the Russian Civil War and his return to Czechoslovakia, Behind the Lines focuses on the Russian town of Bugulma, taking aim, with mordant wit, at the absurdities of a revolution.

Providing important background and insight into The Good Soldier Schweik, this collection by a writer some call the Bolshevik Mark Twain is nevertheless much more than a tool for understanding his better-known novel; it is a significant work in its own right. A hidden gem remarkable for its modern, ribald sense of humor, Behind the Lines is an enjoyable, fast-paced anthology of great literary and historical value.

 
[more]
cover of Behind the Lines: Bugulma and Other Stories

Behind the Lines

Bugulma and Other Stories

Jaroslav Hasek

Karolinum Press, 2012

Jaroslav Hašek is a Czech writer most famous for his wickedly funny, widely read, yet incomplete novel The Good Soldier Schweik, a series of absurdist vignettes about a recalcitrant WWI soldier. Hašek—in spite of a life of buffoonery and debauchery—was remarkably prolific. He wrote hundreds of short stories that all display both his extraordinary gift for satire and his profound distrust of authority. Behind the Lines presents a series of nine short stories first published in the Prague Tribune and considered to be some of Hašek’s best. Based on his experiences as a Red Commissar in the Russian Civil War and his return to Czechoslovakia, Behind the Lines focuses on the Russian town of Bugulma, taking aim, with mordant wit, at the absurdities of a revolution.

Providing important background and insight into The Good Soldier Schweik, this collection by a writer some call the Bolshevik Mark Twain is nevertheless much more than a tool for understanding his better-known novel; it is a significant work in its own right. A hidden gem remarkable for its modern, ribald sense of humor, Behind the Lines is an enjoyable, fast-paced anthology of great literary and historical value.

 
[more]
cover of Behind the Red Mist: Short Fiction by Ho Anh Thai

Behind the Red Mist

Short Fiction by Ho Anh Thai

Ho Anh Thai

Northwestern University Press, 1998

Behind the Red Mist gives us for the first time in English a wide range of stories from the most important writer of the post-war generation in Vietnam. The characters range from a party official who turns into a goat while watching porno movies, to an Indian who carries his mother's bones in his knapsack, to a war widow trying desperately to piece together her life through the fragments of debris she collects from her back yard. The title novella "Behind the Red Mist" is a Vietnamese "Back To the Future", a social satire in which a young man in the Hanoi of the eighties receives an electric shock and is transported back to his same apartment block in 1967 wartime Vietnam during the American bombing. He not only witnesses the war with the eyes of someone who knows its outcome, but participates in his parents' courtship and discovers some truths about the generation held up to his own as a role model.
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cover of Beijing: A Novel

Beijing

A Novel

Philip Gambone

University of Wisconsin Press, 2003

Escaping his ghosts, AIDS widower David Masiello accepts a one-year position at a Western medical clinic in Beijing. Lonely but excited, he sets out to explore the city—both its bustling street life and its clandestine gay subculture.
    David chronicles his adventures in China as he wrestles with cultural dislocation, loneliness, and sexual and spiritual longing. After a series of both comic and poignant encounters with gay Chinese men, he meets Bosheng, a handsome young artist. Though the attraction is strong, a difficult courtship ensues, during which Bosheng returns to his ancestral village to marry the girl his parents have chosen for him. Eventually, and quite unexpectedly, David and Bosheng reconnect and share an idyllic spring together. As the year ends, David must decide whether to say goodbye or face the uncertainties of a long-distance relationship.
    Gambone’s novel is peopled with a host of wonderfully memorable characters: Owen, David’s forthright best friend back home; Auntie Chen, the clinic’s office mom, who wants to fix David up with a girlfriend; Stewart, David’s Beijing roommate, a graduate student doing research on Peking opera; Jiantao and Guoyang, two lovers who lecture David on the fleeting quality of American romance; and Tyson, the Australian doctor with a Chinese girlfriend, who hopes to teach David that love doesn’t need any explanations or justifications.

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cover of Beirut '75

Beirut '75

Ghadah Samman

University of Arkansas Press, 1995

Ghada Samman’s first full-length novel, originally published in Arabic in 1974, is a creative and daring work prophetically depicting the social and political causes of the Lebanese civil war in 1975. The story opens in a taxi in which we meet the five central characters, each seeking something to give life meaning: security, fame, wealth, dignity, recognition, freedom from fear and from tradition-sanctioned, dehumanizing practices. Once they reach the capital city of Beirut, on which they’ve pinned their hopes, they all discover, man and woman alike, that they are victims of forces either partially or completely beyond their control, such as political corruption, class discrimination, economic and sexual exploitation, destruction of the natural environment, and blind allegiance to tradition.

Beirut ’75 addresses struggles of Arab society, particularly the Lebanese, but the message is one of the universal human condition. Thus, in addition to this superb English-language presentation, Samman’s novel has already appeared in German (two editions), French, and Italian versions.

Winner of The University of Arkansas Press Award for Arabic Literature in Translation.

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cover of Belmour: A Modern Edition

Belmour

A Modern Edition

Anne Damer, Edited and with an Introduction by Jonathan David Gross

Northwestern University Press, 2010

With his new edition of The Sylph (Northwestern, 2007), Jonathan David Gross recovered the work of novelist and biopic subject Georgiana, Duchess of Devonshire. With Belmour, Gross introduces the modern audience to the only novel of English sculptress Anne Damer.

Belmour chronicles the tangled romances of a group of eighteenth-century English aristocrats. The plot centers on Lord Belmour’s pursuit of the lovely and slightly mysterious Emily Melville. The charismatic Belmour, a man of great feeling and quick perception, goes to great lengths to gain the affection of Emily, only to learn that she has recently married another man. Although crushed, Belmour tries to develop a friendship with the couple, but his heartache drives him to depart on an extensive journey through Europe. During these travels, the lives of Belmour and Emily unfold, though fate ultimately leads the two to cross paths once more.

Set among such vivid backdrops as Paris, Venice, and Rome, Belmour, like Damer herself, “conceals as much as it reveals,” yielding a rich, multifaceted story of forbidden love and erotic intrigue that will appeal to those interested in the gothic romances of Ann Radcliffe and the psychological novels of Elizabeth Inchbald. A contemporary of Jane Austen, Anne Damer casts an equally critical eye on the foibles of the aristocracy, while offering a similarly romanticized portrait of romantic love in the age of sensibility.
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cover of Belonging

Belonging

Virginia Tibbs-Brelje

Gallaudet University Press, 1986

"A 1987 Outstanding Book for Young Adults" --University of Iowa Poll "Gustie Blaine is 15 when she contracts meningitis. After a long recovery period during which she loses the small amount of residual hearing she had seemed to retain, Gustie tries to pick up the pieces of her life. Her parents are unrealistic and over protective; her best friend rejects her; her teachers run the gamut from being convinced Gustie cannot function in the mainstream to being supportive... through a new boyfriend who has a deaf brother and sister-in-law, and through Gustie's visit with an understanding special education teacher to a class of predominately congenitally deaf students, readers are made aware of the tremendous range of difference among deaf and hard of hearing people, the ways in which they communicate and the technical aids available to them. Realistic and involving...[Young Adults] will identify with Gustie and her wish to belong; the book should touch them and be popular." --School Library Journal Virginia M. Scott is a writer. Like Gustie, the main character in her novel, Ms. Scott became deaf as an adolescent.
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Below Grass Roots

A Novel

Frank Waters

Ohio University Press, 2002

In Below Grass Roots, the second book in Frank Waters’s Pikes Peak saga, turn-of-the-century Colorado Springs is prospering with the mining boom and a growing tourist industry. Patriarch Joseph Rogier becomes ever more obsessed with the treasures of the towering mountain and tries to enlist his son-in-law Jonathan Cable in his mining schemes. Cable instead leaves for Navajo country with his young son. Rogier, convinced that new wealth lies deep within the mountain, below grass roots, sinks his mines and what remains of his fortune ever deeper into the mountain’s granite.

As in the other two novels in this semiautobiographical saga, Waters’s masterful narrative draws on his own keen perception of the human condition to bring us this compelling tale of struggle and hope in the American West.

Pike’s Peak is composed of three condensed novels: The Wild Earth’s Nobility, Below Grass Roots, and The Dust within the Rock.

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Benefit Street

A Novel

Adria Bernardi

University of Alabama Press, 2022

WINNER OF FC2's CATHERINE DOCTOROW INNOVATIVE FICTION PRIZE

A universal story of exile, of the refugee and emigrant, and of all those displaced who can reconstruct a sense of home only by weaving a new fabric of the imagination

For nearly two decades, Şiva has met after work on Tuesdays with four friends at a teahouse called the Kafiye. In interrupted conversations, the women explore what it is to live engaged lives inside and outside the home. Amidst joking and complaints, while drinking too much tea and eating too many sweets, they tell of their days: a son’s ninth birthday, the bruise on the arm of an aging parent, soldiers stationed outside the school, the funeral of an opposition political leader killed in a mysterious car accident.

Set in an unnamed provincial capital of an unnamed country, Benefit Street tells of a wide circle of friends—teachers, lawyers, missionaries, doctors, artisans—in a time of gathering and dispersal. It tells the story of mothers, daughters, sisters, wives, colleagues, and neighbors, as war to the East threatens and constitutional rights are daily eroded by an increasingly authoritarian regime.

The ideals of youth, freedom, and coexistence are severely tested with the shocking revelation that the charismatic leader of their group has sexually abused the women under his care. The limits of reconciliation are tested as Şiva makes an arduous journey into the mountains to meet an estranged mother with a genius for weaving complex rugs.
 

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Bengal Nights

A Novel

Mircea Eliade

University of Chicago Press, 1994

Set in 1930s Calcutta, this is a roman à clef of remarkable intimacy. Originally published in Romanian in 1933, this semiautobiographical novel by the world renowned scholar Mircea Eliade details the passionate awakenings of Alain, an ambitious young French engineer flush with colonial pride and prejudice and full of a European fascination with the mysterious subcontinent.

Offered the hospitality of a senior Indian colleague, Alain grasps at the chance to discover the authentic India firsthand. He soon finds himself enchanted by his host's daughter, the lovely and inscrutable Maitreyi, a precocious young poet and former student of Tagore. What follows is a charming, tentative flirtation that soon, against all the proprieties and precepts of Indian society, blossoms into a love affair both impossible and ultimately tragic. This erotic passion plays itself out in Alain's thoughts long after its bitter conclusion. In hindsight he sets down the story, quoting from the diaries of his disordered days, and trying to make sense of the sad affair.

A vibrantly poetic love story, Bengal Nights is also a cruel account of the wreckage left in the wake of a young man's self discovery. At once horrifying and deeply moving, Eliade's story repeats the patterns of European engagement with India even as it exposes and condemns them. Invaluable for the insight it offers into Eliade's life and thought, it is a work of great intellectual and emotional power.

Translated into French in 1950, Bengal Nights was an immediate critical success. The film, Les Nuits Bengali, appeared in 1987.
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Berlin Cantata

Jeffrey Lewis

Haus Publishing, 2013

A city that has lost one of its limbs and is receiving a miraculous gift, a little bump under the flesh, where the limb is just beginning to grow back. Thus does the American girl in Jeffrey Lewis's remarkable polyphonic novel describe Berlin and the "remnant Jews, secret GDR Jews...Soviet Jews...Jews who'd fled and come back with the victors, Jews who were lost mandarins now, Jews who'd believed in the universality of man and maybe still did" whom she finds at a Day of Atonement gathering in the eastern part of the city in a year soon after the Wall fell. Berlin Cantata deploys thirteen voices to tell a story not only of atonement, but of discovery, loss, identity, intrigue, mystery, insanity, sadomasochism and lies. At its centre is a country house owned successively by Jews, Nazis and Communists. In the country house, the American girl seeks her hidden past. In the girl, a local reporter seeks redemption. In the reporter, a false hero of the past seeks exposure. In the false hero, the American girl seeks a guide. And so it goes, a round of conspiracy and desire. Even as he describes his native city, the false hero describes the characters of Berlin Cantata: "We dined on wreckage. We were not afraid to beg. We continued our long tradition of believing either in nothing or too much."
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Bernardo and the Virgin

A Novel

Silvio Sirias

Northwestern University Press, 2007

In 1980, with the Sandinistas newly in power, tailor and pig farmer Bernardo Martinez witnesses an extraordinary thing: an otherworldly glow about the statue of the Virgin Mary in the church where he works as sacristán. Soon the Holy Virgin appears. She tells Bernardo to forget his money problems and fear of ridicule and spread her message of peace and faith to his neighbors. Though a work of fiction, Bernardo and the Virgin is based on actual events in Bernardo Martinez's life. The visitation of the Virgin Mary at Cuapa, Nicaragua, remains one of the few such events accepted by the Roman Catholic Church in the last sixty years.

Silvio Sirias' sweeping novel tells many stories: that of a humble man touched by the transcendent; that same man as a devout boy denied the priesthood because of poverty; and those in his orbit, past and present. It is also the stormy epic of Nicaragua through the long Somoza years to the Sandinista revolution. Sirias' beautiful language mixes English with Spanish and details of dusty village life with wondrous images of Catholic mysticism. His portrayal of the rich recent past of Central America resonates with the experiences of both the natives and the thriving communities of Nicaraguans, Salvadorans, and others putting down roots in the United States.
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cover of Best of the West 2009: New Stories from the Wide Side of the Missouri

Best of the West 2009

New Stories from the Wide Side of the Missouri

Edited by James Thomas and D. Seth Horton

University of Texas Press, 2009

Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and Seth Horton are now reviving the series in Best of the West 2009.

Thomas and Horton combed some 250 literary journals and magazines to gather these eighteen stories published since the fall of 2007. They come from both emerging and established writers, including Lee K. Abbott, Louise Erdrich, Dagoberto Gilb, Antonya Nelson, Joyce Carol Oates, and Annie Proulx. Like Bass, the editors believe "the Western short story" inhabits a wide territory; the subjects in this collection range from illegal immigrants tending illegal crops in California's national forests, to mismatched Mormon missionaries on the conversion trail in Nevada, to a Native American college student exploring her sexuality, to Papa Hemingway's meditations as he loads the shotgun in his Idaho cabin. As these stories make clear, the West continues to shape our literary landscape. Thomas and Horton have preserved the best of that work in this vital anthology.

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cover of Best of the West 2010: New Stories from the Wide Side of the Missouri

Best of the West 2010

New Stories from the Wide Side of the Missouri

Edited by James Thomas and D. Seth Horton

University of Texas Press, 2010

Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and D. Seth Horton revived the series in 2009.

Best of the West 2010 brings together established and emerging writers who reinterpret this most vital of literary regions and create, as Kent Meyers puts it in his foreword, "gift[s] the nation needs right now." Editors Horton and Thomas have chosen nineteen stories by writers including Sherman Alexie, Rick Bass, Ron Carlson, Julia Glass, William Kittredge, Kent Nelson, and Deb Olin Unferth. Their subjects vary from a Greek community in Wyoming dealing with a suicide, to a re-creation of Christ's crucifixion in New Mexico, to an unlikely friendship that peaks at a burial ground in Alaska. Best of the West 2010 is the latest indication that the West has become one of the most crucial settings for contemporary American fiction.

Contributors:

  • Sherman Alexie
  • Rick Bass
  • John Blanchard
  • Elea Carey
  • Ron Carlson
  • Natalie Diaz
  • Darren Dillman
  • Ben Ehrenreich
  • Julia Glass
  • Dina Guidubaldi
  • Ben Kostival
  • William Kittredge
  • Paul Mihas
  • Kent Nelson
  • Daniel Orozco
  • Kirstin Valdez Quade
  • Aurelie Sheehan
  • Justin St. Germain
  • Deb Olin Unferth
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cover of Best of the West 2011: New Stories from the Wide Side of the Missouri

Best of the West 2011

New Stories from the Wide Side of the Missouri

Edited by James Thomas and D. Seth Horton

University of Texas Press, 2011

Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and D. Seth Horton revived the series in 2009.

Best of the West 2011: New Stories from the Wide Side of the Missouri is the latest volume in what has become one of the nation's most important anthologies. Editors Horton and Thomas have chosen twenty stories by writers including Rick Bass, T. C. Boyle, Ron Carlson, Philipp Meyer, Dagoberto Gilb, Yiyun Li, Antonya Nelson, and Sam Shepard. Subjects vary from an Idaho family that breeds lions and tigers with disastrous results, to a Mormon veteran whose mind is taken over by a nineteenth-century consciousness, to a Texas boy who spends an afternoon with Bonnie and Clyde shortly before their deaths. Taken together, these stories suggest that the West has become one of the most exciting and diverse literary regions in the twenty-first century.

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cover of Betrayal at the Buffalo Ranch

Betrayal at the Buffalo Ranch

Sara Sue Hoklotubbe

University of Arizona Press, 2018

When Sadie Walela learns that her new neighbor in Cherokee Country, Angus Clyborn’s Buffalo Ranch, offers rich customers a chance to kill buffalo for fun, she is horrified. No good can surely come from this. It doesn’t, and murder soon follows.

Even though Deputy Sheriff Lance Smith, Sadie’s love interest, suspects a link to the Buffalo Ranch, he can find little evidence to make an arrest. And when a rare white buffalo calf is born on the ranch and immediately disappears, Sadie’s instincts tell her something is wrong—and she sets out to prove it. Her suspicions—and fears of more violence—escalate when a former schoolmate returns to Oklahoma to visit her ailing father and finds employment at the ranch. Will she be the next victim?

Drawn deeper and deeper into danger, Sadie uncovers an unparalleled web of greed and corruption. It will take all of her investigative skill to set things straight—assuming she and her wolfdog can stay alive long enough to succeed.
 
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Between the Flowers

A Novel

Harriette Simpson Arnow

Michigan State University Press, 1999

Between the Flowers is Harriette Simpson Arnow's second novel. Written in the late 1930s, but unpublished until 1997, this early work shows the development of social and cultural themes that would continue in Arnow's later work: the appeal of wandering and of modern life, the countervailing desire to stay within a traditional community, and the difficulties of communication between men and women in such a community.
    Between the Flowers goes far beyond categories of "local color," literary regionalism, or the agrarian novel, to the heart of human relationships in a modernized world. Arnow, who went on to write Hunter's Horn (1949) and The Dollmaker (1952)—her two most famous works—has continually been overlooked by critics as a regional writer. Ironically, it is her stinging realism that is seen as evidence of her realism, evidence that she is of the Cumberland—an area somehow more "regional" than others.
    Beginning with an edition of critical essays on her work in 1991 and a complete original edition of Hunter's Horn in 1997, the Michigan State University Press is pleased to continue its effort to make available the timeless insight of Arnow's work with the posthumous publication of Between the Flowers.

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Bewildered

Stories

Carla Panciera

University of Massachusetts Press, 2014

"This is a world of secret-sharers, a noisy world full of unimaginable silence," claims one of the characters in this compelling debut collection. The ten stories in Bewildered examine small-world disruptions—mistimed infatuations, devastating diagnoses, the realizations inherent in loss. Characters look up from what they assumed were ordinary lives amazed to discover where they find themselves.

Familiar landscapes—city streets, coastal towns emptied of tourists, suburban neighborhoods—are backdrops for unfulfilled dreams: the luckiest man alive arouses the suspicions of those he most wants to befriend, a grieving lover invites herself into another's life, a young girl discovers her tea leaves reveal nothing as life-altering as those of her friend, the straying husband pays a debt for his and his son's obsessions.

The stories ask: Can you live any way forever? What links them is what links all of us: the desire to belong, the need to heal, the fear of what happens next.
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cover of Beyond the World of Men: Women’s Fiction at the Czech Fin de Siècle

Beyond the World of Men

Women’s Fiction at the Czech Fin de Siècle

Edited by Geoffrey Chew

Karolinum Press, 2024

An inclusive collection of modern Czech short fiction that features overlooked women writers.

Bringing together Czech fiction published by women between 1890 and 1910, Beyond the World of Men presents works that confront pivotal issues of the time, including the “woman question” and women’s rights, class conflict, lesbian love, and the relationship between the aristocracy and the Czech peasantry (as in two stories originally written in German by the aristocrat Marie von Ebner-Eschenbach). The collection contains stories that are of literary merit, but also hold historical value. In these works, the authors offer trenchant social commentary while injecting both comic and sentimental elements into their writing, employing humanity and subtlety.

As a whole, the collection suggests a revision of the critical understanding of Czech literary modernism; these writers represent voices that were not usually heard in the male writing of the period. They also demand evaluation in their differing (but constant) reactions to earlier women’s writing in Czech and in other European languages, but particularly that of the central figure of Božena Nemcová, to whose canonic novel Babicka they constantly return.
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cover of Bhopal Dance: A Novel

Bhopal Dance

A Novel

Jennifer Natalya Fink, Foreword by Mary Caponegro

University of Alabama Press, 2018

Winner of FC2's Catherine Doctorow Innovative Fiction Prize
 
An imaginative, erotic rethinking of Bhopal’s disaster—and perhaps our own


On the night of December 2, in the midst of the Reaganomic era, an explosion at an American-owned factory in Bhopal, India, released untold amounts of toxic gas on uncounted numbers of people, creating a human and environmental disaster of insurmountable proportions. Known as the Bhopal disaster, it once dominated international headlines, and is now barely remembered.
 
Yet Bhopal remains emblematic of all the many quickly forgotten disasters that followed, and of the permanent state of globalized disaster in which we now dwell. What does it mean when corporations instead of states control not only the means to create environmental disasters, but also the tools to bury them? How does one revolt against these unelected entities? How do our most private desires get shaped by this stateless horror? Jennifer Natalya Fink’s Bhopal Dance is an epic and epochal tale of such a horror and its buried consequences.
 
At the center of the novel is Cordelia, an owlish woman with a ménage of lovers, who leads a revolutionary Canadian political movement catalyzed by the Bhopal disaster, only to end up imprisoned with just a toilet to talk to. Who she hallucinates is her father. Who is her father. Who is the State. Who may be her mother. Or her twin/lover. Cordelia is a remarkable bird in her own right, and ‘owlishness’ is a feathery conceit deployed in both the book’s form and content, a way of exploring queer possibilities for altering the terms of one’s imprisonment. For setting corporatized corporeality alight. Ablaze. Pets and punk rock, dentists and dyslexia, Shakespeare and salsa: they all dance together here.
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Biblical Themes in Science Fiction

Nicole L. Tilford

SBL Press, 2023

What does a first-generation female robot have in common with the biblical figure of Eve? Or an intergenerational spaceship with Noah’s ark? If a computer compiles a deceased person’s photographs and digital activities into a virtual avatar, is that a form of resurrection? Such seemingly unlikely scenarios are common in science fiction—and science fiction writers often draw on people, places, and events from biblical texts, assuming that audiences will understand the parallels. Biblical Themes in Science Fiction is a journey from creation to apocalypse where contributors Frank Bosman, Rhonda Burnette-Bletsch, Krista N. Dalton, Tom de Bruin, James F. McGrath, Kelly J. Murphy, Steven J. Schweitzer, Jason A. Staples, Nicole L. Tilford, Christine Wenderoth, and Jackie Wyse-Rhodes trace biblical themes as they appear in contemporary science fiction, including Doctor Who, Lilith’s Brood, The Handmaid’s Tale, Battlestar Galactica, and Fallout 3. Essays are supplemented by images and key science fiction sources for diving deeper into how the Bible influenced writers and creators. An afterword considers the imaginative impulses common to both science fiction and biblical texts.

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Big City

Marream Krollos

University of Alabama Press, 2018

A fiction of the city as a chorus of voices, an entity that is both one and many
 
Marream Krollos’s Big City is astructurally innovative work of prose composed of vignettes, verse, dialogues, monologues, and short stories. Alone, they are fragments, but together they offer a glimpse of the human condition and form a harmonized narrative of desire, loneliness, and beauty. Through language that builds, destroys, and violates, Krollos maps the geography of our contemporary condition, a haunting meditation on human togetherness and isolation.
 
Krollos plays with the tension between the voice of the lonely “I” produced by the urban experience and the polyphony of the city itself. A city is a chorus and a collection of traces; it is a way of being with others and the concretization of the social divisions that keep people apart. As a lifelong city dweller, Krollos is obsessed with the way that cities shape our experiences of the world, our ideas about inside and outside and self and other.
 
By mapping the emotional highs and lows of particular (though often anonymous) beings, the book creates a geography of the urban consciousness. The sensation of reading this lyric work of fiction is akin to how one experiences an attentive walk in an unknown city: one becomes attuned to the tenor of its many voices, how the languages lift and flourish, and how the micro and macro became integrally linked.
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Big Familia

A Novel

Tomas Moniz

Acre Books, 2019

Big Familia follows Juan Gutiérrez, a self-employed single father, as he navigates a tumultuous year of inescapable change. His daughter, Stella, is on the verge of moving away to college; his lover, Jared, is pressing him for commitment; and his favorite watering hole—a ramshackle dive presided over by Bob the Bartender—is transforming into a karaoke hotspot. The story is set in a neighborhood that is also changing, gentrification inciting the ire of the established community.

Upon the unexpected death of one of the bar’s regulars, Juan is sent reeling, and a series of upheavals follow as he both seeks and spurns intimacy, pondering the legacy of distant parents and a failed marriage and grappling with his sexuality—all the while cycling and dating, drinking at Nicks Lounge, and parenting a determined and defiant child-become-woman.

When his incarcerated father dies and Stella reveals she’s pregnant, Juan is forced to examine the emotional bonds that both hold and hinder him, to reassess his ideas of commitment, of friendship, of love. His encounters with various characters—his mother, his ex-wife, a middle-aged punker, an aspiring acupuncturist, a dapper veteran—lead Juan to the realization that he himself must change to thrive.

This is a story of making family and making mistakes, of rending and of mending. As a Latinx queer father with a mixed-race daughter, Juan exemplifies the ways identity connects and divides us. With wit, insight, and tenderness, Big Familia explores the complexities of desire, devotion, and the mysteries of the heart.
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cover of Billy Budd, Sailor

Billy Budd, Sailor

Herman Melville

University of Chicago Press, 1962

Hayford and Sealts's text was the first accurate version of Melville's final novel. Based on a close analysis of the manuscript, thoroughly annotated, and packaged with a history of the text and perspectives for its criticism, this edition will remain the definitive version of a profoundly suggestive story.
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