Results by title

Mark Di Ionno is a Jersey guy through and through. He’s lived in fifteen different towns in six different New Jersey counties. He’s been a journalist for the state’s top newspapers, currently the Star-Ledger, where his first job was to go out and write about things that were “interesting.” Who better to take readers on a personal tour of the backroads of New Jersey?

In Backroads, New Jersey, Di Ionno leads readers off the congested interstates with their commonplace scenery to the seldom-explored secondary roads, where the real life of the state can be found. These inter-county or 500 series roads are a 6,788-mile network of mostly one-lane highways. Marked by blue-and-yellow five-sided shields bearing county names, they make up more than 20 percent of New Jersey’s public roads. They are never the fastest or most direct way to get anywhere, but when you break out of the towns and hit the country, they are a pleasure to drive.

Travel with Di Ionno as he takes readers to see the state’s amazing beauty¾from the dizzying cliffs of the Palisades, to the blunted peaks of the Highlands and Kittatinny Ridges, to the rolling hills of Morris, Hunterdon, and Somerset counties, to the topsoil-wealthy agricultural belts of Monmouth and the southern counties, to the flat, sandy beaches of the 127-mile Jersey Shore. Travel with him as he shows us the homes of New Jersey’s culturally diverse population, whose men and women work at everything from farms to pharmacies, from banks to auto assembly lines. And travel with him as he recounts the history made along the back country roads in towns like Rocky Hill, where George Washington wrote his farewell orders. Di Ionno calls New Jersey “a place of infinite natural beauty, a place of intricate human patterns. A place where you can see a lot in a little time. This is, simply put, the overriding theme of this book. New Jersey is a restless state for restless people. A state for wanderers to explore.” Backroads, New Jersey is a rare chance to see it all through the eyes of a well-traveled Jerseyan. Happy wandering!

In the tradition of such outstanding biography-in-poetry collections as Maurice Manning’s A Companion of Owls about Daniel Boone and Sharon Chmielarz’s The Other Mozart, Annie Boutelle’s first collection probes the layered life of one of nineteenth-century America’s most popular poets, who is now almost forgotten. The Celia Thaxter who speaks these poems disturbs the placid myth created around her public persona, and focuses on the fierce mysteries and ironies that frame her. Boutelle carefully reveals Thaxter’s childhood on the stark Isles of Shoals off the New Hampshire coast; the trap of a Victorian marriage; the struggle to invent herself as a writer and painter; her celebrated circle of friends, which included Nathaniel Hawthorne, John Greenleaf Whittier, Sarah Orne Jewett, and Childe Hassam; and the hard-won serenity of her last decade. At the fringes of Thaxter’s life a wider world clamors, particularly with the onset of the Civil War. At the center rests a quiet, almost elliptical silence.

Like fine champagne, these poems ravish. Clear, airy, crystalline, they move us into an elemental world where “nothing is left but water, / air, and the uncertain space between.” The spare language resonates. With restraint and lyric tenderness, Boutelle leads us toward a woman who shifts from pose to necessary pose, who survives in these pages with intelligence and grace: “The grave / flesh melts. What’s left / is light as bone.”

In Becoming Undone, Elizabeth Grosz addresses three related concepts—life, politics, and art—by exploring the implications of Charles Darwin’s account of the evolution of species. Challenging characterizations of Darwin’s work as a form of genetic determinism, Grosz shows that his writing reveals an insistence on the difference between natural selection and sexual selection, the principles that regulate survival and attractiveness, respectively. Sexual selection complicates natural selection by introducing aesthetic factors and the expression of individual will, desire, or pleasure. Grosz explores how Darwin’s theory of sexual selection transforms philosophy, our understanding of humanity in its male and female forms, our ideas of political relations, and our concepts of art. Connecting the naturalist’s work to the writings of Bergson, Deleuze, and Irigaray, she outlines a postmodern Darwinism that understands all of life as forms of competing and coordinating modes of openness. Although feminists have been suspicious of the concepts of nature and biology central to Darwin’s work, Grosz proposes that his writings are a rich resource for developing a more politicized, radical, and far-reaching feminist understanding of matter, nature, biology, time, and becoming.

Unscrupulous, devilishly ambitious and undeniably charismatic, Domenico Barbaja was the most celebrated Italian impresario of the early 1800s and one of the most intriguing characters to dominate the operatic empire of the period. Dubbed the "Viceroy of Naples", Barbaja was the influential force behind the careers of a plethora of artists including Vincenzo Bellini, Gioachino Rossini and the great mezzo-soprano Isabella Colbran. In this book, Eisenbeiss unlocks the enigma of this eccentric and fascinating personality that has been hitherto neglected.

Under the auspices of neoliberalism, technical systems of compliance and efficiency have come to underwrite the relations among the state, the economy, and a biopolitics of war, terror, and surveillance. In Beyond Biopolitics, prominent theorists seek to account for and critically engage the tendencies that have informed neoliberal governance in the past and are expressed in its reformulation today. As studies of military occupation, the policing of migration, blood trades, financial markets, the war on terror, media ecologies, and consumer branding, the essays explore the governance of life and death in a near-future, a present emptied of future potentialities. The contributors delve into political and theoretical matters central to projects of neoliberal governance, including states of exception that are not exceptional but foundational; risk analysis applied to the adjudication of “ethical” forms of war, terror, and occupation; racism and the management of the life capacities of populations; the production and circulation of death as political and economic currency; and the potential for critical and aesthetic response. Together, the essays offer ways to conceptualize biopolitics as the ground for today’s reformulation of governance.

Contributors. Ann Anagnost, Una Chung, Patricia Ticineto Clough, Steve Goodman, Sora Y. Han, Stefano Harney, May Joseph, Randy Martin, Brian Massumi, Luciana Parisi, Jasbir Puar, Amit S. Rai, Eugene Thacker, Çağatay Topal, Craig Willse

Health care spending in the United States today is approaching 20 percent of GDP, yet levels of U.S. population health have been declining for decades relative to other wealthy and even some developing nations. How is it possible that the United States, which spends more than any other nation on health care and insurance, now has a population markedly less healthy than those of many other nations? Sociologist and public health expert James S. House analyzes this paradoxical crisis, offering surprising new explanations for how and why the United States has fallen into this trap. In Beyond Obamacare, House shows that health care reforms, including the Affordable Care Act, cannot resolve this crisis because they do not focus on the underlying causes for the nation’s poor health outcomes, which are largely social, economic, environmental, psychological, and behavioral. House demonstrates that the problems of our broken health care and insurance system are interconnected with our large and growing social disparities in education, income, and other conditions of life and work, and calls for a complete reorientation of how we think about health. He concludes that we need to move away from our misguided and almost exclusive focus on biomedical determinants of health, and to place more emphasis on addressing social, economic, and other inequalities. House’s review of the evidence suggests that the landmark Affordable Care Act of 2010, and even universal access to health care, are likely to yield only marginal improvements in population health or in reducing health care expenditures. In order to rein in spending and improve population health, we need to refocus health policy from the supply side—which makes more and presumably better health care available to more citizens—to the demand side—which would improve population health though means other than health care and insurance, thereby reducing need and spending for health care. House shows how policies that provide expanded educational opportunities, more and better jobs and income, reduced racial-ethnic discrimination and segregation, and improved neighborhood quality enhance population health and quality of life as well as help curb health spending. He recommends redirecting funds from inefficient supply-side health care measures toward broader social initiatives focused on education, income support, civil rights, housing and neighborhoods, and other reforms, which can be paid for from savings in expenditures for health care and insurance. A provocative reconceptualization of health in America, Beyond Obamacare looks past partisan debates to show how cost-efficient and effective health policies begin with more comprehensive social policy reforms.

From cradle to great, the comprehensive real story of Bill Monroe

The Father of Bluegrass Music, Bill Monroe was a major star of the Grand Ole Opry for over fifty years; a member of the Country Music, Songwriters, and Rock and Roll Halls of Fame; and a legendary figure in American music. This authoritative biography sets out to examine his life in careful detail--to move beyond hearsay and sensationalism to explain how and why he accomplished so much.

Former Blue Grass Boy and longtime music journalist Tom Ewing draws on hundreds of interviews, his personal relationship with Monroe, and an immense personal archive of materials to separate the truth from longstanding myth. Ewing tells the story of the Monroe family's musical household and Bill's early career in the Monroe Brothers duo. He brings to life Monroe's 1940s heyday with the Classic Bluegrass Band, the renewed fervor for his music sparked by the folk revival of the 1960s, and his declining fortunes in the years that followed. Throughout, Ewing deftly captures Monroe's relationships and the personalities of an ever-shifting roster of band members while shedding light on his business dealings and his pioneering work with Bean Blossom and other music festivals.

Filled with a wealth of previously unknown details, Bill Monroe offers even the most devoted fan a deeper understanding of Monroe's towering achievements and timeless music.

In recent years, bioaesthetics has used the latest discoveries in evolutionary studies and neuroscience to provide new ways of looking at art and aesthetics. Carsten Strathausen’s remarkable exploration of this emerging field is the first comprehensive account of its ideas, as well as a timely critique of its limitations. 

Strathausen familiarizes readers with the basics of bioaesthetics, grounding them in its philosophical underpinnings while articulating its key components. Importantly, he delves into the longstanding problem of the “two cultures” that separate the arts and the sciences. Seeking to make bioaesthetics a more robust way of thinking, Strathausen then critiques it for failing to account for science’s historical and cultural assumptions. At its worst, he says, biologism reduces artworks to mere automatons that rubber-stamp pre-established scientific truths. 

Written with a sensitive understanding of science’s strengths, and willing to refute its best arguments, Bioaesthetics helps readers separate the sensible from the specious. At a time when humanities departments are shrinking—and when STEM education is on the rise—Bioaesthetics makes vital points about the limitations of science, while lodging a robust defense of the importance of the humanities.

Investigations of skeletal remains from key archaeological sites reveal new data and offer insights on prehistoric life and health in the Southeast.

The shift from foraging to farming had important health consequences for prehistoric peoples, but variations in health existed within communities that had made this transition. This new collection draws on the rich bioarchaeological record of the Southeastern United States to explore variability in health and behavior within the age of agriculture. It offers new perspectives on human adaptation to various geographic and cultural landscapes across the entire Southeast, from Texas to Virginia, and presents new data from both classic and little-known sites.

The contributors question the reliance on simple cause-and-effect relationships in human health and behavior by addressing such key bioarchaeological issues as disease history and epidemiology, dietary composition and sufficiency, workload stress, patterns of violence, mortuary practices, and biological consequences of European contact. They also advance our understanding of agriculture by showing that uses of maize were more varied than has been previously supposed.

Representing some of the best work being done today by physical anthropologists, this volume provides new insights into human adaptation for both archaeologists and osteologists. It attests to the heterogeneous character of Southeastern societies during the late prehistoric and early historic periods while effectively detailing the many factors that have shaped biocultural evolution.

With in-depth research into previously overlooked sources and illustrated with several never-before-seen images, Bird: The Life and Music of Charlie Parker corrects much of the misinformation and myth about one of the most influential musicians of the twentieth century.

At the turn of the century, the North Carolina Mutual Life Insurance Company became the "world's largest Negro business." Located in Durham, North Carolina, which was known as the "Black Wall Street of America," this business came to symbolize the ideas of racial progress, self-help, and solidarity in America. Walter B. Weare's social and intellectual history, originally published in 1973 (University of Illinois Press) and updated here to include a new introduction, still stands as the definitive history of black business in the New South. Drawing on a wide range of sources—including personal papers of the company's leaders and oral history interviews—Weare traces the company's story from its ideological roots in the eighteenth century to its economic success in the twentieth century.

Mustering out of the U.S. army in 1919, Harry Haywood stepped into a battle that was to last the rest of his life. Within months, he found himself in the middle of one of the bloodiest race riots in U.S. history and realized that he’d been fighting the wrong war—the real enemy was right here at home. This book is Haywood’s eloquent account of coming of age as a black man in twentieth-century America and of his political awakening in the Communist Party.

For all its cultural and historical interest, Harry Haywood’s story is also noteworthy for its considerable narrative drama. The son of parents born into slavery, Haywood tells how he grew up in Omaha, Nebraska, found his first job as a shoeshine boy in Minneapolis, then went on to work as a waiter on trains and in restaurants in Chicago. After fighting in France during the war, he studied how to make revolutions in Moscow during the 1920s, led the Communist Party’s move into the Deep South in 1931, helped to organize the campaign to free the Scottsboro Boys, worked with the Sharecroppers’ Union, supported protests in Chicago against Mussolini’s invasion of Ethiopia, fought with the International Brigades in Spain, served in the Merchant Marines during World War II, and continued to fight for the right of self-determination for the Afro-American nation in the United States until his death in 1985.

This new edition of his classic autobiography, Black Bolshevik, introduces American readers to the little-known story of a brilliant thinker, writer, and activist whose life encapsulates the struggle for freedom against all odds of the New Negro generation that came of age during and after World War I.

In 1904 a young Danish woman met a Sami wolf hunter on a train in Sweden. This chance encounter transformed the lives of artist Emilie Demant and the hunter, Johan Turi. In 1907–8 Demant went to live with Sami families in their tents and on migrations, later writing a lively account of her experiences. She collaborated with Turi on his book about his people. On her own and later with her husband Gudmund Hatt, she roamed on foot through Sami regions as an ethnographer and folklorist. As an artist, she created many striking paintings with Sami motifs. Her exceptional life and relationships come alive in this first English-language biography.

In recounting Demant Hatt's fascinating life, Barbara Sjoholm investigates the boundaries and influences between ethnographers and sources, the nature of authorship and visual representation, and the state of anthropology, racial biology, and politics in Scandinavia during the first half of the twentieth century.

Rod Giblett came to live by Forrestdale Lake in southwestern Australia in 1986. Based in part on a nature journal he kept for several years, Black Swan Lake traces the life of the plants and animals of the surrounding area through the seasons. Presenting a wetlands calendar that charts the yearly cycle of the rising, falling, and drying waters of this internationally significant wetland, this book is a modern-day Walden. The first book to provide a cultural and natural history of this place—taking into account the indigenous people’s concept of the seasons (six instead of four)—Black Swan Lake will be enjoyed by conservationists, as well as others seeking connection with place, plants, and animals in their own bioregion.

Blanche Lazzell went from Maidsville, West Virginia, to the leading edge of twentieth-century American art. A member of the prominent art communities of Paris and Provincetown, MA during the '20s and '30s, Lazzell was always on the fringe of important developments in the modern art world. Her studies in Paris led her to adopt the techniques of modernism as well as other emerging styles. Among her groundbreaking works were some of the first examples of abstraction in America. Blanche Lazzell: The Life and Work of an American Modernist is a significant contribution to the history of twentieth-century American art.

Know primarily as a Provincetown printmaker, Lazzell’s full life and career are presented here, generously accompanied by color reproductions of her work, showing the breadth of her accomplishment in painting, printmaking, and hooked rugs. Lazzell's true contribution to American art history was never fully appreciated during her lifetime. A renewed interest in the artist has developed over the past fifteen years, due mostly to the critical appreciation of her color wood block prints. She is worth remembering not only for her own work, but also for her role as a translator of the achievements of the European modernists for her colleagues in America. In Blanche Lazzell: The Life and Work of an American Modernist, nine essays and hundreds of full-color illustrations bring this incredibly talented and influential artist's work to life.

What is blood? How can we account for its enormous range of meanings and its extraordinary symbolic power? In Blood Work Janet Carsten traces the multiple meanings of blood as it moves from donors to labs, hospitals, and patients in Penang, Malaysia. She tells the stories of blood donors, their varied motivations, and the paperwork, payment, and other bureaucratic processes involved in blood donation, tracking the interpersonal relations between lab staff and revealing how their work with blood reflects the social, cultural, and political dynamics of modern Malaysia. Carsten follows hospital workers into factories and community halls on blood drives and brings readers into the operating theater as a machine circulates a bypass patient's blood. Throughout, she foregrounds blood's symbolic power, uncovering the processes that make the hospital, the blood bank, the lab, and science itself work. In this way, blood becomes a privileged lens for understanding the entanglements of modern life.

Today the vampire is a major cultural icon and can be found in breakfast foods, comics, television, computer games, films, and books from academic studies to best-selling novels. While readers may be familiar with such figures as Dracula and Lestat, few are aware of the range of the vampire legacy that stretches from the early nineteenth century through the end of the twentieth. The essays in this volume use a humanistic viewpoint to explore the evolution and significance of the vampire in literature. Contributors examine—besides Dracula—characters such as Lord Ruthven, Carmilla Karnstein, Stephen King’s Kurt Barlow, Chelsea Quinn Yarbro’s Saint-Germain, and Anne Rice’s recoded vampires. Other authors investigated include George R. R. Martin, Brian Stableford, Kim Newman, Colin Wilson, Poppy Z. Brite, and Tanith Lee.

The first collection of critical essays on May Swenson and her literary universe, Body My House initiates an academic conversation about an unquestionably major poet of the middle and late twentienth century. Includes many previously unpublished Swenson poems.

Essays here address the breadth of Swenson's literary corpus and offer varied scholarly approaches to it. They reference Swenson manuscripts---poems, letters, diaries, and other prose---some of which have not been widely available before. Chapters focus on Swenson's work as a nature writer; the literary and social contexts of her writing; her national and international acclaim; her work as a translator; associations with other poets and writers (Bishop, Moore, and others); her creative process; and her profound explorations of gender and sexuality. The first full volume of scholarship on May Swenson, Body My House suggests an ambitious agenda for further work.

While the U.S.-Mexico borderlands resemble border regions in other parts of the world, nowhere else do so many millions of people from two dissimilar nations live in such close proximity and interact with each other so intensely. Borderlanders are singular in their history, outlook, and behavior, and their lifestyle deviates from the norms of central Mexico and the interior United States; yet these Mexicans, Mexican-Americans, and Anglo-Americans also differ among themselves, and within each group may be found cross-border consumers, commuters, and people who are inclined or disinclined to embrace both cultures. Based on firsthand interviews with individuals from all walks of life, Border People presents case histories of transnational interaction and transculturation, and addresses the themes of cross-border migration, interdependence, labor, border management, ethnic confrontation, cultural fusion, and social activism. Here migrants and workers, functionaries and activists, and "mixers" who have crossed cultural boundaries recall events in their lives related to life on the border. Their stories show how their lives have been shaped by the borderlands milieu and how they have responded to the situations they have faced. Border People shows that these borderlanders live in a unique human environment shaped by physical distance from central areas and constant exposure to transnational processes. The oral histories contained here reveal, to a degree that no scholarly analysis can, that borderlanders are indeed people, each with his or her own individual perspective, hopes, and dreams.