1017 books match the query 'Reference' and 24 start with b
Shannon Jackson
Northwestern University Press, 2022
Peter Hitchcock
Duke University Press, 0
Contributors. Robert Barsky, Rachel Falconer, Maroussia Hadjukowski-Ahmed, Ken Hirschkop, Peter Hitchcock, Michael Holquist, Vitaly Makhlin, Nikolai Pan’kov, Brian Poole, David Shepherd, Galin Tihanov, Anthony Wall
Stephen Calt
University of Illinois Press, 2009
Rosemary Marshall Balsam and Alan Balsam
University of Chicago Press, 1984
Frank F. Furstenberg
University of Chicago Press, 2013
Chris Mackenzie Jones
University of Chicago Press, 2018

Edited by The Journal of Beijing Film Academy
Intellect Books, 2020
The annual Beijing Film Academy Yearbook continues to showcase the best academic debates, discussions, and research published in the prestigious Journal of Beijing Film Academy from the previous year. This volume brings together specially selected articles, covering the most up-to-date topics in Chinese cinema studies appearing for the first time in English, in order to bridge the gap in cross-cultural research in cinema and media studies, as well as to encourage new conversations.
This book is the latest offering in Intellect China Library series, which publishes work by Chinese scholars that have not previously been available to English-language academia. Covering the subjects of film studies, visual arts, performing arts, media, and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.

Edited by the Journal of Beijing Film Academy
Intellect Books, 2024
Cheryl Claassen
University of Alabama Press, 2015
A comprehensive and essential field reference, Beliefs and Rituals in Archaic Eastern North America reveals the spiritual landscape in the American Archaic period.
Beliefs and Rituals in Archaic Eastern North America describes, illustrates, and offers nondogmatic interpretations of rituals and beliefs in Archaic America. In compiling a wealth of detailed entries, author Cheryl Claassen has created both an exhaustive reference as well as an opening into new archaeological taxonomies, connections, and understandings of Native American culture.
The material is presented in an introductory essay about Archaic rituals followed by two sections of entries that incorporate reports and articles discussing archaeological sites; studies of relevant practices of ritual and belief; data related to geologic features, artifact attributes, and burial settings; ethnographies; and pilgrimages to specific sites. Claassen’s work focuses on the American Archaic period (marked by the end of the Ice Age approximately 11,000 years ago) and a geographic area bounded by the edge of the Great Plains, Newfoundland, and southern Florida. This period and region share specific beliefs and practices such as human sacrifice, dirt mound burial, and oyster shell middens.
This interpretive guide serves as a platform for new interpretations and theories on this period. For example, Claassen connects rituals to topographic features and posits the Pleistocene-Holocene transition as a major stimulus to Archaic beliefs. She also expands the interpretation of existing data previously understood in economic or environmental terms to include how this same data may also reveal spiritual and symbolic practices. Similarly, Claassen interprets Archaic culture in terms of human agency and social constraint, bringing ritual acts into focus as drivers of social transformation and ethnogenesis.
Richly annotated and cross-referenced for ease of use, Beliefs and Rituals in Archaic Eastern North America will benefit scholars and students of archaeology and Native American culture. Claassen’s overview of the archaeological record should encourage the development of original archaeological and historical connections and patterns. Such an approach, Claassen suggests, may reveal patterns of influence extending from early eastern Americans to the Aztec and Maya.

Benedict Giamo
University of Iowa Press, 1992
Homelessness is a haunting social problem that has, by all definitions, outgrown society's conventional solutions. Through their interviews with nine knowledgeable observers who range across the humanities, social and medical sciences, and human services, Giamo and Grunberg examines the nature and conditions of this ongoing crisis. No longer contained by traditional urban skid rows or state mental hospitals, homeless individuals now confront "normal" society face to face—and this "normal" society is at a loss for how to respond. The enormity of the problem has resulted in a stagnation of viable ideas, creating an industry with an endless litany of root cause and quick fix. But as these dialogues point out, there is no one root cause for the fact of homelessness. These timely, penetrating exhanges challenge established misconceptions of this problem.
Kenny Harsch and Betsy Gilliland
University of Michigan Press, 2025

Clarence Gohdes and Sanford Marovitz
Duke University Press, 1984
David E. Brown
University of Utah Press, 1994
Biotic Communities catalogs and defines by biome, or biotic community, the region centered on Arizona, New Mexico, Sonora, Chihuahua, and Baja California Norte, plus California, Nevada, Utah, Colorado, Texas, Coahuila, Sinaloa, and Baja California Sur. Originally published in 1982 by the Boyce Thompson Southwestern Arboretum, this ambitious book is still a "must-have" for those working in natural resources management and ecological research, as well as non-specialists who wish to know more about a particular locale.
Biotic Communities is arranged by climatic formation with a short chapter for each biome describing climate, physiognomy, distribution, dominant and common plant species, and characteristic vertebrates. Subsequent chapters contain careful descriptions of zonal subdivisions. The text is supplemented with over one hundred black and white photographs illustrating almost every community type.
Edited by Chris Dingwall, David Hartt, and Daniel Schulman
University of Chicago Press, 2026
Wheeler Winston Dixon
Rutgers University Press, 2015

Paul Wake
University of Michigan Press, 2027
Blood Bowl, Jervis Johnson’s game of fantasy football, has been captivating players worldwide for nearly forty years. But what makes this game—with its painted miniatures, intricate rules, and passionate global community—so enduring? In Blood Bowl: Fictions, Rules, Players, Paul Wake traces the game’s history from its origins to the present day, situating the game within the broader contexts of Games Workshop’s manufacturing and commercial history. Wake draws on interviews with the game’s designers, players, artists, and sculptors alongside archival materials to give a comprehensive account of the game’s rich satirical storytelling, the risk management and spatial puzzles at the heart of its rules, and the psychology that makes Blood Bowl one of the most compelling games ever designed.
Patricia Meyer Spacks
University of Chicago Press, 1994
Keith Aoki, James Boyle, and Jennifer Jenkins
Duke University Press, 2008
David A. Pharies
University of Chicago Press, 2015

Elinor G. Barber, Philip G. Altbach, and Robert G. Myers
University of Chicago Press, 1984
Thomas S. Hines
University of Chicago Press, 1979
John W. Cones
Southern Illinois University Press, 2010
The practical and legal aspects of writing a business plan for a film venture can be daunting to navigate without a firm grasp of know-how. With this in mind, John W. Cones's Business Plans for Filmmakers arms independent movie-makers and students with everything they need to successfully tackle the confusing intersection of law, business, and art when creating a business plan for a movie. This pragmatic volume offers plenty of examples and strategies for success, sharing straightforward insight into some of the toughest challenges independent filmmakers face when encountering these documents.
With simple yet thorough detail and clarity, Cones outlines the legal requirements affecting movie proposals, including ways to evaluate the necessity for a business plan or a securities disclosure document, as well as the legal definition of "an active investor." Also addressed are the numerous subjects filmmakers and students must consider before a film offering, including the efficacy of a business plan to fund the development, production, and distribution phases of a film; common elements of fraud of which fledgling filmmakers should beware; the intricacies of revenue sharing; and how to render financial projections. Cones also imparts useful distinctions between such industry terms as "company financing" versus "project financing," along with many others.
This bookalso includes in-depth guidance through the murky paths of investor analysis and key strategies to find and attract parties interested in financing film. Drawing upon his many years as a securities and entertainment attorney, and his experiences advising independent film producers, Cones offers the tools necessary not only to understand investors' motivations but also to use that knowledge to the filmmaker's advantage. Also provided are perceptive studies of the investment vehicles commonly used in business plans seeking investors, with analysis of each method's pros and cons. Throughout the volume, Cones uses sample plans to offer a real-world grasp of the intricacies of the business.
In the business of this art, knowledge is power. Business Plans for Filmmakers dispels the myths and misinformation circulating among filmmakers to provide accurate and useful advice.
The University of Chicago Press Editorial Staff
University of Chicago Press, 2016
Michael R. Jeffords, Susan L. Post, and James R. Wiker
University of Illinois Press, 2019