397 books match the query 'Rome' and 8 start with b

cover of Baetica Felix: People and Prosperity in Southern Spain from Caesar to Septimius Severus

Baetica Felix

People and Prosperity in Southern Spain from Caesar to Septimius Severus

By Evan W. Haley

University of Texas Press, 2003

Baetica, the present-day region of Andalusia in southern Spain, was the wealthiest province of the Roman Empire. Its society was dynamic and marked by upward social and economic mobility, as the imperial peace allowed the emergence of a substantial middle social and economic stratum. Indeed, so mutually beneficial was the imposition of Roman rule on the local population of Baetica that it demands a new understanding of the relationship between Imperial Rome and its provinces.

Baetica Felix builds a new model of Roman-provincial relations through a socio-economic history of the province from Julius Caesar to the end of the second century A.D. Describing and analyzing the impact of Roman rule on a core province, Evan Haley addresses two broad questions: what effect did Roman rule have on patterns of settlement and production in Baetica, and how did it contribute to wealth generation and social mobility? His findings conclusively demonstrate that meeting the multiple demands of the Roman state created a substantial freeborn and ex-slave "middle stratum" of the population that outnumbered both the super-rich elite and the destitute poor.

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cover of Bernini: Flights of Love, the Art of Devotion

Bernini

Flights of Love, the Art of Devotion

Giovanni Careri

University of Chicago Press, 1994

Nowhere is evidence of Bernini's unique abillity to unite architecture with sculpture and painting into a beautiful whole more compelling than in the Baroque chapel of Bernini's design: a dark world sealed below by a balustrade, covered by a luminous celestial dome, and populated by bodies of paint, marble, stucco, and flesh. This book explores three of these Baroque chapels to show how Bernini achieved his remarkable effects. Giovanni Careri examines the ways in which the artist integrated the disparate forms of architecture, painting, and sculpture into a coherent space for devotion, and then shows how this accomplishment was understood by religious practitioners.

In the Fonseca Chapel, the Albertoni Chapel, and the church of Sant' Andrea al Quirinale, all in Rome, Careri identifies three types of ensemble and links each to a particular spiritual journey. Using contemporary theories in anthropology, film, and reception aesthetics, he shows how Bernini's formal mechanisms established an emotional dynamic between the beholder and a specific arrangement of forms. As an inquiry into the ways art in a certain historical context transformed and was transformed by its audience, Bernini: Flights of Love, the Art of Devotion is also a penetrating investigation into the aesthetic principles of multimedia composition.
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cover of Bernini: His Life and His Rome

Bernini

His Life and His Rome

Franco Mormando

University of Chicago Press, 2011

A dazzling, accessible biography of one of the great geniuses of the Renaissance: sculptor, architect, and painter Bernini

Sculptor, architect, painter, playwright, and scenographer, Gian Lorenzo Bernini (1598–1680) was the last of the great universal artistic geniuses of early modern Italy, placed by both contemporaries and posterity in the same exalted company as Leonardo, Raphael, and Michelangelo. And his artistic vision remains palpably present today, through the countless statues, fountains, and buildings that transformed Rome into the Baroque theater that continues to enthrall tourists today.
 
It is perhaps not surprising that this artist who defined the Baroque should have a personal life that itself was, well, baroque. As Franco Mormando’s dazzling biography reveals, Bernini was a man driven by many passions, possessed of an explosive temper and a hearty sex drive, and he lived a life as dramatic as any of his creations. Drawing on archival sources, letters, diaries, and—with a suitable skepticism—a hagiographic account written by Bernini’s son (who portrays his father as a paragon of virtue and piety), Mormando leads us through Bernini’s many feuds and love affairs, scandals and sins. He sets Bernini’s raucous life against a vivid backdrop of Baroque Rome, bustling and wealthy, and peopled by churchmen and bureaucrats, popes and politicians, schemes and secrets.
 
The result is a seductively readable biography, stuffed with stories and teeming with life—as wild and unforgettable as Bernini’s art. No one who has been bewitched by the Baroque should miss it.
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cover of Between Sahara and Sea: Africa in the Roman Empire

Between Sahara and Sea

Africa in the Roman Empire

David J. Mattingly

University of Michigan Press, 2023

Winner of the 2024 Association of American Publishers PROSE Award for Classics

  • Winner of the 2025 Vinson Sutlive Book Prize and Lecture

Between Sahara and Sea: Africa in the Roman Empire challenges orthodox views of the story of Africa under Roman domination. It presents a new framework for understanding this and other territories incorporated in the Roman Empire. Based on decades of research in North Africa, David Mattingly’s book is a cleverly constructed and innovative account of the history and archaeology of ancient North Africa (roughly equivalent to Morocco, Algeria, Tunisia, and Libya) from the first century BCE to the third century CE. He charts a new path toward a bottom-up understanding of North African archaeology, exploring in turn the differing material cultures and experiences of the Roman communities of the military and the urban and rural areas. Regional and societal differences emerge as significant and of long duration in the fascinating story of one of the most important sectors of the Roman Empire. 

This important book is the most comprehensive in English on Roman North Africa. It is remarkably rich, with up-to-date references and a host of new ideas and perspectives. Well written and illustrated, with a plethora of maps, it will be required reading for anyone interested in the subject. Rather than emphasizing the role of external actors, as studies of “Roman Africa” have traditionally done, Between Sahara and Sea focuses on local contributions to the making of Africa in the Roman Empire. The author demonstrates that the multiple populations encountered by Rome were not an indistinct bloc, but had different identities and cultures.

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cover of Beyond the River, Under the Eye of Rome

Beyond the River, Under the Eye of Rome

Timothy C. Hart

University of Michigan Press, 2024

Beyond the River, Under the Eye of Rome presents the Danube frontier of the Roman empire as the central stage for many of the most important political and military events of Roman history, from Trajan’s invasion of Dacia and the Marcomannic Wars, to the humbling of the Roman state power at the hands of the Goths and Huns. Hart delves into the cultural and political impacts of Rome’s interactions with Transdanubian peoples, emphasizing the Sarmatians of the Hungarian Plain, whose long encounter with the Roman Empire, he argues, created a problematic template for later dealings with Goths and Huns based on misapplied ethnographic and ecological tropes. Beyond the River, Under the Eye of Rome explores how Roman stereotypical perceptions of specific Danubian peoples directly influenced some of the most politically significant events of Roman antiquity. 

Drawing on textual, inscriptional, and archaeological evidence, Hart illustrates how Roman ethnic and ecological stereotypes were employed in the Danubian borderland to support the imperial frontier edifice fundamentally at odds with the region’s natural topography. Distorted Roman perceptions of these Danubian neighbors resulted in disastrous mismanagement of border wars and migrant crises throughout the first five centuries CE. Beyond the River demonstrates how state-supported stereotypes, when coupled with Roman military and economic power, exerted strong influences on the social structures and evolving group identities of the peoples dwelling in the borderland.
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cover of Blood in the Arena: The Spectacle of Roman Power

Blood in the Arena

The Spectacle of Roman Power

By Alison Futrell

University of Texas Press, 1997

From the center of Imperial Rome to the farthest reaches of ancient Britain, Gaul, and Spain, amphitheaters marked the landscape of the Western Roman Empire. Built to bring Roman institutions and the spectacle of Roman power to conquered peoples, many still remain as witnesses to the extent and control of the empire.

In this book, Alison Futrell explores the arena as a key social and political institution for binding Rome and its provinces. She begins with the origins of the gladiatorial contest and shows how it came to play an important role in restructuring Roman authority in the later Republic. She then traces the spread of amphitheaters across the Western Empire as a means of transmitting and maintaining Roman culture and control in the provinces.

Futrell also examines the larger implications of the arena as a venue for the ritualized mass slaughter of human beings, showing how the gladiatorial contest took on both religious and political overtones. This wide-ranging study, which draws insights from archaeology and anthropology, as well as Classics, broadens our understanding of the gladiatorial contest and its place within the highly politicized cult practice of the Roman Empire.

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cover of Bombing Pompeii: World Heritage and Military Necessity

Bombing Pompeii

World Heritage and Military Necessity

Nigel Pollard

University of Michigan Press, 2020

Bombing Pompeii examines the circumstances under which over 160 Allied bombs hit the archaeological site of Pompeii in August and September 1943, and the wider significance of this event in the history of efforts to protect cultural heritage in conflict zones, a broader issue which is still of great importance. From detailed examinations of contemporary archival document, Nigel Pollard shows that the bomb damage to ancient Pompeii was accidental, and the bombs were aimed at road and rail routes close to the site in an urgent attempt to slow down the reinforcement and supply of German counter- attacks that threatened to defeat the Allied landings in the Gulf of Salerno. The book sets this event, along with other instances of damage and risk to cultural heritage in Italy in the Second World War, in the context of the development of the Allied Monuments, Fine Arts, and Archives – the “Monuments Men.”
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cover of Bringing Their Mother Home: Roman Multiculturalism and the Mother of the Gods

Bringing Their Mother Home

Roman Multiculturalism and the Mother of the Gods

Krishni Burns

University of Michigan Press, 2025

Bringing Their Mother Home examines the worship of the Greco-Phrygian goddess Cybele, known as the Magna Mater in Rome, to understand the ways that the mid- to late-Roman Republic constructed and performed a multicultural, multiethnic identity. The goddess, originally worshiped in ancient Turkey, was brought by the Romans to their city in 204 BCE and renamed the Magna Mater (the Great Mother). Previous scholarship contended that the Romans feared and hated the goddess and her followers because they were foreign and gender nonconforming, but author Krishni Burns argues that the Romans embraced the Magna Mater and her genderfluid followers as they created a space for multiculturalism at a time when Rome was expanding rapidly across the Mediterranean. By importing the cult and ritually performing the Magna Mater's blended Phrygian and Roman identity, the Roman state was able to ease the process of incorporating the eastern Mediterranean kingdoms into its hegemony. 

Drawing on historical, literary, and archaeological evidence, Bringing Their Mother Home reevaluates the semiotics and practices of the Magna Mater cult as a way to perform the multicultural Roman identity and explores the political and military climate of the Mediterranean leading up to the cult's adoption in 204 BCE.
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