Marvin D. Sterling
Duke University Press, 2010
Sterling provides a nuanced ethnographic analysis of the ways that many Japanese involved in reggae as musicians and dancers, and those deeply engaged with Rastafari as a spiritual practice, seek to reimagine their lives through Jamaican culture. He considers Japanese performances and representations of Jamaican culture in clubs, competitions, and festivals; on websites; and in song lyrics, music videos, reggae magazines, travel writing, and fiction. He illuminates issues of race, ethnicity, gender, sexuality, and class as he discusses topics ranging from the cultural capital that Japanese dancehall artists amass by immersing themselves in dancehall culture in Jamaica, New York, and England, to the use of Rastafari as a means of critiquing class difference, consumerism, and the colonial pasts of the West and Japan. Encompassing the reactions of Jamaica’s artists to Japanese appropriations of Jamaican culture, as well as the relative positions of Jamaica and Japan in the world economy, Babylon East is a rare ethnographic account of Afro-Asian cultural exchange and global discourses of blackness beyond the African diaspora.
Kevin K. Birth
Duke University Press, 2008
Birth draws on fieldwork he conducted in one of Trinidad’s ethnically diverse rural villages to explore the relationship between music and social and political consciousness on the island. He describes how Trinidadians use the affective power of music and the physiological experience of performance to express and work through issues related to identity, ethnicity, and politics. He looks at how the performers and audience members relate to different musical traditions. Turning explicitly to politics, Birth recounts how Trinidadians used music as a means of making sense of the attempted coup d’état in 1990 and the 1995 parliamentary election, which resulted in a tie between the two major political parties. Bacchanalian Sentiments is an innovative ethnographic analysis of the significance of music, and particular musical forms, in the everyday lives of rural Trinidadians.
Philip L. Gerber
University of Iowa Press, 1990
In July 1909 twenty-one-year-old Elizabeth Corey left her Iowa farm to stake her claim to a South Dakota homestead. Over the next ten years, as she continued her schoolteaching career and carved out a home for herself in this inhospitable territory, she sent a steady stream of letters to her family back in Iowa. From the edge of modern America, Bess wrote long, gossipy accounts—"our own continuing adventure story," according to her brother Paul—of frontier life on the high plains west of the Missouri River. Irrepressible, independent-minded, and evidently fearless, the self-styled Bachelor Bess gives us a firsthand, almost daily account of her homesteading adventures. We can all stake a claim in her energetic letters.
Charles Wayman Hogue
University of Arkansas Press, 2016
Wayman Hogue’s stories of growing up in the Ozarks, according to a 1932 review in the New York Times, “brilliantly illuminate mountain life to its very heart and in its most profound aspects.” A standout among the Ozarks literature that was popular during the Great Depression, this memoir of life in rural Arkansas in the decades following the Civil War has since been forgotten by all but a few students of Arkansas history and folklore.
Back Yonder is a special book. Hogue, like his contemporary Laura Ingalls Wilder, weaves a narrative of a family making its way in rugged, impoverished, and sometimes violent places. From one-room schoolhouses to moonshiners, the details in this story capture the essence of a particular time and place, even as the characters reflect a universal quality that will endear them to modern readers.
Historian Brooks Blevins’s new introduction explores the life of Charles Wayman Hogue, analyzes the people and events that inspired the book, and places the volume in the context of America’s discovery of the Ozarks in the years between the World Wars. The University of Arkansas Press is proud to reissue Back Yonder as the first book in the Chronicles of the Ozarks series, making this Arkansas classic available again, ready to be discovered and rediscovered by readers sure to find the book as interesting and entertaining as ever.
Jessica Martucci
University of Chicago Press, 2015
Freya Stark
Northwestern University Press, 1996
Fredrik Barth
University of Chicago Press, 1993
Maria Todorova
Central European University Press, 2006
Sarah Jane Nelson; Foreword by Robert Cochran
University of Illinois Press, 2023
Sarah Jane Nelson chronicles Hunter’s song collecting adventures alongside portraits of the singers and mentors he met along the way. The guitar-strumming Hunter picked up the recording habit to expand his repertoire but almost immediately embraced the role of song preservationist. Being a local allowed Hunter to merge his native Ozark earthiness with sharp observational skills to connect--often more than once--with his singers. Hunter’s own ability to be present added to that sense of connection. Despite his painstaking approach, ballad collecting was also a source of pleasure for Hunter. Ultimately, his dedication to capturing Ozarks song culture in its natural state brought Hunter into contact with people like Vance Randolph, Mary Parler, and non-academic folklorists who shared his values.

Amos Badertscher
Duke University Press, 1999
Barry Werth
University of Chicago Press, 2011
In Banquet at Delmonico’s, Barry Werth draws readers inside the circle of intellectuals, scientists, politicians, businessmen, and clergymen who brought Charles Darwin’s controversial ideas to post-Civil-War America. Each chapter is dedicated to a crucial intellectual encounter, culminating with an exclusive farewell dinner held in English philosopher Herbert Spencer’s honor at the venerable New York restaurant Delmonico’s in 1882. In this thought-provoking and nuanced account, Werth firmly situates social Darwinism in the context of the Gilded Age. Banquet at Delmonico’s is social history at its finest.
Lawrence Rosen
University of Chicago Press, 1984
Todd A. Surovell
University of Arizona Press, 2022
Edited by Raphael Kadushin
University of Wisconsin Press, 2005
Consuelo Samarripa
Parkhurst Brothers, Inc., 2014
"Made in Mexico, born in America," Barrio Princess shares heartwarming family stories, cultural tradition stories, learning English by total immersion, socialization as a minority, education, stories of her mother as a single parent, and women’s stories from a minority point of view.
Paul D'Amato
University of Chicago Press, 2006
Philip Garrison
University of Arizona Press, 2006
James P. Mandaville
University of Arizona Press, 2011
Vera Tiesler, Andrea Cucina, Travis W. Stanton, and David A. Freidel; Foreword by Traci Ardren
University of Arizona Press, 2017
Fredericka Martin
University of Alaska Press, 2010
From June of 1941 through the following summer, Fredericka Martin lived with her husband, Dr. Samuel Berenberg, on remote St. Paul Island in Alaska. During that time, Martin delved into the complex history of the Unangan people, and Before the Storm draws from her personal accounts of that year and her research to present a fascinating portrait of a time and a people facing radical change. A government-ordered evacuation of all Aleuts from the island in the face of World War II, which Martin recounts in her journal, proved but the first step in a long struggle by native peoples to gain independence, and, as editor Raymond L. Hudson explains, Martin came to play a significant role in the effort.
Unni Wikan
University of Chicago Press, 1991
Paul Gleye
Southern Illinois University Press, 1991
Standing in long lines in the shops, coaxing clean laundry from an outdated washing machine, traveling despite unpredictable train schedules, and being without hot water, fruit, and vegetables through the gray winter months failed to dull Paul Gleye’s perceptions during the year he lived in Weimar, East Germany. Day by day Gleye documented his varied observations and experiences, unaware that they would prove a unique record of what would soon be an extinct society.
Gleye was in East Germany as a Fulbright lecturer. Living beyond the capital city of East Berlin and traveling and conversing freely, Gleye gained access to people and places that had been almost completely closed to Americans and other Westerners for decades.
Anne Allison
Duke University Press, 2023
Thomas Spear
Ohio University Press, 1993
Everyone “knows” the Maasai as proud pastoralists who once dominated the Rift Valley from northern Kenya to central Tanzania.
But many people who identity themselves as Maasai, or who speak Maa, are not pastoralist at all, but farmers and hunters. Over time many different people have “become” something else. And what it means to be Maasai has changed radically over the past several centuries and is still changing today.
This collection by historians, archaeologists, anthropologists and linguists examines how Maasai identity has been created, evoked, contested, and transformed from the time of their earliest settlement in Kenya to the present, as well as raising questions about the nature of ethnicity generally.
Soren C. Larsen
University of Minnesota Press, 2017
Being Together in Place explores the landscapes that convene Native and non-Native people into sustained and difficult negotiations over their radically different interests and concerns. Grounded in three sites—the Cheslatta-Carrier traditional territory in British Columbia; the Wakarusa Wetlands in northeastern Kansas; and the Waitangi Treaty Grounds in Aotearoa/New Zealand—this book highlights the challenging, tentative, and provisional work of coexistence around such contested spaces as wetlands, treaty grounds, fishing spots, recreation areas, cemeteries, heritage trails, and traditional village sites. At these sites, activists learn how to articulate and defend their intrinsic and life-supportive ways of being, particularly to those who are intent on damaging or destroying these places.
Using ethnographic research and a geographic perspective, Soren C. Larsen and Jay T. Johnson show how the communities in these regions challenge the power relations that structure the ongoing (post)colonial encounter in liberal democratic settler-states. Emerging from their conversations with activists was a distinctive sense that the places for which they cared had agency, a “call” that pulled them into dialogue, relationships, and action with human and nonhuman others. This being-together-in-place, they find, speaks in a powerful way to the vitalities of coexistence: where humans and nonhumans are working to decolonize their relationships; where reciprocal guardianship is being stitched back together in new and unanticipated ways; and where a new kind of “place thinking” is emerging on the borders of colonial power.
Bernard A. Cook
Michigan State University Press, 2007
At the beginning of the twenty-first century, Michigan was home to the second-largest Belgian population in the United States, and Detroit had one of the largest Belgian populations in the nation. Although immigration declined after World War I, the Belgian- American community is still prominent in the state. Political, religious, and economic conditions, including a nineteenth- century economic depression, helped motivate the move to America. Belgians brought with them the ability and willingness to innovate, as well as a tradition of hard work and devotion. The Gazette van Detroit, a Flemish-language newspaper first printed in Detroit in 1914, continues to be produced and distributed to subscribers throughout the United States and overseas. Belgian-Americans continue to incorporate traditional values with newfound American values, enabling them to forever preserve their heritage.
Richard V. Francaviglia
University of Nevada Press, 2016
The austere landscape of the Great Basin has inspired diverse responses from the people who have moved through or settled in it. Author Richard V. Francaviglia is interested in the connection between environment and spirituality in the Great Basin, for here, he says, "faith and landscape conspire to resurrect old myths and create new ones." As a geographer, Francaviglia knows that place means more than physical space. Human perceptions and interpretations are what give place its meaning. In Believing in Place, he examines the varying human perceptions of and relationships with the Great Basin landscape, from the region's Native American groups to contemporary tourists and politicians, to determine the spiritual issues that have shaped our connections with this place. In doing so, he considers the creation and flood myths of several cultures, the impact of the Judeo-Christian tradition and individualism, Native American animism and shamanist traditions, the Mormon landscape, the spiritual dimensions of gambling, the religious foundations of Cold War ideology, stories of UFOs and alien presence, and the convergence of science and spirituality.
Believing in Place is a profound and totally engaging reflection on the ways that human needs and spiritual traditions can shape our perceptions of the land. That the Great Basin has inspired such a complex variety of responses is partly due to its enigmatic vastness and isolation, partly to the remarkable range of peoples who have found themselves in the region. Using not only the materials of traditional geography but folklore, anthropology, Native American and Euro-American religion, contemporary politics, and New Age philosophies, Francaviglia has produced a fascinating and timely investigation of the role of human conceptions of place in that space we call the Great Basin.
Collected and Edited by Patricia Preciado Martin, with Photographs by José Galvez
University of Arizona Press, 2004
Edited by James Thomas and D. Seth Horton
University of Texas Press, 2009
Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and Seth Horton are now reviving the series in Best of the West 2009.
Thomas and Horton combed some 250 literary journals and magazines to gather these eighteen stories published since the fall of 2007. They come from both emerging and established writers, including Lee K. Abbott, Louise Erdrich, Dagoberto Gilb, Antonya Nelson, Joyce Carol Oates, and Annie Proulx. Like Bass, the editors believe "the Western short story" inhabits a wide territory; the subjects in this collection range from illegal immigrants tending illegal crops in California's national forests, to mismatched Mormon missionaries on the conversion trail in Nevada, to a Native American college student exploring her sexuality, to Papa Hemingway's meditations as he loads the shotgun in his Idaho cabin. As these stories make clear, the West continues to shape our literary landscape. Thomas and Horton have preserved the best of that work in this vital anthology.
Edited by James Thomas and D. Seth Horton
University of Texas Press, 2010
Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and D. Seth Horton revived the series in 2009.
Best of the West 2010 brings together established and emerging writers who reinterpret this most vital of literary regions and create, as Kent Meyers puts it in his foreword, "gift[s] the nation needs right now." Editors Horton and Thomas have chosen nineteen stories by writers including Sherman Alexie, Rick Bass, Ron Carlson, Julia Glass, William Kittredge, Kent Nelson, and Deb Olin Unferth. Their subjects vary from a Greek community in Wyoming dealing with a suicide, to a re-creation of Christ's crucifixion in New Mexico, to an unlikely friendship that peaks at a burial ground in Alaska. Best of the West 2010 is the latest indication that the West has become one of the most crucial settings for contemporary American fiction.
Contributors:
Edited by James Thomas and D. Seth Horton
University of Texas Press, 2011
Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and D. Seth Horton revived the series in 2009.
Best of the West 2011: New Stories from the Wide Side of the Missouri is the latest volume in what has become one of the nation's most important anthologies. Editors Horton and Thomas have chosen twenty stories by writers including Rick Bass, T. C. Boyle, Ron Carlson, Philipp Meyer, Dagoberto Gilb, Yiyun Li, Antonya Nelson, and Sam Shepard. Subjects vary from an Idaho family that breeds lions and tigers with disastrous results, to a Mormon veteran whose mind is taken over by a nineteenth-century consciousness, to a Texas boy who spends an afternoon with Bonnie and Clyde shortly before their deaths. Taken together, these stories suggest that the West has become one of the most exciting and diverse literary regions in the twenty-first century.
Gillian Gillison
University of Chicago Press, 1993
James Howard Smith
University of Chicago Press, 2008
Andrew Talle
University of Illinois Press, 2018
Eschewing the great composer style of music history, Andrew Talle takes us on a journey that looks at how ordinary people made music in Bach's Germany. Talle focuses in particular on the culture of keyboard playing as lived in public and private. As he ranges through a wealth of documents, instruments, diaries, account ledgers, and works of art, Talle brings a fascinating cast of characters to life. These individuals--amateur and professional performers, patrons, instrument builders, and listeners--inhabited a lost world, and Talle's deft expertise teases out the diverse roles music played in their lives and in their relationships with one another. At the same time, his nuanced re-creation of keyboard playing's social milieu illuminates the era's reception of Bach's immortal works.
Carol Lynn McKibben
University of Illinois Press, 2005
Ravina Aggarwal
Duke University Press, 2004
Aggarwal brings the insights of performance studies and the growing field of the anthropology of international borders to bear on her extensive fieldwork in Ladakh. She examines how social and religious boundaries are created on the Ladakhi frontier, how they are influenced by directives of the nation-state, and how they are shaped into political struggles for regional control that are legitimized through discourses of religious purity, patriotism, and development. She demonstrates in lively detail the ways that these struggles are enacted in particular cultural performances such as national holidays, festivals, rites of passage ceremonies, films, and archery games. By placing cultural performances and political movements in Ladakh center stage, Aggarwal rewrites the standard plot of nation and border along the Line of Control.
Muhammad Haji Salleh
Ohio University Press, 1994
A collections of 70 poems from one of Malaya’s leading poets, that depict longing, loneliness, modernization, and insights in Malaysian culture.
Lynette Ford
Parkhurst Brothers, Inc., 2014
Brian D. Bunk
University of Illinois Press, 2025
Played by both migrants and native-born Americans, soccer created communities across the United States. Brian D. Bunk ranges from Pawtucket to Honolulu as he illuminates the deep and diverse origins of the American sport.
Soccer took root as immigration, urbanization, and industrialization triggered immense changes across society. Matches built local pride as teams battled rival neighborhoods and towns. Teammates and supporters shared meals, raised money for fallen players, and attended each other’s weddings and funerals. If sometimes damaged by economic depression or shattered by war, clubs often bounced back to provide a steadying, resilient force in their towns. Bunk follows the story from the 1880s through World War I by profiling the struggles and joys of players while also tracing the overlooked impact of people of African, Chinese, Hawaiian, Jewish, and Filipino descent on American soccer culture.
Engaging and rich in detail, Beyond the Field draws on extensive original research to expand our idea of the people and places that formed the American game.
Campbell Loughmiller
University of North Texas Press, 1977
By Thad Sitton and C.E. Hunt
University of Texas Press, 2008
Living off the land—hunting, fishing, and farming, along with a range of specialized crafts that provided barter or cash income—was a way of life that persisted well into the twentieth century in the Big Thicket of southeast Texas. Before this way of life ended with World War II, professional photographer Larry Jene Fisher spent a decade between the 1930s and 1940s photographing Big Thicket people living and working in the old ways. His photographs, the only known collection on this subject, constitute an irreplaceable record of lifeways that first took root in the southeastern woodlands of the colonial United States and eventually spread all across the Southern frontier.
Big Thicket People presents Fisher's photographs in suites that document a wide slice of Big Thicket life-people, dogs, camps, deer hunts, farming, syrup mills, rooter hogs and stock raising, railroad tie making, barrel stave making, chimney building, peckerwood sawmills, logging, turpentining, town life, church services and picnics, funerals and golden weddings, and dances and other amusements. Accompanying each suite of images is a cultural essay by Thad Sitton, who also introduces the book with a historical overview of life in the Big Thicket. C. E. Hunt provides an informative biography of Larry Jene Fisher.
Tiana Bighorse; Edited by Noël Bennett
University of Arizona Press, 1994
Nina Mukerjee Furstenau
University of Iowa Press, 2013
Stuart Pearson
National University of Singapore Press, 2013
Stuart Pearson
Ohio University Press, 2008
Ellen Koskoff
University of Illinois Press, 2025
Koskoff examines the history, cultural significance, and musical structures of contemporary gamelan angklung cremation music through the lens of three intertwined stories: existing scholarship on this music, written mostly by Western composers and scholars; the views of those performing and experiencing the music who regard it as dharma--ritual obligation, a basic concept in Balinese Hinduism; and the music itself, with a musical analysis focusing on changes in rasa--feeling, flavor and musical flow.
A journey inside a tradition, Bittersweet Sounds of Passage reveals the overlooked music of an important ritual in Balinese village life.
Lorraine Elena Roses
University of Massachusetts Press, 2017
In the 1920s and 1930s Boston became a rich and distinctive site of African American artistic production, unfolding at the same time as the Harlem Renaissance and encompassing literature, theater, music, and visual art. Owing to the ephemeral nature of much of this work, many of the era's primary sources have been lost.
In this book, Lorraine Elena Roses employs archival sources and personal interviews to recover this artistic output, examining the work of celebrated figures such as Dorothy West, Helene Johnson, Meta Warrick Fuller, and Allan Rohan Crite, as well as lesser-known artists including Eugene Gordon, Ralf Coleman, Gertrude “Toki” Schalk, and Alvira Hazzard. Black Bostonians and the Politics of Culture, 1920–1940 demonstrates how this creative community militated against the color line not solely through powerful acts of civil disobedience but also by way of a strong repertoire of artistic projects.
William L. Van Deburg
University of Chicago Press, 1997
Lewis Walker
Michigan State University Press, 2002
Theodore J. Karamanski
Michigan State University Press, 2012
For much of U.S. history, the story of native people has been written by historians and anthropologists relying on the often biased accounts of European-American observers. Though we have become well acquainted with war chiefs like Pontiac and Crazy Horse, it has been at the expense of better knowing civic-minded intellectuals like Andrew J. Blackbird, who sought in 1887 to give a voice to his people through his landmark book History of the Ottawa and Chippewa People. Blackbird chronicled the numerous ways in which these Great Lakes people fought to retain their land and culture, first with military resistance and later by claiming the tools of citizenship. This stirring account reflects on the lived experience of the Odawa people and the work of one of their greatest advocates.