1861 books match the query 'Social life and customs' and 71 start with b

cover of Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan

Babylon East

Performing Dancehall, Roots Reggae, and Rastafari in Japan

Marvin D. Sterling

Duke University Press, 2010

An important center of dancehall reggae performance, sound clashes are contests between rival sound systems: groups of emcees, tune selectors, and sound engineers. In World Clash 1999, held in Brooklyn, Mighty Crown, a Japanese sound system and the only non-Jamaican competitor, stunned the international dancehall community by winning the event. In 2002, the Japanese dancer Junko Kudo became the first non-Jamaican to win Jamaica’s National Dancehall Queen Contest. High-profile victories such as these affirmed and invigorated Japan’s enthusiasm for dancehall reggae. In Babylon East, the anthropologist Marvin D. Sterling traces the history of the Japanese embrace of dancehall reggae and other elements of Jamaican culture, including Rastafari, roots reggae, and dub music.

Sterling provides a nuanced ethnographic analysis of the ways that many Japanese involved in reggae as musicians and dancers, and those deeply engaged with Rastafari as a spiritual practice, seek to reimagine their lives through Jamaican culture. He considers Japanese performances and representations of Jamaican culture in clubs, competitions, and festivals; on websites; and in song lyrics, music videos, reggae magazines, travel writing, and fiction. He illuminates issues of race, ethnicity, gender, sexuality, and class as he discusses topics ranging from the cultural capital that Japanese dancehall artists amass by immersing themselves in dancehall culture in Jamaica, New York, and England, to the use of Rastafari as a means of critiquing class difference, consumerism, and the colonial pasts of the West and Japan. Encompassing the reactions of Jamaica’s artists to Japanese appropriations of Jamaican culture, as well as the relative positions of Jamaica and Japan in the world economy, Babylon East is a rare ethnographic account of Afro-Asian cultural exchange and global discourses of blackness beyond the African diaspora.

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cover of Bacchanalian Sentiments: Musical Experiences and Political Counterpoints in Trinidad

Bacchanalian Sentiments

Musical Experiences and Political Counterpoints in Trinidad

Kevin K. Birth

Duke University Press, 2008

Trinidad is known for its vibrant musical traditions, which reflect the island’s ethnic diversity. The annual Carnival, far and away the biggest event in Trinidad, is filled with soca and calypso music. Soca is a dance music derived from calypso, a music with African antecedents. In parang, a Venezuelan and Spanish derived folk music that dominates Trinidadian Christmas festivities, groups of singers and musicians progress from house to house, performing for their neighbors. Chutney is also an Indo-Caribbean music. In Bacchanalian Sentiments, Kevin K. Birth argues that these and other Trinidadian musical genres and traditions not only provide a soundtrack to daily life on the southern Caribbean island; they are central to the ways that Trinidadians experience and navigate their social lives and interpret political events.

Birth draws on fieldwork he conducted in one of Trinidad’s ethnically diverse rural villages to explore the relationship between music and social and political consciousness on the island. He describes how Trinidadians use the affective power of music and the physiological experience of performance to express and work through issues related to identity, ethnicity, and politics. He looks at how the performers and audience members relate to different musical traditions. Turning explicitly to politics, Birth recounts how Trinidadians used music as a means of making sense of the attempted coup d’état in 1990 and the 1995 parliamentary election, which resulted in a tie between the two major political parties. Bacchanalian Sentiments is an innovative ethnographic analysis of the significance of music, and particular musical forms, in the everyday lives of rural Trinidadians.

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cover of Bachelor Bess: The Homesteading Letters of Elizabeth Corey, 1909-1919

Bachelor Bess

The Homesteading Letters of Elizabeth Corey, 1909-1919

Philip L. Gerber

University of Iowa Press, 1990

In July 1909 twenty-one-year-old Elizabeth Corey left her Iowa farm to stake her claim to a South Dakota homestead. Over the next ten years, as she continued her schoolteaching career and carved out a home for herself in this inhospitable territory, she sent a steady stream of letters to her family back in Iowa. From the edge of modern America, Bess wrote long, gossipy accounts—"our own continuing adventure story," according to her brother Paul—of frontier life on the high plains west of the Missouri River. Irrepressible, independent-minded, and evidently fearless, the self-styled Bachelor Bess gives us a firsthand, almost daily account of her homesteading adventures. We can all stake a claim in her energetic letters.

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cover of Back to the Breast: Natural Motherhood and Breastfeeding in America

Back to the Breast

Natural Motherhood and Breastfeeding in America

Jessica Martucci

University of Chicago Press, 2015

After decades of decline during the twentieth century, breastfeeding rates began to rise again in the 1970s, a rebound that has continued to the present. While it would be easy to see this reemergence as simply part of the naturalism movement of the ’70s, Jessica Martucci reveals here that the true story is more complicated. Despite the widespread acceptance and even advocacy of formula feeding by many in the medical establishment throughout the 1940s, ’50s, and ’60s, a small but vocal minority of mothers, drawing upon emerging scientific and cultural ideas about maternal instinct, infant development, and connections between the body and mind, pushed back against both hospital policies and cultural norms by breastfeeding their children. As Martucci shows, their choices helped ideologically root a “back to the breast” movement within segments of the middle-class, college-educated population as early as the 1950s.
           
That movement—in which the personal and political were inextricably linked—effectively challenged midcentury norms of sexuality, gender, and consumption, and articulated early environmental concerns about chemical and nuclear contamination of foods, bodies, and breast milk. In its groundbreaking chronicle of the breastfeeding movement, Back to the Breast provides a welcome and vital account of what it has meant, and what it means today, to breastfeed in modern America.
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cover of Baghdad Sketches

Baghdad Sketches

Freya Stark

Northwestern University Press, 1996

In the fall of 1928, thirty-five year-old Freya Stark set out on her first journey to the Middle East. She spent most of the next four years in Iraq and Persia, visiting ancient and medieval sites, and traveling alone through some of the wilder corners of the region.
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cover of Balinese Worlds

Balinese Worlds

Fredrik Barth

University of Chicago Press, 1993

In Balinese Worlds, Fredrik Barth proposes a new model for anthropological analysis of complex civilizations that is based on a fresh, synthetic account of culture and society in North Bali and one that takes full notice of individual creativity in shaping the contours of this dynamic culture.

In this detailed ethnography of the Northern district of Buleleng, Barth rejects mainstream anthropological generalizations of Bali as a cultural system of carefully articulated parts. Instead—drawing on many sources, including the sociology of knowledge, interactional analysis, postmodern thought, and his own exceptionally varied field experience—Barth presents a new model that actually generates variation. Barth's innovative analysis of Balinese life highlights both the constructive and the disorganizing effects of individual action, the constant flux of interpretation, and the powerful interaction of memory and social relationships, and knowledge as a cultural resource.

Balinese Worlds is a unique contribution not only to Balinese studies but also to the theory and methods of the anthropology of complex societies.

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cover of Balkan Family Structure and the European Pattern: Demographic Developments in Ottoman Bulgaria

Balkan Family Structure and the European Pattern

Demographic Developments in Ottoman Bulgaria

Maria Todorova

Central European University Press, 2006

This study, which is an updated, extended, and revised version of the out-of-print 1993 edition, reassesses the traditional stereotype of the place of the Balkans in the model of the European family in the nineteenth century on the basis of new source material and by synthesizing existing research. The work first analyzes family structure and demographic variables as they appear in population registers and other sources, and the impact of these findings on theoretical syntheses of the European family pattern. On most features, such as population structure, marriage and nuptiality, birth and fertility, death and mortality rates, family and household size and structure, as well as inheritance patterns, the Balkans show an enormous deal of internal variety. This variability is put in a comparative European context by matching the quantifiable results with comparable figures and patterns in other parts of Europe. The second section of the book is a contribution to the long-standing debate over the zadruga, the complex, collective, joint or extended family in the Balkans. Finally, the book considers ideology and mythology and the ways it has adversely affected scholarship on the family, and broadly on population history.
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cover of Ballad Hunting with Max Hunter: Stories of an Ozark Folksong Collector

Ballad Hunting with Max Hunter

Stories of an Ozark Folksong Collector

Sarah Jane Nelson; Foreword by Robert Cochran

University of Illinois Press, 2023

A traveling salesman with little formal education, Max Hunter gravitated to song catching and ballad hunting while on business trips in the Ozarks. Hunter recorded nearly 1600 traditional songs by more than 200 singers from the mid-1950s through the mid-1970s, all the while focused on preserving the music in its unaltered form.

Sarah Jane Nelson chronicles Hunter’s song collecting adventures alongside portraits of the singers and mentors he met along the way. The guitar-strumming Hunter picked up the recording habit to expand his repertoire but almost immediately embraced the role of song preservationist. Being a local allowed Hunter to merge his native Ozark earthiness with sharp observational skills to connect--often more than once--with his singers. Hunter’s own ability to be present added to that sense of connection. Despite his painstaking approach, ballad collecting was also a source of pleasure for Hunter. Ultimately, his dedication to capturing Ozarks song culture in its natural state brought Hunter into contact with people like Vance Randolph, Mary Parler, and non-academic folklorists who shared his values.

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cover of Baltimore Portraits

Baltimore Portraits

Amos Badertscher

Duke University Press, 1999

Baltimore Portraits is a unique presentation of photographs by Amos Badertscher. These portraits—many accompanied by poignantly revealing, hand-written narratives about their subjects—represent a sector of Baltimore that has gone largely unnoticed and rarely has been documented. In this volume, the assemblage of images of bar and street people—transvestites, strippers, drug addicts, drag queens, and hustlers—spans a twenty-year period from the mid-1970s to the mid-1990s. Badertscher’s arresting and melancholy photographs document a culture that has virtually disappeared due to substance abuse, AIDS, and, often, societal or family neglect.

The photographer’s focus on content rather than on elaborate technique reveals the intensely personal—and, indeed, autobiographical—nature of his portraits. Their simplicity along with the text’s intimacy affects the viewer in ways not easily forgotten. An introduction by Tyler Curtain contextualizes the photographs both within the history of Baltimore and its queer subculture and in relationship to contemporaneous work by photographers Nan Goldin, Robert Mapplethorpe, Cindy Sherman, Duane Michaels, and others. Curtain also positions the underlying concerns of Bardertscher’s art in relation to gay and lesbian cultural politics.

This striking collection of portraits, along with the photographer’s moving text, will impact not only a general audience of photographers and enthusiasts of the art but also those engaged with gay and lesbian studies, queer theory, and cultural studies in general. It is published in association with the Duke University Museum of Art.
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cover of Banquet at Delmonico's: The Gilded Age and the Triumph of Evolution in America

Banquet at Delmonico's

The Gilded Age and the Triumph of Evolution in America

Barry Werth

University of Chicago Press, 2011

In Banquet at Delmonico’s, Barry Werth draws readers inside the circle of intellectuals, scientists, politicians, businessmen, and clergymen who brought Charles Darwin’s controversial ideas to post-Civil-War America. Each chapter is dedicated to a crucial intellectual encounter, culminating with an exclusive farewell dinner held in English philosopher Herbert Spencer’s honor at the venerable New York restaurant Delmonico’s in 1882. In this thought-provoking and nuanced account, Werth firmly situates social Darwinism in the context of the Gilded Age. Banquet at Delmonico’s is social history at its finest.

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cover of Bargaining for Reality: The Construction of Social Relations in a Muslim Community

Bargaining for Reality

The Construction of Social Relations in a Muslim Community

Lawrence Rosen

University of Chicago Press, 1984

Much modern anthropology has assumed that an adequate description of any society consists of rules that inform its members' relationships and the logic that unites their cultural symbols. In this book Lawrence Rosen argues that, for the people who live in and around the Moroccan city of Sefrou, attachment to others and the terms by which they are conceived are, at their most fundamental level, subject to a constant process of negotiation.

Drawing on the philosophy of speech acts as well as interpretive theory, Rosen shows how, for the people of this Muslim community, reality consists of the network of obligations formed by individuals out of a repertoire of relational possibilities whose defining terms are comprised by a set of essentially negotiable concepts. He thus demonstrates that the bonds of family, tribe, and political alliance take shape only as the bargains struck in and through the malleable terms that describe them take shape; that statements about relationship are no more true than a price mentioned in the marketplace until properly validated; that the relations between men and women, Arabs and Berbers, Muslims and Jews test the limits of interpersonal negotiation; and that the concepts of time, character, and narrative style are consonant with a view of reality as bargained-for network of obligations.

Bargaining for Reality makes an important contribution to our understanding of contemporary Middle Eastern society and to the development of powerful new interpretive strategies for a wide range of social theorists.

"[Rosen's] book is extremely useful for African and Middle Eastern historians, because he challenges some of our most basic ideas about the nature and force of kinship, tribe, ethnicity, and other large- and small-scale political ties."—Allan R. Meyers, International Journal of African Historical Studies

"The book conveys a compelling image of Moroccan social experience and is peppered with vivid anecdotes and case histories."—Stephen William Foster, American Anthropologist
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cover of Barger Gulch: A Folsom Campsite in the Rocky Mountains

Barger Gulch

A Folsom Campsite in the Rocky Mountains

Todd A. Surovell

University of Arizona Press, 2022

At the end of the last Ice Age in a valley bottom in the Rocky Mountains, a group of bison hunters overwintered. Through the analysis of more than 75,000 pieces of chipped stone, archaeologist Todd A. Surovell is able to provide one of the most detailed looks yet at the lifeways of hunter-gatherers from 12,800 years ago.

The best archaeological sites are those that present problems and inspire research, writes Surovell. From the start, the Folsom site called Barger Gulch Locality B was one of those sites; it was a problem-rich environment. Many Folsom sites are sparse scatters of stone and bone, a reflection of a mobile lifestyle that leaves little archaeological materials. The people at Barger Gulch left behind tens of thousands of pieces of chipped stone; they appeared to have spent quite a bit of time there in comparison to other places they inhabited.

Summarizing findings from nine seasons of excavations, Surovell explains that the site represents a congregation of mobile hunter-gatherers who spent winter along Barger Gulch, a tributary of the Colorado River. Surovell uses spatial patterns in chipped stone to infer the locations of hearths and house features. He examines the organization of household interiors and discusses differential use of interior and exterior spaces. Data allow inference about the people who lived at the site, including aspects of the identity of flintknappers and household versus group mobility. The site shows evidence of a Paleoindian camp circle, child flintknapping, household production of weaponry, and the fission/fusion dynamics of group composition that is typical of nomadic peoples.

Barger Gulch provides key findings on Paleoindian technological variation and spatial and social organization.
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cover of Barnstorm: Contemporary Wisconsin Fiction

Barnstorm

Contemporary Wisconsin Fiction

Edited by Raphael Kadushin

University of Wisconsin Press, 2005

Though the best American writers live everywhere now, a popular fiction persists: our strongest literary voices are strictly bi-coastal ones. Barnstorm sets out to disprove that cliché and to undermine another one as well: the sense of regional fiction as something quaint, slightly regressive, and full of local color. The stories in this collection capture our global reality with a ruthless, unaffected voice. Lorrie Moore's "The Jewish Hunter" is a dark romance that's by turns cynical and guileless. Mack Friedman catches the smoking feel of first love in his "Setting the Lawn on Fire," and Jesse Lee Kercheval's "Brazil" is a raucous, ultimately mournful road trip. For Jane Hamilton, Wisconsin is a gorgeous but bittersweet homecoming, and for Kelly Cherry, in her achingly elegiac "As It Is in Heaven," it's the hopeful new world, juxtaposed with a bleak, tweedy England. Dwight Allen's "The Green Suit" evokes the young man edging toward adulthood, in a New York that's as flamboyant as an opera, and Tenaya Darlington, in her "A Patch of Skin," constructs a pure horror story, because the horror of loneliness is something we all know. Together Barnstorm's eclectic voices suggest that every coast now, even the Great Lakes' shores, are at the very center of our best, and truest, national literature.

Not for sale in the United Kingdom.
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cover of Barrio Princess: Growing Up in Texas

Barrio Princess

Growing Up in Texas

Consuelo Samarripa

Parkhurst Brothers, Inc., 2014

"Made in Mexico, born in America," Barrio Princess shares heartwarming family stories, cultural tradition stories, learning English by total immersion, socialization as a minority, education, stories of her mother as a single parent, and women’s stories from a minority point of view.

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cover of Barrio: Photographs from Chicago's Pilsen and Little Village

Barrio

Photographs from Chicago's Pilsen and Little Village

Paul D'Amato

University of Chicago Press, 2006

In 1988 photographer Paul D’Amato was driving around Chicago with his camera when he decided to follow Halsted Street into Pilsen, the city’s largest Mexican neighborhood. Intrigued by the barrio and neighboring Little Village, he began to take photographs and would continue to do so off and on for the next fourteen years. D’Amato started with the public life of the neighborhood: women and children in the streets, open fire hydrants, and graffiti. But later—after he got to know the area’s Mexican residents better—he was allowed to take more intimate photos of people at work, families at weddings and parties, and even gang members.

Barrio collects ninety of these striking color images along with D’Amato’s fascinating account of his time photographing Mexican Chicago and his acceptance—often grudging, after threatened violence—into the heart of the city’s Mexican community. Some of the photos here are beautifully composed and startling—visual narratives that are surreal and dreamlike, haunting and mythic. Others, like those D’Amato took while shadowing graffiti artists in the subway, are far more immediate and improvisational. With a foreword by author Stuart Dybek that places D’Amato’s work in the context of the Pilsen and Little Village that Dybek has elsewhere captured so memorably, this book offers a penetrating, evocative, and overall streetwise portrait of two iconic and enduring Hispanic neighborhoods.
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cover of Because I Don't Have Wings: Stories of Mexican Immigrant Life

Because I Don't Have Wings

Stories of Mexican Immigrant Life

Philip Garrison

University of Arizona Press, 2006

For Mexican workers, the agricultural valleys of the inland Northwest are a long way from home. But there they have established communities, settlements recent enough that it feels like these newly arrived immigrant mexicanos are pioneers, still getting used to the Anglos and to each other. This book looks at the inner lives of Mexican immigrants in a northwestern U.S. boomtown, a loose collection of families from Michoacán and surrounding states living a mere 150 miles from Canada. They are more isolated than most mexicano communities closer to home, and they endure severe winters that make life more difficult still. Neighborhoods form, dissolve, and re-form. Family members who leave may stay in touch, but friends very often simply vanish, leaving only their nicknames behind. Without a market or a plaza, residents meet at weddings, christenings, and funerals—or at the food bank.

Philip Garrison has spent most of his life in this region and shares in vivid prose tales of immigrant life, both contemporary and historical, revealing the dual lives of first-generation Mexican immigrants who move smoothly between the Yakima Valley and their homes in Mexico. And with a scholar’s eye he examines figures of speech that reflect mexicano feelings about immigrant life, offering glimpses of adaptation through offhand remarks, family spats, and town gossip.

Written with irony but bursting with compassion, Because I Don’t Have Wings features vivid characters, telling anecdotes, and poignant reflections on life, unfolding an immigrant’s world strikingly different from the one we usually read about. Adaptation, persistence, and survival, we learn, are traits that mexicano culture values. We also learn that, over time, mexicano immigrants don’t merely adapt to the culture of el norte, they transform it.
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cover of Bedouin Ethnobotany: Plant Concepts and Uses in a Desert Pastoral World

Bedouin Ethnobotany

Plant Concepts and Uses in a Desert Pastoral World

James P. Mandaville

University of Arizona Press, 2011

A Bedouin asking a fellow tribesman about grazing conditions in other parts of the country says first simply, “Fih hayah?” or “Is there life?” A desert Arab’s knowledge of the sparse vegetation is tied directly to his life and livelihood.

Bedouin Ethnobotany offers the first detailed study of plant uses among the Najdi Arabic–speaking tribal peoples of eastern Saudi Arabia. It also makes a major contribution to the larger project of ethnobotany by describing aspects of a nomadic peoples’ conceptual relationships with the plants of their homeland.

The modern theoretical basis for studies of the folk classification and nomenclature of plants was developed from accounts of peoples who were small-scale agriculturists and, to a lesser extent, hunter-gatherers. This book fills a major gap by extending such study into the world of the nomadic pastoralist and exploring the extent to which these patterns are valid for another major subsistence type. James P. Mandaville, an Arabic speaker who lived in Saudi Arabia for many years, focuses first on the role of plants in Bedouin life, explaining their uses for livestock forage, firewood, medicinals, food, and dyestuffs, and examining other practical purposes. He then explicates the conceptual and linguistic aspects of his subject, applying the theory developed by Brent Berlin and others to a previously unstudied population. Mandaville also looks at the long history of Bedouin plant nomenclature, finding that very little has changed among the names and classifications in nearly eleven centuries.

This volume includes a CD-ROM featuring more than 340 color images of the people, the terrain, and nearly all of the plants mentioned in the text as well as an audio file of a traditional Bedouin song and its translation and analysis.

An essential volume for anyone interested in the interaction between human culture and plant life, Bedouin Ethnobotany will stand as a definitive source for years to come.
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cover of Before Kukulkán: Bioarchaeology of Maya Life, Death, and Identity at Classic Period Yaxuná

Before Kukulkán

Bioarchaeology of Maya Life, Death, and Identity at Classic Period Yaxuná

Vera Tiesler, Andrea Cucina, Travis W. Stanton, and David A. Freidel; Foreword by Traci Ardren

University of Arizona Press, 2017

This volume illuminates human lifeways in the northern Maya lowlands prior to the rise of Chichén Itzá. This period and area have been poorly understood on their own terms, obscured by scholarly focus on the central lowland Maya kingdoms. Before Kukulkán is anchored in three decades of interdisciplinary research at the Classic Maya capital of Yaxuná, located at a contentious crossroads of the northern Maya lowlands.

Using bioarchaeology, mortuary archaeology, and culturally sensitive mainstream archaeology, the authors create an in-depth regional understanding while also laying out broader ways of learning about the Maya past. Part 1 examines ancient lifeways among the Maya at Yaxuná, while part 2 explores different meanings of dying and cycling at the settlement and beyond: ancestral practices, royal entombment and desecration, and human sacrifice. The authors close with a discussion of the last years of occupation at Yaxuná and the role of Chichén Itzá in the abandonment of this urban center.

Before Kukulkán provides a cohesive synthesis of the evolving roles and collective identities of locals and foreigners at the settlement and their involvement in the region’s trajectory. Theoretically informed and contextualized discussions offer unique glimpses of everyday life and death in the socially fluid Maya city. These findings, in conjunction with other documented series of skeletal remains from this region, provide a nuanced picture of the social and biocultural dynamics that operated successfully for centuries before the arrival of the Itzá.
 
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cover of Before the Storm: A Year in the Pribilof Islands, 1941-1942

Before the Storm

A Year in the Pribilof Islands, 1941-1942

Fredericka Martin

University of Alaska Press, 2010

From June of 1941 through the following summer, Fredericka Martin lived with her husband, Dr. Samuel Berenberg, on remote St. Paul Island in Alaska. During that time, Martin delved into the complex history of the Unangan people, and Before the Storm draws from her personal accounts of that year and her research to present a fascinating portrait of a time and a people facing radical change. A government-ordered evacuation of all Aleuts from the island in the face of World War II, which Martin recounts in her journal, proved but the first step in a long struggle by native peoples to gain independence, and, as editor Raymond L. Hudson explains, Martin came to play a significant role in the effort.

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cover of Behind the Veil in Arabia: Women in Oman

Behind the Veil in Arabia

Women in Oman

Unni Wikan

University of Chicago Press, 1991

Through photographs and detailed case histories, Unni Wikan explores the strict segregation of women, the wearing of the burqa mask, the elaborate nuptial rituals, and the graceful quality of Oman's social relations.

"Wikan does provide insights into the real position of these secluded and segregated women. . . . All this is interesting and valuable."—Ahdaf Soueif, Times Literary Supplement

"The book is detailed, insightful, and . . . engrossing. Anyone interested in the day-to-day triumphs and sorrows of women who live 'behind the veil' will want to read this account."—Arab Book World

"Wikan, a fine ethnographer, has an eye for everything that is distinctive about the culture and . . . builds up a wholly convincing picture. Above all, there is a sustained attempt to penetrate the inner lives of these strangely serene people."—Frank H. Stewart, Wilson Quarterly

"This book will certainly be of interest to all scholars concerned with sexual identity in the Islamic world."—Henry Munson, American Anthropologist
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cover of Behind the Wall: An American in East Germany, 1988-89

Behind the Wall

An American in East Germany, 1988-89

Paul Gleye

Southern Illinois University Press, 1991

Standing in long lines in the shops, coaxing clean laundry from an outdated washing machine, traveling despite unpredictable train schedules, and being without hot water, fruit, and vegetables through the gray winter months failed to dull Paul Gleye’s perceptions during the year he lived in Weimar, East Germany. Day by day Gleye documented his varied observations and experiences, unaware that they would prove a unique record of what would soon be an extinct society.

Gleye was in East Germany as a Fulbright lecturer. Living beyond the capital city of East Berlin and traveling and conversing freely, Gleye gained access to people and places that had been almost completely closed to Americans and other Westerners for decades.

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cover of Being Dead Otherwise

Being Dead Otherwise

Anne Allison

Duke University Press, 2023

With an aging population, declining marriage and childbirth rates, and a rise in single households, more Japanese are living and dying alone. Many dead are no longer buried in traditional ancestral graves where descendants would tend their spirits, and individuals are increasingly taking on mortuary preparation for themselves. In Being Dead Otherwise Anne Allison examines the emergence of new death practices in Japan as the old customs of mortuary care are coming undone. She outlines the proliferation of new industries, services, initiatives, and businesses that offer alternative means---ranging from automated graves, collective grave sites, and crematoria to one-stop mortuary complexes and robotic priests---for tending to the dead. These new burial and ritual practices provide alternatives to long-standing traditions of burial and commemoration of the dead. In charting this shifting ecology of death, Allison outlines the potential of these solutions to radically reorient sociality in Japan in ways that will impact how we think about the end of life, identity, tradition, and culture in Japan and beyond.
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cover of Being Maasai: Ethnicity and Identity In East Africa

Being Maasai

Ethnicity and Identity In East Africa

Thomas Spear

Ohio University Press, 1993

Everyone “knows” the Maasai as proud pastoralists who once dominated the Rift Valley from northern Kenya to central Tanzania.

But many people who identity themselves as Maasai, or who speak Maa, are not pastoralist at all, but farmers and hunters. Over time many different people have “become” something else. And what it means to be Maasai has changed radically over the past several centuries and is still changing today.

This collection by historians, archaeologists, anthropologists and linguists examines how Maasai identity has been created, evoked, contested, and transformed from the time of their earliest settlement in Kenya to the present, as well as raising questions about the nature of ethnicity generally.

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cover of Being Together in Place: Indigenous Coexistence in a More Than Human World

Being Together in Place

Indigenous Coexistence in a More Than Human World

Soren C. Larsen

University of Minnesota Press, 2017

Being Together in Place explores the landscapes that convene Native and non-Native people into sustained and difficult negotiations over their radically different interests and concerns. Grounded in three sites—the Cheslatta-Carrier traditional territory in British Columbia; the Wakarusa Wetlands in northeastern Kansas; and the Waitangi Treaty Grounds in Aotearoa/New Zealand—this book highlights the challenging, tentative, and provisional work of coexistence around such contested spaces as wetlands, treaty grounds, fishing spots, recreation areas, cemeteries, heritage trails, and traditional village sites. At these sites, activists learn how to articulate and defend their intrinsic and life-supportive ways of being, particularly to those who are intent on damaging or destroying these places. 

Using ethnographic research and a geographic perspective, Soren C. Larsen and Jay T. Johnson show how the communities in these regions challenge the power relations that structure the ongoing (post)colonial encounter in liberal democratic settler-states. Emerging from their conversations with activists was a distinctive sense that the places for which they cared had agency, a “call” that pulled them into dialogue, relationships, and action with human and nonhuman others. This being-together-in-place, they find, speaks in a powerful way to the vitalities of coexistence: where humans and nonhumans are working to decolonize their relationships; where reciprocal guardianship is being stitched back together in new and unanticipated ways; and where a new kind of “place thinking” is emerging on the borders of colonial power.

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cover of Belgians in Michigan

Belgians in Michigan

Bernard A. Cook

Michigan State University Press, 2007

At the beginning of the twenty-first century, Michigan was home to the second-largest Belgian population in the United States, and Detroit had one of the largest Belgian populations in the nation. Although immigration declined after World War I, the Belgian- American community is still prominent in the state. Political, religious, and economic conditions, including a nineteenth- century economic depression, helped motivate the move to America. Belgians brought with them the ability and willingness to innovate, as well as a tradition of hard work and devotion. The Gazette van Detroit, a Flemish-language newspaper first printed in Detroit in 1914, continues to be produced and distributed to subscribers throughout the United States and overseas. Belgian-Americans continue to incorporate traditional values with newfound American values, enabling them to forever preserve their heritage.

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cover of Believing In Place: A Spiritual Geography Of The Great Basin

Believing In Place

A Spiritual Geography Of The Great Basin

Richard V. Francaviglia

University of Nevada Press, 2016

The austere landscape of the Great Basin has inspired diverse responses from the people who have moved through or settled in it. Author Richard V. Francaviglia is interested in the connection between environment and spirituality in the Great Basin, for here, he says, "faith and landscape conspire to resurrect old myths and create new ones." As a geographer, Francaviglia knows that place means more than physical space. Human perceptions and interpretations are what give place its meaning. In Believing in Place, he examines the varying human perceptions of and relationships with the Great Basin landscape, from the region's Native American groups to contemporary tourists and politicians, to determine the spiritual issues that have shaped our connections with this place. In doing so, he considers the creation and flood myths of several cultures, the impact of the Judeo-Christian tradition and individualism, Native American animism and shamanist traditions, the Mormon landscape, the spiritual dimensions of gambling, the religious foundations of Cold War ideology, stories of UFOs and alien presence, and the convergence of science and spirituality.

Believing in Place is a profound and totally engaging reflection on the ways that human needs and spiritual traditions can shape our perceptions of the land. That the Great Basin has inspired such a complex variety of responses is partly due to its enigmatic vastness and isolation, partly to the remarkable range of peoples who have found themselves in the region. Using not only the materials of traditional geography but folklore, anthropology, Native American and Euro-American religion, contemporary politics, and New Age philosophies, Francaviglia has produced a fascinating and timely investigation of the role of human conceptions of place in that space we call the Great Basin.

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cover of Beloved Land: An Oral History of Mexican Americans in Southern Arizona

Beloved Land

An Oral History of Mexican Americans in Southern Arizona

Collected and Edited by Patricia Preciado Martin, with Photographs by José Galvez

University of Arizona Press, 2004

Doña Ramona Benítez Franco was born in 1902 on her parents' Arizona ranch and celebrated her hundredth birthday with family and friends in 2002, still living in her family's century-old adobe house. Doña Ramona witnessed many changes in the intervening years, but her memories of the land and customs she knew as a child are indelible.

For Doña Ramona as well as for countless generations of Mexican Americans, memories of rural life recall la querida tierra, the beloved land. Through good times and bad, the land provided sustenance. Today, many of those homesteads and ranches have succumbed to bulldozers that have brought housing projects and strip malls in their wake.

Now a writer and a photographer who have long been intimately involved with Arizona's Hispanic community have preserved the voices and images of men and women who are descendants of pioneer ranching and farming families in southern Arizona. Ranging from Tucson to the San Rafael Valley and points in between, this book documents the contributions of Mexican American families whose history and culture are intertwined with the lifestyle of the contemporary Southwest. These were hardy, self-reliant pioneers who settled in what were then remote areas. Their stories tell of love affairs with the land and a way of life that is rapidly disappearing.

Through oral histories and a captivating array of historic and contemporary photos, Beloved Land records a vibrant and resourceful way of life that has contributed so much to the region. Individuals like Doña Ramona tell stories about rural life, farming, ranching, and vaquero culture that enrich our knowledge of settlement, culinary practices, religious traditions, arts, and education of Hispanic settlers of Arizona. They talk frankly about how the land changed hands—not always by legal means—and tell how they feel about modern society and the disappearance of the rural lifestyle.

"Our ranch homes and fields, our chapels and corrals may have been bulldozed by progress or renovated into spas and guest ranches that never whisper our ancestors' names," writes Patricia Preciado Martin. "The story of our beautiful and resilient heritage will never be silenced . . . as long as we always remember to run our fingers through the nourishing and nurturing soil of our history." Beloved Land works that soil as it revitalizes that history for the generations to come.
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cover of Best of the West 2009: New Stories from the Wide Side of the Missouri

Best of the West 2009

New Stories from the Wide Side of the Missouri

Edited by James Thomas and D. Seth Horton

University of Texas Press, 2009

Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and Seth Horton are now reviving the series in Best of the West 2009.

Thomas and Horton combed some 250 literary journals and magazines to gather these eighteen stories published since the fall of 2007. They come from both emerging and established writers, including Lee K. Abbott, Louise Erdrich, Dagoberto Gilb, Antonya Nelson, Joyce Carol Oates, and Annie Proulx. Like Bass, the editors believe "the Western short story" inhabits a wide territory; the subjects in this collection range from illegal immigrants tending illegal crops in California's national forests, to mismatched Mormon missionaries on the conversion trail in Nevada, to a Native American college student exploring her sexuality, to Papa Hemingway's meditations as he loads the shotgun in his Idaho cabin. As these stories make clear, the West continues to shape our literary landscape. Thomas and Horton have preserved the best of that work in this vital anthology.

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cover of Best of the West 2010: New Stories from the Wide Side of the Missouri

Best of the West 2010

New Stories from the Wide Side of the Missouri

Edited by James Thomas and D. Seth Horton

University of Texas Press, 2010

Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and D. Seth Horton revived the series in 2009.

Best of the West 2010 brings together established and emerging writers who reinterpret this most vital of literary regions and create, as Kent Meyers puts it in his foreword, "gift[s] the nation needs right now." Editors Horton and Thomas have chosen nineteen stories by writers including Sherman Alexie, Rick Bass, Ron Carlson, Julia Glass, William Kittredge, Kent Nelson, and Deb Olin Unferth. Their subjects vary from a Greek community in Wyoming dealing with a suicide, to a re-creation of Christ's crucifixion in New Mexico, to an unlikely friendship that peaks at a burial ground in Alaska. Best of the West 2010 is the latest indication that the West has become one of the most crucial settings for contemporary American fiction.

Contributors:

  • Sherman Alexie
  • Rick Bass
  • John Blanchard
  • Elea Carey
  • Ron Carlson
  • Natalie Diaz
  • Darren Dillman
  • Ben Ehrenreich
  • Julia Glass
  • Dina Guidubaldi
  • Ben Kostival
  • William Kittredge
  • Paul Mihas
  • Kent Nelson
  • Daniel Orozco
  • Kirstin Valdez Quade
  • Aurelie Sheehan
  • Justin St. Germain
  • Deb Olin Unferth
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cover of Best of the West 2011: New Stories from the Wide Side of the Missouri

Best of the West 2011

New Stories from the Wide Side of the Missouri

Edited by James Thomas and D. Seth Horton

University of Texas Press, 2011

Best of the West: New Stories from the Wide Side of the Missouri, an annual anthology of exceptional short fiction rooted in the western United States, debuted in 1988 and continued publication until 1992. Recognizing that the West remains rewarding territory for literary explorations, James Thomas and D. Seth Horton revived the series in 2009.

Best of the West 2011: New Stories from the Wide Side of the Missouri is the latest volume in what has become one of the nation's most important anthologies. Editors Horton and Thomas have chosen twenty stories by writers including Rick Bass, T. C. Boyle, Ron Carlson, Philipp Meyer, Dagoberto Gilb, Yiyun Li, Antonya Nelson, and Sam Shepard. Subjects vary from an Idaho family that breeds lions and tigers with disastrous results, to a Mormon veteran whose mind is taken over by a nineteenth-century consciousness, to a Texas boy who spends an afternoon with Bonnie and Clyde shortly before their deaths. Taken together, these stories suggest that the West has become one of the most exciting and diverse literary regions in the twenty-first century.

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cover of Between Culture and Fantasy: A New Guinea Highlands Mythology

Between Culture and Fantasy

A New Guinea Highlands Mythology

Gillian Gillison

University of Chicago Press, 1993

The myths of the Gimi, a people of the Eastern Highlands of Papua New Guinea, attribute the origin of death and misery to the incestuous desires of the first woman or man, as if one sex or the other were guilty of the very first misdeed. Working for years among the Gimi, speaking their language, anthropologist Gillian Gillison gained rare insight into these myths and their pervasive influence in the organization of social life. Hers is a fascinating account of relations between the sexes and the role of myth in the transition between unconscious fantasy and cultural forms.

Gillison shows how the themes expressed in Gimi myths—especially sexual hostility and an obsession with menstrual blood—are dramatized in the elaborate public rituals that accompany marriage, death, and other life crises. The separate myths of Gimi women and men seem to speak to one another, to protest, alter, and enlarge upon myths of the other sex. The sexes cast blame in the veiled imagery of myth and then play out their debate in joint rituals, cooperating in shows of conflict and resolution that leave men undefeated and accord women the greater blame for misfortune.
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cover of Bewitching Development: Witchcraft and the Reinvention of Development in Neoliberal Kenya

Bewitching Development

Witchcraft and the Reinvention of Development in Neoliberal Kenya

James Howard Smith

University of Chicago Press, 2008

These days, development inspires scant trust in the West. For critics who condemn centralized efforts to plan African societies as latter day imperialism, such plans too closely reflect their roots in colonial rule and neoliberal economics. But proponents of this pessimistic view often ignore how significant this concept has become for Africans themselves. In Bewitching Development, James Howard Smith presents a close ethnographic account of how people in the Taita Hills of Kenya have appropriated and made sense of development thought and practice, focusing on the complex ways that development connects with changing understandings of witchcraft.

Similar to magic, development’s promise of a better world elicits both hope and suspicion from Wataita. Smith shows that the unforeseen changes wrought by development—greater wealth for some, dashed hopes for many more—foster moral debates that Taita people express in occult terms. By carefully chronicling the beliefs and actions of this diverse community—from frustrated youths to nostalgic seniors, duplicitous preachers to thought-provoking witch doctors—BewitchingDevelopment vividly depicts the social life of formerly foreign ideas and practices in postcolonial Africa.
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cover of Beyond Bach: Music and Everyday Life in the Eighteenth Century

Beyond Bach

Music and Everyday Life in the Eighteenth Century

Andrew Talle

University of Illinois Press, 2018

Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public.

Eschewing the great composer style of music history, Andrew Talle takes us on a journey that looks at how ordinary people made music in Bach's Germany. Talle focuses in particular on the culture of keyboard playing as lived in public and private. As he ranges through a wealth of documents, instruments, diaries, account ledgers, and works of art, Talle brings a fascinating cast of characters to life. These individuals--amateur and professional performers, patrons, instrument builders, and listeners--inhabited a lost world, and Talle's deft expertise teases out the diverse roles music played in their lives and in their relationships with one another. At the same time, his nuanced re-creation of keyboard playing's social milieu illuminates the era's reception of Bach's immortal works.

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cover of Beyond Cannery Row: Sicilian Women, Immigration, and Community in Monterey, California, 1915-99

Beyond Cannery Row

Sicilian Women, Immigration, and Community in Monterey, California, 1915-99

Carol Lynn McKibben

University of Illinois Press, 2005

Presenting a nuanced story of women, migration, community, industry, and civic life at the turn of the twentieth century, Carol Lynn McKibben's Beyond Cannery Row analyzes the processes of migration and settlement of Sicilian fishers from three villages in Western Sicily to Monterey, California--and sometimes back again. 
McKibben's analysis of gender and gender roles shows that it was the women in this community who had the insight, the power, and the purpose to respond and even prosper amid changing economic conditions. Vividly evoking the immigrants' everyday experiences through first-person accounts and detailed description, McKibben demonstrates that the cannery work done by Sicilian immigrant women was crucial in terms of the identity formation and community development. These changes allowed their families to survive the challenges of political conflicts over citizenship in World War II and intermarriage with outsiders throughout the migration experience. The women formed voluntary associations and celebrated festas that effectively linked them with each other and with their home villages in Sicily. Continuous migration created a strong sense of transnationalism among Sicilians in Monterey, which has enabled them to continue as a viable ethnic community today.
 
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cover of Beyond Lines of Control: Performance and Politics on the Disputed Borders of Ladakh, India

Beyond Lines of Control

Performance and Politics on the Disputed Borders of Ladakh, India

Ravina Aggarwal

Duke University Press, 2004

The Kashmir conflict, the ongoing border dispute between India and Pakistan, has sparked four wars and cost thousands of lives. In this innovative ethnography, Ravina Aggarwal moves beyond conventional understandings of the conflict—which tend to emphasize geopolitical security concerns and religious essentialisms—to consider how it is experienced by those living in the border zones along the Line of Control, the 435-mile boundary separating India from Pakistan. She focuses on Ladakh, the largest region in northern India’s State of Jammu and Kashmir. Located high in the Himalayan and Korakoram ranges, Ladakh borders Pakistan to the west and Tibet to the east. Revealing how the shadow of war affects the lives of Buddhist and Muslim communities in Ladakh, Beyond Lines of Control is an impassioned call for the inclusion of the region’s cultural history and politics in discussions about the status of Kashmir.

Aggarwal brings the insights of performance studies and the growing field of the anthropology of international borders to bear on her extensive fieldwork in Ladakh. She examines how social and religious boundaries are created on the Ladakhi frontier, how they are influenced by directives of the nation-state, and how they are shaped into political struggles for regional control that are legitimized through discourses of religious purity, patriotism, and development. She demonstrates in lively detail the ways that these struggles are enacted in particular cultural performances such as national holidays, festivals, rites of passage ceremonies, films, and archery games. By placing cultural performances and political movements in Ladakh center stage, Aggarwal rewrites the standard plot of nation and border along the Line of Control.

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cover of Beyond the Archipelago: Selected Poems

Beyond the Archipelago

Selected Poems

Muhammad Haji Salleh

Ohio University Press, 1994

A collections of 70 poems from one of Malaya’s leading poets, that depict longing, loneliness, modernization, and insights in Malaysian culture.

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cover of Beyond the Briar Patch: Affrilachian Folktales, Food, and Folklore

Beyond the Briar Patch

Affrilachian Folktales, Food, and Folklore

Lynette Ford

Parkhurst Brothers, Inc., 2014

Lyn Ford, an African-American storyteller honored by her peers nationally retells traditional stories and folkways from her cultural heritage. In addition, she provides readers with insights and historic perspective of these tales by including notes and references to extensive resources regarding the folktales she tells and the history that brought them to us.
[more]
cover of Beyond the Field: How Soccer Built Community in the United States

Beyond the Field

How Soccer Built Community in the United States

Brian D. Bunk

University of Illinois Press, 2025

Played by both migrants and native-born Americans, soccer created communities across the United States. Brian D. Bunk ranges from Pawtucket to Honolulu as he illuminates the deep and diverse origins of the American sport.

Soccer took root as immigration, urbanization, and industrialization triggered immense changes across society. Matches built local pride as teams battled rival neighborhoods and towns. Teammates and supporters shared meals, raised money for fallen players, and attended each other’s weddings and funerals. If sometimes damaged by economic depression or shattered by war, clubs often bounced back to provide a steadying, resilient force in their towns. Bunk follows the story from the 1880s through World War I by profiling the struggles and joys of players while also tracing the overlooked impact of people of African, Chinese, Hawaiian, Jewish, and Filipino descent on American soccer culture.

Engaging and rich in detail, Beyond the Field draws on extensive original research to expand our idea of the people and places that formed the American game.

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cover of Big Thicket Legacy

Big Thicket Legacy

Campbell Loughmiller

University of North Texas Press, 1977

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cover of Big Thicket People: Larry Jene Fisher's Photographs of the Last Southern Frontier

Big Thicket People

Larry Jene Fisher's Photographs of the Last Southern Frontier

By Thad Sitton and C.E. Hunt

University of Texas Press, 2008

Living off the land—hunting, fishing, and farming, along with a range of specialized crafts that provided barter or cash income—was a way of life that persisted well into the twentieth century in the Big Thicket of southeast Texas. Before this way of life ended with World War II, professional photographer Larry Jene Fisher spent a decade between the 1930s and 1940s photographing Big Thicket people living and working in the old ways. His photographs, the only known collection on this subject, constitute an irreplaceable record of lifeways that first took root in the southeastern woodlands of the colonial United States and eventually spread all across the Southern frontier.

Big Thicket People presents Fisher's photographs in suites that document a wide slice of Big Thicket life-people, dogs, camps, deer hunts, farming, syrup mills, rooter hogs and stock raising, railroad tie making, barrel stave making, chimney building, peckerwood sawmills, logging, turpentining, town life, church services and picnics, funerals and golden weddings, and dances and other amusements. Accompanying each suite of images is a cultural essay by Thad Sitton, who also introduces the book with a historical overview of life in the Big Thicket. C. E. Hunt provides an informative biography of Larry Jene Fisher.

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cover of Bighorse the Warrior

Bighorse the Warrior

Tiana Bighorse; Edited by Noël Bennett

University of Arizona Press, 1994

"I want to talk about my tragic story, because if I don't, it will get into my mind and get into my dream and make me crazy."

When the Navajos were taken from their land by the federal government in the 1860s, thousands lost their lives on the infamous Long Walk, while those who eluded capture lived in constant fear. These men and women are now dead, but their story lives on in the collective memory of their tribe.

Gus Bighorse lived through that period of his people's history, and his account of it—recalled by his daughter Tiana and retold in her father's voice—provides authentic glimpses into Navajo life and values of a century ago. Born around 1846, Gus was orphaned at sixteen when his parents were killed by soldiers, and he went into hiding with other Navajos banded together under chiefs like Manuelito. Over the coming years, he was to see members of his tribe take refuge in Canyon de Chelly, endure the Long Walk from Fort Defiance to Bosque Redondo in 1864, and go into hiding at Navajo Mountain. Gus himself was the leader of one of Manuelito's bands who fought against Kit Carson's troops.

After the Navajos were allowed to return to their land, Gus took up the life of a horseman, only to see his beloved animals decimated in a government stock reduction program.

"I know some people died of their tragic story," says Gus. "They think about it and think about how many relatives they lost. Their parents got shot. They get into shock. That is what kills them. That is why we warriors have to talk to each other. We wake ourselves up, get out of the shock. And that is why I tell my kids what happened, so it won't be forgot." Throughout his narrative, he makes clear those human qualities that for the Navajos define what it is to be a warrior: vision, compassion, courage, and endurance.

Befitting the oral tradition of her people, Tiana Bighorse draws on her memory to tell her father's story. In doing so, she ensures that a new generation of Navajos will know how the courage of their ancestors enabled their people to have their reservation today: "They paid for our land with their lives." Following the text is a chronology of Navajo history, with highlights of Gus Bighorse's life placed in the context of historical events.
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cover of Biting through the Skin: An Indian Kitchen in America's Heartland

Biting through the Skin

An Indian Kitchen in America's Heartland

Nina Mukerjee Furstenau

University of Iowa Press, 2013

At once a traveler’s tale, a memoir, and a mouthwatering cookbook, Biting through the Skin offers a first-generation immigrant’s perspective on growing up in America’s heartland. Author Nina Mukerjee Furstenau’s parents brought her from Bengal in northern India to the small town of Pittsburg, Kansas, in 1964, decades before you could find long-grain rice or plain yogurt in American grocery stores. Embracing American culture, the Mukerjee family ate hamburgers and softserve ice cream, took a visiting guru out on the lake in their motorboat, and joined the Shriners. Her parents transferred the cultural, spiritual, and family values they had brought with them to their children only behind the closed doors of their home, through the rituals of cooking, serving, and eating Bengali food and making a proper cup of tea.

As a girl and a young woman, Nina traveled to her ancestral India as well as to college and to Peace Corps service in Tunisia. Through her journeys and her marriage to an American man whose grandparents hailed from Germany and Sweden, she learned that her family was not alone in being a small pocket of culture sheltered from the larger world. Biting through the Skin shows how we maintain our differences as well as how we come together through what and how we cook and eat. In mourning the partial loss of her heritage, the author finds that, ultimately, heritage always finds other ways of coming to meet us. In effect, it can be reduced to a 4 x 6-inch recipe card, something that can fit into a shirt pocket. It’s on just such tiny details of life that belonging rests.

In this book, the author shares her shirt-pocket recipes and a great deal more, inviting readers to join her on her journey toward herself and toward a vital sense of food as culture and the mortar of community.
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cover of BitterSweet: The Memoir of a Chinese Indonesian Family in the Twentieth Century

BitterSweet

The Memoir of a Chinese Indonesian Family in the Twentieth Century

Stuart Pearson

National University of Singapore Press, 2013

Behind the statistics of migration are the life stories of millions of migrants and their descendants. The movement of people out of China is one of the largest movements of humanity in modern times and large numbers of Chinese emigrated to the colony of
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cover of BitterSweet: The Memoir of a Chinese-Indonesian Family in the Twentieth Century

BitterSweet

The Memoir of a Chinese-Indonesian Family in the Twentieth Century

Stuart Pearson

Ohio University Press, 2008

Millions of Chinese have left the mainland over the last two centuries in search of new beginnings. The majority went to Southeast Asia, and the single largest destination was the colony of the Dutch East Indies, now known as Indonesia. Wherever the Chinese landed they prospered, but in Indonesia, even though some families made fortunes, they never felt they quite belonged.

BitterSweet is the account of one Chinese-Indonesian family whose story stretches over the generations as their fortunes waxed and waned through revolution, riots, war, depression, occupation, and finally emigration to yet another country—Australia.

BitterSweet offers a unique insight into a world rarely seen before. An Sudibjo’s memoir, written from a woman’s perspective, is a valuable resource for anyone studying Indonesian history or the Chinese Diaspora.
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cover of Bittersweet Sounds of Passage: Balinese Gamelan Angklung Cremation Music

Bittersweet Sounds of Passage

Balinese Gamelan Angklung Cremation Music

Ellen Koskoff

University of Illinois Press, 2025

An important presence through centuries of musical and social change, gamelan angklung is a small, four-tone bronze-keyed ensemble that remains ubiquitous at cremations in Bali. Ellen Koskoff offers a compelling portrait of these little-studied orchestras and their members: rice farmers, eatery owners, and other locals who do not see themselves as musicians or what they play as music.

Koskoff examines the history, cultural significance, and musical structures of contemporary gamelan angklung cremation music through the lens of three intertwined stories: existing scholarship on this music, written mostly by Western composers and scholars; the views of those performing and experiencing the music who regard it as dharma--ritual obligation, a basic concept in Balinese Hinduism; and the music itself, with a musical analysis focusing on changes in rasa--feeling, flavor and musical flow.

A journey inside a tradition, Bittersweet Sounds of Passage reveals the overlooked music of an important ritual in Balinese village life.

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cover of Black Bostonians and the Politics of Culture, 1920-1940

Black Bostonians and the Politics of Culture, 1920-1940

Lorraine Elena Roses

University of Massachusetts Press, 2017

In the 1920s and 1930s Boston became a rich and distinctive site of African American artistic production, unfolding at the same time as the Harlem Renaissance and encompassing literature, theater, music, and visual art. Owing to the ephemeral nature of much of this work, many of the era's primary sources have been lost.

In this book, Lorraine Elena Roses employs archival sources and personal interviews to recover this artistic output, examining the work of celebrated figures such as Dorothy West, Helene Johnson, Meta Warrick Fuller, and Allan Rohan Crite, as well as lesser-known artists including Eugene Gordon, Ralf Coleman, Gertrude “Toki” Schalk, and Alvira Hazzard. Black Bostonians and the Politics of Culture, 1920–1940 demonstrates how this creative community militated against the color line not solely through powerful acts of civil disobedience but also by way of a strong repertoire of artistic projects.

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cover of Black Camelot: African-American Culture Heroes in Their Times, 1960-1980

Black Camelot

African-American Culture Heroes in Their Times, 1960-1980

William L. Van Deburg

University of Chicago Press, 1997

In the wake of the Kennedy era, a new kind of ethnic hero emerged within African-American popular culture. Uniquely suited to the times, burgeoning pop icons projected the values and beliefs of the Civil Rights and Black Power movements, and reflected both the possibility and the actuality of a rapidly changing American landscape.

In Black Camelot, William Van Deburg examines the dynamic rise of these new black champions, the social and historical contexts in which they flourished, and their powerful impact on the African-American community.

"Van Deburg manages the enviable feat of writing with flair within a standardized academic framework, covering politics, social issues and entertainment with equal aplomb."—Jonathan Pearl, Jazz Times

"[A] fascinating, thorough account of how African-American icons of the 1960s and '70s have changed the course of American history. . . . An in-depth, even-tempered analysis. . . . Van Deburg's witty, lively and always grounded style entertains while it instructs."—Publishers Weekly
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cover of Black Eden: The Idlewild Community

Black Eden

The Idlewild Community

Lewis Walker

Michigan State University Press, 2002

Black Eden chronicles the history of Idlewild, a Michigan black community founded during the aftermath of the Civil War. As one of the nation’s most popular black resorts, Idlewild functioned as a gathering place for African Americans, and more importantly as a touchstone of black identity and culture. Benjamin C. Wilson and Lewis Walker examine Idlewild’s significance within a historical context, as well as the town’s revitalization efforts and the need for comprehensive planning in future development. In a segregated America, Idlewild became a place where black audiences could see rising black entertainers.
     Profusely illustrated with photos from the authors’ personal collections, Black Eden provides a lengthy discussion about the crucial role that Idlewild played in the careers of artists such as Louis Armstrong, B. B. King, Sammy Davis Jr., Jackie Wilson, Aretha Franklin, and Della Reese. Fundamentally, the book explores issues involved in living in a segregated society, the consequences of the civil rights movement, the Civil Rights Act of 1964 and subsequent integration, and the consequences of integration vs. racial solidarity. The authors ask: Did integration kill Idlewild?, suggesting rather that other factors contributed to its decline.
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cover of Blackbird's Song: Andrew J. Blackbird and the Odawa People

Blackbird's Song

Andrew J. Blackbird and the Odawa People

Theodore J. Karamanski

Michigan State University Press, 2012

For much of U.S. history, the story of native people has been written by historians and anthropologists relying on the often biased accounts of European-American observers. Though we have become well acquainted with war chiefs like Pontiac and Crazy Horse, it has been at the expense of better knowing civic-minded intellectuals like Andrew J. Blackbird, who sought in 1887 to give a voice to his people through his landmark book History of the Ottawa and Chippewa People. Blackbird chronicled the numerous ways in which these Great Lakes people fought to retain their land and culture, first with military resistance and later by claiming the tools of citizenship. This stirring account reflects on the lived experience of the Odawa people and the work of one of their greatest advocates.

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