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When Black Texas Women: 150 Years of Trial and Triumph was published in 1995, it was acclaimed as the first comprehensive history of black women's struggles and achievements. This companion volume contains the original source materials that Ruthe Winegarten uncovered during her extensive research.

Like a time capsule of black women's history, A Sourcebook includes petitions from free women of color, lawsuits, slave testimonies, wills, plantation journals, club minutes, autobiographies, ads, congressional reports, contracts, prison records, college catalogues, newspaper clippings, protest letters, and much more.

In addition to the documents, a biographical section highlights the lives of women from various walks of life. The book concludes with a timeline that begins in 1777 and reaches to 1992. This wealth of original material will be a treasure trove for scholars and general readers interested in the emerging field of black women's history.

Black women have long recognized the power of film for storytelling. For far too long, however, the cultural and historical narratives about film have not accounted for the contributions of Black women directors. This book remedies this omission by highlighting the trajectory of the culturally significant work of Black women directors in the United States, from the under-examined pioneers of the silent era, to the documentarians who sought to highlight the voices and struggles of Black women, and the contemporary Black women directors in Hollywood.  Applying a Black feminist perspective, this book examines the ways that Black women filmmakers have made a way for themselves and their work by resisting the dominant cultural expectations for Black women and for the medium of film, as a whole.
 

Historian and human rights activist Julie A. Gallagher deftly examines how race, gender, and the structure of the state itself shape outcomes, and exposes the layers of power and discrimination at work in American society. She combines her analysis with a look at the career of Shirley Chisholm, the first black woman elected to Congress and the first to run for president on a national party ticket. In so doing, she rewrites twentieth-century women's history and the dominant narrative arcs of feminist history that hitherto ignored African American women and their accomplishments.

When author Kristal Brent Zook first published Black Women’s Lives: Stories of Power and Pain, nearly 20 years ago, the reality of so many Black women's lived experiences was not widely discussed in mainstream media. Two decades later, after much social change in the United States, including national media attention on Black women following the police murder of Breonna Taylor and the #SayHerName movement, the election of the first Black female vice president, Kamala Harris, and massive political and social backlash because of these gains, the timing for a refreshed look at these women's lives has never been better.

The stories in this collection invite readers into the intimate spaces of ten African American women from all walks of life, in cities and towns across the country. Twenty years later, we revisit them to learn how their lives have evolved. There are fresh new codas at the end of each chapter that illustrate how the women have fared over the last two decades. Did they achieve their dreams? What twists and turns did they meet along the way? These stories highlight the complex, nuanced, and passionate lives that Black women lead, often requiring ambition, ingenuity, and creativity to survive and thrive in the United States. This collection is a testament to the fact that the past repeats — and we remain, each of us, still, connected. 

Debra A. Shattuck pulls from newspaper accounts and hard-to-find club archives to reconstruct a forgotten era in baseball history. Her fascinating social history tracks women players who organized baseball clubs for their own enjoyment and even found roster spots on men's teams. Entrepreneurs, meanwhile, packaged women's teams as entertainment, organizing leagues and barnstorming tours. If the women faced financial exploitation and indignities like playing against men in women's clothing, they and countless ballplayers like them nonetheless staked a claim to the nascent national pastime. Shattuck explores how the determination to take their turn at bat thrust female players into narratives of the women's rights movement and transformed perceptions of women's physical and mental capacity.

Vivid and eye-opening, Bloomer Girls is a first-of-its-kind portrait of America, its women, and its game.

Throughout the 1970s and ’80s, women argued that unless they gained access to information about their own bodies, there would be no equality. In Bodies of Knowledge, Wendy Kline considers the ways in which ordinary women worked to position the female body at the center of women’s liberation.

As Kline shows, the struggle to attain this knowledge unified women but also divided them—according to race, class, sexuality, or level of professionalization. Each of the five chapters of Bodies of Knowledge examines a distinct moment or setting of the women’s movement in order to give life to the ideas, expectations, and pitfalls encountered by the advocates of women’s health: the making of Our Bodies, Ourselves (1973); the conflicts surrounding the training and practice of women’s pelvic exams; the emergence of abortion as a feminist issue; the battles over contraceptive regulation at the 1983 Depo-Provera FDA hearings; and the rise of the profession of midwifery. Including an epilogue that considers the experiences of the daughters of 1970s feminists, Bodies of Knowledge is an important contribution to the study of the bodies—that marked the lives—of feminism’s second wave.

Recipient of the 2006 Norman L. and Roselea J. Goldberg Prize for the best project in the area of medicine.

The author, a second-generation Greek American, returned to Greece with her young daughter to do fieldwork over the course of a decade. Focusing on Rhodes, an island that blends continuity with the past and rapid social change in often unexpected ways, she interviewed over a hundred women, doctors, and midwives about issues of reproduction.

The result is a detailed portrait of how a longstanding system of "local" gynecological and obstetrical knowledge under the control of women was rapidly displaced in the the period following World War II, and how the technologically-intensive biomedical model that took its place in turn assumed its own distinctive signature.

Bodies of Knowledge is a vivid ethnographic study of how a presumably globalizing and homogenizing process like medicalization can be reshaped as women and medical experts alike selectively accept or reject new practices and technologies. Georges found, for example, that women in Rhodes have enthusiastically embraced some new technologies, like fetal imaging during pregnancy, but rejected others, like medical contraception. They are also avid consumers of popular childbirth manuals.

This book is the recipient of the 2006 Norman L. and Roselea J. Goldberg Prize for the best project in the area of medicine.

An anthropological study of Haitian migrant women in the Dominican Republic.

Borders of Visibility offers extremely timely insight into the Dominican Republic’s racist treatment of Haitian descendants within its borders. Jennifer L. Shoaff employs multisited feminist research to focus on the geographies of power that intersect to inform the opportunities and constraints that migrant women must navigate to labor and live within a context that largely denies their human rights, access to citizenship, and a sense of security and belonging.

Paradoxically, these women are both hypervisible because of the blackness that they embody and invisible because they are marginalized by intersecting power inequalities. Haitian women must contend with diffuse legal, bureaucratic and discursive state-local practices across “border” sites that situate them as a specific kind of threat that must be contained. Shoaff examines this dialectic of mobility and containment across various sites in the northwest Dominican Republic, including the official border crossing, transborder and regional used-clothing markets, migrant settlements (bateyes), and other rural-urban contexts.

Shoaff combines ethnographic interviews, participant observation, institutional analyses of state structures and nongovernmental agencies, and archival documentation to bring this human rights issue to the fore. Although primarily grounded in critical ethnographic practice, this work contributes to the larger fields of transnational feminism, black studies, migration and border studies, political economy, and cultural geography. Borders of Visibility brings much needed attention to Haitian migrant women’s economic ingenuity and entrepreneurial savvy, their ability to survive and thrive, their often impossible choices whether to move or to stay, returning them to a place of visibility, while exposing the very structures that continue to render them invisible and, thus, expendable over time.

For decades the term “Boston marriage” was used to describe single women who lived together and shared their lives. The presumption then was that these partnerships were nonsexual. In recent years, however, the opposite assumption has prevailed, causing some women involved in such relationships to hide the asexual nature of their attachments in the lesbian community.

Convinced that Boston marriages are both legitimate and important, Esther D. Rothblum and Kathleen A. Brehony argue that in a society that defines intimacy by the occurrence of sexual activity, we have no word for—and thus no understanding of—the intensely romantic but asexual relationships that some lesbians form. By bringing these relationships “out of the closet” and discussing them openly, the editors and other contributors to this volume challenge our views about lesbianism and address larger questions concerning the construction of sexuality and sexual identity. How, for example, do we define a lesbian relationship? What constitutes a romantic involvement? If a couple does not engage in sex, are they still considered lovers?

This book includes ten personal accounts by women involved in Boston marriages as well as theoretical essays by Lillian Faderman, Marnie Hall, JoAnn Loulan, Suzanna Rose, Debra Zand, Marie Cini, and Laura Brown.

In the mid-1950s, as many developing nations sought independence from colonial rule, black women in the American South and in South Africa launched parallel campaigns to end racial injustice within their respective communities. Just as the dignified obstinacy of Mrs. Rosa Parks sparked the Montgomery bus boycott in 1955, the 20,000 South African women who marched in Pretoria a year later to protest the pass laws signaled a new wave of resistance to the system of apartheid. In both places women who had previously been consigned to subordinate roles brought fresh leadership to the struggle for political freedom and social equality. 

In this book, Pamela E. Brooks tells their story, documenting the extraordinary achievements of otherwise ordinary women. In comparing the experiences of black women activists in two different parts of the African diaspora, Brooks draws heavily on oral histories that provide clear, and often painful, insight into their backgrounds, their motives, their hopes, and their fears. We learn how black women from all walks of life—domestic and factory workers, householders, teachers, union organizers, churchwomen, clubwomen, rural and urban dwellers alike—had to overcome their class differences and work through the often difficult gender relations within their families and communities. Yet eventually they came together to forge their own political organizations, such as the Women's Political Council and the Federation of South African Women, or joined orga-nizations of women and men, such as the Montgomery Improvement Association and the African National Congress, to advance the common agenda of black liberation.By tracing the dual rise of political consciousness and activism among the black women of the U.S. South and South Africa, Brooks not only illuminates patterns that have long been overlooked but places that shared history within the context of a larger global struggle to bring an end to the vestiges of European colonialism.

At most recent count, there are no fewer than forty-five women in Brazil directing or codirecting feature-length fiction or documentary films. In the early 1990s, women filmmakers in Brazil were credited for being at the forefront of the rebirth of filmmaking, or retomada, after the abolition of the state film agency and subsequent standstill of film production. Despite their numbers and success, films by Brazilian women directors are generally absent from discussions of Latin American film and published scholarly works.

Upends the “broken systems” myth and reveals how the law deliberately criminalizes and punishes Black women, inflicting lasting harm on Black communities in the process.
 
The United States has one of the highest rates of incarceration in the world, with Black Americans representing a disproportionate share of theimprisoned. Many view this statistic as evidence of a broken system. But sociologist Susila Gurusami argues that the carceral system that so disproportionately harms Black families is not broken at all. In fact, it works just as it was intended. Looking closely at the lives of formerly incarcerated Black mothers, Gurusami shows how state institutions—the criminal-legal, child welfare, and healthcare systems—keep Black mothers from their families, harming Black communities in the process. She also shows how Black women work towards conditions that seem impossible—and even utopian—as part of their everyday mothering labor, but find themselves criminalized for these same actions.
 
Drawing on ethnographic data and interviews with formerly incarcerated Black women in South Los Angeles, Gurusami challenges dominant assumptions about mothering and criminal justice reform. Gurusami finds that criminalized Black women endure multigenerational political, social, and embodied assaults–what she calls “reproductive warfare”— and still, they build networks, practices, and theories of radical care that protect Black maternal life, legacies, and futures. With incarcerated, formerly incarcerated, and system-impacted Black mothers at the forefront of the growing movement to abolish prisons and jails, Gurusami demonstrates how their everyday mothering work—what she calls “abolitionist motherwork”—is essential to imagining the end of incarceration and ultimately achieving it.
 
Written with a tender and honest voice, Break the System shares moving vignettes that underscore why we must break the system, rather than reform it, and why we must imagine a future that is radically different than the one we’re told we must accept or salvage.