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Walloon is a language still spoken by a minority population in its home country of Belgium. It can also still be found among a few sparse communities descended from Belgian immigrants in northeastern Wisconsin. Although spoken by a small number of people, the language plays a vital role in the ethnic heritage of the state and is audible in local words like “booyah” and “trippe.”

This book is the first to introduce the language without recourse to French, of which Walloon is sometimes mistakenly described as a variant or dialect. With this text, English-language speakers will need nothing more than interest to pick up basic conversational Walloon, thanks to Kelly Biers’s clear guidance for pronunciation, vocabulary, and grammar. Additionally, readers will learn about how this minority language arrived in the Upper Midwest, the history of Belgian American immigration and settlement, and the language’s linguistic features.

Boojoo and welcome to Wisconsin Walloon!

In Border Citizens, historian Eric V. Meeks explores how the racial classification and identities of the diverse indigenous, mestizo, and Euro-American residents of Arizona’s borderlands evolved as the region was politically and economically incorporated into the United States. First published in 2007, the book examines the complex relationship between racial subordination and resistance over the course of a century. On the one hand, Meeks links the construction of multiple racial categories to the process of nation-state building and capitalist integration. On the other, he explores how the region’s diverse communities altered the blueprint drawn up by government officials and members of the Anglo majority for their assimilation or exclusion while redefining citizenship and national belonging.

The revised edition of this highly praised and influential study features dozens of new images, an introductory essay by historian Patricia Nelson Limerick, and a chapter-length afterword by the author. In his afterword, Meeks details and contextualizes Arizona’s aggressive response to undocumented immigration and ethnic studies in the decade after Border Citizens was first published, demonstrating that the broad-based movement against these measures had ramifications well beyond Arizona. He also revisits the Yaqui and Tohono O’odham nations on both sides of the Sonora-Arizona border, focusing on their efforts to retain, extend, and enrich their connections to one another in the face of increasingly stringent border enforcement.

The Texas Centennial of 1936, commemorated by statewide celebrations of independence from Mexico, proved to be a powerful catalyst for the formation of a distinctly Mexican American identity. Confronted by a media frenzy that vilified "Meskins" as the antithesis of Texan liberty, Mexican Americans created literary responses that critiqued these racialized representations while forging a new bilingual, bicultural community within the United States. The development of a modern Tejana identity, controversies surrounding bicultural nationalism, and other conflictual aspects of the transformation from mexicano to Mexican American are explored in this study. Capturing this fascinating aesthetic and political rebirth, Border Renaissance presents innovative readings of important novels by María Elena Zamora O'Shea, Américo Paredes, and Jovita González. In addition, the previously overlooked literary texts by members of the League of United Latin American Citizens (LULAC) are given their first detailed consideration in this compelling work of intellectual and literary history.

Drawing on extensive archival research in the English and Spanish languages, John Morán González revisits the 1930s as a crucial decade for the vibrant Mexican American reclamation of Texas history. Border Renaissance pays tribute to this vital turning point in the Mexican American struggle for civil rights.

Four men played leading roles in the political drama that unfolded in South Texas during the first decades of this century:

• James B. Wells, who ruled as boss of Cameron County and served as leading conservative spokesman of the Democratic Party in Texas;
• Archer (Archie) Parr, whose ruthless tactics and misuse of public funds in Duval County established him as one of the most notoriously corrupt politicians in Texas history;
• Manuel Guerra, Mexican American rancher and merchant whose domination of Starr County mirrored the rule of his Anglo counterparts in the border region;
• John Nance Garner, who served the interests of these bosses of South Texas as he set forth on the road that would lead him to the United States vice-presidency.

Evan Anders's Boss Rule in South Texas tells the story of these men and the county rings they shaped in South Texas during the Progressive Era.

Power was the byword of the bosses of the Lower Rio Grande Valley, and Anders explores the sources of that power. These politicos did not shirk from using corrupt and even violent means to attain their goals, but Anders demonstrates that their keen sensitivity to the needs of their diverse constituency was key to their long-term success. Patronage and other political services were their lifeblood, and the allies gained by these ranged from developers and businessmen to ranchers and Mexican Americans, wealthy and poor.

Besides examining the workings of the Democratic machines of four South Texas counties, Anders explores the role of the Hispanic populace in shaping the politics of the border region, the economic development of the Lower Rio Grande Valley and its political repercussions, the emergence and nature of progressive movements at both local and state levels, and the part played by the Texas Rangers in supporting bossism in South Texas.

In the mid-nineteenth century, Boston fashioned itself as a global hub. By the early 1970s, it was barely a dot on the national picture. It had gained a reputation as a decaying city rife with crime and dysfunctional politics, as well as decidedly retrograde race relations, prominently exemplified by white resistance to school integration. Despite this historical ebb in its national and international presence, it still possessed the infrastructure—superb educational institutions such as Harvard and MIT, world-class sports teams like the Celtics and Red Sox, powerful media outlets like The Boston Globe, and extensive shipping capacity—required to eventually thrive in an age of global trade and mass communication.

In Boston Mass-Mediated, Stanley Corkin explores the power of mass media to define a place. He examines the tensions between the emergent and prosperous city of the late twentieth and early twenty-first centuries and its representation in a range of media genres such as news journalism, professional sports broadcasting, and popular films like Mystic River and The Departed. This mass media, with its ever-increasing digital reach, has emphasized a city restricted by tropes suggestive of an earlier Boston—racism, white ethnic crime, Catholicism, and a pre-modern insularity—even as it becomes increasingly international and multicultural. These tropes mediate our understanding and experience of the city. Using Boston as a case study, Corkin contends that our contemporary sense of place occurs through a media saturated world, a world created by the explosion of digital technology that is steeped in preconceptions.

Hailed as one of Boston’s most beloved mayors and its longest serving, Thomas Menino (1942–2014) deftly managed the city’s finances and transformed Boston into the hub of innovation that it is today. During his time in office, Boston embraced modern industrial growth and moved forward with noteworthy developments that altered neighborhoods, while also facing ongoing racial strife, challenges of unaffordable housing, and significant public union negotiations.

Mayors in modern American cities occupy unique positions as government leaders who need to remain active parts of their communities in addition to being tasked with fixing neighborhood issues, managing crises, and keeping schools and public infrastructure on course. Situating news coverage alongside interviews with the mayor and his administration, political scientist Wilbur C. Rich chronicles Menino’s time in office while also considering his personal and professional background, his larger-than-life personality, and his ambitions. Menino’s approach to these challenges and opportunities offers enduring lessons to anyone interested in urban government and political leadership.

In the late twentieth century the American and global economy shifted from manufacturing toward a knowledge industry. Following an economic low point several decades earlier, the city of Boston took advantage of the new era of globalization, fueled by dramatic advances in telecommunications, computer power, and air and sea travel, as well as its own impressive intellectual capital.

Boston and the Making of a Global City pulls together scholarship, media stories, personal interviews, and city planning documents to tell the story of Boston’s historical trajectory, as it quickly became a competitive global hub. Starting with its role as a colonial port and nineteenth-century maritime power, but moving quickly forward, the book describes how Boston capitalized on its strengths in higher education and such innovation sectors as life sciences, healthcare, information technology, and finance. Author James O’Connell traces the historical sweep of global flows—trade and supply chains, innovation and the dissemination of knowledge, investment, transportation, tourism, telecommunications, and immigration—that have shaped the city and region’s development. This volume also addresses the economic, social, and environmental challenges that Boston currently faces and how it is strategically positioned to confront them going forward.

As Boston approaches its four-hundredth anniversary, it is remarkable that it still maintains its historic character despite constant development. The fifty buildings featured in this book all pre-date 1800 and illustrate Boston’s early history. This is the first book to survey Boston’s fifty oldest buildings and does so through an approachable narrative which will appeal to nonarchitects and those new to historic preservation. Beginning with a map of the buildings’ locations and an overview of the historic preservation movement in Boston, the book looks at the fifty buildings in order from oldest to most ­recent. Geographically, the majority of the buildings are located within the downtown area of Boston along the Freedom Trail and within easy walking distance from the core of the city. This makes the book an ideal guide for tourists, and residents of the city will also find it interesting as it includes numerous properties in the surrounding neighborhoods. The buildings span multiple uses from homes to churches and warehouses to restaurants. Each chapter features a building, a narrative focusing on its historical significance, and the efforts made to preserve it over time. Full ­color photos and historical drawings illustrate each building and area. Boston’s Oldest Buildings and Where to Find Them presents the ideals of historic preservation in an approachable and easy­-to-­read manner appropriate for the broadest audience. Perfect for history lovers, architectural enthusiasts, and tourists alike. 

“New England was founded consciously, and in no fit of absence of mind,” observed historian Samuel Eliot Morison on the establishment of the Bay Colony in 1630 on the narrow, mountainous Shawmut peninsula of what became Massachusetts. That self-conscious presence of mind has endured for four centuries. Boston has been shaped and sustained by observation, imagination, and interpretation. As a result, the evolving vision of Boston has yielded a compelling literary record.

In this wide-ranging anthology, Shaun O'Connell includes a generous sampling of those who have recorded, revised, and redefined the vision of Boston. Anne Bradstreet, Nathaniel Hawthorne, Henry James, W. E. B. Du Bois, Mary Antin, Edwin O'Connor, John Updike, and many others eloquently evoke and explain Boston in these pages. 

From John Winthrop's “city upon a hill” sermon, delivered aboard the Arbella before his followers landed in 1630 in the place they would call Boston, to Robert Lowell's “For the Union Dead,” a poem delivered in Boston's Public Garden in 1960, writers have continued to invoke the high purposes for which the city was founded, sometimes in praise of the city, but often in what Robert Frost named a “lover's quarrel,” in works that called attention to the city's failures to fulfill its promises. In the twenty-first century some writers continue to celebrate or to castigate the city, while others look back to Boston's origins to reassess its founders and renew its covenant of high purpose.

This is an interpretive anthology—one that includes commentary as well as writings. Section introductions provide historical and biographical context, offer analysis that stresses the thematic relevance of each selection, and explore the pattern of their relations. Rather than present a random array of writers who happen to have been Greater Bostonians, O'Connell focuses on those authors who possessed a commitment to the sense of place, those who addressed Boston not only as a geographical, social, and political entity but as an image, idea, and site of symbolic values.

Over the course of the twentieth century, African Americans in New Orleans helped define the genres of jazz, rhythm and blues, soul, and funk. In recent decades, younger generations of New Orleanians have created a rich and dynamic local rap scene, which has revolved around a dance-oriented style called “bounce.”

Hip-hop has been the latest conduit for a “New Orleans sound” that lies at the heart of many of the city's best-known contributions to earlier popular music genres. Bounce, while globally connected and constantly evolving, reflects an enduring cultural continuity that reaches back and builds on the city's rich musical and cultural traditions.

In this book, the popular music scholar and filmmaker Matt Miller explores the ways in which participants in New Orleans's hip-hop scene have collectively established, contested, and revised a distinctive style of rap that exists at the intersection of deeply rooted vernacular music traditions and the modern, globalized economy of commercial popular music. Like other forms of grassroots expressive culture in the city, New Orleans rap is a site of intense aesthetic and economic competition that reflects the creativity and resilience of the city's poor and working-class African Americans.

A definitive study of the political forces that reshaped Alabama after Reconstruction.

In Bourbon Democracy in Alabama, 1874-1890, historian Johnston Allen Going offers a seminal examination of the political transformation of Alabama during the years following Reconstruction. Focusing on the rise of Bourbon Democratic leadership, Going explores how a new political elite consolidated power, reshaped state institutions, and directed Alabama's economic and social development during a pivotal period in Southern history.

Drawing on extensive historical research, the book traces the efforts of Democratic leaders to restore political control after Reconstruction while promoting policies associated with the emerging New South. Going analyzes the complex interplay of political ideology, economic modernization, class interests, and racial dynamics that influenced governance and public life between 1874 and 1890. Through detailed accounts of elections, legislative initiatives, and political struggles, the study reveals how Alabama's leaders sought to balance progress, stability, and authority in a rapidly changing society.

A landmark contribution to both Alabama history and the broader study of the post-Reconstruction South, Bourbon Democracy in Alabama provides critical insight into the forces that shaped regional politics and helped define the course of Southern development in the late nineteenth century. Essential for understanding the origins of modern Alabama politics, this book is a valuable resource for historians, students, political scientists, genealogists, and anyone interested in Southern history and government.

Trees are not just natural resources; they are also cultural ones that present unique challenges and opportunities for public historians. Trees can serve as important objects of memory, recalling past triumphs or tragedies. They can be the last living witness to important events or community stories. Trees can also be objects of preservation, sometimes as individuals, other times as stands or even forests, all of which can take on historical significance for people, sites, and institutions. But as living entities they defy the kind of permanent legal preservation applicable to buildings and other non-living historical objects. Furthermore, their organic fragility can actually make them significant problems for historical sites and local preservation activities. For example, communities have had to cope with extensive tree loss from storm and fire damage, and dying trees can drop limbs or topple over, creating considerable danger to people and resources. Climate-change-driven increasing storm intensity has also highlighted the ways that trees—however historical or beloved—can become considerable threats.

The fourteen new essays in this volume explore the many ways that trees are an integral part of public history practice and sites. The authors draw on a range of approaches and historiographies to look at how memories of race-based hate, patriotic stories, community identities, and changed places have all centered on trees. In addition to contributions from the volume editors, this collection features scholarship by Sonja Dümpelmann Andrew Hurley, Carolyn M. Barske Crawford, Brian Dempsey, Liz Sargent, Sasha Coles, Mariaelena DiBenigno, Evan Haefeli, Krista McCracken, Alena Pirok, Christian Kosmas Mayer Alaina Scapicchio, and David Glassberg. 

Ask anyone to name an archetypal Texan, and you're likely to get a larger-than-life character from film or television (say John Wayne's Davy Crockett or J. R. Ewing of TV's Dallas) or a politician with that certain swagger (think LBJ or George W. Bush). That all of these figures are white and male and bursting with self-confidence is no accident, asserts Leigh Clemons. In this thoughtful study of what makes a "Texan," she reveals how Texan identity grew out of the history—and, even more, the myth—of the heroic deeds performed by Anglo men during the Texas Revolution and the years of the Republic and how this identity is constructed and maintained by theatre and other representational practices.

Clemons looks at a wide range of venues in which "Texanness" is performed, including historic sites such as the Alamo, the battlefield at Goliad, and the San Jacinto Monument; museums such as the Bob Bullock Texas State History Museum; seasonal outdoor dramas such as Texas! at Palo Duro Canyon; films such as John Wayne's The Alamo and the IMAX's Alamo: The Price of Freedom; plays and TV shows such as the Tuna trilogy, Dallas, and King of the Hill; and the Cavalcade of Texas performance at the 1936 Texas Centennial. She persuasively demonstrates that these performances have created a Texan identity that has become a brand, a commodity that can be sold to the public and even manipulated for political purposes.

How two teenage girls in Minnesota jump-started a revolution in high school athletics

Peggy Brenden, a senior, played tennis. Toni St. Pierre, a junior, was a cross country runner and skier. All these two talented teenagers wanted was a chance to compete on their high school sports teams. But in Minnesota in 1972 the only way on the field with the boys ran through a federal court—so that was where the girls went. Break Point tells the story, for the first time, of how two teenagers took on the unequal system of high school athletics, setting a legal precedent for schools nationwide before the passage of Title IX.

As Peggy’s younger sister, author Sheri Brenden is uniquely positioned to convey the human drama of the case, the stakes, and the consequences for two young women facing the legal machinery of the state, in court and in school. In an account that begins with Peggy painstakingly typing her appeal to the Minnesota Civil Liberties Union and concludes with a long view of what Brenden v. Independent School District 742 set in motion, Sheri Brenden summons the salient details of this landmark case as it makes its way through the courts. Peggy and Toni, coaches, administrators, and experts testify before Judge Miles Lord, whose decision, upheld in a precedent-setting appeal, would change these girls’ lives and open up athletic opportunities for innumerable others.

Grounded in newspaper coverage, court records, and interviews, Brenden’s deeply researched, scrupulously reported book is at heart the story of two talented teenage girls whose pluck and determination—and, often, heartache—led to a victory much greater than any high school championship.

In this engaging new work, Terrell Dempsey and Patrick Hotle draw from newly discovered and underutilized primary sources to craft a detailed narrative history of the rise of a group of radical abolitionists in Quincy, Illinois, and the outsized, if mostly overlooked, influence they had on the dissolution of the Union.

The story begins with the 1830 arrival in Marion County, Missouri, of Dr. David Nelson, a Presbyterian minister and supporter of the American Colonization Society. After hearing a speech by Theodore B. Weld, Nelson was converted to the abolitionist cause and went on to recruit Elijah Lovejoy into the region’s nascent anti-slavery movement. Nelson’s activities resulted in the creation of an active anti-abolitionist organization in Northeast Missouri that ended up running him out of the state and across the river to Quincy, Illinois, at the same time Lovejoy sought shelter in Alton, Illinois.

In Quincy, Nelson and a group of like-minded moderate anti-slavery activists opened a manual labor school called the Mission Institute. Following the murder of Lovejoy by a pro-slavery mob, a small band of abolitionists at the Mission Institute became radicalized and decided to aid enslaved people in their quest for freedom. After three of these abolitionists were captured in Missouri and sentenced to twelve years in prison, others at the Mission Institute published a call for the Illinois Anti-Slavery Society to organize an underground railroad in Illinois. The Society officially committed to assisting enslaved people to escape slavery in May of 1842, which triggered a hostile reaction from enslavers in Missouri who went on to organize patrols, seek stricter state laws, and attempt to sabotage the underground railroad in neighboring Illinois.

In Breaking America, Dempsey and Hotle demonstrate the impact of the Quincy abolitionists on the later Dred Scott cases. The authors trace a sequence of revivals, public meetings, daring escapes, over-reactions, judicial decisions, and violence, providing a roadmap for how Missouri judicial opinion changed from “once free, always free” to “once a slave, always a slave” under Missouri Law. Breaking America is an important new addition to the history of abolitionism, the Dred Scott decision, and the eventual dissolution of the Union. 

Bright Lights in the Desert explores the history of how members of the Church of Jesus Christ of Latter-day Saints in Las Vegas have improved the regions’ neighborhoods, inspired educational institutions, brought integrity to the marketplace, and provided wholesome entertainment and cultural refinement. The LDS influence has helped shape the metropolitan city because of its members’ focus on family values and community service.

Woods discusses how, through their beliefs and work ethics, they have impacted the growth of the area from the time of their first efforts to establish a mission in 1855 through the present day. Bright Lights in the Desert reveals Las Vegas as more than just a tourist destination and shows the LDS community’s commitment to making it a place of deep religious faith and devotion to family.