5550 books match the query 'Biography & Autobiography' and 296 start with b

cover of Bondhu: My Father, My Friend

Bondhu

My Father, My Friend

Kunal Sen

Seagull Books, 2023

A behind-the-scenes look at the life of filmmaker Mrinal Sen through the eyes of his son Kunal, who grew up immersed in the world of Indian cinema.

“No one remembers when and why I started calling my father Bondhu. It was a strange way to address a father, as the word means ‘friend’ in Bengali. . . . As I got older, I became very self-conscious about such an odd name . . . and yet I cannot explain why I could not switch to the more acceptable Baba or something similar.”

Just as Kunal Sen, son of actor Gita Sen and filmmaker Mrinal Sen, was approaching adolescence, his father’s cinematic celebrity was reaching new heights. In this memoir, Kunal reflects on growing up in a middle-class household in South Calcutta, where his father’s Marxist beliefs and unrelenting urge “to be challenged and contradicted” often collided with the practical challenges of making a living. Through it all, what emerges is a picture of a family’s unyielding commitment to the craft of cinema, the risks each of its members took, and their endearing sense of humor. Celebrating Mrinal Sen’s birth centenary in 2023, Bondhu takes us on an intimate journey of a son attempting to reconcile his father’s public and private selves.
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cover of Bonds of Affection: Thoreau on Dogs and Cats

Bonds of Affection

Thoreau on Dogs and Cats

Wesley T. Mott

University of Massachusetts Press, 2005

Henry David Thoreau is celebrated as one of America's greatest nature writers, yet few readers are aware of the tender, perceptive, and often humorous attention he gave to the animals closest to human domestic life. Bonds of Affection: Thoreau on Dogs and Cats gathers the finest of Thoreau's own writings in which he turns his unflinching powers of observation and his characteristic philosophical wit toward our oldest animal companions.

In these pages, Thoreau emerges not merely as a solitary sojourner in the wild, but as a keen and affectionate chronicler of the relationships between people and the animals who share their lives. Whether tracking the behavior of a neighborhood dog, or meditating on the inscrutable self-possession of a cat, Thoreau reveals the depth of feeling and moral seriousness he believed we owe to all living creatures. His observations are sometimes wry, sometimes lyrical, and always charged with his conviction that an attentive life demands that we see the world through eyes other than our own.

Beautifully complemented by original engravings from celebrated artist Barry Moser and framed by a foreword from bestselling animal author Elizabeth Marshall Thomas, this elegantly produced volume is both a delight for lovers of Thoreau and an essential companion for anyone who has ever shared their home—and their heart—with a dog or a cat.

Published in cooperation with the Thoreau Society, Bonds of Affection introduces readers to a Thoreau who is at once familiar and surprising: playful and profound, grounded in the everyday, and alive to the wonder of the natural and domestic world alike.

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cover of Bonds of Enterprise: John Murray Forbes and Western Development in America's Railway Age

Bonds of Enterprise

John Murray Forbes and Western Development in America's Railway Age

John Lauritz Larson

University of Iowa Press, 2001

Bonds of Enterprise uses the life of railroad entrepreneur John Murray Forbes to explore the shift from antebellum merchant capitalism to late ninetieth-century corporate capitalism, the rise of big business, technological innovations, farmer agitation for railroad rate control, and the process of government regulations. Forbes started off his business life as a China trader in the 1830s, returned to the States in time to surmount the Panic of 1837, and then—deciding that railroad construction should be based on existing settlement and traffic systems rather than speculative ambitions—became a master builder, beginning with the Michigan Central Railroad and ending with the Chicago, Burlington & Quincy system and the growth of Chicago as a railroad hub. Focusing on Forbes’s life allows Larson to elaborate on the contest of wills between eastern capitalists and Midwestern boosters and the complex patterns of regional growth, particularly in Iowa, Illinois, Michigan, and Nebraska.
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cover of Bonelight: Ruin And Grace In The New Southwest

Bonelight

Ruin And Grace In The New Southwest

Mary Sojourner

University of Nevada Press, 2004

When upstate New Yorker Mary Sojourner reluctantly agreed to visit the Grand Canyon of Arizona, she little suspected that she was about to lose her heart to the beauty of the Southwest, or that she would shortly find a passion for the land, and a cause in protecting it. She has since gained notoriety as an environmental writer and as a grass-roots activist protesting the heedless development of the Southwest's increasingly precious and embattled open spaces. The essays collected here reflect Sojourner's journey from greenhorn to old-timer, from tourist to committed defender of the land and the human communities that share it. She writes of exploring the deserts, forests, mountains, and river rapids of the Southwest, and of her love for this austere and ravishing landscape; of family, friends, and lovers; of the ways that development is destroying the Southwest's fragile beauty; and of the greed and spiritual emptiness that motivate much of this development. There is humor here, and adventure, and the intensity of a writer who confronts the world around her with bold candor and a lover's tender gaze.
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cover of Bong Joon Ho

Bong Joon Ho

Joseph Jonghyun Jeon

University of Illinois Press, 2024

Successful cult films like The Host and Snowpiercer proved to be harbingers for Bong Joon Ho’s enormous breakthrough success with Parasite. Joseph Jonghyun Jeon provides a consideration of the director’s entire career and the themes, ambitions, techniques, and preoccupations that infuse his works. As Jeon shows, Bong’s sense of spatial and temporal dislocations creates a hall of mirrors that challenges us to answer the parallel questions Where are we? and When are we?. Jeon also traces Bong’s oeuvre from its early focus on Korea’s US-fueled modernization to examining the entanglements of globalization in Mother and his subsequent films. A complete filmography and in-depth interview with the director round out the book.

Insightful and engaging, Bong Joon Ho offers an up-to-date analysis of the genre-bending international director.

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cover of Book M: A London Widow's Life Writings

Book M

A London Widow's Life Writings

Katherine Austen, Edited by Pamela S. Hammons

Iter Press, 2013

This excellent piece of work brings a new and fascinating seventeenth-century voice to twenty-first-century readers interested in women’s studies, literature, and history. Book M by the London widow Katherine Austen lends itself well to modernization, which Professor Hammons has handled in a light and tactful manner. This book will be an excellent choice for classes on life writing in general and on early modern women’s writing in particular, and it will be a great contextual reading for courses on British Restoration culture and literature.
—Margaret J. M. Ezell
Distinguished Professor of English and John and Sara Lindsay Chair of Liberal Arts
Texas A&M University
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cover of Book for the Hour of Recreation

Book for the Hour of Recreation

María de San José Salazar

University of Chicago Press, 2002

María de San José Salazar (1548-1603) took the veil as a Discalced ("barefoot") Carmelite nun in 1571, becoming one of Teresa of Avila's most important collaborators in religious reform and serving as prioress of the Seville and Lisbon convents. Within the parameters of the strict Catholic Reformation in Spain, María fiercely defended women's rights to define their own spiritual experience and to teach, inspire, and lead other women in reforming their church.

María wrote this book as a defense of the Discalced practice of setting aside two hours each day for conversation, music, and staging of religious plays. Casting the book in the form of a dialogue, María demonstrates through fictional conversations among a group of nuns during their hours of recreation how women could serve as very effective spiritual teachers for each other. The book includes one of the first biographical portraits of Teresa and Maria's personal account of the troubled founding of the Discalced convent at Seville, as well as her tribulations as an Inquisitional suspect. Rich in allusions to women's affective relationships in the early modern convent, Book for the Hour of Recreation also serves as an example of how a woman might write when relatively free of clerical censorship and expectations.

A detailed introduction and notes by Alison Weber provide historical and biographical context for Amanda Powell's fluid translation.
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cover of Booker T. Washington Papers Volume 1: The Autobiographical Writings

Booker T. Washington Papers Volume 1

The Autobiographical Writings

Booker T. Washington

University of Illinois Press, 1972

Here is the first of fifteen volumes in a project C. Vann Woodward called "the single most important research enterprise now under way in the field of American black history."

Volume 1 contains Washington's Up from Slavery, one of the most widely read American autobiographies, in addition to The Story of My Life and Work, and six other autobiographical writings. Together, the selections provide readers with a first step toward understanding Washington and his immense impact. These writings reveal the moral values he absorbed from his mid-nineteenth-century experiences and teachers. As importantly, they present him to the world as he wished to be seen: as the black version of the American success hero and an exemplar of the Puritan work ethic that he believed to be the secret of his success. These works, along with so much of Washington's writing, served as a model for many black Americans striving to overcome poverty and prejudice.

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cover of Booker T. Washington Papers Volume 3: 1889-95.  Assistant editors, Stuart B. Kaufman and Raymond W. Smock

Booker T. Washington Papers Volume 3

1889-95. Assistant editors, Stuart B. Kaufman and Raymond W. Smock

Booker T. Washington. Edited by Louis R. Harlan, Assistant editors, Stuart B. Kaufman and Raymond W. Smock

University of Illinois Press, 1974

Washington's gradual rise to prominence as an educator, race leader, and shrewd political broker is revealed in this volume, which covers his career from May 1889 to September 1895, when he delivered the famous speech often called the Atlanta Compromise address. Much of the volume relates to Washington's role as principal of Tuskegee Institute, where he built a powerful base of operations for his growing influence with white philanthropists in the North, southern white leaders, and the black community.  
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cover of Booker T. Washington in American Memory

Booker T. Washington in American Memory

Kenneth M. Hamilton

University of Illinois Press, 2017

Since the 1960s, many historians have condemned Booker T. Washington as a problematic, even negative, influence on African American progress. This attitude dramatically contrasts with the nationwide outpouring of grief and reverence that followed Washington's death in 1915. Kenneth M. Hamilton describes how, when, where, and why Americans commemorated the life of Booker T. Washington. For months following his death, tens of thousands of Americans, especially blacks, honored his memory. Their memorials revealed that Washington enjoyed widespread national support for his vision of America and the programs that he imparted to achieve his aspirations. Their actions and articulations provide rich insight into how a cross section of Washington's contemporaries viewed him. From private messages of solace to public pronouncements, countless Americans portrayed him as a revered national icon. Among other characteristics, commemorates voiced their appreciation of his humanitarianism, humility, nationalism, perseverance, philanthropy, progressivism, spirituality, and wisdom. Washington was the leading advocate of the Yankee Protestantism Ethic, which promoted education, and personal qualities such as pragmatism, perseverance, cleanliness, thrift, and the dignity of labor among African Americans.
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cover of Bookwomen: Creating an Empire in Children’s Book Publishing, 1919–1939

Bookwomen

Creating an Empire in Children’s Book Publishing, 1919–1939

Jacalyn Eddy

University of Wisconsin Press, 2006

The most comprehensive account of the women who, as librarians, editors, and founders of the Horn Book, shaped the modern children's book industry between 1919 and 1939. The lives of Anne Carroll Moore, Alice Jordan, Louise Seaman Bechtel, May Massee, Bertha Mahony Miller, and Elinor Whitney Field open up for readers the world of female professionalization. What emerges is a vivid illustration of some of the cultural debates of the time, including concerns about "good reading" for children and about women's negotiations between domesticity and participation in the paid labor force and the costs and payoffs of professional life.

Published in collaboration among the University of Wisconsin Press, the Center for the History of Print Culture in Modern America (a joint program of the University of Wisconsin–Madison and the Wisconsin Historical Society), and the University of Wisconsin–Madison General Library System Office of Scholarly Communication.

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cover of Border Healing Woman: The Story of Jewel Babb as told to Pat LittleDog (second edition)

Border Healing Woman

The Story of Jewel Babb as told to Pat LittleDog (second edition)

By Jewel Babb as told to Pat Littledog

University of Texas Press, 1994

The story of Jewel Babb, from her early years as a tenderfoot ranch wife to her elder years as a desert healing woman, has enthralled readers since Border Healing Woman was first published in 1981. In this second edition, Pat LittleDog adds an epilogue to conclude the story, describing the mixed blessings that publicity brought to Jewel Babb before her death in 1991.

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cover of Border Junkies: Addiction and Survival on the Streets of Juárez and El Paso

Border Junkies

Addiction and Survival on the Streets of Juárez and El Paso

By Scott Comar

University of Texas Press, 2011

The drug war that has turned Juárez, Mexico, into a killing field that has claimed more than 7,000 lives since 2008 captures headlines almost daily. But few accounts go all the way down to the streets to investigate the lives of individual drug users. One of those users, Scott Comar, survived years of heroin addiction and failed attempts at detox and finally cleaned up in 2003. Now a graduate student at the University of Texas at El Paso in the history department's borderlands doctoral program, Comar has written Border Junkies, a searingly honest account of his spiraling descent into heroin addiction, surrender, change, and recovery on the U.S.-Mexico border.

Border Junkies is the first book ever written about the lifestyle of active addiction on the streets of Juárez. Comar vividly describes living between the disparate Mexican and American cultures and among the fellow junkies, drug dealers, hookers, coyote smugglers, thieves, and killers who were his friends and neighbors in addiction—and the social workers, missionaries, shelter workers, and doctors who tried to help him escape. With the perspective of his anthropological training, he shows how homelessness, poverty, and addiction all fuel the use of narcotics and the rise in their consumption on the streets of Juárez and contribute to the societal decay of this Mexican urban landscape. Comar also offers significant insights into the U.S.-Mexico borderland's underground and peripheral economy and the ways in which the region's inhabitants adapt to the local economic terrain.

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cover of Borderman: Memoirs of Federico José María Ronstadt

Borderman

Memoirs of Federico José María Ronstadt

Edited by Edward F. Ronstadt; Forewords by Bernard L. Fontana and Ernesto Portillo, Jr.

University of Arizona Press, 2003

Born in Sonora in 1868 to a Mexican mother and a German father, Federico Ronstadt was the quintessential borderman. He came to Arizona Territory as a young man to learn a trade and eventually became an American citizen; but with many relatives on both sides of the border, Federico was equally at home in Mexico and in his adopted country.

Writing proudly of his Mexican and American heritages, Ronstadt offers readers an extraordinary portrait of the Arizona-Mexico borderlands during the late nineteenth century. His memoirs provide a richness of detail and insight unmatched by traditional histories, relating such scenarios as the hardships of Yaqui hardrock miners working under primitive conditions, the travails of pearl divers in the Gulf of California, and the insurrection of Francisco Serna in 1875 Sonora. They also depict the simple activities of childhood, with its schooling and musical training, its games and mischief. Ronstadt relates his apprenticeship to a wagon- and carriage-maker in Tucson, recalling labor relations in the shop, the establishment of his own business, and the joys and anguish of his personal life. He tells of how he drew on talents nurtured in childhood to become a musician and bandleader, playing weekly concerts with Club Filarmónica Tucsonense for nine years—musical talents that were eventually passed on to his children, his grandchildren (including Linda), and great-grandchildren.

Through Ronstadt's memories, we are better able to understand the sense of independence and self-reliance found today among many lifelong residents of Sonora and Baja California—people isolated from major supply sources and centers of power—and to appreciate a different view of Tucson's past. Enhanced by 22 historical photos, Borderman is a treasure trove of historical source material that will enlighten all readers interested in borderlands history.
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cover of Borges in Sicily: Journey with a Blind Guide

Borges in Sicily

Journey with a Blind Guide

Alejandro Luque

Haus Publishing, 2017

When Alejandro Luque receives a book of photographs taken in Sicily by the Argentinian writer, essayist, and poet Luis Borges, he decides to trace the writer’s journey, setting off with a group of friends on his own Sicilian odyssey. Meticulously identifying the location of each photograph, Luque uses Borges’s pictures to imagine the range of emotions that the renowned writer felt as he experienced the same views. As his hunt for the locations of the original photographs unfolds, Luque chronicles the ways in which he begins to fall in love with both the island itself and with his friend, Ro.

This winding journey features literati both past and present, indigenous and foreign. These characters live alongside Luque’s own comments and observations in a narrative that is rich in historical and personal detail. The writer who inspired this great journey, Borges himself, becomes a character in this narrative that is infused with extracts and reflections from his essays and poetry. Borges in Sicily acts as a travel diary, a guide to the most fascinating places in Sicily, a recounting of Borges’s journey around the island, and a deeply poetic story of Luque’s own adventures. The book also includes twenty-three photographs from the renowned Magnum photographer Ferdinando Scianna, and it won the 1st Premio International del Libros de Viajes.
 
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cover of Born a Chief: The Nineteenth Century Hopi Boyhood of Edmund Nequatewa, as told to Alfred F. Whiting

Born a Chief

The Nineteenth Century Hopi Boyhood of Edmund Nequatewa, as told to Alfred F. Whiting

Edmund Nequatewa

University of Arizona Press, 1993

"Extraordinary memoir. . . . His story will break your heart."—El Palacio

"This story was fascinating. . . . One worth the telling and one which will stay with the reader."—American Desert Magazine

"Recommended."—Choice
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cover of Born in the Delta: Reflections on the Making of a Southern White Sensibility

Born in the Delta

Reflections on the Making of a Southern White Sensibility

Margaret Bolsterli

University of Arkansas Press, 2000

In this gracefully written memoir, Margaret Jones Bolsterli recounts her experiences as a lively, observant girl coming of age on an Arkansas cotton farm during the 1930s and 1940s. The Mississippi River's broad, flat floodplain provides the setting for her vivid strokes of memory and history each portraying key elements of the "southern sensibility." Bolsterli's themes include the southerner's strong sense of place, the penchant for stories rather than true dialog, a caste system based on formality and race, the underlying current of violence, and the repressive function of evangelical religion. She also examines manners, the patriarchal family structure, the "southern belle" concept, and the persistence of the memory of the Civil War. A fascinating chapter on food indicates how African and European customs are melded in southern cuisine to include chicken, pork, "cracklin' bread," gravy and biscuits, field peas, turnip greens, butter beans, devil's food cake, and dill pickles. Comparable to Shirley Abbott's Womenfolks, Born in the Delta is a valuable resource for those interested in southern history and culture, as well as readers who just enjoy a good story, well-told.
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cover of Born in the U.S.A.: Bruce Springsteen in American Life, 3rd edition, Revised and Expanded

Born in the U.S.A.

Bruce Springsteen in American Life, 3rd edition, Revised and Expanded

Jim Cullen

Rutgers University Press, 2024

Pioneering the field of Springsteen scholarship when it first appeared in 1997, Born in the U.S.A. remains one of the definitive studies of Springsteen’s work and its impact on American culture. Moving beyond journalistic and biographical approaches, Jim Cullen situates the artist in a wider historical canvas that stretches from the Puritans to Barack Obama, showing how he has absorbed, refracted, and revitalized American mythology, including the American Dream, the work ethic, and the long quest for racial justice. Exploring difficult questions about Springsteen’s politics, he finds a man committed to both democratic and republican principles, as well as a patriot dedicated to revealing the lapses of a country he loves. 
 
This third edition of Born in the U.S.A. is fully revised and updated, incorporating discussion of Springsteen’s wide output in the 21st century. While addressing Springsteen’s responses to events like 9/11, it also considers the evolution of his attitudes towards religion, masculinity, and his relationship with his audience. Whether a serious Springsteen fan or simply an observer of American popular culture, Born in the U.S.A. will give you a new appreciation for The Boss. 



 
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cover of Boston Ballerina: A Dancer, a Company, an Era

Boston Ballerina

A Dancer, a Company, an Era

Laura Young and Janine Parker

University Press of New England, 2017

As a charter member of Boston Ballet and its predecessor, New England Civic Ballet, Laura Young has been affiliated with the company longer than any other dancer in its history. This book is both a memoir of her personal journey and a fascinating account of Boston Ballet’s rise from a regional troupe to the internationally recognized company that it is today. It is interspersed with ruminations on the history of ballet, stories from the company’s Balanchine-influenced early years under founder E. Virginia Williams, and recollections from noteworthy tours, including those featuring the legendary Rudolf Nureyev, with whom Young was frequently paired. After retiring from the stage, Young has continued her affiliation with Boston Ballet, both as an administrator and a teacher. Working in collaboration with Janine Parker, Young has written a lively, informed, and entertaining memoir.
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cover of Boston Mayor Thomas Menino: Lessons for Governing Post-Industrial Cities

Boston Mayor Thomas Menino

Lessons for Governing Post-Industrial Cities

Wilbur C. Rich

University of Massachusetts Press, 2023

Hailed as one of Boston’s most beloved mayors and its longest serving, Thomas Menino (1942–2014) deftly managed the city’s finances and transformed Boston into the hub of innovation that it is today. During his time in office, Boston embraced modern industrial growth and moved forward with noteworthy developments that altered neighborhoods, while also facing ongoing racial strife, challenges of unaffordable housing, and significant public union negotiations.

Mayors in modern American cities occupy unique positions as government leaders who need to remain active parts of their communities in addition to being tasked with fixing neighborhood issues, managing crises, and keeping schools and public infrastructure on course. Situating news coverage alongside interviews with the mayor and his administration, political scientist Wilbur C. Rich chronicles Menino’s time in office while also considering his personal and professional background, his larger-than-life personality, and his ambitions. Menino’s approach to these challenges and opportunities offers enduring lessons to anyone interested in urban government and political leadership.

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cover of Botanical Companions: A Memoir of Plants and Place

Botanical Companions

A Memoir of Plants and Place

Frieda Knobloch

University of Iowa Press, 2005

In her luminous inquiry into the intricate connections among work, place, and people, Frieda Knobloch explores the lives of two Rocky Mountain botanists, Aven Nelson (1859-1952) and Ruth Ashton Nelson (1896-1987). Aven was a professor of botany at the University of Wyoming for many years; Ruth compiled field guides to Rocky Mountain plants and wrote articles on botany for magazines. The two met and married when Aven was in his seventies and Ruth was in her mid thirties, and they developed a symbiotic partnership that joined work and play, learning and companionship. Into this relatively straightforward reconstruction of two lives Knobloch blends the history of her own life as a scholar and an amateur naturalist, her own journal entries, and her letters written to Ruth to create a transformative environmental auto/biography.
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cover of Bound for America: Three British Composers

Bound for America

Three British Composers

Nicholas Temperley

University of Illinois Press, 2002

Nicholas Temperley documents the lives, careers, and music of three British composers who emigrated from England in mid-career and became leaders in the musical life of the early United States. William Selby of London and Boston (1738-98), Rayner Taylor of London and Philadelphia (1745-1825), and George K. Jackson of London, New York, and Boston (1757-1822) were among the first trained professional composers to make their home in America and to pioneer the building of an art music tradition in the New World akin to the esteemed European classical music. Why, in middle age, would they emigrate and start over in uncertain and unfavorable conditions? How did the new environment affect them personally and musically? Temperley compares their lives, careers, and compositional styles in the two countries and reflects on American musical nationalism and the changing emphasis in American musical historiography.
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cover of Bourdieu: Critical Perspectives

Bourdieu

Critical Perspectives

Edited by Craig Calhoun, Edward LiPuma, and Moishe Postone

University of Chicago Press, 1993

Long a dominant figure in the French human sciences, Pierre Bourdieu has become internationally influential in the fields of sociology, anthropology, and cultural studies. A major figure in the development of "practice" as an organizing concept in social research, Bourdieu has emerged as the foremost advocate of reflexive social science; his work combines an astonishing range of empirical work with highly sophisticated theory.

American reception of his works, however, has lacked a full understanding of their place within the broad context of French human science. His individual works separated by distinct boundaries between social science fields in American academia, Bourdieu's cohesive thought has come to this country in fragments.

Bourdieu: Critical Perspectives provides a unified and balanced appraisal of Bourdieu's varied works by both proponents and skeptics. The essays are written from the varied viewpoints of cultural anthropology, ethnomethodology and other varieties of sociology, existential and Wittgensteinian philosophies, linguistics, media studies, and feminism. They work around three main themes: Bourdieu's effort to transcend gaps between practical knowledge and universal structures, his central concept of "reflexivity," and the relations between social structure, systems of classification, and language.

Ultimately, the contributors raise a variety of crucial theoretical questions and address problems that are important not only to understanding Bourdieu but to advancing empirical work of the kind he has pioneered. In an essay written especially for this volume, Bourdieu describes his own "mode of intellectual production" and the reasons he sees for its common misunderstanding.

The contributors are Hubert Dreyfus, Paul Rabinow, Charles Taylor, Aaron Cicourel, James Collins, William Hanks, Beate Krais, Nicholas Garnham, Scott Lash, Roger Brubaker, and Loic Wacquant, and the editors.
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cover of Bowers Mansion: The Legacy of a Comstock Family

Bowers Mansion

The Legacy of a Comstock Family

Tamera J. Buzick

University of Nevada Press, 2026

Few estates born from the discovery of the Comstock Lode still survive. Among the grandest, Bowers Mansion, dates to the height of the Civil War. The property has a tragic history shrouded in legend, laid bare within these pages: from the mansion’s construction; to Eilley Bowers’s fight to maintain the property after her husband’s death, running it as a resort and telling fortunes; to the mansion’s restoration in the sixties with aid of a handful of determined women. Bowers Mansion: The Legacy of a Comstock Family is a tale of wealth and poverty, of decay and revival, offering up a powerful story from Nevada’s history for readers of all kinds to enjoy.
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cover of Boxing Shadows

Boxing Shadows

By W. K. Stratton, with Anissa "The Assassin" Zamarron

University of Texas Press, 2009

Reaching the top in any sport requires a long, hard climb. But when you start with the baggage of years of family dysfunction and incarceration in a hellish mental hospital, the climb is especially steep. Yet even with such weights to carry, Anissa Zamarron won not one, but two, world championships in women's boxing. Her story, as dramatically intense as the Clint Eastwood film Million Dollar Baby, is one of tremendous courage and determination to overcome the odds against her as a Latina and as a woman working through mental illness and addiction—a fight in which Zamarron has been as powerful and successful as she has been in the boxing ring.

In this compelling biography, acclaimed author W. K. "Kip" Stratton collaborates with Zamarron to tell the story of her unlikely rise to the pinnacle of women's boxing. With searing honesty, Zamarron describes how the chaotic breakup of her childhood family caused her to develop "demons" that drove her to aggressive behavior in school, an addiction to self-destructive habits, including cutting, and eventually to a corrupt for-profit mental hospital in which she spent eighteen months tied to a bed. She explains how boxing became her salvation as an adult; she learned how to turn her anger and aggression into motivation to train hard and excel at her sport, not only becoming the first woman to fight as a professional in a sanctioned fight in New York, but also fighting more ten-round fights than any other woman in history. A gripping account of Zamarron's 2005 upset win over Maribel Zurita to claim her second world championship caps the book.

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cover of Boy Soldier of the Confederacy: The Memoir of Johnnie Wickersham

Boy Soldier of the Confederacy

The Memoir of Johnnie Wickersham

Edited by Kathleen Gorman

Southern Illinois University Press, 2006

Johnnie Wickersham was fourteen when he ran away from his Missouri home to fight for the Confederacy. Fifty years after the war, he wrote his memoir at the request of family and friends and distributed it privately in 1915. Boy Soldier of the Confederacy: The Memoir of Johnnie Wickersham offers not only a rare look into the Civil War through the eyes of a child but also a coming-of-age story.

Edited by Kathleen Gorman, the volume presents a new introduction and annotations that explain how the war was glorified over time, the harsh realities suppressed in the nation’s collective memory. Gorman describes a man who nostalgically remembers the boy he once was. She maintains that the older Wickersham who put pen to paper decades later likely glorified and embellished the experience, accepting a polished interpretation of his own past.

Wickersham recounts that during his first skirmish he was "wild with the ecstasy of it all" and notes that he was "too young to appreciate the danger." The memoir traces his participation in an October 1861 Confederate charge against Springfield, Missouri; his fight at the battle of Pea Ridge in March 1862; his stay at a plantation he calls Fairyland; and the battle of Corinth.

The volume details Wickersham’s assignment as an orderly for General Sterling Price, his capture at Vicksburg in 1863, his parole, and later his service with General John Bell Hood for the 1864 fighting around Atlanta. Wickersham also describes the Confederate surrender in New Orleans, the reconciliation of the North and the South, and his own return and reunification with his family.

While Gorman’s incisive introduction and annotations allow readers to consider how memories can be affected by the passage of time, Wickersham’s boy-turned-soldier tale offers readers an engaging narrative, detailing the perceptions of a child on the cusp of adulthood during a turbulent period in our nation’s history.

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cover of Boys Will Be Boys: A Daughter's Elegy

Boys Will Be Boys

A Daughter's Elegy

Sara Suleri Goodyear

University of Chicago Press, 2003

Sara Suleri Goodyear's Meatless Days, recognized now as a classic of postcolonial literature, is a finely wrought memoir of her girlhood in Pakistan after the 1947 partition. Set around the women of her family, Meatless Days intertwines the violent history of Pakistan's independence with Suleri Goodyear's most intimate memories of her grandmother, mother, and sisters. In Boys Will Be Boys, she returns—with the same treasury of language, humor, and passion—to her childhood and early adulthood to pay tribute to her father, the political journalist Z. A. Suleri (known as Pip, for his "patriotic and preposterous" disposition).

Taking its title from that jokingly chosen by her father for his unwritten autobiography, Boys Will Be Boys dips in and out of Suleri Goodyear's upbringing in Pakistan and her life in the United States, moving between public and private history and addressing questions of loss and cultural displacement through a resolutely comic lens. In this rich portrait, Pip emerges as a prodigious figure: an ardent agitator against British rule in the 1930s and 1940s, a founder of the Times of Karachi and the Evening Times, on-and-off editor of the Pakistan Times, for a brief time director of the Pakistan military intelligence service, and a frequently jailed antagonist of successive Pakistani leaders. To the author, though, he was also "preposterous . . . counting himself king of infinite space," a man who imposed outrageously on his children. As Suleri Goodyear chronicles, Pip demanded their loyalty yet banished them easily from his favor; contrary and absurdly unfair, he read their diaries, interfered in their relationships, and believed in a father's inalienable right to oppress his children.

Suleri Goodyear invites the reader into an intimacy shaped equally by history and intensely personal detail, creating an elegant elegy for a man of force and contradiction. And perhaps Pip was not so preposterous after all: "On Judgment Day," he told his daughter, "I will say to God, 'Be merciful, for I have already been judged by my child.'"
[more]
cover of Bradbury Beyond Apollo

Bradbury Beyond Apollo

Jonathan R. Eller

University of Illinois Press, 2020

Celebrated storyteller, cultural commentator, friend of astronauts, prophet of the Space Age—by the end of the 1960s, Ray Bradbury had attained a level of fame and success rarely achieved by authors, let alone authors of science fiction and fantasy. He had also embarked on a phase of his career that found him exploring new creative outlets while reinterpreting his classic tales for generations of new fans.

Drawing on numerous interviews with Bradbury and privileged access to personal papers and private collections, Jonathan R. Eller examines the often-overlooked second half of Bradbury's working life. As Bradbury's dreams took him into a wider range of nonfiction writing and public lectures, the diminishing time that remained for creative pursuits went toward Hollywood productions like the award-winning series Ray Bradbury Theater. Bradbury developed the Spaceship Earth narration at Disney's EPCOT Center; appeared everywhere from public television to NASA events to comic conventions; published poetry; and mined past triumphs for stage productions that enjoyed mixed success. Distracted from storytelling as he became more famous, Bradbury nonetheless published innovative experiments in autobiography masked as detective novels, the well-received fantasy The Halloween Tree and the masterful time travel story "The Toynbee Convector." Yet his embrace of celebrity was often at odds with his passion for writing, and the resulting tension continuously pulled at his sense of self.

The revelatory conclusion to the acclaimed three-part biography, Bradbury Beyond Apollo tells the story of an inexhaustible creative force seeking new frontiers.

[more]
cover of Braddock's March: How the Man Sent to Seize a Continent Changed American History

Braddock's March

How the Man Sent to Seize a Continent Changed American History

Thomas E. Crocker

Westholme Publishing, 2009

Winner of the 2011 New York Society of Colonial Wars Distinguished Book Award

“The strength of this book lies in Crocker’s presentation of the battle and the complicated logistics involved.”—Times Literary Supplement “Braddock’s March is arguably the first truly comprehensive history devoted exclusively to the calamitous march that remade North America. . . . Braddock’s story is superb history.”—Weekly Standard “Drawing on original sources, Crocker grittily reconstructs the advance of Edward Braddock’s army on Fort Duquesne. . . . Attentive to detail, Crocker will engage colonial-history readers in this well illustrated book.”—Booklist

“Both Braddock’s epic march and subsequent destruction are brought to life by Thomas E. Crocker in Braddock’s March, his impeccably researched account of an important but largely forgotten chapter in American history. . . . It all adds up to a stirring tale.”—Washington Times 

“Before we parted, the General told me he should never see me more; for he was going with a handful of men to conquer whole nations; and to do this they must cut their way through unknown woods. He produced a map of the country, saying at the same time, ‘Dear Pop, we are sent like sacrifices to the altar.’” - George Anne Bellamy on General Edward Braddock’s departure

In January 1755, Major General Edward Braddock was sent by Great Britain on a mission to drive France once and for all from the New World. Accompanied by the largest armed expeditionary force ever sent to North America, Braddock’s primary target was the Forks of the Ohio, where he planned to seize Fort Duquesne (at present-day Pittsburgh, Pennsylvania), and then march north into Canada. After landing in Alexandria, Virginia, and organizing his troops and supply chain, Braddock and his expedition began its nearly 250-mile trek, heroically cutting through uncharted wilderness, fording rivers, and scaling the Appalachian mountains, all while hauling baggage and heavy artillery. Braddock was joined on this epic mission by a young Virginia colonel, George Washington, and others who would later play major roles in the American Revolution, including Horatio Gates, Thomas Gage, and Charles Lee; among those driving the expedition’s wagons were Daniel Boone and Daniel Morgan. Having withstood the harsh frontier and finally marching upon Fort Duquesne on a hot July morning, Braddock’s exhausted column was ambushed by a combined French and Indian force. Over two-thirds of Braddock’s British and colonial troops were killed or wounded, including Braddock himself, struck by a bullet in the chest while attempting to rally his disoriented troops. George Washington miraculously escaped harm despite four bullet holes through his clothing. With this battle, North America became the greatest stake in the global war between France and Great Britain.

In Braddock’s March: How the Man Sent to Seize a Continent Changed American History, Thomas E. Crocker tells the riveting story of one of the most important events in colonial America. Not only did Braddock’s expedition have a profound impact on American political and military developments, this fateful march laid the foundation for the “National Pike,” the major road for westward expansion, launched the career of George Washington, and sowed the seeds of dissent between  England and its colonies that would ultimately lead to the American Revolution.

[more]
cover of Brann and the Iconoclast

Brann and the Iconoclast

By Charles Carver

University of Texas Press, 1957

"They wouldn't let him rest—even in his grave." Thus Charles Carver opens his story of the climactic years of a journalist who had poured out such blazing prose that readers from England to Hawaii mourned his murder.

The impact of William Cowper Brann's Iconoclast upon the town of Waco, Texas, in the 1890's was like a rocket burst in a quiet sky. Rebelling against Victorian hypocrisy, the newspaperman took aim at organized virtue, exemplified for him by Baylor University and other Baptist organizations.

Dr. Roy Bedichek, noted author and naturalist, knew Brann, and after reading this book in manuscript said, "I am at once delighted and disappointed: disappointed to find my teen-age hero reduced to size... delighted with the art of the biographer.... It has genuine literary excellence... is a chapter in the history of the publishing business in Texas that needs to be put into print...."

[more]
cover of Brassai: Letters to My Parents

Brassai

Letters to My Parents

Brassaï

University of Chicago Press, 1997

Nicknamed the "Eye of Paris" by Henry Miller, Brassaï was one of the great European photographers of the twentieth century. This volume of letters and photographs, many published for the first time, chronicles the fascinating early years of Brassaï's life and artistic development in Paris and Berlin during the 1920s and 1930s.

"[Brassaï] is probably the only photographer—at least in France—to have acquired such a vast audience and mastered his material to such a degree that he can express himself with a flexibility and apparent ease that is almost literary in its nature."—Jean Gallien, Photo-Monde

"The letters that Brassaï wrote to his parents between 1920 and 1940 chronicle the sometimes painful stages by which this gifted man hauled himself from penury to celebrity."—Peter Hamilton, Times Literary Supplement

"In these proud, protective, occasionally conscience-stricken missives, the young man full of eager dreams emerges as one of the century's pioneering photographers, revered for his lushly atmospheric portraits of Paris after dark."—Elle

"A fascinating insight into how a bright individual slowly found his calling."—Christine Schwartz Hartley, New York Times Book Review

[more]
cover of Brave Are My People: Indian Heroes Not Forgotten

Brave Are My People

Indian Heroes Not Forgotten

Frank Waters

Ohio University Press, 1998

Pontiac, Sequoyah, Geronimo, Sitting Bull, Chief Joseph, and Chief Seattle. These legendary names are familiar even to the uninitiated in Native American history, yet the life stories of these great spiritual leaders have been largely unknown.

In this, his last book, internationally celebrated author Frank Waters makes vivid the poignant, humorous, and tragic stories of these neglected and heroic Native Americans. From the brilliant tactical abilities of famed warriors to the eloquent oratory of indigenous philosophers, poets, and statesmen, the profiles in Brave Are My People help correct this error of omission.

Now in paperback, Brave Are My People represents a major contribution to Water’s remarkable literary work.

[more]
cover of Braxton Bragg and Confederate Defeat V. II

Braxton Bragg and Confederate Defeat V. II

Judith Lee Hallock

University of Alabama Press, 2009

The second volume in a two-part examination of one of the Confederacy's most controversial and unsuccessful military commanders
 
In the summer of 1863, Confederate General Braxton Bragg was commander of the Army of Tennessee., still reeling from its defeat in January at Murfreesboro, Tennessee. Failing to establish a strong defensive position at either Tullahoma or Chattanooga, Bragg saw the heartland of the South gradually slip away from him. Victory at Chickamauga Creek in September—Bragg’s last military success—was followed by disaster at Missionary Ridge and, shortly thereafter, his removal from army command.
 
Within three months, however, President Jefferson Davis had restored Bragg to active military involvement, naming him military adviser for the Confederacy. Here, finally, Bragg’s skills as an administrator and organizer bore fruit—as did his penchant for provoking quarrels and disunity within the military establishment. Reassigned to field command in late 1864, Bragg concluded his army service with defeats at Wilmington and Bentonville, North Carolina. The prevailing view of Bragg’s is a false one. Rather, he was a valuable asset to the Confederacy, a talented organizer whose gifts were misused by the nation he served. For the first time, Bragg’s tenure in Richmond is examined carefully and evaluated. Contrary to the common view that Bragg was nothing more than a sycophant to President Davis, this study shows that he and Davis often disagreed on policy. Much of Bragg’s present reputation among civil war scholars is based upon how contemporaries viewed him. Despite Bragg’s determined devotion to the Confederacy, his frailties have shaped the literature to such an extent that his real accomplishments have been distorted or ignored. In this study the author has tried, as General Joseph E. Johnston once advised, to “have a little charity for Bragg.”
 
Judith Lee Hallock draws a balanced picture of Bragg and of his important role in the Confederacy beginning in 1863. Her volume continues and completes the biography of Bragg published in Volume I by Grady McWhiney in 1969. Along with the military details, the author provides a full accounting of Bragg’s fractious relationships with other members of the military, a critical factor in this period for the entire Confederate command. This sympathetic biography of Bragg gives valuable insight into the workings of the Confederacy in the last two years of its struggle for independence.
 
[more]
cover of Braxton Bragg and Confederate Defeat: Volume 1

Braxton Bragg and Confederate Defeat

Volume 1

Grady McWhiney

University of Alabama Press, 1991

Born in 1817 in North Carolina, Bragg ranked high in the graduating class of 1837 at West Point. He served with distinction in both the Seminole War and the Mexican War. Just prior to the outbreak of the Civil War, Bragg was promoted to major general. In June 1862 Bragg was named Commander of the Army of Tennessee, the principal Confederate force in the West, and was described by Secretary of War Judah P. Benjamin as “the greatest General.”
 
Yet less than two years later Bragg was the South’s most discredited commander. Much of this criticism was justified, for he had done as much as any Confederate general to lose the war. Under his direction the army fought four major campaigns before retreating from Kentucky through Tennessee to Georgia. The army’s failures were Bragg’s failures, and after his defeat at Chattanooga in November 1863 Bragg was relieved of field command. Instead of retirement to the obscurity most people believed he so richly deserved, Bragg received a remarkable promotion: he went to Richmond as President Davis’s military adviser.
           
McWhiney intended this work – first published in 1969 – to be the first of two volumes covering the life of the Confederacy’s most problematic general. This reprint edition is issued along with Braxton Bragg and Confederate Defeat, Volume II by Judith Lee Hallock. McWhiney’s work carries Bragg through the defeat at Murfreesboro in January 1863, and Hallock’s book continues through the staff appointment in Richmond and Bragg’s final days as a private citizen.
[more]
cover of Brazilian Women Speak: Contemporary Life Stories

Brazilian Women Speak

Contemporary Life Stories

Daphne Patai

Rutgers University Press, 1988

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[more]
cover of Bread: A Memoir of Hunger

Bread

A Memoir of Hunger

Lisa Knopp

University of Missouri Press, 2025

When she was 54, Lisa Knopp’s weight dropped to a number on the scale that she hadn’t seen since seventh grade. The severe food restricting that left her thin and sick when she was 15 and 25 had returned. This time, she was determined to understand the causes of her malady and how she could heal from a condition that is caused by a tangle of genetic, biological, familial, psychological, cultural, and spiritual factors. This compelling memoir, at once a food and illness narrative, explores the forces that cause eating disorders and disordered eating, including the link between those conditions in women, middle-aged and older, and the fear of aging and ageism.

Winner of the 2017 Nebraska Book Award for Memoir

2017 Choice Outstanding Academic Title

[more]
cover of Breaking Into the Current: Boatwomen of the Grand Canyon

Breaking Into the Current

Boatwomen of the Grand Canyon

Louise Teal

University of Arizona Press, 1994

In 1973, Marilyn Sayre gave up her job as a computer programmer and became the first woman in twenty years to run a commercial boat through the Grand Canyon. Georgie White had been the first, back in the 1950s, but it took time before other women broke into guiding passengers down the Colorado River. This book profiles eleven of the first full-season Grand Canyon boatwomen, weaving together their various experiences in their own words.

Breaking Into the Current is a story of romance between women and a place. Each woman tells a part of every Canyon boatwoman's story: when Marilyn Sayre talks about leaving the Canyon, when Ellen Tibbets speaks of crew camaraderie, or when Martha Clark recalls the thrill of white water, each tells how all were involved in the same romance.

All the boatwomen have stories to tell of how they first came to the Canyon and why they stayed. Some speak of how they balanced their passion for being in the Canyon against the frustration of working in a traditionally male-oriented occupation, where today women account for about fifteen percent of the Canyon's commercial river guides.

As river guides in love with the Canyon and their work, these women have followed their hearts. "I've done a lot," says Becca Lawton, "but there's been nothing like holding those oars in my hands and putting my boat exactly where I wanted it. Nothing."
[more]
cover of Breaking the Barnyard Barrier: A Woman Veterinarian Paves the Way

Breaking the Barnyard Barrier

A Woman Veterinarian Paves the Way

Linda Rhodes

University of Nevada Press, 2026

In the late 1970s the golden valley between Utah’s Wasatch Mountains was home to some of the best dairies in the country. That was also where Linda Rhodes, a newly minted large animal veterinarian, had to prove that a woman could do what the Mormon dairymen were sure was a man’s job. She was often scared that they were right. Throughout her experience, she tackled a menagerie of challenging medical and surgical cases that forced her to be fearless. Every bovine life she saved helped her confidence grow, but each failure left her feeling defeated—as did the mounting tensions between pursuing a demanding career and saving a crumbling marriage.

In Breaking the Barnyard Barrier, Linda Rhodes tells the story of how a woman, through grit and tears, made her way in a man’s world and blazed a path that prevailed against career stereotypes.
[more]
cover of Breaking the Silence: The German Who Exposed the Final Solution.

Breaking the Silence

The German Who Exposed the Final Solution.

Walter Laqueur and Richard Breitman

Brandeis University Press, 1994

Through unparalleled historical detective work, noted scholars Walter Laqueur and Richard Breitman reveal the inspiring tale of Eduard Schulte, the Breslau business leader who risked his life to gather information about such Nazi activities as the revised date of the German attack on Poland and the Nazi plan for mass extermination of European Jews. First published in 1986, Breaking the Silence is reissued with both a new foreword and afterword by the authors.
[more]
cover of Brewtown Tales: More Stories from Milwaukee and Beyond

Brewtown Tales

More Stories from Milwaukee and Beyond

John Gurda

Wisconsin Historical Society Press, 2022

John Gurda’s South Side Milwaukee family loved potluck dinners. “From the Jell-O salads at the start of the line through the hot dishes in the middle and on to the pumpkin bars at the end, the food was always hearty, abundant, and certifiably homemade,” he writes. Drawing from Gurda’s long-running Sunday Milwaukee Journal Sentinel column, Brewtown Tales was prepared in the spirit of those fondly remembered meals. The main dish is Milwaukee history, served in a multitude of ways. You will find in these pages the biography of a bridge, a requiem for a union, tales of two shipwrecks, a frank take on segregation, and memories of the summer of ’68, among many other things. There are also side dishes that convey the distinctive flavors of Wisconsin and a few more exotic places, from Vilas County to Vietnam. Brewtown Tales will satisfy your hunger, introduce you to new and unexpected tastes, and whet your appetite for more homemade history.
 
[more]
cover of Brian W. Aldiss

Brian W. Aldiss

Paul Kincaid

University of Illinois Press, 2022

Brian W. Aldiss wrote classic science fiction novels like Report on Probability A and Hothouse. Billion Year Spree, his groundbreaking study of the field, defined the very meaning of SF and delineated its history. Yet Aldiss’s discomfort with being a guiding spirit of the British New Wave and his pursuit of mainstream success characterized a lifelong ambivalence toward the genre.

Paul Kincaid explores the many contradictions that underlay the distinctive qualities of Aldiss’s writing. Wartime experiences in Asia and the alienation that arose upon his return to the cold austerity of postwar Britain inspired themes and imagery that Aldiss drew upon throughout his career. He wrote of prolific nature overwhelming humanity, believed war was madness even though it provided him with the happiest period of his life, and found parallels in the static lives of Indian peasants and hidebound English society. As Kincaid shows, contradictions created tensions that fueled the metaphorical underpinnings of Aldiss's work and shaped not only his long career but the evolution of postwar British science fiction.

[more]
cover of Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and the Metropolitan Sound of the American Century

Bridge and Tunnel Boys

Bruce Springsteen, Billy Joel, and the Metropolitan Sound of the American Century

Jim Cullen

Rutgers University Press, 2024

Born four months apart, Bruce Springsteen and Billy Joel both released their debut albums in the early 1970s, quickly becoming two of the most successful rock stars of their generation. While their critical receptions have been very different, surprising parallels emerge when we look at the arcs of their careers and the musical influences that have inspired them.

Bridge and Tunnel Boys compares the life and work of Long Islander Joel and Asbury Park, New Jersey, native Springsteen, considering how each man forged a distinctive sound that derived from his unique position on the periphery of the Big Apple. Locating their music within a longer tradition of the New York metropolitan sound, dating back to the early 1900s, cultural historian Jim Cullen explores how each man drew from the city’s diverse racial and ethnic influences. His study explains how, despite frequently releasing songs that questioned the American dream, Springsteen and Joel were able to appeal to wide audiences during both the national uncertainty of the 1970s and the triumphalism of the Reagan era. By placing these two New York–area icons in a new context, Bridge and Tunnel Boys allows us to hear their most beloved songs with new appreciation.  

 
[more]
cover of Bridger

Bridger

By Bobby Bridger

University of Texas Press, 2009

Renowned for A Ballad of the West, his epic trilogy about the American West from the era of mountain man Jim Bridger to the closing of the frontier, Bobby Bridger has had a career in show business that spans the rockabilly-to-"Music City, USA" era in Nashville, the cosmic cowboy scene in Austin, the flowering of folk music, and even Broadway theater. His multifaceted talents have found expression in singing, acting, writing, painting, and sculpting. In this engrossing account of the personal and artistic journey that led him to create a new American art form, the epic ballad, Bridger touches on almost every major musical, entertainment, and cultural movement of the second half of the twentieth century, with a cast of characters that reads like a "Who's Who" of American popular culture.

Bridger's story begins in a small town in northeast Louisiana, where he first experienced the twin attractions of painting and music. He recounts his early efforts to become a successful Nashville singer-songwriter and his growing awareness that the commercial music business would never support his evolving desire to become a historical balladeer. Bridger recalls how his interest in folk music and folk ballads fired his ambition to tell the story of the American West. He movingly describes how this dream eventually became A Ballad of the West, an epic trilogy about Jim Bridger, the Lakota Sioux, and Buffalo Bill that has taken form in an acclaimed cycle of songs, a one-man show, books, full-cast stage performances, and other media.

Included in the book is a DVD that offers songs from A Ballad of the West and a sample from the forthcoming documentary Quest of an Epic Balladeer, based on Bobby Bridger's life and work.

[more]
cover of Bridging Two Eras: The Autobiography of Emily Newell Blair, 1877-1951

Bridging Two Eras

The Autobiography of Emily Newell Blair, 1877-1951

Emily Newell Blair, Edited & Intro by Virginia Jeans Laas

University of Missouri Press, 1999

First written in 1937 and never before published, Bridging Two Eras is the fascinating autobiography of Emily Newell Blair, a remarkable woman who successfully reconciled a productive public life with the traditional values of a housewife and mother.

Because Blair's life essentially spanned two eras, from the end of the nineteenth century through the middle of the twentieth, she thought of herself as a bridge builder. A dedicated feminist, she wanted her autobiography to help women understand what life was like during that transition time. She had moved from being a conventional, middle-class, midwestern wife and mother to becoming an acclaimed author, a nationally known feminist, and vice chairman of the Democratic National Committee only two years after women gained the right to vote. She felt that her story could encourage women to take their rightful places in public life.

Bridging Two Eras is divided into two parts. Book I is a charming evocation of life in southwest Missouri in the closing decades of the nineteenth century. It offers great insight into family relationships, class structure, and social attitudes typical of much of small-town America. Book II addresses Blair's public career and follows her progress as professional writer, suffrage activist, and partisan politician. Included are acute judgments of leading political figures, fascinating vignettes of the suffrage movement, an insider's view of the workings of the national Democratic Party in the 1920s and 1930s, and a valuable outlook on Missouri politics during the first third of the twentieth century.

Perceptive and introspective, Blair captivates her readers as she traces her own evolution. With candor, she explains her conflicts between family and career, acknowledging the difficulties and tensions she faced in pursuing a public life. Delightfully written, Bridging Two Eras provides valuable insight into all the possibilities, as well as the limitations, life then held for an American woman.

[more]
cover of Bridging the Divide: My Life

Bridging the Divide

My Life

Edward W. Brooke

Rutgers University Press, 2006

President Lyndon Johnson never understood it. Neither did President Richard Nixon. How could a black man, a Republican no less, be elected to the United States Senate from liberal, Democratic Massachusetts-a state with an African American population of only 2 percent?

The mystery of Senator Edward Brooke's meteoric rise from Boston lawyer to Massachusetts attorney general to the first popularly elected African American U.S. senator with some of the highest favorable ratings of any Massachusetts politician confounded many of the best political minds of the day. After winning a name for himself as the first black man to be elected a state's attorney general, as a crime fighter, and as the organizer of the Boston Strangler Task Force, this articulate and charismatic man burst on the national scene in 1966 when he ran for the Senate.

In two terms in the Senate during some of the most racially tormented years of the twentieth century, Brooke, through tact, personality, charm, and determination, became a highly regarded member of "the most exclusive club in the world." The only African American senator ever to be elected to a second term, Brooke established a reputation for independent thinking and challenged the powerbrokers and presidents of the day in defense of the poor and disenfranchised.

In this autobiography, Brooke details the challenges that confronted African American men of his generation and reveals his desire to be measured not as a black man in a white society but as an individual in a multiracial society. Chided by some in the white community as being "too black to be white" and in the black community as "too white to be black," Brooke sought only to represent the people of Massachusetts and the national interest.

His story encompasses the turbulent post-World War II years, from the gains of the civil rights movement, through the riotous 1960s, to the dark days of Watergate, with stories of his relationships with the Kennedys, Martin Luther King Jr., Lyndon Johnson, Richard Nixon, Henry Kissinger, Colin Powell, and future senator Hillary Clinton. Brooke also speaks candidly of his personal struggles, including his bitter divorce from his first wife and, most recently, his fight against cancer.

A dramatic, compelling, and inspirational account, Brooke's life story demonstrates the triumph of the human spirit, offering lessons about politics, life, reconciliation, and love.

[more]
cover of Brief Interviews with the Romantic Past

Brief Interviews with the Romantic Past

Kathryn Nuernberger

The Ohio State University Press, 2017

Could Marie Antoinette’s wigs get any higher? Could the anonymous women riding in hot air balloons alone with gentlemen be any more scandalous? Does an Ozark holler hold the mouth to a lost cave with the longest, thickest vein of gold in North America? Brief Interviews with the Romantic Past is a collection of rumors, secrets, tall tales, and lies that begins at the court of Louis XV and ends in the foothills of the Ozark Mountains.
With all the astonishments of history and the intimacy of memoir, Kathryn Nuernberger’s collection juxtaposes peripheral figures from the French Revolution—the assassin, the executioner, the mistress, the spy, the son of a slave, the transgender swordfighter—with the oral histories of poachers, prophets, well witches, and ghosts of the Ozarks a century later. In essays that are equal parts historical and personal, Nuernberger brings the marvelous strangeness of the past into our present moment with wry wit and insight. Nuernberger has an eye for salvaging overlooked snapshots of human decency and moments of moral courage—the memories of which we might just want to save for later. 
 
[more]
cover of Brigham Young, Colonizer of the American West: Diaries and Office Journals, 1832–1871

Brigham Young, Colonizer of the American West

Diaries and Office Journals, 1832–1871

George D. Smith

Signature Books, 2019

Examining Brigham Young’s legacy requires an understanding of his raw ambition and religious zeal. A formidable leader in both his church and country, Young’s abilities coincided with the colonizing zeitgeist of nineteenth-century America.

Thus, by 1877, some 400 Mormon settlements spanned the western frontier from Salt Lake City to outposts in Idaho, Nevada, Arizona, Wyoming, and California. As prophet of the LDS Church and governor of the proposed State of Deseret, Young led several campaigns for Utah statehood while defending polygamy and local sovereignty. His skillful and authoritarian leadership led historian Bernard de Voto to classify him as an “American genius,” responsible for turning Joseph Smith’s visions “into the seed of life.”

Young’s diaries and journals reveal a man dedicated to his church, defensive of his spiritual and temporal claims to authority, and determined to create a modern Zion within the Utah desert. Editor George D. Smith’s careful organization and annotation of Young’s personal writings provide insights into the mind of Mormonism’s dynamic church leader and frontier statesman.
[more]
cover of Brigham Young, Colonizer of the American West: Diaries and Office Journals, 1832–1871: Volume 2

Brigham Young, Colonizer of the American West

Diaries and Office Journals, 1832–1871: Volume 2

George D. Smith

Signature Books, 2021

Examining Brigham Young’s legacy requires an understanding of his raw ambition and religious zeal. A formidable leader in both his church and country, Young’s abilities coincided with the colonizing zeitgeist of nineteenth-century America.

Thus, by 1877, some 400 Mormon settlements spanned the western frontier from Salt Lake City to outposts in Idaho, Nevada, Arizona, Wyoming, and California. As prophet of the LDS Church and governor of the proposed State of Deseret, Young led several campaigns for Utah statehood while defending polygamy and local sovereignty. His skillful and authoritarian leadership led historian Bernard de Voto to classify him as an “American genius,” responsible for turning Joseph Smith’s visions “into the seed of life.”

Young’s diaries and journals reveal a man dedicated to his church, defensive of his spiritual and temporal claims to authority, and determined to create a modern Zion within the Utah desert. Editor George D. Smith’s careful organization and annotation of Young’s personal writings provide insights into the mind of Mormonism’s dynamic church leader and frontier statesman.
[more]
cover of Brightening Glance: Art and Life

Brightening Glance

Art and Life

Pat Lipsky

University of Iowa Press, 2025

For more than five decades, Pat Lipsky has been a leading figure in American color field painting. In loosely connected vignettes, this extraordinary book looks back on a life starting in 1970s SoHo: from her pioneering days juggling painting and single motherhood in a redesigned factory loft on Wooster Street; to Paris, where an enchanting friendship develops with the former director of the Louvre, Pierre Rosenberg; to her yearslong close friendship with legendary art critic Clement Greenberg; to a marvelous love affair with the charismatic art dealer Richard Bellamy. We glimpse Lipsky’s first introduction to Cézanne as a child in 1950s Brooklyn and her studies with the mythic artist Tony Smith, who would become her mentor. There is a visit with Lee Krasner at her home in Springs and another at Lipsky’s Manhattan apartment, late-night, smoke-filled loft parties, and evenings at Max’s Kansas City where Lou Reed and Nico sing in the background while rival groups of earthwork artists, pop artists, conceptual artists, and color field painters pretend to ignore each other at the bar. Along the way we experience Lipsky’s emergence at the forefront of her generation of painters.

Brightening Glance offers a stunningly self-revealing portrait of the struggles and sacrifices, joys and excitement inherent in a modern painter’s life, and captures the evergreen allure of New York’s art world between 1970 and 2010. In stripped down, elegant prose, Lipsky summons a New York that no longer exists and ponders why we love (and hate) the art world. Ultimately, it’s a story of a contemporary woman, a mother, and a painter, who dares a career in a field where only a handful of women have succeeded.
 
[more]
cover of Brilliance in Exile: The Diaspora of Hungarian Scientists from John von Neumann to Katalin Karikó

Brilliance in Exile

The Diaspora of Hungarian Scientists from John von Neumann to Katalin Karikó

István Hargittai

Central European University Press, 2023

By addressing the enigma of the exceptional success of Hungarian emigrant scientists and telling their life stories, Brilliance in Exile combines scholarly analysis with fascinating portrayals of uncommon personalities. István and Balazs Hargittai discuss the conditions that led to five different waves of emigration of scientists from the early twentieth century to the present. Although these exodes were driven by a broad variety of personal motivations, the attraction of an open society with inclusiveness, tolerance, and – needless to say – better circumstances for working and living, was the chief force drawing them abroad.

While emigration from East to West is a general phenomenon, this book explains why and how the emigration of Hungarian scientists is distinctive. The high number of Nobel Prizes among this group is only one indicator. Multicultural tolerance, a quickly emerging, considerably Jewish, urban middle class, and a very effective secondary school system were positive legacies of the Austro-Hungarian Monarchy. Multiple generations, shaped by these conditions, suffered from the increasingly exclusionist, intolerant, antisemitic, and economically stagnating environment, and chose to go elsewhere. “I would rather have roots than wings, but if I cannot have roots, I shall use wings," explained Leo Szilard, one of the fathers of the Atom Bomb.

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