123 books match the query 'Internet' and 18 start with c

cover of Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster

Caribes 2.0

New Media, Globalization, and the Afterlives of Disaster

Jossianna Arroyo

Rutgers University Press, 2023

In Caribes 2.0, author Jossianna Arroyo looks at the Caribbean mediasphere in the twenty-first century. Arroyo argues that we have seen a return to tropes such as blackface, brownface, cultural and ethnic stereotypes, and violent representations of the poor, the marginalized, and the racialized. Caribes 2.0 looks at these tropes as well as the work of writers, vloggers, performers, and photographers that have become media figures or have used new media platforms to promote their work and examines how they are challenging and negotiating these media representations. It analyzes contemporary Caribbean cultures to discuss, taste, guides, and actions (social and virtual) that shape Caribbean global communities today. Departing from Edouard Glissant’s insight that “Caribbean reality might not be accessed by remote control” the book considers what types of political and social agencies are created by mediation. Caribes 2.0 deviates from these historical-globalized views of subjected, colonized Caribbean bodies, and their material conditions, to examine the relationship between the local and the global in contemporary Caribbean cultures, and the role that media is playing in the invisibility or hyper-visibilty of Caribbean cultures in the islands and the U.S. diaspora.
 
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cover of Carrier-Scale IP Networks: Designing and operating Internet networks

Carrier-Scale IP Networks

Designing and operating Internet networks

Peter Willis

The Institution of Engineering and Technology, 2001

Communications networks are now dominated by Internet protocol (IP) technologies. Every aspect of networking, from access to the core network to the surrounding operational support systems, has been radically affected by the rapid development of IP technologies.
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cover of China and the Internet: Using New Media for Development and Social Change

China and the Internet

Using New Media for Development and Social Change

Song Shi

Rutgers University Press, 2024

Two oversimplified narratives have long dominated news reports and academic studies of China’s Internet: one lauding its potentials to boost commerce, the other bemoaning state control and measures against the forces of political transformations. This bifurcation obscures the complexity of the dynamic forces operating on the Chinese Internet and the diversity of Internet-related phenomena. China and the Internet analyzes how Chinese activists, NGOs, and government offices have used the Internet to fight rural malnutrition, the digital divide, the COVID-19 pandemic, and other urgent problems affecting millions of people. It presents five theoretically informed case studies of how new media have been used in interventions for development and social change, including how activists battled against COVID-19. In addition, this book applies a Communication for Development approach to examine the use and impact of China’s Internet. Although it is widely used internationally in Internet studies, Communication for Development has not been rigorously applied in studies of China’s Internet. This approach offers a new perspective to examine the Internet and related phenomena in Chinese society.
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cover of Classics from Papyrus to the Internet: An Introduction to Transmission and Reception

Classics from Papyrus to the Internet

An Introduction to Transmission and Reception

By Jeffrey M. Hunt, R. Alden Smith, and Fabio Stok

University of Texas Press, 2017

Winner, PROSE Award, Classics, Association of American Publishers (AAP), 2018

Writing down the epic tales of the Trojan War and the wanderings of Odysseus in texts that became the Iliad and the Odyssey was a defining moment in the intellectual history of the West, a moment from which many current conventions and attitudes toward books can be traced. But how did texts originally written on papyrus in perhaps the eighth century BC survive across nearly three millennia, so that today people can read them electronically on a smartphone?

Classics from Papyrus to the Internet provides a fresh, authoritative overview of the transmission and reception of classical texts from antiquity to the present. The authors begin with a discussion of ancient literacy, book production, papyrology, epigraphy, and scholarship, and then examine how classical texts were transmitted from the medieval period through the Renaissance and the Enlightenment to the modern era. They also address the question of reception, looking at how succeeding generations responded to classical texts, preserving some but not others. This sheds light on the origins of numerous scholarly disciplines that continue to shape our understanding of the past, as well as the determined effort required to keep the literary tradition alive. As a resource for students and scholars in fields such as classics, medieval studies, comparative literature, paleography, papyrology, and Egyptology, Classics from Papyrus to the Internet presents and discusses the major reference works and online professional tools for studying literary transmission.

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cover of Code of Practice for Cyber Security in the Built Environment

Code of Practice for Cyber Security in the Built Environment

The Institution of Engineering and Technology

The Institution of Engineering and Technology, 2014

This Code of Practice explains why and how cyber security should be considered throughout a building's lifecycle and explains good practice, focusing on building-related systems and all connections to the wider cyber environment.
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cover of Connected: Engagements with Media

Connected

Engagements with Media

Edited by George E. Marcus

University of Chicago Press, 1996

From the frontiers of cyberspace to Tibetans in exile, from computer bulletin boards to faxes, film, and videotape, the ongoing and often startling evolution of media continues to generate fresh new avenues for cultural criticism, political activism, and self-reflection. How is contemporary life affected by this stunning proliferation of information technologies? How does the Internet influence, and perhaps alter, users' experience of community and their sense of self? In what way are giant media conglomerates implicated in these far-reaching developments?

Connected, the third volume in the groundbreaking and highly acclaimed Late Editions series, confronts these provocative questions through unique experiments with the interview format. It explores both the new pathways being forged through media and the predicaments of those struggling to find their way in the twilight of the twentieth century.
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cover of Connected: Or What It Means To Live In The Network Society

Connected

Or What It Means To Live In The Network Society

Steven Shaviro

University of Minnesota Press, 2003

In the twenty-first century, a network society is emerging. Fragmented, visually saturated, characterized by rapid technological change and constant social upheavals, it is dizzying, excessive, and sometimes surreal. In this breathtaking work, Steven Shaviro investigates popular culture, new technologies, political change, and community disruption and concludes that science fiction and social reality have become virtually indistinguishable. 
Connected is made up of a series of mini-essays-on cyberpunk, hip-hop, film noir, Web surfing, greed, electronic surveillance, pervasive multimedia, psychedelic drugs, artificial intelligence, evolutionary psychology, and the architecture of Frank Gehry, among other topics. Shaviro argues that our strange new world is increasingly being transformed in ways, and by devices, that seem to come out of the pages of science fiction, even while the world itself is becoming a futuristic landscape. The result is that science fiction provides the most useful social theory, the only form that manages to be as radical as reality itself. 
Connected looks at how our networked environment has manifested itself in the work of J. G. Ballard, William S. Burroughs, Philip K. Dick, William Gibson, K. W. Jeter, and others. Shaviro focuses on science fiction not only as a form of cultural commentary but also as a prescient forum in which to explore the forces that are morphing our world into a sort of virtual reality game. Original and compelling, Connected shows how the continual experimentation of science fiction, like science and technology themselves, conjures the invisible social and economic forces that surround us.  
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cover of Controlling Voices: Intellectual Property, Humanistic Studies, and the Internet

Controlling Voices

Intellectual Property, Humanistic Studies, and the Internet

TyAnna K. Herrington. Foreword by Jay David Bolter

Southern Illinois University Press, 2001

TyAnna K. Herrington explains current intellectual property law and examines the effect of the Internet and ideological power on its interpretation. Promoting a balanced development of our national culture, she advocates educators’ informed participation in ensuring egalitarian public access to information. She discusses the control of information and the creation of knowledge in terms of the way control functions under current property law.

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cover of Conversation and Community: Chat in a Virtual World

Conversation and Community

Chat in a Virtual World

Lynn Cherny

CSLI, 1999

Conversation and Community is an examination of the speech community in an Internet 'virtual community'. Based on ethnographic research on a community of users of a MUD, or 'multi-user dimension', the book describes a close-knit community united in features of their language use, shared history, and relationships to other online communities. The author invokes the notion of register, or the variety of speech adapted to the communication situation, in her discussion of how users overcome the limitations of the typed, text medium and exploit its affordances for comfortable communication. Routines, conventional vocabulary and abbreviations, syntactic and semantic phenomena, and special turn-taking and repair strategies distinguish the MUD community's register. Because the MUD is programmable, commands may be added which reflect, alter, or reinforce the linguistic practices and culture of the community; competent speakers must also know the commands that produce the correct linguistic forms.
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cover of Craft Obsession: The Social Rhetorics of Beer

Craft Obsession

The Social Rhetorics of Beer

Jeff Rice

Southern Illinois University Press, 2016

Denied access to traditional advertising platforms by lack of resources, craft breweries have proliferated despite these challenges by embracing social media platforms, and by creating an obsessed culture of fans. In Craft Obsession, Jeff Rice uses craft beer as a case study to demonstrate how social media platforms such as Facebook and Twitter function to shape stories about craft.

Rice weaves together theories of writing, narrative, new media, and rhetoric with a personal story of his passion for craft beer. He identifies six key elements of social media rhetoric—anecdotes, repetition, aggregation, delivery, sharing, and imagery—and examines how each helps to transform small, personal experiences with craft into a more widespread movement. When shared via social media, craft anecdotes—such as the first time one had a beer—interrupt and repeat one another, building a sense of familiarity and identity among otherwise unconnected people. Aggregation, the practice of joining unlike items into one space, builds on this network identity, establishing a connection to particular brands or locations, both real and virtual. The public releases of craft beers are used to explore the concept of craft delivery, which involves multiple actors across multiple spaces and results in multiple meanings. Finally, Rice highlights how personal sharing operates within the community of craft beer enthusiasts, who share online images of acquiring, trading for, and consuming a wide variety of beers. These shared stories and images, while personal for each individual, reflect the dependence of craft on systems of involvement. Throughout, Rice relates and reflects on his own experience as a craft beer enthusiast and his participation via social media in these systems.

Both an objective scholarly study and an engaging personal narrative about craft beer, Craft Obsession provides valuable insights into digital writing, storytelling, and social media.
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cover of Creating Chaos Online: Disinformation and Subverted Post-Publics

Creating Chaos Online

Disinformation and Subverted Post-Publics

Asta Zelenkauskaite

University of Michigan Press, 2022

With the prevalence of disinformation geared to instill doubt rather than clarity, Creating Chaos Online unmasks disinformation when it attempts to pass as deliberation in the public sphere and distorts the democratic processes. Asta Zelenkauskaitė finds that repeated tropes justifying Russian trolling were found to circulate across not only all analyzed media platforms’ comments but also across two analyzed sociopolitical contexts suggesting the orchestrated efforts behind messaging. Through a dystopian vision of publics that are expected to navigate in the sea of uncertain both authentic and orchestrated content, pushed by human and nonhuman actors, Creating Chaos Online offers a concept of post-publics. The idea of post-publics is reflected within the continuum of treatment of public, counter public, and anti-public. This book argues that affect-instilled arguments used in public deliberation in times of uncertainty, along with whataboutism constitute a playbook for chaos online.

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cover of Creating the Witness: Documenting Genocide on Film, Video, and the Internet

Creating the Witness

Documenting Genocide on Film, Video, and the Internet

Leshu Torchin

University of Minnesota Press, 2012

Since the beginning of the conflict in 2003, more than 300,000 lives have been lost in Darfur. Players of the video game Darfur Is Dying learn this sobering fact and more as they work to ensure the survival of a virtual refugee camp. The video game not only puts players in the position of a struggling refugee, it shows them how they can take action in the real world.

Creating the Witness examines the role of film and the Internet in creating virtual witnesses to genocide over the last one hundred years. The book asks, how do visual media work to produce witnesses—audiences who are drawn into action? The argument is a detailed critique of the notion that there is a seamless trajectory from observing an atrocity to acting in order to intervene. According to Leshu Torchin, it is not enough to have a camera; images of genocide require an ideological framework to reinforce the messages the images are meant to convey. Torchin presents wide-ranging examples of witnessing and genocide, including the Armenian genocide, the Holocaust (engaging film as witness in the context of the Nuremburg trials), and the international human rights organization WITNESS and its sustained efforts to use video to publicize human rights advocacy and compel action.

From a historical and comparative approach, Torchin’s broad survey of media and the social practices around it investigates the development of popular understandings of genocide to achieve recognition and response—both political and judicial—ultimately calling on viewers to act on behalf of human rights.




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cover of Critiquing Communication Innovation: New Media in a Multipolar World

Critiquing Communication Innovation

New Media in a Multipolar World

Rolien Hoyng

Michigan State University Press, 2022

Challenges to Silicon Valley’s dominant role in conjuring and patenting the world’s technological futures are arising around the world. As digital media technologies emerge from new, globally dispersed locations, a multipolar order of communication innovation seems to be in the making. Yet recovering our ability to imagine futures otherwise requires negotiating conditions—economic, geopolitical, sociocultural, and ecological—rather than reproducing them under the pretext of breaking with the present. The essays in this volume examine research on such conditions critically and comparatively in a variety of geographies. Paying due attention to China’s rise as an innovative platform society and AI powerhouse, this book addresses the broader question of a shifting world order and trends that are shaped by China’s influence but that extend beyond its borders. Looking at multipolar communication innovation through various critical lenses, our technological futures simultaneously appear to be old, new, and uncertain, while the infrastructures and platforms underpinning communication innovation both affiliate communities and set them apart.
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cover of Cutting The Wire: Gaming Prohibition And The Internet

Cutting The Wire

Gaming Prohibition And The Internet

David G. Schwartz

University of Nevada Press, 2005

The story of the Wire Act and how Robert Kennedy’s crusade against the Mob is creating a new generation of Internet gaming outlaws.

Gambling has been part of American life since long before the existence of the nation, but Americans have always been ambivalent about it. What David Schwartz calls the “pell-mell history of legal gaming in the United States” is a testament to our paradoxical desire both to gamble and to control gambling. It is in this context that Schwartz examines the history of the Wire Act, passed in 1961 as part of Attorney General Robert F. Kennedy’s crusade against organized crime and given new life in recent efforts to control Internet gambling. Cutting the Wire presents the story of how this law first developed, how it helped fight a war against organized crime, and how it is being used today. The Wire Act achieved new significance with the development of the Internet in the early 1990s and the growing popularity of online wagering through offshore facilities. The United States government has invoked the Wire Act in a vain effort to control gambling within its borders, at a time when online sports betting is soaring in popularity. By placing the Wire Act into the larger context of Americans’ continuing ambivalence about gambling, Schwartz has produced a provocative analysis of a national habit and the vexing predicaments that derive from it. In America today, 48 of 50 states currently permit some kind of legal gambling. Schwartz’s historical unraveling of the Wire Act exposes the illogic of an outdated law intended to stifle organized crime being used to set national policy on Internet gaming. Cutting the Wire carefully dissects two centuries of American attempts to balance public interest with the technology of gambling. Available in hardcover and paperback.

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cover of Cyberchiefs: Autonomy and Authority in Online Tribes

Cyberchiefs

Autonomy and Authority in Online Tribes

Mathieu O'Neil

Pluto Press, 2009

People are inventing new ways of working together on the internet. Decentralised production thrives on weblogs, wikis and free software projects. In Cyberchiefs, Mathieu O’Neil focuses on the regulations of these working relationships. He examines the transformation of leadership and expertise in online networks, and the emergence of innovative forms of participatory politics.

What are the costs and benefits of alternatives to hierarchical organisation? Using case studies of online projects or ‘tribes’ such as the radical Primitivism archive, the Daily Kos political weblog, the Debian free software project, and Wikipedia, O’Neil shows that leaders must support maximum autonomy for participants, and he analyses the tensions generated by this distribution of authority.

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cover of Cyberculture

Cyberculture

Pierre Levy

University of Minnesota Press, 2001

A clear explanation and provocative look at the impact of new technologies on world society.

Needing guidance and seeking insight, the Council of Europe approached Pierre Lévy, one of the world’s most important and well-respected theorists of digital culture, for a report on the state (and, frankly, the nature) of cyberspace. The result is this extraordinary document, a perfectly lucid and accessible description of cyberspace—from infrastructure to practical applications-along with an inspired, far-reaching exploration of its ramifications. A window on the digital world for the technologically timid, the book also offers a brilliant vision of the philosophical and social realities and possibilities of cyberspace for the adept and novice alike.

In an overview, Lévy discusses the distinguishing features of cyberspace and cyberculture from anthropological, philosophical, cultural, and sociological points of view. An optimist about the future potential of cyberspace, he eloquently argues that technology—and specifically the infrastructure of cyberspace, the Internet—can have a transformative effect on global society. Some of the issues he takes up are new art forms; changes in relationships to knowledge, education, and training; the preservation of linguistic and cultural differences; the emergence and implications of collective intelligence; the problems of social exclusion; and the impact of new technology on the city and democracy in general. In considerable detail, Lévy describes the ways in which cyberspace will help promote the growth of democracy, primarily through the participation of individuals or groups. His analysis is enlivened by his own personal impressions of cyberculture—garnered from bulletin boards, mailing lists, virtual reality demonstrations, and simulations. Immediate in its details, visionary in its scope, deeply informed yet free of unnecessary technical language, Cyberculture is the book we require in our digital age.
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cover of Cybering Democracy: Public Space And The Internet

Cybering Democracy

Public Space And The Internet

Diana Saco

University of Minnesota Press, 2002

Reconceptualizes the relationship between participatory democracy, technology, and space

The Internet has been billed by some proponents as an "electronic agora" ushering in a "new Athenian age of democracy." That assertion assumes that cyberspace’s virtual environment is compatible with democratic practice. But the anonymous sociality that is intrinsic to the Internet seems at odds with theories of democracy that presuppose the possibility, at least, of face-to-face meetings among citizens. The Internet, then, raises provocative questions about democratic participation: Must the public sphere exist as a physical space? Does citizenship require a bodily presence?

In Cybering Democracy, Diana Saco boldly reconceptualizes the relationship between democratic participation and spatial realities both actual and virtual. She argues that cyberspace must be viewed as a produced social space, one that fruitfully confounds the ordering conventions of our physical spaces. Within this innovative framework, Saco investigates recent and ongoing debates over cryptography, hacking, privacy, national security, information control, and Internet culture, focusing on how different online practices have shaped this particular social space. In the process, she highlights fundamental issues about the significance of corporeality in the development of civic-mindedness, the exercise of citizenship, and the politics of collective action.
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cover of Cyberwar and Revolution: Digital Subterfuge in Global Capitalism

Cyberwar and Revolution

Digital Subterfuge in Global Capitalism

Nick Dyer-Witheford

University of Minnesota Press, 2019

Uncovering the class conflicts, geopolitical dynamics, and aggressive capitalism propelling the militarization of the internet


Global surveillance, computational propaganda, online espionage, virtual recruiting, massive data breaches, hacked nuclear centrifuges and power grids—concerns about cyberwar have been mounting, rising to a fever pitch after the alleged Russian hacking of the U.S. presidential election and the Cambridge Analytica scandal. Although cyberwar is widely discussed, few accounts undertake a deep, critical view of its roots and consequences. 

Analyzing the new militarization of the internet, Cyberwar and Revolution argues that digital warfare is not a bug in the logic of global capitalism but rather a feature of its chaotic, disorderly unconscious. Urgently confronting the concept of cyberwar through the lens of both Marxist critical theory and psychoanalysis, Nick Dyer-Witheford and Svitlana Matviyenko provide a wide-ranging examination of the class conflicts and geopolitical dynamics propelling war across digital networks.

Investigating the subjectivities that cyberwar mobilizes, exploits, and bewilders, and revealing how it permeates the fabric of everyday life and implicates us all in its design, this book also highlights the critical importance of the emergent resistance to this digital militarism—hacktivism, digital worker dissent, and off-the-grid activism—for effecting different, better futures.

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