135 books match the query 'Sociological aspects' and 12 start with c

cover of Cambodia's Trials: Contrasting Visions of Truth, Transitional Justice and National Recovery

Cambodia's Trials

Contrasting Visions of Truth, Transitional Justice and National Recovery

Edited by Robin Biddulph and Alexandra Kent

National University of Singapore Press, 2023

New insights into understanding how Cambodia grapples with its traumatic historical past. 

More than four decades have passed since the end of Khmer Rouge rule in Cambodia in 1979. Even so, the country is still coming to terms with the destruction wrought by the Khmer Rouge during both the time they were in power and during the period of guerrilla resistance that lasted until 1998. The Khmer Rouge Tribunal, or the Extraordinary Chambers in the Court of Cambodia (ECCC), was established in 2006 to bring the Khmer Rouge leadership to justice. In many ways a product of the 1990s, when liberal democracy appeared to be on the rise both in Cambodia and internationally, the ECCC was imagined as a transitional justice initiative that would help ease the transition to liberal democracy. 

The ECCC has long been the focus of scholarly attention in Cambodia’s recovery, but this compelling study argues that such an approach is dated, noting that the political circumstances in which the ECCC was born have since changed profoundly, both globally and locally. Cambodia’s current situation can no longer be analyzed solely in terms of transitional justice narratives or the work of the ECCC, and other ways in which Cambodians have come to terms with their past and built new lives must be considered. By decentering the ECCC in the scholarly narrative of Cambodia’s recovery, the volume’s authors offer fascinating new insights into the Khmer Rouge period and more recent years of social, cultural, and political change in Cambodia.
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cover of Claiming Space: Performing the Personal through Decorated Mortarboards

Claiming Space

Performing the Personal through Decorated Mortarboards

Sheila Bock

Utah State University Press, 2023

Claiming Space examines the growing tradition of decorating mortarboards at college graduations, offering a performance-centered approach to these material sites of display. Taking mortarboard displays seriously as public performances of the personal, this book highlights the creative, playful, and powerful ways graduates use their caps to fashion their personal engagement with notions of self, community, education, and the unknown future.
 
Claiming the space of these graduation caps is a popular and widespread way that individuals make their voices heard, or rather seen, in the visual landscape of commencement ceremonies. The forms and meanings of these material displays take shape in relation to broader, ongoing conversations about higher education in the United States, conversations grounded in discourses of belonging, citizenship, and the promises of the American Dream. Integrating observational fieldwork with extensive interviews and surveys, author Sheila Bock highlights the interpretations of individuals participating in this tradition. She also attends to the public framings of this tradition, including how images of mortarboards have grounded online enactments of community through hashtags such as #LatinxGradCaps and #LetTheFeathersFly, as well as what rhetorical framings are employed in news coverage and legal documents in cases where the value of the practice is both called into question and justified.
 
As university administrators and cultural commentators seek to make sense of the current state of higher education, these forms of material expression offer insight into how students themselves are grappling with higher ed's promises and shortcomings. Claiming Space is a meaningful contribution to folklore, cultural studies, media studies, and education.
 
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cover of Class Politics and the Creation of the American State

Class Politics and the Creation of the American State

James Parisot

University of Michigan Press, 2026

Why does the American federal government seem to prioritize elite capitalist interests over those of other groups? Class Politics and the Creation of the American State draws on a wide range of sources—personal letters, official government documents, private notes, and newspaper articles—to reveal that the federal government was built to give the emerging capitalist elite a way to consolidate and institutionalize their power. Challenging both liberal and conservative interpretations about what the US Constitution means, this book tells a new story about how the American state took shape.

The framers of the Constitution constructed an image of the state, enshrined in the Constitution, that presented their power as universal: a system meant to serve all Americans equally. This image helped legitimize the new order, even if the rising capitalist class stood to benefit most of all. Since the United States of the late 1780s was not yet a fully capitalist society, the state that was built opened space for less capitalistically incorporated social classes, including some artisans and yeoman farmers, to have limited representation. Class Politics and the Creation of the American State shows how the structure of the early American state worked primarily to advance capitalist interests, while incorporating other groups enough to maintain a sense of broad representation and inclusion.

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cover of Collective Effervescence

Collective Effervescence

Edited by Sébastien Tutenges and Philip Smith

Temple University Press, 2026

Sociologist Émile Durkheim’s theory of collective effervescence describes an overwhelming sense of excitement, empowerment, and unity. While originally tailored to examine religious phenomena, the theory has proven remarkably powerful in explaining secular experiences, from raves and military marches to sporting events and protest crowds.

The editors and contributors to Collective Effervescence make a deep dive into new waters. They investigate solo experiences, virtual collectivities, low-intensity effervescence, and negative outcomes. Through studies of drug ceremonies, occupational subcultures, bookshops, online activities, and much more, each chapter discovers and theorizes something previously unknown. Collective Effervescence finds new potentials in a familiar theoretical resource.

Contributors: Sarah H. Awad, Pierre Bouchat, Randall Collins, Silvia da Costa, Scott Draper, Lisa Flower, Romulo Lelis, Heather Margrsion, Sharon Mascall-Dare, Ashley Mears, Margit Anne Petersen, José J. Pizarro, Bernard Rimé, Dario Páez, David Sausdal, Daniel Smith, Femke Vandenberg, Brady Wagoner, David Wästerfors, Brad West, and the editors
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cover of Coloniality of the US/Mexico Border: Power, Violence, and the Decolonial Imperative

Coloniality of the US/Mexico Border

Power, Violence, and the Decolonial Imperative

Roberto D. Hernández

University of Arizona Press, 2018

National borders are often taken for granted as normal and necessary for a peaceful and orderly global civil society. Roberto D. Hernández here advances a provocative argument that borders—and border violence—are geospatial manifestations of long histories of racialized and gendered colonial violence.

In Coloniality of the U-S///Mexico Border, Hernández offers an exemplary case and lens for understanding what he terms the “epistemic and cartographic prison of modernity/coloniality.” He adopts “coloniality of power” as a central analytical category and framework to consider multiple forms of real and symbolic violence (territorial, corporeal, cultural, and epistemic) and analyzes the varied responses by diverse actors, including local residents, government officials, and cultural producers.

Based on more than twenty years of border activism in San Diego–Tijuana and El Paso–Ciudad Juárez, this book is an interdisciplinary examination that considers the 1984 McDonald’s massacre, Minutemen vigilantism, border urbanism, the ongoing murder of women in Ciudad Juárez, and anti-border music.

Hernández’s approach is at once historical, ethnographic, and theoretically driven, yet it is grounded in analyses and debates that cut across political theory, border studies, and cultural studies. The volume concludes with a theoretical discussion of the future of violence at—and because of—­national territorial borders, offering a call for epistemic and cartographic disobedience.

 
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cover of Communities and Crime: An Enduring American Challenge

Communities and Crime

An Enduring American Challenge

Pamela Wilcox

Temple University Press, 2017

Social scientists have long argued over the links between crime and place. The authors of Communities and Crime provide an intellectual history that traces how varying images of community have evolved over time and influenced criminological thinking and criminal justice policy.

The authors outline the major ideas that have shaped the development of theory, research, and policy in the area of communities and crime. Each chapter examines the problem of the community through a defining critical or theoretical lens: the community as social disorganization; as a system of associations; as a symptom of larger structural forces; as a result of criminal subcultures; as a broken window; as crime opportunity; and as a site of resilience. 

Focusing on these changing images of community, the empirical adequacy of these images, and how they have resulted in concrete programs to reduce crime, Communities and Crime theorizes about and reflects upon why some neighborhoods produce so much crime. The result is a tour of the dominant theories of place in social science today.

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cover of Continuous Pasts: Frictions of Memory in Postcolonial Africa

Continuous Pasts

Frictions of Memory in Postcolonial Africa

Sakiru Adebayo

University of Michigan Press, 2023

Finalist: Memory Studies Association 2025 First Book Award Shortlist | April 7, 2025 

In Continuous Pasts, author Sakiru Adebayo claims that the post-conflict fiction of memory in Africa depicts the intricate ways in which the past is etched on bodies and topographies, resonant in silences and memorials, and continuous even in experiences as well as structures of migration. Adebayo argues that the post-conflict fiction of memory in Africa invites critical deliberations on the continuity of the past within the realm of positionality and the domain of subjectivity—that is to say, the past is not merely present; instead, it survives, lives on, and is mediated through the subject positions of victims, perpetrators, as well as secondary and transgenerational witnesses. The book also argues that post-conflict fiction of memory in Africa shows the unfinished business of the past produces fragile regimes of peace and asynchronous temporalities that challenge progressive historicism. It contends that, in most cases in Africa, the post-conflict present is beset with a tight political economy wherein the scramble for survival trumps the ability to imagine a just future among survivors—and that it is precisely this despairing disposition toward the future that some writers of post-conflict fiction attempt to confront in their works. On the whole, Continuous Pasts shows how post-conflict fictions of memory in Africa recalibrate discourses of futurity, solidarity, responsibility, justice, survival, and reconciliation. It also contends that post-conflict fictions of memory in Africa provide the tools for imagining and theorizing a collective African memory. Each text analyzed in the book provides, in very interesting ways, an imaginative possibility and template for how post-independence African countries can ‘remember together’ using what the author describes as an African transnational memory framework.

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cover of Counterlife: Slavery after Resistance and Social Death

Counterlife

Slavery after Resistance and Social Death

Christopher Freeburg

Duke University Press, 2021

In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery—from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained—to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain.
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cover of Counterstreams in Migration: Ethiopians' Choices to Stay, Leave, or Return

Counterstreams in Migration

Ethiopians' Choices to Stay, Leave, or Return

Hewan Girma

Temple University Press, 2026

Migration journeys are not unidirectional. In Counterstreams in Migration, Hewan Girma reveals a more complex circuit of migration, concentrating on the motivations behind non-migration, return migration, and repeat migration to show how these flows mutually affect and influence the migrant as well as the family members who remain at home.

Weaving together nearly 100 stories of non-migrants, returnees, and repeat migrants from Ethiopia, Girma advances a theory of migra-emotions, emotions specific to migration, to understand decisions and experiences, such as the imaginary of home and the lived reality of alienation, disaffection abroad, and feelings of duty to one’s homeland.

Looking beyond the meanings of migration or processes of integration, Girma explores the emotional subtext of migration aspirations. In doing so, Counterstreams of Migration complicates conventional understandings of migration and provides a more complete picture of migrant stories.
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cover of Creating the College Man: American Mass Magazines and Middle-Class Manhood, 1890–1915

Creating the College Man

American Mass Magazines and Middle-Class Manhood, 1890–1915

Daniel A. Clark

University of Wisconsin Press, 2010

How did a college education become so vital to American notions of professional and personal advancement? Reared on the ideal of the self-made man, American men had long rejected the need for college. But in the early twentieth century this ideal began to change as white men born in the U.S. faced a barrage of new challenges, among them a stultifying bureaucracy and growing competition in the workplace from an influx of immigrants and women. At this point a college education appealed to young men as an attractive avenue to success in a dawning corporate age. Accessible at first almost exclusively to middle-class white males, college funneled these aspiring elites toward a more comfortable and certain future in a revamped construction of the American dream.
    In Creating the College Man Daniel A. Clark argues that the dominant mass media of the era—popular magazines such as Cosmopolitan and the Saturday Evening Post—played an integral role in shaping the immediate and long-term goals of this select group of men. In editorials, articles, fiction, and advertising, magazines depicted the college man as simultaneously cultured and scientific, genteel and athletic, polished and tough. Such depictions underscored the college experience in powerful and attractive ways that neatly united the incongruous strains of American manhood and linked a college education to corporate success.
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cover of Critical Moves: Dance Studies in Theory and Politics

Critical Moves

Dance Studies in Theory and Politics

Randy Martin

Duke University Press, 1998

In Critical Moves Randy Martin sets in motion an inquiry into the relationship between dance, politics, and cultural theory. Drawing on his own experiences as a dancer as well as his observations as a cultural critic and social theorist, Martin illustrates how the study and practice of dance can reanimate arrested prospects for progressive politics and social change.
From experimental and concert dance to more popular expressions, Martin engages a range of performances and demonstrates how a critical reflection on dance helps promote fluency in the language of mobilization that political theory alludes to yet rarely speaks. He explores how Bill T. Jones’s Last Supper at Uncle Tom’s Cabin/The Promised Land defies attempts to separate social ideas from aesthetic concerns and celebrates multiculturalism in the face of a singular national culture; he studies the choreography in rapper Ice Cube’s video “Wicked,” which confronts racialized depictions of violent crime; and he discusses how racial difference is negotiated by analyzing a hip hop aerobics class in a nonblack environment.
Revealing how mastery of modern dance technique teaches an individual body to express cultural difference and display its intrinsic diversity, Critical Moves concludes with a reflection on the contribution dance studies can make to other fields within cultural studies and social sciences. As such it becomes an occasion to rethink the terms of history and agency, multiculturalism and nationalism, identity and political economy. This book will appeal not only to scholars and practitioners of dance, but also to a wide cross-section of people concerned with the study of political theory and the history of social movements.


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cover of Cultivating Development: An Ethnography of Aid Policy and Practice

Cultivating Development

An Ethnography of Aid Policy and Practice

David Mosse

Pluto Press, 2005

Development agencies and researchers are preoccupied with policy; with exerting influence over policy, linking research to policy and with implementing policy around the world.

But what if development practice is not driven by policy? Suppose that the things that make for 'good policy' - policy that legitimises and mobilises political support - in reality make it impossible to implement?

By focusing in detail on the unfolding activities of a development project in western India over more than ten years, as it falls under different policy regimes, this book takes a close look at the relationship between policy and practice in development.

David Mosse shows how the actions of development workers are shaped by the exigencies of organisations and the need to maintain relationships rather than by policy; but also that development actors work hardest of all to maintain coherent representations of their actions as instances of authorised policy. Raising unfamiliar questions, Mosse provides a rare self-critical reflection on practice, while refusing to endorse current post-modern dismissal of development.

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