22279 books match the query 'Social Science' and 1700 start with c

cover of Consumer Culture

Consumer Culture

Lury, Celia

Rutgers University Press, 1996

This book is written as a survey for students who are interested in the nature and role of consumer culture in modern societies. Drawing on a wide range of studies and disciplines, Celia Lury examines the rise of consumer culture and the changing relations between the production and consumption of cultural goods. Rejecting the Marxist principle of production as the lone economic determinant in capitalist society, Lury presents consumerism as an equally active player in the free market. Rather than existing as opposites, production and consumerism are seen as complements, feeding off each other in an endless cycle. As the author writes, “the use or appropriation of an object is more often than not both a moment of consumption and production, of undoing and doing, of destruction and construction.”         

Lury weaves unique arguments over the expansive nature of consumption, including explanations as to how poorer segments of society do in fact contribute to consumer culture and how a commodity moves beyond its function and assumes a cultural and symbolic meaning. Not only does the author explore the way an individual’s position in social groups structured by class, gender, race and age affects the nature of his or her participation in consumer culture, but also how this culture itself is instrumental in the defining of social and political groups and the forming of an individual’s self-identity.         

Clearly written and well illustrated, Consumer Culture is a lively and engaging introduction to a topic which is of growing importance in media and cultural studies and in the sociology of culture. It will enable readers to understand and ultimately to have better control over the means of consumption.

 

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cover of Consumer Culture: Selected Essays

Consumer Culture

Selected Essays

Edited by Gjoko Muratovski

Intellect Books, 2016

We live in a society that defines us by what we consume and how. Every day we make purchasing decisions that express our sense of belonging, our commitments to the environment, and our systems of belief. We often choose to buy things, not necessarily because we need them, but because we believe that these things will help us express who we are—in our own eyes and in the eyes of others. Whether we like it or not, consumerism is the prevalent ideology of our time. Led by Gjoko Muratovski who has long been influential at the intersection of design and business, Consumer Culture is the ideal starting point for an investigation into the social construction of the global economy.
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cover of Consumer Identities: Agency, Media and Digital Culture

Consumer Identities

Agency, Media and Digital Culture

Edited by Candice Roberts and Myles Ethan Lascity

Intellect Books, 2019

This edited collection explores the notion of agency by tracing the role and activities of consumers from the pre-internet age into the possible future. Using an overview of the historical creation of consumer identity, Consumer Identities demonstrates that active consumption is not merely a product of the digital age; it has always been a means by which a person can develop identity. Grounded in the acknowledgment that identity is a constructed and contested space, the authors analyze emerging dynamics in contemporary consumerism, ongoing tensions of structure and agency in consumer identities, and the ways in which identity construction could be influenced in the future. By exploring consumer identity through examples in pop culture, the authors have created a scholarly work that will appeal to industry professionals as well as academics.
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cover of Consumers And Citizens: Globalization and Multicultural Conflicts

Consumers And Citizens

Globalization and Multicultural Conflicts

Nestor Garcia Canclini

University of Minnesota Press, 2001

An essential analysis of the ways consumerism and globalization intersect with political power.

In Consumers and Citizens, Néstor García Canclini, the best-known and most innovative cultural studies scholar in Latin America, maps the critical effects of urban sprawl and global media and commodity markets on citizens-and shows at the same time that the complex results mean not only a shrinkage of certain traditional rights (particularly those of the welfare or client state) but also new openings for expanding citizenship.

García Canclini focuses on the diverse ways in which democratic societies recognize markets of citizen opinions, however heterogeneous and dissonant, as in the fashion and entertainment industries. He shows how identity issues, brought to the fore by the aligning of citizenship and consumption, can no longer be understood strictly within the purview of territory or nation. Rather, the postmodern citizen-consumer inhabits a transterritorial and multilingual space, structured more along the lines of markets than states. Defining this space, García Canclini seeks to formulate a participatory and critical approach to consumption in which national culture, far from being extinguished, is reconstituted in transnational, cultural interactions.

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cover of Consuming Catastrophe: Mass Culture in America's Decade of Disaster

Consuming Catastrophe

Mass Culture in America's Decade of Disaster

Timothy Recuber

Temple University Press, 2016

Horrified, saddened, and angered: That was the American people’s reaction to the 9/11 attacks, Hurricane Katrina, the Virginia Tech shootings, and the 2008 financial crisis. In Consuming Catastrophe, Timothy Recuber presents a unique and provocative look at how these four very different disasters took a similar path through public consciousness. He explores the myriad ways we engage with and negotiate our feelings about disasters and tragedies—from omnipresent media broadcasts to relief fund efforts and promises to “Never Forget.”  

Recuber explains how a specific and “real” kind of emotional connection to the victims becomes a crucial element in the creation, use, and consumption of mass mediation of disasters. He links this to the concept of “empathetic hedonism,” or the desire to understand or feel the suffering of others. 

The ineffability of disasters makes them a spectacular and emotional force in contemporary American culture. Consuming Catastrophe provides a lively analysis of the themes and meanings of tragedy and the emotions it engenders in the representation, mediation and consumption of disasters.

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cover of Consuming Grief: Compassionate Cannibalism in an Amazonian Society

Consuming Grief

Compassionate Cannibalism in an Amazonian Society

By Beth A. Conklin

University of Texas Press, 2001

Mourning the death of loved ones and recovering from their loss are universal human experiences, yet the grieving process is as different between cultures as it is among individuals. As late as the 1960s, the Wari' Indians of the western Amazonian rainforest ate the roasted flesh of their dead as an expression of compassion for the deceased and for his or her close relatives. By removing and transforming the corpse, which embodied ties between the living and the dead and was a focus of grief for the family of the deceased, Wari' death rites helped the bereaved kin accept their loss and go on with their lives.

Drawing on the recollections of Wari' elders who participated in consuming the dead, this book presents one of the richest, most authoritative ethnographic accounts of funerary cannibalism ever recorded. Beth Conklin explores Wari' conceptions of person, body, and spirit, as well as indigenous understandings of memory and emotion, to explain why the Wari' felt that corpses must be destroyed and why they preferred cannibalism over cremation. Her findings challenge many commonly held beliefs about cannibalism and show why, in Wari' terms, it was considered the most honorable and compassionate way of treating the dead.

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cover of Consuming Modernity: Public Culture in a South Asian World

Consuming Modernity

Public Culture in a South Asian World

Carol A. Breckenridge

University of Minnesota Press, 1995

Consuming Modernity illustrates that what is distinctive of any particular society is not the fact of its modernity, but rather its own unique debates about modernity. Behind the embattled arena of culture in India, for example, lie particular social and political interests such as the growing middle class; the entrepreneurs and commercial institutions; and the state.

The contributors address the roles of these various intertwined interests in the making of India's public culture, each examining different sites of consumption. The sites they explore include cinema, radio, cricket, restaurants, and tourism. Consuming Modernity also makes clear the differences among public, mass, and popular culture.Contributors include Arjun Appadurai, University of Chicago; Frank F. Conlon, University of Washington; Sara Dickey, Bowdoin College; Paul Greenough, University of Iowa; David Lelyveld, Columbia University; Barbara N. Ramusack, University of Cincinnati; Rosie Thomas, University of Westminster; and Phillip B. Zarrilli, University of Wisconsin, Madison.
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cover of Consuming Motherhood

Consuming Motherhood

Taylor, Janelle S

Rutgers University Press, 2004

Consuming Motherhood addresses the provocative question of how motherhood and consumption—as ideologies and as patterns of social action—mutually shape and constitute each other in contemporary North American and European social life. Ideologically, motherhood and consumption are often constructed in opposition to each other, with motherhood standing in as a naturalized social relation that is thought to be uniquely free of the calculating instrumentality that dominates commercial relations. Yet, in social life, motherhood and consumption are inseparable. Whether shopping for children’s clothing or childbirth services, or making decisions about adopting children, becoming a mother (and maternal practice more generally) is deeply influenced by consumption. How can the relationship between motherhood and consumption be revealed, and critically analyzed? Consuming Motherhood brings together a group of sociologists, anthropologists, and religious studies scholars to address this question through carefully grounded ethnographic studies. This insightful book reveals how mothers negotiate the contradictory forces that position them as both immune from and the target of consumerist tendencies in contemporary global society.

 

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cover of Consuming Religion

Consuming Religion

Kathryn Lofton

University of Chicago Press, 2017

What are you drawn to like, to watch, or even to binge? What are you free to consume, and what do you become through consumption? These questions of desire and value, Kathryn Lofton argues, are questions for the study of religion. In eleven essays exploring soap and office cubicles, Britney Spears and the Kardashians, corporate culture and Goldman Sachs, Lofton shows the conceptual levers of religion in thinking about social modes of encounter, use, and longing. Wherever we see people articulate their dreams of and for the world, wherever we see those dreams organized into protocols, images, manuals, and contracts, we glimpse what the word “religion” allows us to describe and understand.

With great style and analytical acumen, Lofton offers the ultimate guide to religion and consumption in our capitalizing times.

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cover of Consuming Religion

Consuming Religion

Kathryn Lofton

University of Chicago Press, 2017

This is an auto-narrated audiobook edition of this book.

What are you drawn to like, to watch, or even to binge? What are you free to consume, and what do you become through consumption? These questions of desire and value, Kathryn Lofton argues, are questions for the study of religion. In eleven essays exploring soap and office cubicles, Britney Spears and the Kardashians, corporate culture and Goldman Sachs, Lofton shows the conceptual levers of religion in thinking about social modes of encounter, use, and longing. Wherever we see people articulate their dreams of and for the world, wherever we see those dreams organized into protocols, images, manuals, and contracts, we glimpse what the word “religion” allows us to describe and understand.
With great style and analytical acumen, Lofton offers the ultimate guide to religion and consumption in our capitalizing times.
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cover of Consuming Russia: Popular Culture, Sex, and Society since Gorbachev

Consuming Russia

Popular Culture, Sex, and Society since Gorbachev

Adele Marie Barker, ed.

Duke University Press, 1999

With the collapse of the Soviet empire in the late 1980s, the Russian social landscape has undergone its most dramatic changes since the Bolshevik Revolution in 1917, turning the once bland and monolithic state-run marketplace into a virtual maze of specialty shops—from sushi bars to discotheques and tattoo parlors. In Consuming Russia editor Adele Marie Barker presents the first book-length volume to explore the sweeping cultural transformation taking place in the new Russia.
The contributors examine how the people of Russia reconcile prerevolutionary elite culture—as well as the communist legacy—with the influx of popular influences from the West to build a society that no longer relies on a single dominant discourse and embraces the multiplicities of both public and private Russian life. Barker brings together Russian and American scholars from anthropology, history, literature, political science, sociology, and cultural studies. These experts fuse theoretical analysis with ethnographic research to analyze the rise of popular culture, covering topics as varied as post-Soviet rave culture, rock music, children and advertising, pyramid schemes, tattooing, pets, and spectator sports. They consider detective novels, anecdotes, issues of feminism and queer sexuality, nostalgia, the Russian cinema, and graffiti. Discussions of pornography, religious cults, and the deployment of Soviet ideological symbols as post-Soviet kitsch also help to demonstrate how the rebuilding of Russia’s political and economic infrastructure has been influenced by its citizens’ cultural production and consumption.
This volume will appeal to those engaged with post-Soviet studies, to anyone interested in the state of Russian society, and to readers more generally involved with the study of popular culture.

Contributors.
Adele Marie Barker, Eliot Borenstein, Svetlana Boym, John Bushnell, Nancy Condee, Robert Edelman, Laurie Essig, Julia P. Friedman, Paul W. Goldschmidt, Judith Deutsch Kornblatt, Anna Krylova, Susan Larsen, Catharine Theimer Nepomnyaschy, Theresa Sabonis-Chafee, Tim Scholl, Adam Weiner, Alexei Yurchak, Elizabeth Kristofovich Zelensky
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cover of Consuming Work: Youth Labor in America

Consuming Work

Youth Labor in America

Yasemin Besen-Cassino

Temple University Press, 2014

Youth labor is an important element in our modern economy, but as students’ consumption habits have changed, so too have their reasons for working. In Consuming Work, Yasemin Besen-Cassino reveals that many American high school and college students work for social reasons, not monetary gain. Most are affluent, suburban, white youth employed in part-time jobs at places like the Coffee Bean so they can be associated with a cool brand, hangout with their friends, and get discounts.
 
Consuming Work offers a fascinating picture of youth at work and how jobs are marketed to these students. Besen-Cassino also shows how the roots of gender and class inequality in the labor force have their beginnings in this critical labor sector.
 
Exploring the social meaning of youth at work, and providing critical insights into labor and the youth workforce, Consuming Work contributes a deeper understanding of the changing nature of American labor.
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cover of Consumption Intensified: The Politics of Middle-Class Daily Life in Brazil

Consumption Intensified

The Politics of Middle-Class Daily Life in Brazil

Maureen O'Dougherty

Duke University Press, 2002

Consumption Intensified examines how self-identified middle class Brazilians in São Paulo redefined their class during Brazil’s economic crisis of 1981–1994. With inflation soaring to an astounding 2700 percent, their consumption practices intensified, not only in relation to the national crisis but also to the expanding global consumer culture. Drawing on her observations of everyday practices and on representations of the middle class in popular culture, anthropologist Maureen O’Dougherty explores both the logic and incoherence of middle- to upper-middle-class Brazilian life.
With the supports of middle-class living threatened—job security, quality education, home ownership, savings, ease of consumption—the means and meaning of “middle class” were thrown into question. The sector thus redefined itself through both class- and race-based claims of moral and cultural superiority and through privileged consumption, a definition the media underscored by continually addressing middle-class Brazilians as consumers—or rather, as consumers denied. In these times, adults became more flexible in employment, and put stakes in their children’s expensive private education. They engaged in elaborate comparison shopping, stockpiling of goods, and financial strategizing. Ongoing desire for distinction and “first- world” modernity prompted these Brazilians to buy foreign goods through contraband, thereby defying state protectionist policy. Discontented with the constraints of the national economy, they welcomed neoliberalism.
By uncovering connections between culture and politics, O’Dougherty complicates understandings of the middle class as a social group and category. Illuminating the intricate relation between identity and local and global consumption, her work will be welcomed by students and scholars in anthropology and Latin American studies, and those interested in consumption, popular culture, politics, and globalization.
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cover of Contacts Desired: Gay and Lesbian Communications and Community, 1940s-1970s

Contacts Desired

Gay and Lesbian Communications and Community, 1940s-1970s

Martin Meeker

University of Chicago Press, 2006

Whether one thinks homosexuals are born or made, they generally are not born into gay families, nor are they socialized to be gay by their peers or schools. How then do people become aware of homosexuality and, in some cases, integrate into gay communities? The making of homosexual identity is the result of a communicative process that entails searching, listening, looking, reading, and finding. Contacts Desired proposes that this communicative process has a history, and it sets out to tell that story.

Martin Meeker here argues that over the course of the twentieth century, a series of important innovations occurred in the networks that linked individuals to a larger social knowledge of homosexuality. He points to three key innovations in particular: the emergence of the homophile movement in the 1950s; the mass media treatments of homosexuals in the late 1950s and early 1960s; and the popularization of do-it-yourself publishing from the late 1940s to the 1970s, which offered bar guides, handmade magazines, and other materials that gay men and lesbians could use to seek one another out. In the process, Meeker unearths a treasure trove of archival materials that reveals how homosexuals played a crucial role in transforming the very structure of communications and urban communities since the postwar era.
 
"Contacts Desired is a valuable and enduring work of scholarship, surely the best book in gay and lesbian history this year."--Gay and Lesbian Review
 
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cover of Contagions: Nationalism, Populism, and the Pandemic at Europe’s Edge

Contagions

Nationalism, Populism, and the Pandemic at Europe’s Edge

Josip Glaurdic

Central European University Press, 2026

Contagions: Nationalism, Populism, and the Pandemic at Europe’s Edge offers a sweeping account of how COVID-19 collided with the political fault lines of Southeast Europe. Drawing on original surveys and rich comparative analysis, the book reveals how the crisis interacted with the power of nationalism and populism—reshaping trust, compliance, conspiracy beliefs, economic grievances, and even the memory of the pandemic itself. From the early months of surprising effectiveness to the region’s descent into some of the world’s worst mortality outcomes, the study shows how political ideologies acted like contagions of their own, undermining collective resilience. Southeast Europe emerges here not as an anomaly, but as a diagnostic lens onto broader European and global patterns of crisis governance and democratic fragility. Accessible yet deeply grounded in evidence, this book speaks both to scholars and to readers seeking to understand how ideology shapes societies under strain.
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cover of Contagious: Cultures, Carriers, and the Outbreak Narrative

Contagious

Cultures, Carriers, and the Outbreak Narrative

Priscilla Wald

Duke University Press, 2008

How should we understand the fear and fascination elicited by the accounts of communicable disease outbreaks that proliferated, following the emergence of HIV, in scientific publications and the mainstream media? The repetition of particular characters, images, and story lines—of Patients Zero and superspreaders, hot zones and tenacious microbes—produced a formulaic narrative as they circulated through the media and were amplified in popular fiction and film. The “outbreak narrative” begins with the identification of an emerging infection, follows it through the global networks of contact and contagion, and ends with the epidemiological work that contains it. Priscilla Wald argues that we need to understand the appeal and persistence of the outbreak narrative because the stories we tell about disease emergence have consequences. As they disseminate information, they affect survival rates and contagion routes. They upset economies. They promote or mitigate the stigmatizing of individuals, groups, locales, behaviors, and lifestyles.

Wald traces how changing ideas about disease emergence and social interaction coalesced in the outbreak narrative. She returns to the early years of microbiology—to the identification of microbes and “Typhoid Mary,” the first known healthy human carrier of typhoid in the United States—to highlight the intertwined production of sociological theories of group formation (“social contagion”) and medical theories of bacteriological infection at the turn of the twentieth century. Following the evolution of these ideas, Wald shows how they were affected by—or reflected in—the advent of virology, Cold War ideas about “alien” infiltration, science-fiction stories of brainwashing and body snatchers, and the HIV/AIDS pandemic. Contagious is a cautionary tale about how the stories we tell circumscribe our thinking about global health and human interactions as the world imagines—or refuses to imagine—the next Great Plague.

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cover of Containing the Poor: The Mexico City Poor House, 1774-1871

Containing the Poor

The Mexico City Poor House, 1774-1871

Silvia Marina Arrom

Duke University Press, 2001

In 1774 Mexico City leaders created the Mexico City Poor House—the centerpiece of a bold experiment intended to eliminate poverty and impose a new work ethic on former beggars by establishing a forcible internment policy for some and putting others to work. In Containing the Poor Silvia Marina Arrom tells the saga of this ill-fated plan, showing how the asylum functioned primarily to educate white orphans instead of suppressing mendicancy and exerting control over the multiracial community for whom it was designed.
For a nation that had traditionally regarded the needy as having the undisputed right to receive alms and whose affluent citizens felt duty-bound to dispense them, the experiment was doomed from the start, explains Arrom. She uses deep archival research to reveal that—much to policymakers’ dismay—the Poor House became an orphanage largely because the government had underestimated the embeddedness of this moral economy of begging. While tracing the course of an eventful century that also saw colonialism give way to republicanism in Mexico, Arrom links the Poor House’s transformation with other societal factors as well, such as Mexican women’s increasing impact on social welfare policies.
With poverty, begging, and homelessness still rampant in much of Latin America today, this study of changing approaches to social welfare will be particularly valuable to student and scholars of Mexican and Latin American society and history, as well as those engaged in the study of social and welfare policy.
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cover of Containment Culture: American Narratives, Postmodernism, and the Atomic Age

Containment Culture

American Narratives, Postmodernism, and the Atomic Age

Alan Nadel

Duke University Press, 1995

Alan Nadel provides a unique analysis of the rise of American postmodernism by viewing it as a breakdown in Cold War cultural narratives of containment. These narratives, which embodied an American postwar foreign policy charged with checking the spread of Communism, also operated, Nadel argues, within a wide spectrum of cultural life in the United States to contain atomic secrets, sexual license, gender roles, nuclear energy, and artistic expression. Because these narratives were deployed in films, books, and magazines at a time when American culture was for the first time able to dominate global entertainment and capitalize on global production, containment became one of the most widely disseminated and highly privileged national narratives in history.

Examining a broad sweep of American culture, from the work of George Kennan to Playboy Magazine, from the movies of Doris Day and Walt Disney to those of Cecil B. DeMille and Alfred Hitchcock, from James Bond to Holden Caulfield, Nadel discloses the remarkable pervasiveness of the containment narrative. Drawing subtly on insights provided by contemporary theorists, including Baudrillard, Foucault, Jameson, Sedgwick, Certeau, and Hayden White, he situates the rhetoric of the Cold War within a gendered narrative powered by the unspoken potency of the atom. He then traces the breakdown of this discourse of containment through such events as the Bay of Pigs invasion and the Free Speech Movement at Berkeley, and ties its collapse to the onset of American postmodernism, typified by works such as Catch–22 and The Man Who Shot Liberty Valence.
An important work of cultural criticism, Containment Culture links atomic power with postmodernism and postwar politics, and shows how a multifarious national policy can become part of a nation’s cultural agenda and a source of meaning for its citizenry.
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cover of Containment and Condemnation: Law and the Oppression of the Urban Poor

Containment and Condemnation

Law and the Oppression of the Urban Poor

David Ray Papke

Michigan State University Press, 2019

The populations of American cities have always included poor people, but the predicament of the urban poor has worsened over time. Their social capital, that is, the connections and organizations that traditionally enabled them to form communities, has shredded. Economically comfortable Americans have come to increasingly care less about the plight of the urban poor and to think of them in terms of “us and them.” Considered lazy paupers in the early nineteenth century, the urban poor came to be seen as a violent criminal “underclass” by the end of the twentieth. Living primarily in the nation’s deindustrialized inner cities and making up nearly 15 percent of the population, today’s urban poor are oppressed people living in the midst of American affluence. This book examines how law works for, against, and with regard to the urban poor, with “law” being understood broadly to include not only laws but also legal proceedings and institutions. Law is too complicated and variable to be seen as simply a club used to beat down the urban poor, but it does work largely in negative ways for them. An essential text for both law students and those drawn to areas of social justice, Containment and Condemnation shows how law helps create, expand, and perpetuate contemporary urban poverty.
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cover of Contemporary African Screen Worlds

Contemporary African Screen Worlds

Lindiwe Dovey, Añulika Agina, and Michael W. Thomas, editors

Duke University Press, 2025

Contemporary African Screen Worlds brings together a new generation of African screen media scholars who explore and theorize the dynamic, interactive screen worlds that have arisen in contemporary Africa due to dramatic global changes in technology. Drawing on long-term fieldwork, extensive interviews, and specific case studies, the contributors bring to life the complex materialities and entanglements of film spectatorship, fandom, production, and circulation in Africa. They particularly attend to the interfaces among film audiences, actors, makers, platforms, and screens both small and large. Engaging with more than a dozen national contexts across the continent, the book reveals the diversity of African screen media practices and the creativity and agency of the people who passionately generate them, from film craftworkers in Nigeria and film students in Ghana to film fans in Rwanda and Burkina Faso. By focusing on the work of powerful platforms (such as Netflix and MTVShuga) and ordinary people (such as domestic workers watching Nollywood films in rural Kenya), this volume grapples with the effects and affects of digitization, mobile screens, media convergence, and the televisual turn in Africa.

Contributors. Moradewun Adejunmobi, Añulika Agina, Alexander Bud, Lindiwe Dovey, Femi Eromosele, Pier Paolo Frassinelli, Alexandra Grieve, Jonathan Haynes, Joe Jackson, Alessandro Jedlowski, Dennis-Brook Prince Lotsu, Alison MacAulay, Elastus Mambwe, Asteway M. Woldemichael, Nedine Moonsamy, Elizabeth Olayiwola, Temitayo Olofinlua, Rashida Resario, Estrella Sendra, Robin Steedman, Michael W. Thomas, Stefanie Van de Peer, Solomon Waliaula
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cover of Contemporary Archaeologies of the Southwest

Contemporary Archaeologies of the Southwest

William Walker

University Press of Colorado, 2011

Organized by the theme of place and place-making in the Southwest, Contemporary Archaeologies of the Southwest emphasizes the method and theory for the study of radical changes in religion, settlement patterns, and material culture associated with population migration, colonialism, and climate change during the last 1,000 years.

Chapters address place-making in Chaco Canyon, recent trends in landscape archaeology, the formation of identities, landscape boundaries, and the movement associated with these aspects of place-making. They address how interaction of peoples with objects brings landscapes to life. Representing a diverse cross section of Southwestern archaeologists, the authors of this volume push the boundaries of archaeological method and theory, building a strong foundation for future Southwest studies.

This book will be of interest to professional and academic archaeologists, as well as students working in the American Southwest.

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cover of Contemporary Art and the Display of Ancient Egypt

Contemporary Art and the Display of Ancient Egypt

Alice Stevenson

University College London, 2025

Beyond the illusion of dialogue—how contemporary art in Egyptian galleries is curated and controlled.

Contemporary art installations in Egyptian galleries are often framed as dialogues between past and present—but what if they are, instead, shaped by the museum itself? Contemporary Art and the Display of Ancient Egypt argues that both contemporary and ancient works are mediated through the structures and ideologies of the museum space. In this seminal work, Alice Stevenson examines how artists’ work influences museum discourse and public engagement with ancient artifacts.

Drawing on case studies from the British Museum, the Egyptian Museum in Turin, and the State Museum of Egyptian Art in Munich, this book assesses the motivations behind these interventions and their lasting impact. Through an evidence-based approach, Stevenson offers new insights into how curators, scholars, and artists can collaborate to create more meaningful and politically engaged museum experiences. Of particular interest to Egyptologists, museum professionals, and contemporary art scholars, this work redefines the role of artistic intervention in shaping our understanding of ancient cultures.
 
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cover of Contemporary Asian American Communities: Intersections And Divergences

Contemporary Asian American Communities

Intersections And Divergences

edited by Linda Trinh Võ and Rick Bonus

Temple University Press, 2002

Once thought of in terms of geographically bounded spaces, Asian America has undergone profound changes as a result of post-1965 immigration as well as the growth and reshaping of established communities. This collection of original essays demonstrates that conventional notions of community, of ethnic enclaves determined by exclusion and ghettoization, now have limited use in explaining the dynamic processes of contemporary community formation.Writing from a variety of perspectives, these contributors expand the concept of community to include sites not necessarily bounded by space; formations around gender, class, sexuality, and generation reveal new processes as well as the demographic diversity of today's Asian American population. The case studies gathered here speak to the fluidity of these communities and to the need for new analytic approaches to account for the similarities and differences between them. Taken together, these essays forcefully argue that it is time to replace the outworn concept of a monolithic Asian America.
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cover of Contemporary Black Women Filmmakers and the Art of Resistance

Contemporary Black Women Filmmakers and the Art of Resistance

Christina N. Baker

The Ohio State University Press, 2018

Christina N. Baker’s Contemporary Black Women Filmmakers and the Art of Resistance is the first book-length analysis of representations of Black femaleness in the feature films of Black women filmmakers. These filmmakers resist dominant ideologies about Black womanhood, deliberately and creatively reconstructing meanings of Blackness that draw from their personal experiences and create new symbolic meaning of Black femaleness within mainstream culture. Addressing social issues such as the exploitation of Black women in the entertainment industry, the impact of mass incarceration on Black women, political activism, and violence, these films also engage with personal issues as complex as love, motherhood, and sexual identity. Baker argues that their counter-hegemonic representations have the potential to transform the narratives surrounding Black femaleness. At the intersection of Black feminism and womanism, Baker develops a “womanist artistic standpoint” theory, drawing from the work of Alice Walker, Patricia Hill Collins, bell hooks, Audre Lorde, and Kimberlé Crenshaw.
Analyzing the cultural texts of filmmakers such as Ava DuVernay, Tanya Hamilton, Kasi Lemmons, Gina Prince-Bythewood, and Dee Rees—and including interviews she conducted with three of the filmmakers—Baker emphasizes the importance of applying an intersectional perspective that centers on the shared experiences of Black women and the role of film as a form of artistic expression and a tool of social resistance.
 
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cover of Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene

Contemporary Carioca

Technologies of Mixing in a Brazilian Music Scene

Frederick Moehn

Duke University Press, 2012

Brazilian popular music is widely celebrated for its inventive amalgams of styles and sounds. Cariocas, native residents of Rio de Janeiro, think of their city as particularly conducive to musical mixture, given its history as a hub of Brazilian media and culture. In Contemporary Carioca, the ethnomusicologist Frederick Moehn introduces a generation of Rio-based musicians who collaboratively have reinvigorated Brazilian genres, such as samba and maracatu, through juxtaposition with international influences, including rock, techno, and funk. Moehn highlights the creativity of individual artists, including Marcos Suzano, Lenine, Pedro Luís, Fernanda Abreu, and Paulinho Moska. He describes how these artists manage their careers, having reclaimed some control from record labels. Examining the specific meanings that their fusions have in the Carioca scene, he explains that musical mixture is not only intertwined with nationalist discourses of miscegenation, but also with the experience of being middle-class in a country confronting neoliberal models of globalization. At the same time, he illuminates the inseparability of race, gender, class, place, national identity, technology, and expressive practice in Carioca music and its making. Moehn offers vivid depictions of Rio musicians as they creatively combine and reconcile local realities with global trends and exigencies.
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cover of Contemporary Chinese America: Immigration, Ethnicity, and Community Transformation

Contemporary Chinese America

Immigration, Ethnicity, and Community Transformation

Min Zhou, foreword by Alejandro Portes

Temple University Press, 2009

Contemporary Chinese America is the most comprehensive sociological investigation of the experiences of Chinese immigrants to the United States—and of their offspring—in the late twentieth and early twenty-first centuries. The author, Min Zhou, is a well-known sociologist of the Chinese American experience. In this volume, she collects her original research on a range of subjects, including the causes and consequences of emigration from China, demographic trends of Chinese Americans, patterns of residential mobility in the U.S., Chinese American "ethnoburbs," immigrant entrepreneurship, ethnic enclave economies, gender and work, Chinese language media, Chinese schools, and intergenerational relations. The concluding chapter, "Rethinking Assimilation," ponders the future for Chinese Americans. Also included are an extensive bibliography and a list of recommended documentary films.

While the book is particularly well-suited for college courses in Chinese American studies, ethnic studies, Asian studies, and immigration studies, it will interest anyone who wants to more fully understand the lived experience of contemporary Chinese Americans.

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cover of Contemporary Colonialities: Kurds and Kashmiris

Contemporary Colonialities

Kurds and Kashmiris

Dibyesh Anand and Nitasha Kaul

University of Westminster Press, 2025

We live in a world dominated by states and statist knowledge; this is a world where, for multiple institutional and political reasons, it is rare to speak of more than one stateless nation, and there is a conspicuous neglect of non-Western colonial practices. This volume brings together scholarship on two peoples associated with 'conflict' but who we argue are best described as 'stateless nations': Kurds and Kashmiris. Both these contexts raise important questions relating to coloniality, sovereignty, statehood, self-determination and human rights, and yet they have never been studied together. Our intervention challenges the 'sovereignty privilege' in International Relations and calls upon postcolonial and decolonial studies to take anti-colonialism seriously by focusing on contemporary stateless nations. The Kurdish and Kashmiri conflicts are more than power-laden contestations by states over territories; they are colonialities of power experienced by embodied individuals and involve mobilised communities of stateless nations with different gendered and political vulnerabilities. "This book addresses the complex issue of colonialism and nationalism among the Kurds who live in Turkey and the Kashmiris who live in the valley of Kashmir. For those wishing to understand the respective political, religious and social challenges of both groups, this book is essential reading." Victoria Schofield, author of Kashmir in the Crossfire and Kashmir in Conflict
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cover of Contemporary Directions in Asian American Dance

Contemporary Directions in Asian American Dance

Edited by Yutian Wong

University of Wisconsin Press, 2018

The definition of Asian American dance is as contested as the definition of “Asian American.” The term encompasses not only a range of national origins but also a dazzling variety of theoretical frameworks, disciplinary methods, and genres—from traditional to postmodern to hip hop.
            The contributors to this volume address such topics as the role of the 1960s Asian American Movement in creating Japanese American taiko groups, and the experience of internment during World War II influencing butoh dance in Canada. Essays about artists such as Jay Hirabayashi, Alvin Tolentino, Shen Wei, Kun-Yang Lin, Yasuko Yokoshi, Eiko & Koma, Sam Kim, Roko Kawai, and Denise Uyehara look closely at the politics of how Asian aesthetics are set into motion and marketed. The volume includes first-person narratives, interviews, ethnography, cultural studies, performance studies, and comparative ethnic studies.
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cover of Contemporary Europe in the Historical Imagination

Contemporary Europe in the Historical Imagination

Edited by Darcy Buerkle and Skye Doney

University of Wisconsin Press, 2023

George L. Mosse (1918–99) was one of the most influential cultural and intellectual historians of modern Europe. A refugee from Nazi Germany, he was an early leader in the study of fascism and the history of sexuality and masculinity, authoring more than two dozen books. In Contemporary Europe in the Historical Imagination, an international assembly of leading scholars explore Mosse’s enduring methodologies in German studies and modern European cultural history. Considering Mosse’s life and work historically and critically, the book begins with his intellectual biography and goes on to reread his writings in light of historical developments since his death, and to use, extend, and contend with Mosse’s legacy in new contexts he may not have addressed or even foreseen.

The volume wrestles with intertwined questions that continue to emerge from Mosse’s pioneering research, including: What role do sexual and racial stereotypes play in European political culture before and after 1945? How are gender and Nazi violence bound together? And what does commemoration reveal about national culture? Importantly, the contributors pose questions that are inspired by Mosse’s work but that he did not directly examine. For example, to what extent were Nazism and Italian Fascism colonial projects? How have popular radical right parties reinforced and reimagined ethnonationalism and nativism? And how did Nazi perpetrators construct a moral system that accommodated genocide? Much like Mosse’s own work, the chapters in this book inspire new interventions into the history of gender and sexuality, Jewish identity during the rise of the Third Reich, and the many reincarnations of fascist pageantry and mass politics.

Contributors: Adi Armon, Steven E. Aschheim, Aleida Assmann, Darcy Buerkle, Skye Doney, Arie M. Dubnov, Rebekka Grossmann, David Harrisville, Meike Hoffmann, Andreas Huyssen, Elissa Mailänder, Frank Mecklenburg, Mary Nolan, Stefanie Schüler-Springorum, Roger Strauch, Enzo Traverso, Marc Volovici, Elisabeth Wagner, Sarah Wobick-Segev, Robert Zwarg

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cover of Contemporary Funeral Rituals of Sa'dan Toraja: From Aluk Todolo to "New" Religions

Contemporary Funeral Rituals of Sa'dan Toraja

From Aluk Todolo to "New" Religions

Michaela Budiman

Karolinum Press, 2013

The Sa’dan Toraja are an ethnic group who live primarily on the Indonesian island of Sulawesi. This rigorous academic study by noted expert Michaela Budiman examines the deep cultural shifts among the Toraja during the last century through the lens of their most important ritual— funerals. This book specifically addresses the conversion of the Toraja from their indigenous religion, Aluk Todolo, to Christianity and how this shift is reflected in their contemporary funeral practices and understanding of both death and grief.  
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cover of Contemporary German Editorial Theory

Contemporary German Editorial Theory

Hans Walter Gabler, George Bornstein, and Gillian Borland Pierce, Editors

University of Michigan Press, 1995

Over the past decade, Anglo-American notions of textual construction and editorial theory have begun major paradigm shifts. Many of the key emergent issues of Anglo-American debate -- such as theories of versions - -are already familiar in German theory. In other respects, including systematic reflection on the design and function of editorial apparatus, the German debate has already produced paradigms and procedures as yet unformulated in English. Contemporary German Editorial Theory makes available for the first time in English ten major essays by seven German theorists, together with an original introductory meditation by Hans Walter Gabler, editor of the celebrated edition of James Joyce's Ulysses. The volume thus participates in the paradigm shift in editorial theory that has led both to theoretical reconception of the field and to groundbreaking practical results. Topics discussed include the distinction between historical record and editor's interpretation, the display of multiple versions, concepts of authorization and intention, and the relations of textual theory to approaches like deconstruction and semiotics. The book also includes suggestions for further reading in both languages and a glossary of technical terms.Bringing together the heretofore separate Anglo-American and German approaches will strengthen each separately and prepare the way for a new hybrid combining the advantages of both orientations. Contributors are Hans Zeller, Miroslav Červenka, Elisabeth Höpker-Herberg, Gunter Martens, Henning Boetius, Siegfried Scheibe, and Gerhard Seidel.
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cover of Contemporary Immigrant Writing and Black America

Contemporary Immigrant Writing and Black America

Mirmotahari, Emad

University of Iowa Press, 2026

Contemporary Immigrant Writing and Black America addresses how minoritized communities in the United States find each other, make sense of each other, and come together to confront the many guises of racism and racist practices. This book probes the life and writings of Korean immigrants, Indian immigrants, and various African immigrants for insights into the ways that they experience and express their new lives in the United States. More specifically, this book shows how immigrant communities come to understand their relationship with the Black American community; the relation that is key to finding their own voice about race, culture, and power in the United States.

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cover of Contemporary Lithic Analysis in the Southeast: Problems, Solutions, and Interpretations

Contemporary Lithic Analysis in the Southeast

Problems, Solutions, and Interpretations

Philip J. Carr

University of Alabama Press, 2012

Representing work by a mixture of veterans and a new generation of lithic analysts, Contemporary Lithic Analysis in the Southeast explores fresh ideas while reworking and pushing the limits of traditional methods and hypotheses.
 
The variability in the southeastern lithic landscape over space and through time makes it a dynamic and challenging region for archaeologists.  Demonstrating a holistic approach and using a variety of methods, this volume aims to derive information regarding prehistoric lifeways from lithic assemblages.
 
The contributors use data from a wide temporal span and a variety of sites across the Southeast, ranging from Texas to South Carolina and from Florida to Kentucky. Not merely cautionary tales, these case studies demonstrate the necessity of looking beyond the bag of lithic material sitting in the laboratory to address the key questions in the organization of prehistoric lithic technologies.  How do field-collection strategies bias our interpretations? What is therelationship between technological strategies and tool design? How can inferences regarding social and economic strategies be made from lithic assemblages?
 
Contributors
William Andrefsky Jr. / Andrew P. Bradbury / Philip J. Carr / CarolynConklin /
D. Randall Cooper / Jason L.Edmonds / Jay D. Franklin / Albert C.Goodyear III /
Joel Hardison / Lucinda M. Langston / D. Shane Miller / George H.Odell /
Charlotte D. Pevny / Tara L. Potts /Sarah E. Price / Douglas Sain / Sarah C.Sherwood /
Ashley M. Smallwood /Paul Thacker
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cover of Contemporary Marriage

Contemporary Marriage

Kingsley Davis

Russell Sage Foundation, 1985

This fascinating symposium is based on an assumption that no longer seems to need justification: that the institution of marriage is today experiencing profound changes. But the nature of those changes—their causes and consequences—is very much in need of explication. The experts contributing to this volume bring a wide range of perspectives—sociological, anthropological, economic, historical, psychological, and legal—to the problem of marriage in modern society. Together these essays help illuminate a form of relationship that is both vulnerable and resilient, biological and social, a reflection of and an influence on other social institutions. Contemporary Marriage begins with an important assessment of the revolution in marital behavior since World War II, tracing trends in marriage age, cohabitation, divorce, and fertility. The focus here is primarily on the United States and on idustrial societies in general. Later chapters provide intriguing case studies of particular countries. There is a recurrent interest in the impact on marriage of modernization itself, but a number of essays probe influences other than industrial development, such as strong cultural and historical patterns or legislation and state control. Beliefs and expectations about marriage are explored, and human sexuality and gender roles are also considered as factors in the nature of marriage. Contemporary Marriage offers a rich spectrum of approaches to a problem of central importance. The volume will reward an equally broad spectrum of readers interested in the meaning and future of marriage in our society.
[more]
cover of Contemporary Maya Spirituality: The Ancient Ways Are Not Lost

Contemporary Maya Spirituality

The Ancient Ways Are Not Lost

By Jean Molesky-Poz

University of Texas Press, 2006

Since the mid-1980s, when Guatemala returned to civilian rule and achieved relative peace and stability, the Maya have begun openly expressing their spiritual beliefs and practices. Jean Molesky-Poz draws on in-depth dialogues with Maya Ajq'ijab' (keepers of the ritual calendar), her own participant observation, and inter-disciplinary resources to offer a comprehensive, innovative, and well-grounded understanding of contemporary Maya spirituality and its theological underpinnings. She reveals significant continuities between contemporary and ancient Maya worldviews and spiritual practices.

Molesky-Poz opens with a discussion of how the public emergence of Maya spirituality is situated within the religious political history of the Guatemalan highlands, particularly the recent pan-Maya movement. She investigates Maya cosmovision and its foundational principles, as expressed by Ajq'ijab'. At the heart of this work, Ajq'ijab' interpret their obligation, lives, and spiritual work. In subsequent chapters, Molesky-Poz explores aspects of Maya spirituality—sacred geography (the reciprocal relationship between the earth and humans, sacred places, and the significance of the cross or quatrefoil map), sacred time (how the 260-day sacred calendar is "the heart of the wisdom of the Maya," the matrix of Maya culture), and ritual practice (the distinct way and method of ancestral study, with special attention to fire ceremonialism). She confirms contemporary Maya spirituality as a faith tradition with elaborate historical roots that has significance for individual, collective, and historical lives, reaffirming its own public space and legal right to be practiced.

[more]
cover of Contemporary Northern Irish Society: An Introduction

Contemporary Northern Irish Society

An Introduction

Colin Coulter

Pluto Press, 1999

[more]
cover of Contemporary Opera in Flux

Contemporary Opera in Flux

Edited by Yayoi U. Everett

University of Michigan Press, 2024

In twelve essays, Contemporary Opera in Flux discusses a series of shifts that, taken together, have radically redefined the production and reception of opera. Focusing on productions involving late twentieth- and twenty-first century scores and libretti, the contributors draw on conversations with members of creative teams and studies of archival material, dipping into a historical record that remains in flux as composers, librettists, directors, and designers revisit existing work and create anew. The contributors to this volume push the boundaries of contemporary opera scholarship by examining works that disrupt operatic conventions; tackle sociopolitical issues such as drug trafficking, racial injustice, and cultural trauma; and advance underrepresented works by female, African-American, Asian, and avant-garde composers around the globe. 

Contemporary Opera in Flux bridges the gaps between expanding literature on opera, theater, new music, postmodern dramaturgy, and posthuman aesthetics, while also confronting larger questions of identity, representation, and narrative agency that are at the forefront of contemporary music scholarship. This collection of essays engages critically with the past out of a conviction that, amid general public perceptions of opera as anachronistic or elitist, contemporary opera has emerged as an artistic incubator for experimentation.
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cover of Contemporary Plays by African American Women: Ten Complete Works

Contemporary Plays by African American Women

Ten Complete Works

Edited by Sandra Adell

University of Illinois Press, 2015

African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation.

Selections: Blue Door, by Tanya Barfield; Levee James, by S. M. Shephard-Massat; Hoodoo Love, by Katori Hall; Carnaval, by Nikkole Salter; Single Black Female, by Lisa B. Thompson; Fabulation, or The Re-Education of Undine, by Lynn Nottage; BlackTop Sky, by Christina Anderson; Voyeurs de Venus, by Lydia Diamond; Fedra, by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition, by Keli Garrett.

[more]
cover of Contemporary Social Constructionism: Key Themes

Contemporary Social Constructionism

Key Themes

Darin Weinberg

Temple University Press, 2015

In Contemporary Social Constructionism, Darin Weinberg provides a detailed, critical overview of the key themes of this school of thought, which explains how phenomena and ways of thinking develop in their social contexts. Weinberg traces the multiple roots of social constructionism, and shows how it has been used, critiqued, and refined within the social and human sciences. 

 

Contemporary Social Constructionism illuminates how constructionist social science developed in relation to positivism, critical and hermeneutic philosophy, and feminism and then goes on to distinguish the concept from postmodernism and deconstructionism. In addition, Weinberg shows how social constructionists have contributed to our understanding of biology, the body, self-knowledge, and social problems. 

 

The result is a contemporary statement of social constructionism that shores up its scientific veracity and demonstrates its analytic power, promise, and influence. The book concludes with a look toward the future of the concept and its use.   

 
[more]
cover of Contemporary Theatre in Mayan Mexico: Death-Defying Acts

Contemporary Theatre in Mayan Mexico

Death-Defying Acts

By Tamara L. Underiner

University of Texas Press, 2004

From the dramatization of local legends to the staging of plays by Shakespeare and other canonical playwrights to the exploration of contemporary sociopolitical problems and their effects on women and children, Mayan theatre is a flourishing cultural institution in southern Mexico. Part of a larger movement to define Mayan self-identity and reclaim a Mayan cultural heritage, theatre in Mayan languages has both reflected on and contributed to a growing awareness of Mayans as contemporary cultural and political players in Mexico and on the world's stage.

In this book, Tamara Underiner draws on fieldwork with theatre groups in Chiapas, Tabasco, and Yucatán to observe the Maya peoples in the process of defining themselves through theatrical performance. She looks at the activities of four theatre groups or networks, focusing on their operating strategies and on close analyses of selected dramatic texts. She shows that while each group works under the rubric of Mayan or indigenous theatre, their works are also in constant dialogue, confrontation, and collaboration with the wider, non-Mayan world. Her observations thus reveal not only how theatre is an agent of cultural self-definition and community-building but also how theatre negotiates complex relations among indigenous communities in Mayan Mexico, state governments, and non-Mayan artists and researchers.

[more]
cover of Content Machines: Reading and Writing in the Platform Era

Content Machines

Reading and Writing in the Platform Era

Sarah Brouillette

Duke University Press, 2026

While much has been said about the democratization of publishing through the rise of platforms like Amazon’s Kindle Direct Publishing, little attention has been paid to the broader effect these technologies have had on writers, readers, and the publishing industry. In Content Machines, Sarah Brouillette considers how short-form, platform-based, and social media writing on digital mediums like Wattpad and TikTok has reshaped modern publishing, reading, and writing. Brouillette identifies three mutually reinforcing processes that platform capitalism entangles in the publishing industry: the marked feminization of book work; the rise of a bibliotherapeutic vocabulary that grounds reading and writing as self-care work; and the growth of platform-based processes that cheapen content and intensify the pressure to engage in self-promotion and entrepreneurial strategizing. She breaks down the business models that have been key to this transformation and traces the social conditions that make online self-published fiction, especially young adult, romance, and fantasy stories, into spaces for community while, conversely, signaling how these publishing practices depend upon undervalued and feminized labor from marginalized groups. Content Machines is a much-needed survey of the contours of the modern reading and writing landscape.
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cover of Contented among Strangers: Rural German-Speaking Women and Their Families in the Nineteenth-Century Midwest

Contented among Strangers

Rural German-Speaking Women and Their Families in the Nineteenth-Century Midwest

Linda Schelbitzki Pickle

University of Illinois Press, 1995

German-Americans make up one of the largest ethnic groups in the United States, yet their very success at assimilating has also made them one of the least visible. Contented among Strangers examines the central role German-speaking women in rural areas of the Midwest played in preserving their ethnic and cultural identity. Even while living far from their original homelands, these women applied traditional European patterns of rural family life and values to their new homes in Illinois, Iowa, Kansas, Missouri, and Nebraska. As a result they were more content with their modest lives than were their Anglo-American counterparts. Through personal recollections--including interesting diary material translated by the author, church and community documents, and migration and census data--Pickle reveals the diversity and richness of the women's experiences.

[more]
cover of Contentious Citizenship: Salvadoran Activism and Belonging Across Borders

Contentious Citizenship

Salvadoran Activism and Belonging Across Borders

Arely M. Zimmerman

University of Arizona Press, 2026

Contentious Citizenship reshapes how we understand belonging, identity, and political participation in the context of migration. Drawing on decades of Salvadoran activism from the 1980s solidarity movement to the post–civil war era, Arely M. Zimmerman offers a powerful ethnographic account of how migrants challenge exclusionary state practices and redefine citizenship on their own terms using transnational networks and revolutionary politics that transcend borders.
 
Drawing on nearly fifty interviews with activists who fled El Salvador, Zimmerman traces how political refugees carried with them strategies of resistance and community organizing that shaped social justice movements in the United States. The book addresses the political turmoil and grassroots mobilizations in El Salvador, the sanctuary movement of the 1980s, contemporary activism, and the impact of women’s strategies and forms of resistance.
 
Essential reading for scholars and students of migration, Central American studies, and political movements, Contentious Citizenship is a bold intervention into contemporary debates on identity, legality, and resistance. Zimmerman’s work honors the ingenuity and resilience of Salvadoran activists and invites readers to consider what it means to belong.
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cover of Contentious City: The Politics of Recovery in New York City

Contentious City

The Politics of Recovery in New York City

John Mollenkopf

Russell Sage Foundation, 2005

Few public projects have ever dealt with economic and emotional issues as large as those surrounding the rebuilding of lower Manhattan following the terrorist attack of September 11, 2001. Picking up the pieces involved substantial challenges: deciding how to memorialize one of America's greatest tragedies, how to balance the legal claim of landowners against the moral claim of survivors who want a say in the future of Ground Zero, and how to rebuild the Trade Center site while preserving the sacredness and solemnity that Americans now attribute to the area. All the while, the governor, the mayor, the Port Authority, and the leaseholder competed with one another to advance their own interests and visions of the redevelopment, while at least leaving the impression that the decisions were the public's to make. In Contentious City, editor John Mollenkopf and a team of leading scholars analyze the wide-ranging political dimensions of the recovery process. Contentious City takes an in-depth look at the competing interests and demands of the numerous stakeholders who have sought to influence the direction of the recovery process. Lynne Sagalyn addresses the complicated institutional politics behind the rebuilding, which involve a newly formed development commission seeking legitimacy, a two-state transportation agency whose brief venture into land ownership puts it in control of the world's most famous 16 acres of land, and a private business group whose affiliation with the World Trade Center places it squarely in a fight for billions of dollars in insurance funds. Arielle Goldberg profiles five civic associations that sprouted up to voice public opinion about the redevelopment process. While the groups did not gain much leverage over policy outcomes, Goldberg argues that they were influential in steering the agenda of decision-makers and establishing what values would be prioritized in the development plans. James Young, a member of the jury that selected the design for the World Trade Center site memorial, discusses the challenge of trying to simultaneously memorialize a tragic event, while helping those who suffered find renewal and move on with their lives. Editor John Mollenkopf contributes a chapter on how the September 11 terrorist attacks altered the course of politics in New York, and how politicians at the city and state level adapted to the new political climate after 9/11 to win elected office. Moving forward after the destruction of the Twin Towers was a daunting task, made more difficult by the numerous competing claims on the site, and the varied opinions on how it should be used in the future. Contentious City brings together the voices surrounding this intense debate, and helps make sense of the rival interests vying for control over one of the most controversial urban development programs in history. A Russell Sage Foundation September 11 Initiative Volume
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cover of Contentious Lives: Two Argentine Women, Two Protests, and the Quest for Recognition

Contentious Lives

Two Argentine Women, Two Protests, and the Quest for Recognition

Javier Auyero

Duke University Press, 2003

Contentious Lives examines the ways popular protests are experienced and remembered, individually and collectively, by those who participate in them. Javier Auyero focuses on the roles of two young women, Nana and Laura, in uprisings in Argentina (the two-day protest in the northwestern city of Santiago del Estero in 1993 and the six-day road blockade in the southern oil towns of Cutral-co and Plaza Huincul in 1996) and the roles of the protests in their lives. Laura was the spokesperson of the picketers in Cutral-co and Plaza Huincul; Nana was an activist in the 1993 protests. In addition to exploring the effects of these episodes on their lives, Auyero considers how each woman's experiences shaped what she said and did during the uprisings, and later, the ways she recalled the events. While the protests were responses to the consequences of political corruption and structural adjustment policies, they were also, as Nana’s and Laura’s stories reveal, quests for recognition, respect, and dignity.

Auyero reconstructs Nana’s and Laura’s biographies through oral histories and diaries. Drawing on interviews with many other protesters, newspaper articles, judicial records, government reports, and video footage, he provides sociological and historical context for their stories. The women’s accounts reveal the frustrations of lives overwhelmed by gender domination, the deprivations brought about by hyper-unemployment and the withering of the welfare component of the state, and the achievements and costs of collective action. Balancing attention to large-scale political and economic processes with acknowledgment of the plurality of meanings emanating from personal experiences, Contentious Lives is an insightful, penetrating, and timely contribution to discussions of popular resistance and the combined effects of globalization, neoliberal economic policies, and political corruption in Argentina and elsewhere.

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cover of Contested Citizenship: Immigration and Cultural Diversity in Europe

Contested Citizenship

Immigration and Cultural Diversity in Europe

Ruud Koopmans

University of Minnesota Press, 2005

From international press coverage of the French government’s attempt to prevent Muslims from wearing headscarves to terrorist attacks in Madrid and the United States, questions of cultural identity and pluralism are at the center of the world’s most urgent events and debates. Presenting an unprecedented wealth of empirical research garnered during ten years of a cross-cultural project, Contested Citizenship addresses these fundamental issues by comparing collective actions by migrants, xenophobes, and antiracists in Germany, Britain, France, the Netherlands, and Switzerland. 

Revealing striking cross-national differences in how immigration and diversity are contended by different national governments, these authors find that how citizenship is constructed is the key variable defining the experience of Europe’s immigrant populations. Contested Citizenship provides nuanced policy recommendations and challenges the truism that multiculturalism is always good for immigrants. Even in an age of European integration and globalization, the state remains a critical actor in determining what points of view are sensible and realistic—and legitimate—in society. 

Ruud Koopmans is professor of sociology at Free University, Amsterdam. Paul Statham is reader in political communications at the University of Leeds. Marco Giugni is a researcher and teacher of political science at the University of Geneva. Florence Passy is assistant professor of political science at the University of Lausanne, Switzerland.
[more]
cover of Contested City: Art and Public History as Mediation at New York's Seward Park Urban Renewal Area

Contested City

Art and Public History as Mediation at New York's Seward Park Urban Renewal Area

Gabrielle Bendiner-Viani

University of Iowa Press, 2018

2020 Brendan Gill Prize finalist
For forty years, as New York’s Lower East Side went from disinvested to gentrified, residents lived with a wound at the heart of the neighborhood, a wasteland of vacant lots known as the Seward Park Urban Renewal Area (SPURA). Most of the buildings on the fourteen-square-block area were condemned in 1967, displacing thousands of low-income people of color with the promise that they would soon return to new housing—housing that never came. 

Over decades, efforts to keep out affordable housing sparked deep-rooted enmity and stalled development, making SPURA a dramatic study of failed urban renewal, as well as a microcosm epitomizing the greatest challenges faced by American cities since World War II. 

Artist and urban scholar Gabrielle Bendiner-Viani was invited to enter this tense community to support a new approach to planning, which she accepted using collaboration, community organizing, public history, and public art. Having engaged her students at The New School in a multi-year collaboration with community activists, the exhibitions and guided tours of her Layered SPURA project provided crucial new opportunities for dialogue about the past, present, and future of the neighborhood. 

Simultaneously revealing the incredible stories of community and activism at SPURA, and shedding light on the importance of collaborative creative public projects, Contested City bridges art, design, community activism, and urban history. This is a book for artists, planners, scholars, teachers, cultural institutions, and all those who seek to collaborate in new ways with communities. 

[more]
cover of Contested City: Municipal Politics and the Rise of Nazism in Altona, 1917-1937

Contested City

Municipal Politics and the Rise of Nazism in Altona, 1917-1937

Anthony McElligott

University of Michigan Press, 1998

In the wake of the First World War, many Germans saw the future of their nation as contingent on a vision of municipal progress. In this well-researched study, Anthony McElligott uses local politics as an analytical tool to decipher the bigger picture of the fate of the Weimar Republic.Focusing on the industrial city of Altona, McElligott locates his discussion of the contradictions of the Weimar "local state" along two axes—first, persistent financial, policy, and political conflict between the central and the local state; and, second, the conflicts within the Weimar local state between the displaced and resentful middle classes and the newly enfranchised working class.The Social Democrats used their considerable political influence at the local level to pursue progressive social policies. However, these local experiments in "practical socialism" alienated middle- and lower-middle-class voters without guaranteeing the support of all workers, since dwindling financial resources made it impossible to extend the benefits of the new social programs to many of the unskilled and poorer sections of the working class. Ultimately, the translation of the democratic republican vision into active policy provoked the conservative push for reassertion of central authority in the state.McElligott probes beneath the level of formal party conflicts to reconstruct the "politics of everyday life" at the street level. This study will be of wide interest to historians and political scientists.
[more]
cover of Contested City: Municipal Politics and the Rise of Nazism in Altona, 1917-1937

Contested City

Municipal Politics and the Rise of Nazism in Altona, 1917-1937

Anthony McElligott

University of Michigan Press, 1998

In the wake of the First World War, many Germans saw the future of their nation as contingent on a vision of municipal progress. In this well-researched study, Anthony McElligott uses an analysis of local politics to decipher the fate of the Weimar Republic. Focusing on the industrial city of Altona, McElligott locates his discussion of the contradictions of the Weimar "local state" along two axes--first, persistent financial, policy, and political conflict between the central and the local state and, second, the conflicts within the Weimar local state between the displaced and resentful middle/lower-middle class and the newly enfranchised working class. Social Democrats used their considerable political influence at the level of local government to pursue progressive social policies, local experiments in "practical socialism." Socialist programs, however, alienated middle and lower middle-class voters without guaranteeing the support of all workers, since the dwindling financial resources of local governments made it impossible to extend the benefits of the new social programs to many of the unskilled and poorer sections of the working class. Ultimately, the translation of the democratic republican vision into active policy provoked the conservative push for a reassertion of central authority in the state. McElligott probes beneath the level of formal, local party conflicts to reconstruct the "politics of everyday life" at the street level. This study will be of wide interest to historians and political scientists. Anthony McElligott is Lecturer in Modern History, University of St. Andrews, Scotland.
[more]
cover of Contested Communities: Class, Gender, and Politics in Chile’s El Teniente Copper Mine, 1904-1951

Contested Communities

Class, Gender, and Politics in Chile’s El Teniente Copper Mine, 1904-1951

Thomas Miller Klubock

Duke University Press, 1998

In Contested Communities Thomas Miller Klubock analyzes the experiences of the El Teniente copper miners during the first fifty years of the twentieth century. Describing the everyday life and culture of the mining community, its impact on Chilean politics and national events, and the sense of self and identity working-class men and women developed in the foreign-owned enclave, Klubock provides important insights into the cultural and social history of Chile.
Klubock shows how a militant working-class community was established through the interplay between capitalist development, state formation, and the ideologies of gender. In describing how the North American copper company attempted to reconfigure and reform the work and social-cultural lives of men and women who migrated to the mine, Klubock demonstrates how struggles between labor and capital took place on a gendered field of power and reconstituted social constructions of masculinity and femininity. As a result, Contested Communities describes more accurately than any previous study the nature of grassroots labor militancy, working-class culture, and everyday politics of gender relations during crucial years of the Chilean Popular Front in the 1930s and 1940s.
[more]