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From the respected author of one of the best books on World War II combat, comes an equally captivating saga of battle recovery, healing, and homecoming. 

China Marine is the long-awaited sequel to E. B. Sledge’s critically acclaimed memoir, With the Old Breed at Peleliu and Okinawa. Picking up where his previous memoir leaves off, Sledge, a young marine in the First Division, traces his company’s movements and charts his own difficult passage to peace following his horrific experiences in the Pacific. He reflects on his duty in the ancient city of Peiping (now Beijing) and recounts the difficulty of returning to his hometown of Mobile, Alabama, and resuming civilian life haunted by the shadows of close combat.

Distinguished historians have praised Sledge’s first book as the definitive rifleman’s account of World War II, ranking it with the Civil War’s Red Badge of Courage and World War I’s All Quiet on the Western Front. Although With the Old Breed ends with the surrender of Japan, marines in the Pacific were still faced with the mission of disarming the immense Japanese forces on the Asian mainland and reestablishing order. For infantrymen so long engaged in the savage and surreal world of close combat, there remained the personal tasks of regaining normalcy and dealing with suppressed memories, fears, and guilt. 

In China Marine, E. B. Sledge completes his story and provides emotional closure to the searing events detailed in his first memoir. He speaks frankly about the real costs of war, emotional and psychological as well as physical, and explains the lifetime loyalties that develop between men who face fear, loss, and horror together. That bond becomes one of the newfound treasures of life after battle.

With his hallmark style of simplicity, directness, and lack of sentimentality, "Sledgehammer" has given us yet another great document of war literature.

From the Pacific’s brutality to China’s uneasy peace—one Marine’s fight to reclaim himself.

In this powerful anniversary edition of China Marine, Eugene B. Sledge—acclaimed author of the classic WWII memoir With the Old Breed—offers an unforgettable portrait of a young Marine navigating the uneasy peace that followed history’s most brutal war. Already celebrated for his visceral honesty and humanity, Sledge deepened his legacy with this rare account of the U.S. occupation of North China, a period as volatile as it was transformative. 

Sledge’s memoirs remain enduringly popular because they never flinch from the truth. His reflections resonate across generations, offering readers not only a veteran’s hard-won wisdom but a moving story of survival, friendship, trauma, and the long journey back to ordinary life. His life and words have become part of American cultural memory, featured prominently in both Ken Burns’s PBS series The War and the HBO production The Pacific. 

This special anniversary edition honors that legacy with a new preface by his son, bestselling author John Sledge and a new foreword by the eminent military historian John McManus, who together illuminate Sledge’s continued relevance in understanding war and its aftermath. 

Intimate, vivid, and deeply human, China Marine stands as a timeless testament to courage, resilience, and the costs of peace after war.

What happens when a passage from the world of light to the world of darkness opens onto a new chapter of life? A retrospective account of a pioneering Indian artist who continued to paint after losing his eyesight. 

Benode Behari Mukherjee (1904–1980) was one of the most influential and highly regarded artists in the history of modern Indian art. Chitrakar brings together four broadly autobiographical pieces written by Benode Behari after he lost his eyesight in the summer of 1957. The Artist is a selective reminiscence recapturing various pictures from the years of his childhood, apprenticeship, and maturity, up to the time he became blind. Master of the Household is a candid and complex fictionalized account of his struggle to come to terms with his blindness and continue making art. The Creator is a simple, but telling, parable about the vanity of inordinate ambition. Finally, Art Quest outlines his philosophy of art and the basic elements of his work. 

In the sensitive and empathetic hands of K. G. Subramanyan, once his student and later himself a major figure in the Indian art scene, this translation, appearing for the first time in English, is a precious and timeless document.

The maverick filmmaker's personal and political relationships with film

Best known in the United States for his visionary short film La Jetée, Chris Marker spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s. His distinctive style and use of still images place him among the postwar era's most influential European filmmakers. His fearless political cinema, meanwhile, provided a bold model for other activist filmmakers.

Nora M. Alter investigates the core themes and motivations behind an unpredictable and transnational career that defies easy classification. A photographer, multimedia artist, writer, broadcaster, producer, and organizer, Marker cultivated an artistic dynamism and always-changing identity. ""I am an essayist,"" Marker once said, and his 1953 debut filmic essay The Statues Also Die (with Alain Resnais) exposed the European art market's complicity in atrocities in the former Belgian Congo. Ranging geographically as well as artistically, Marker's travels led to films like the classic Sans Soleil and Sunday in Peking. His decades-long struggle against global injustice involved him with Night and Fog, Le Joli Mai, Far from Vietnam, Le fond du l'air est Rouge, and Prime Time in the Camps.

Insightful and revealing, Chris Marker includes interviews with the notoriously private director.

A musical force across four decades, a voice for the ages, and a great songwriter, Chrissie Hynde is one of America’s foremost rockers. Inducted into the Rock and Roll Hall of Fame in 2005, she and her band The Pretenders have released ten albums since 1980. The Pretenders’ debut LP has been acclaimed as one of the best albums of all time by VH1 and Rolling Stone. In a business filled with “pretenders” and posers, Hynde remains unassailably authentic. Although she blazed the trail for countless female musicians, Hynde has never embraced the role of rock-feminist and once remarked, “It’s never been my intention to change the world or set an example for others to follow.” Instead, she pursued her own vision of rock—a band of “motorcycles with guitars.”

Chrissie Hynde: A Musical Biography traces this legend’s journey from teenage encounters with rock royalty to the publication of her controversial memoir Reckless in 2015. Adam Sobsey digs deep into Hynde’s catalog, extolling her underrated songwriting gifts and the greatness of The Pretenders’ early classics and revealing how her more recent but lesser-known records are not only underappreciated but actually key to understanding her earlier work, as well as her evolving persona. Sobsey hears Hynde’s music as a way into her life outside the studio, including her feminism, signature style, vegetarianism, and Hinduism. She is “a self-possessed, self-exiled idol with no real forbears and no true musical descendants: a complete original.”

From Tuskegee to the United Negro College Fund, one man's legacy changed American education.

Chronicles of Faith: The Autobiography of Frederick D. Patterson, edited by Martia Graham Goodson, presents the remarkable life story of one of the most influential educators and institutional leaders in twentieth-century America. Based on Patterson's personal recollections, the autobiography traces his journey from a childhood marked by adversity to a distinguished career as a veterinarian, educator, college president, and visionary advocate for higher education.

Best known as president of Tuskegee Institute and founder of the United Negro College Fund, Patterson played a pivotal role in expanding educational opportunities for African Americans during an era of segregation and limited resources. The narrative chronicles his leadership in strengthening historically Black colleges and universities, promoting professional education, and developing innovative fundraising models that transformed the future of Black higher education.

Interwoven with accounts of personal determination, faith, and public service, the book offers valuable insight into the challenges and achievements that shaped American educational history. Patterson's story is both an inspiring autobiography and an important historical document, revealing the vision and perseverance required to create lasting institutional change. Essential for understanding the evolution of higher education in the United States, this volume will be especially valuable to students, scholars, educators, historians, and readers interested in African American leadership, HBCUs, philanthropy, and social progress.

With the encouragement of a teacher at Southern Center, Cindy realized she had a deep passion for sports, and the discipline to train and compete. She began participating in Special Olympics, and gained confidence as she worked with teammates to earn medals in tennis, track and field, and even snowshoeing. Chosen as a Global Messenger for the Special Olympics International in 2000, Cindy has had dinner at the White House with two different American presidents, traveled around the world, and given speeches in front of thousands of people.

In these pages, young readers will learn what gives Cindy her champion spirit, and why she gave away some of her gold medals. Today, Cindy is still competing in Special Olympics. She also continues to advocate for people with disabilities, and helped to start People First, a statewide organization that encourages those with disabilities to speak up for their rights.

Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray.

Cinematic Encounters collects more than forty years of interviews that embrace Rosenbaum's vision of film criticism as a collaboration involving multiple voices. Rosenbaum accompanies Orson Welles on a journey back to Heart of Darkness, the unmade film meant to be Welles's Hollywood debut. Jacques Tati addresses the primacy of décor and soundtrack in his comedic masterpiece PlayTime, while Jim Jarmusch explains the influence of real and Hollywoodized Native Americans in Dead Man. By arranging the chapters chronologically, Rosenbaum invites readers to pursue thematic threads as if the discussions were dialogues between separate interviews. The result is a rare gathering of filmmakers trading thoughts on art and process, on great works and false starts, and on actors and intimate moments.

Citizen Rauh tells the story of American lawyer Joseph L. Rauh Jr., who kept alive the ideals of New Deal liberalism and broadened those ideals to include a commitment to civil rights. Rauh's clients included Arthur Miller, Lillian Hellman, A. Philip Randolph, and the Mississippi Freedom Democratic Party. With good reason Freedom Rider John Lewis once called him "the blackest white man I ever knew."

No lawyer in the post-1945 era did more to protect the economic interests of working-class Americans than Rauh, who fought for the unions as they struggled for legitimacy and against them when they betrayed their own members. No lawyer stood more courageously against repressive anticommunism during the 1950s or advanced the cause of racial justice more vigorously in the 1960s and 1970s. No lawyer did more to defend the constitutional vision of the Warren Court and resist the efforts of Richard Nixon and Ronald Reagan to undo its legacy.

Throughout his life, Rauh continued to articulate a progressive vision of law and politics, ever confident that his brand of liberalism would become vital once again when the cycle of American politics took another turn.

Michael E. Parrish is Distinguished Professor of History at the University of California, San Diego, where he has taught for forty years. A specialist in the legal and constitutional history of the United States, he has also taught at Nanjing University in the People's Republic of China, the University of Edinburgh, the University of Glasgow, and the University of Helsinki, where he was the Fulbright Bicentennial Professor of American Studies.

Parrish is the author of five other books: Securities Regulation and the New Deal; Felix Frankfurter and His Times; Anxious Decades: America in Prosperity and Depression; The Hughes Court: Justices, Rulings, and Legacy; and The Supreme Court and Capital Punishment: Judging Death. His articles have appeared in the American Historical Review, the Historian, Diplomatic History, the Journal of the Supreme Court Historical Society, and the Yale Law Journal.

Jacket design by Paula Newcomb

Jacket photograph: Joseph L. Rauh Jr. with President Lyndon B. Johnson. Courtesy of the Estate of Olie W. Rauh.

This new edition of Citizen Spielberg expands Friedman’s original analysis to include films of the 2010s like Lincoln and Ready Player One. Breaking down the works by genre, Friedman looks at essential aspects of Spielberg’s art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker.

Incisive and discerning, Citizen Spielberg offers a career-spanning appraisal of a moviemaking icon.

The 1920s witnessed an extraordinary flowering of literary and artistic creativity among African Americans. Critics hailed the emergence of a “New Negro,” who took pride in the Black race and its African heritage, and whose writings exposed and attacked discrimination, explored Black folk culture, and strove to create a unique African-American literature. Yet for all its vitality, the cultural movement best known as the Harlem Renaissance was fraught with tensions: between the ideal of Africa and the reality of America; between the lure of a romanticized rural past and the demands of an alien urban present; between the need to affirm the uniqueness of Black culture and the desire to achieve acceptance by the majority white culture. Perhaps more than any other Harlem Renaissance figure, Claude McKay embodied these contradictory impulses.

The paradox of Claude McKay cannot be reduced to any simple formula. He was at once an enfant terrible who took pride in the Negro's cultural heritage and an intellectual who strove for acceptance in predominantly white circles. He was a radical intent on transforming his adopted county who nevertheless left the United States temporarily for the Soviet Union. Yet these tensions, as this book strives to show, cannot simply be ascribed to personal or psychological problems; ultimately, they were rooted in the ambiguous social and cultural position of the Black artist and political radical of the early twentieth century.

A critic once wrote that Rebecca West’s Black Lamb and Grey Falcon was about two things: Yugoslavia and everything else. Something similar might be said about Clear Creek. In this boundary-defying work, Erik Reece spends a year beside the stream in his rural Kentucky homeplace, tracking the movements of the seasons, the animals, and the thoughts passing through his mind.

Clear Creek is a series of vignettes that calls us out of our frenzied, digitized world to a slower, more contemplative way of being. Reece’s subjects range from solitude and solidarity to the intricacies of forest communities, and from the genius of songwriter Tom T. Hall to reforestation projects on abandoned strip mines. A work of close observation and carefully grounded insights, Clear Creek articulates a nature-based philosophy for pondering humanity’s current plight.