4030 books match the query 'Language Arts & Disciplines' and 283 start with c

cover of Copyright Law for Librarians and Educators: Creative Strategies and Practical Solutions

Copyright Law for Librarians and Educators

Creative Strategies and Practical Solutions

Kenneth D. Crews

American Library Association, 2012

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cover of Copyright for Academic Librarians and Professionals

Copyright for Academic Librarians and Professionals

Rebecca P. Butler

American Library Association, 2014

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cover of Copyright for Teachers and Librarians in the 21st Century

Copyright for Teachers and Librarians in the 21st Century

Rebecca P. Butler

American Library Association, 2011

[more]
cover of Core Tech Competencies for Librarians and Library Staff

Core Tech Competencies for Librarians and Library Staff

American Library Association, 2009

[more]
cover of Corporal Rhetoric: Regulating Reproduction in the Progressive Era

Corporal Rhetoric

Regulating Reproduction in the Progressive Era

Barbara Schneider

University of Alabama Press, 2021

Examines public discourse from the Progressive Era over the state’s right to regulate women’s bodies and their reproduction

When Justice Oliver Wendell Holmes determined in 1927 that sterilization was a legitimate means of safeguarding the nation’s health, he was asserting the state’s right to regulate the production of the national body. His opinion represented a culmination of arguments about reproduction and immigration that had been circulating for years but that intensified during the Progressive Era. Arguments about reproductive and immigration practices surged to the foreground, and tectonic shifts in the conceptual schemes and practices of reproduction in the United States followed.

Drawing on feminist historiography and genre studies, Corporal Rhetoric: Regulating Reproduction in the Progressive Era explores the rhetoric of medical research, new technologies, and material practices that shifted the idea of childbirth as an act of God or Nature to a medical procedure enacted by male physicians on the bodies of women made passive by both drugs and discourse. Barbara Schneider considers how efficiency, the hallmark of scientific management, was raised to a cardinal virtue by its inclusions in the powerful mediums of presidential speeches, national educational policies, and eugenics discourse to reclassify babies, long regarded as gifts, as either valuable assets or defective products.

Schneider shows how the legal system drew upon medicine, scientific management, and the emerging discipline of sociology to restrict women’s labor in order to preserve reproductive capacity, categorized by Supreme Court opinions as a public good rather than a private capacity. Throughout, she ties the arguments developed during this era to current debates about mothering rhetorics, reproductive rights, immigration, and conceptions of the nation.

By weaving together medical research reports, clinical practices, case studies, legal opinions and legislative acts, and the epistemology of scientific management, Schneider illuminates the network that women such as Margaret Sanger, Jane Addams, Lillian Gilbreth and multiple others negotiated as they sought to give women room to exercise their reproductive capacity. Through her analysis of the machinery of these discourses and the material uptake of their genres in the daily practices of reproductive bodies, Schneider offers a provisional theory of corporal rhetoric that begins to answer the call for a new material theory of the body.

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cover of Cosmopolitan English and Transliteracy

Cosmopolitan English and Transliteracy

Xiaoye You

Southern Illinois University Press, 2016

Winner, CCCC Research Impact Award, 2018

Despite the vast number of multilingual speakers in the United States and the pervasive influence of globalization, writing studies in this country is still inextricably linked to a nationalistic, monolingual English ideology. In Cosmopolitan English and Transliteracy, Xiaoye You addresses this issue by proposing that writing studies programs adopt a cosmopolitan perspective. Emphasizing local and global forms of citizenship and identification, You merges a humanistic vision with the rigor of social science, arguing that linguistic and cultural differences can be explored to recover human connections normally severed by geographical and semiotic borders.

You examines several areas of writing affected by globalization. He then turns to the composition classroom, highlighting the challenges and possibilities of crossing cultural boundaries in academic discourse before introducing a pedagogy aimed at fostering American students’ translingual and transcultural sensibilities. Included is a model for training writing teachers in the context of globalization, which aims to help instructors gain practical knowledge about the needs and resources of multilingual writers through communication technologies and cross-cultural partnerships.

By introducing cosmopolitan perspectives into the composition classroom, You challenges traditional assumptions about language, identity, and literacy as they relate to writing studies. Innovative and provocative, Cosmopolitan English and Transliteracy charts a new way forward for writing programs, with a call to focus on global rather than national identity.
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cover of Coteaching Reading Comprehension Strategies in Elementary School Libraries: Maximizing Your Impact

Coteaching Reading Comprehension Strategies in Elementary School Libraries

Maximizing Your Impact

Judi Moreillon

American Library Association, 2013

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cover of Coteaching Reading Comprehension Strategies in Secondary School Libraries: Maximizing Your Impact

Coteaching Reading Comprehension Strategies in Secondary School Libraries

Maximizing Your Impact

Judi Moreillon

American Library Association, 2012

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cover of Countdown to a New Library

Countdown to a New Library

Jeannette Woodward

American Library Association, 2000

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cover of Countdown to a New Library: Managing the Building Project

Countdown to a New Library

Managing the Building Project

Jeannette Woodward

American Library Association, 2010

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cover of CounterStories from the Writing Center

CounterStories from the Writing Center

Frankie Condon

Utah State University Press, 2021

CounterStories from the Writing Center gathers emerging scholars of colour and their white accomplices to challenge some of the most cherished lore about the work of writing centres. Writing within an intersectional feminist frame, this volume’s contributors name and critique the dominant role that white, straight, cis-gendered women have played in writing centre administration as well as in the field of writing centre studies. This work will shake the field’s core assumptions about itself.
 
Practicing what Derrick Bell has termed “creative truth telling,” these writers are not concerned with individual white women in writing centres but with the social, political, and cultural capital that is the historical birthright of white, straight, cis-gendered women, particularly in writing centre studies. The essays collected in this volume test, defy, and overflow the bounds of traditional academic discourse in the service of powerful testimony, witness, and counterstory.
 
CounterStories from the Writing Center is a must-read for writing centre directors, scholars, and tutors who are committed to antiracist pedagogy and offers a robust intersectional analysis to those who seek to understand the relationship between the work of writing centres and the problem of racism. Accessible and usable for both graduate and undergraduate students of writing centre theory and practice, this work troubles the field’s commonplaces and offers a rich envisioning of what writing centres materially committed to inclusion and equity might be and do.
 
Contributors: Dianna Baldwin, Nicole Caswell, Mitzi Ceballos, Romeo Garcia, Neisha-Anne Green, Doug Kern, T. Haltiwanger Morrison, Bernice Olivas, Moira Ozias, Trixie Smith, Willow Trevino
 
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cover of Countermemory: A Rhetoric of Resistance

Countermemory

A Rhetoric of Resistance

April L. O'Brien and James Chase Sanchez

University of Alabama Press, 2025

Investigates the interdisciplinary dimensions of countermemory through a rhetorical lens

Countermemory: A Rhetoric of Resistance by April L. O’Brien and James Chase Sanchez is a groundbreaking monograph that explores the concept of countermemory from an interdisciplinary and rhetorical perspective. The authors define “countermemory” as remembrance that resituates often overlooked or erased narratives of marginalized groups by positioning these memories as equally significant to dominant historical narratives. This work investigates how countermemories emerge in response to public memories, highlighting the tensions and resistance that arise when marginalized voices challenge mainstream historical accounts.

Through a mixed-methodological approach—incorporating site-based analysis, participant observation, textual analysis, and historiography—O’Brien and Sanchez examine countermemory in both physical and digital spaces. From memorial sites and museums to music videos, TV shows, and digital maps, they reveal the various ways countermemory operates and persists. The authors focus particularly on countermemory in the American South, centering on the experiences and histories of Black, Latinx, and Indigenous communities.

Countermemory is essential reading for scholars and students of rhetoric and public memory. The book also offers rich insights to readers who are passionate about addressing issues of racial inequality, people interested in examining their own experiences and the role they can play in promoting social change, and those interested in exploring the ways in which history is constructed and presented, and how marginalized perspectives are often excluded or distorted.

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cover of Counting Down to Kindergarten: A Complete Guide to Creating a School Readiness Program for Your Community

Counting Down to Kindergarten

A Complete Guide to Creating a School Readiness Program for Your Community

R. Lynn Baker

American Library Association, 2015

The public library is in the perfect position as a community resource to help bridge the gap between preschool and kindergarten; however, starting from scratch can feel daunting. In this guide, Baker combines her background in early childhood education with her experience as a youth services programming specialist to present a school readiness program that can be tailored for any public library. Based on the successful framework of her tried and tested original program, this book offers everything that a public library needs in order to get started, including

  • A six-week schedule of detailed lesson plans which combine the best practices of the Every Child Ready to Read® (ECRR) Second Edition (talking, singing, reading, writing, playing) with nationally identified school readiness skills
  • A six-month family calendar with activities to help parents engage their children in activities that foster early literacy and school readiness skills at home
  • Tips for maintaining a collaborative relationship with early childhood stakeholders and policymakers to help maintain a program that fits the school readiness needs of the local community
  • Specific examples of successful school readiness programs and partnerships from public library systems across the country

Baker's guide will help public libraries ensure that young children are ready for school from day one.

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cover of Courting the Abyss: Free Speech and the Liberal Tradition

Courting the Abyss

Free Speech and the Liberal Tradition

John Durham Peters

University of Chicago Press, 2005

Courting the Abyss updates the philosophy of free expression for a world that is very different from the one in which it originated. The notion that a free society should allow Klansmen, neo-Nazis, sundry extremists, and pornographers to spread their doctrines as freely as everyone else has come increasingly under fire. At the same time, in the wake of 9/11, the Right and the Left continue to wage war over the utility of an absolute vision of free speech in a time of increased national security. Courting the Abyss revisits the tangled history of free speech, finding resolutions to these debates hidden at the very roots of the liberal tradition.

A mesmerizing account of the role of public communication in the Anglo-American world, Courting the Abyss shows that liberty's earliest advocates recognized its fraternal relationship with wickedness and evil. While we understand freedom of expression to mean "anything goes," John Durham Peters asks why its advocates so often celebrate a sojourn in hell and the overcoming of suffering. He directs us to such well-known sources as the prose and poetry of John Milton and the political and philosophical theory of John Locke, Adam Smith, John Stuart Mill, and Oliver Wendell Holmes Jr., as well as lesser-known sources such as the theology of Paul of Tarsus. In various ways they all, he shows, envisioned an attitude of self-mastery or self-transcendence as a response to the inevitable dangers of free speech, a troubled legacy that continues to inform ruling norms about knowledge, ethical responsibility, and democracy today.

A world of gigabytes, undiminished religious passion, and relentless scientific discovery calls for a fresh account of liberty that recognizes its risk and its splendor. Instead of celebrating noxious doctrine as proof of society's robustness, Courting the Abyss invites us to rethink public communication today by looking more deeply into the unfathomable mystery of liberty and evil.
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cover of Covering America: A Narrative History of a Nation's Journalism

Covering America

A Narrative History of a Nation's Journalism

Christopher B. Daly

University of Massachusetts Press, 2018

Journalism is in crisis, with traditional sources of news under siege, a sputtering business model, a resurgence of partisanship, and a persistent expectation that information should be free. In Covering America, Christopher B. Daly places the current crisis within historical context, showing how it is only the latest challenge for journalists to overcome.

In this revised and expanded edition, Daly updates his narrative with new stories about legacy media like the New York Times and the Washington Post, and the digital natives like the Huffington Post and Buzzfeed. A new final chapter extends the study of the business crisis facing journalism by examining the "platform revolution" in media, showing how Facebook, Twitter, and other social media are disrupting the traditional systems of delivering journalism to the public. In an era when the factual basis of news is contested and when the government calls journalists "the enemy of the American people" or "the opposition party," Covering America brings history to bear on the vital issues of our times.
[more]
cover of Covering America: A Narrative History of a Nation's Journalism

Covering America

A Narrative History of a Nation's Journalism

Christopher B. Daly

University of Massachusetts Press, 2018

Journalism is in crisis, with traditional sources of news under siege, a sputtering business model, a resurgence of partisanship, and a persistent expectation that information should be free. In Covering America, Christopher B. Daly places the current crisis within historical context, showing how it is only the latest challenge for journalists to overcome.

In this revised and expanded edition, Daly updates his narrative with new stories about legacy media like the New York Times and the Washington Post, and the digital natives like the Huffington Post and Buzzfeed. A new final chapter extends the study of the business crisis facing journalism by examining the "platform revolution" in media, showing how Facebook, Twitter, and other social media are disrupting the traditional systems of delivering journalism to the public. In an era when the factual basis of news is contested and when the government calls journalists "the enemy of the American people" or "the opposition party," Covering America brings history to bear on the vital issues of our times.
[more]
cover of Craft Obsession: The Social Rhetorics of Beer

Craft Obsession

The Social Rhetorics of Beer

Jeff Rice

Southern Illinois University Press, 2016

Denied access to traditional advertising platforms by lack of resources, craft breweries have proliferated despite these challenges by embracing social media platforms, and by creating an obsessed culture of fans. In Craft Obsession, Jeff Rice uses craft beer as a case study to demonstrate how social media platforms such as Facebook and Twitter function to shape stories about craft.

Rice weaves together theories of writing, narrative, new media, and rhetoric with a personal story of his passion for craft beer. He identifies six key elements of social media rhetoric—anecdotes, repetition, aggregation, delivery, sharing, and imagery—and examines how each helps to transform small, personal experiences with craft into a more widespread movement. When shared via social media, craft anecdotes—such as the first time one had a beer—interrupt and repeat one another, building a sense of familiarity and identity among otherwise unconnected people. Aggregation, the practice of joining unlike items into one space, builds on this network identity, establishing a connection to particular brands or locations, both real and virtual. The public releases of craft beers are used to explore the concept of craft delivery, which involves multiple actors across multiple spaces and results in multiple meanings. Finally, Rice highlights how personal sharing operates within the community of craft beer enthusiasts, who share online images of acquiring, trading for, and consuming a wide variety of beers. These shared stories and images, while personal for each individual, reflect the dependence of craft on systems of involvement. Throughout, Rice relates and reflects on his own experience as a craft beer enthusiast and his participation via social media in these systems.

Both an objective scholarly study and an engaging personal narrative about craft beer, Craft Obsession provides valuable insights into digital writing, storytelling, and social media.
[more]
cover of Crafting Compositions: Tools for Today's Writers

Crafting Compositions

Tools for Today's Writers

Janet Giannotti

University of Michigan Press, 2004

Crafting Compositions guides students through the entire writing process, with exercises in planning, drafting, responding and revising, and polishing. In addition to completing free writing exercises, keeping a journal of informal responses, and revising sample compositions, students will draft, revise, and edit one composition per chapter.

The textbook features:
"Authentic readings to foster vocabulary development, show successful techniques, and serve as a jumping-off point for free writing.
"A "learning log" in which students write to practice the writing lessons and tips presented.
"A two-track system in which students simultaneously work with the writing of other students as they work on their own compositions.
"Toolbox mini-lessons to review common grammar trouble spots.

This mid-level writing text is appropriate for high school, community college, or university course
[more]
cover of Crafting Presence: The American Essay and the Future of Writing Studies

Crafting Presence

The American Essay and the Future of Writing Studies

Nicole B. Wallack

Utah State University Press, 2016

Essays are central to students’ and teachers’ development as thinkers in their fields. In Crafting Presence, Nicole B. Wallack develops an approach to teaching writing with the literary essay that holds promise for writing students, as well as for achieving a sense of common purpose currently lacking among professionals in composition, creative writing, and literature.
 
Wallack analyzes examples drawn primarily from volumes of The Best American Essays to illuminate the most important quality of the essay as a literary form: the writer’s “presence.” She demonstrates how accounting for presence provides a flexible and rigorous heuristic for reading the contexts, formal elements, and purposes of essays. Such readings can help students learn writing principles, practices, and skills for crafting myriad presences rather than a single voice.
 
Crafting Presence holds serious implications for writing pedagogy by providing new methods to help teachers and students become more insightful and confident readers and writers of essays. At a time when liberal arts education faces significant challenges, this important contribution to literary studies, composition, and creative writing shows how an essay-centered curriculum empowers students to show up in the world as public thinkers who must shape the “knowledge economy” of the twenty-first century.
 
[more]
cover of Create, Innovate, and Serve: A Radical Approach to Children's and Youth Programming

Create, Innovate, and Serve

A Radical Approach to Children's and Youth Programming

Kathleen Campana

American Library Association, 2019

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cover of Creating Conservatism: Postwar Words that Made an American Movement

Creating Conservatism

Postwar Words that Made an American Movement

Michael J. Lee

Michigan State University Press, 2014

Creating Conservatism charts the vital role of canonical post–World War II (1945–1964) books in generating, guiding, and sustaining conservatism as a political force in the United States. Dedicated conservatives have argued for decades that the conservative movement was a product of print, rather than a march, a protest, or a pivotal moment of persecution. The Road to Serfdom, Ideas Have Consequences, Witness, The Conservative Mind, God and Man at Yale, The Conscience of a Conservative, and other mid-century texts became influential not only among conservative office-holders, office-seekers, and well-heeled donors but also at dinner tables, school board meetings, and neighborhood reading groups. These books are remarkable both because they enumerated conservative political positions and because their memorable language demonstrated how to take those positions—functioning, in essence, as debate handbooks. Taking an expansive approach, the author documents the wide influence of the conservative canon on traditionalist and libertarian conservatives. By exploring the varied uses to which each founding text has been put from the Cold War to the culture wars, Creating Conservatism generates original insights about the struggle over what it means to think and speak conservatively in America.
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cover of Creating Data Literate Students

Creating Data Literate Students

Kristin Fontichiaro, Jo Angela Oehrli, Amy Lennex, editors

Michigan Publishing Services, 2017

Creating Data Literate Students provides high school librarians and educators
with foundational domain knowledge to teach a new subset of information
literacy skills — data and statistical literacy, including: statistics and data comprehension; data as argument; and data visualization.
 
Data — both raw and displayed in visualizations — can clarify or confuse,
confirm or deny, persuade or deter. Students often learn that numbers are
objective, though data in the real world is rarely so. In fact, visualized data —
even from authoritative sources — can sometimes be anything but objective.
 
Librarians and classroom educators need to be as fluent with quantitative
data as they are with text in order to support high schoolers as they engage
with data in formal and informal settings. We asked contributors to this
volume — experts in high school curriculum, information literacy and/or
data literacy — to explore the intersections between data and curriculum
and identify high-impact strategies for demystifying data for educators and
students alike.
 
[more]
cover of Creating Generative AI Policies: A Guide for Public and Academic Libraries

Creating Generative AI Policies

A Guide for Public and Academic Libraries

Robin Hastings

American Library Association, 2026

Though it’s challenging to set policies for a technology that is so young and still in flux, the need is urgent. Because usage of AI presents both opportunities and risks, libraries must be proactive. The WEF (World Economic Forum) predicts that while there may be a loss of 92 million jobs to various AI tools, they see 170 million new jobs and roles emerging from the use of this new technology. Whether or not this proves correct, there are already digital literacy skills, including a basic understanding of the technology around AI, that libraries can help their patrons master; and because of data privacy, security, and ethics issues, library workers require clear AI policies too. Technology expert Hastings highlights the first attempts of libraries across the country to set up policies for the use of AI in their organizations, as well as policies created by cities and other similar institutions, to guide stakeholders in creating their own smart, forward-thinking course of action. Succinct and pragmatic, this timely resource 

  • provides a short overview of Generative AI history, basic technical knowledge, and the key arguments put forth by those in favor and those opposed to this technology;
  • offers advice on discovering how library staff encounter AI in their day-to-day work, both in their own usage and by patrons, to inform what policies the library needs and which policies to consider adjusting for particular use cases;
  • includes separate chapters focusing on staff-side policy and patron/public-facing policy, delving into essential considerations like staff training, privacy and data protection, security, AI usage for reference, patron education and AI literacy, and setting limits and boundaries on patron AI use;
  • suggests useful approaches to ensure that AI policies are easy to follow and understand by library workers, patrons, and the wider community; 
  • discusses how to craft flexible procedures that can be updated as AI continues to change, drawing on technology management best practices; and
  • offers links to additional resources like sample policy documents and a curated reading list for understanding the environment around AI. 
[more]
cover of Creating Inclusive Library Environments: A Planning Guide for Serving Patrons with Disabilities

Creating Inclusive Library Environments

A Planning Guide for Serving Patrons with Disabilities

Michelle Kowalsky

American Library Association, 2016

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cover of Creating Leaders An Examinati On Of Academic And Research Li

Creating Leaders An Examinati On Of Academic And Research Li

Irene Herold

American Library Association, 2015

[more]
cover of Creating Leaders: An Examination of Academic and Research Library Leadership Institutes

Creating Leaders

An Examination of Academic and Research Library Leadership Institutes

Irene M. H. Herold

Assoc of College & Research Libraries, 2015

[more]
cover of Creating Literacy-Based Programs for Children: Lesson Plans and Printable Resources for K–5

Creating Literacy-Based Programs for Children

Lesson Plans and Printable Resources for K–5

R. Lynn Baker

American Library Association, 2017

[more]
cover of Creating Rosie the Riveter: Class, Gender, and Propaganda during World War II

Creating Rosie the Riveter

Class, Gender, and Propaganda during World War II

Maureen Honey

University of Massachusetts Press, 1984

Creating Rosie the Riveter examines advertisements and fiction published in the Saturday Evening Post and True Story in order to show how propaganda was used to encourage women to enter the work force.
[more]
cover of Creating Your Library Brand: Communicating Your Relevance and Value to Your Patrons

Creating Your Library Brand

Communicating Your Relevance and Value to Your Patrons

Elisabeth Doucett

American Library Association, 2008

[more]
cover of Creating a Local History Archive at Your Public Library

Creating a Local History Archive at Your Public Library

Faye Phillips

American Library Association, 2017

[more]
cover of Creating a Winning Online Exhibit

Creating a Winning Online Exhibit

Martin R. Kalfatovic

American Library Association, 2002

[more]
cover of Creating an Inclusive Library: Approaches for Increasing Engagement and Use with Students of Color

Creating an Inclusive Library

Approaches for Increasing Engagement and Use with Students of Color

Ngoc-Yen Tran

Assoc of College & Research Libraries, 2024

The critical work of being more inclusive and anti-racist in academic library teaching, collections, and community is even more important in today’s social and political climate. Creating an Inclusive Library: Approaches for Increasing Engagement and Use with Students of Color explores the various methods used by librarians, archivists, and library workers to increase or enhance engagement with and use of library spaces, resources, services, and materials by students of color.
 
Six themed sections provide an opportunity to further engage with issues affecting students of color and to take action to provide more just and equitable teaching and learning environments.
  • Welcoming and Sense of Belonging
  • Culturally Relevant Practices
  • Building Representation and Inclusion
  • Collaborations and Co-Creation
  • Community Building and Engagement
  • Fostering Diverse Student Employees 
The resources, strategies, and approaches in Creating an Inclusive Library can help all library workers engage with this vital work and build a community of support. As the nature of diversity, equity, inclusion, and anti-racism work in higher education and academic libraries continues to evolve, it is ever more critical to continue this work, to be allies for those engaged in it, and to share how you are creating more inclusive and anti-racist spaces, materials, and services at your library.
 
[more]
cover of Creating the Customer-Driven Academic Library

Creating the Customer-Driven Academic Library

Jeannette Woodward

American Library Association, 2009

[more]
cover of Creating the Customer-Driven Library: Building on the Bookstore Model

Creating the Customer-Driven Library

Building on the Bookstore Model

Jeannette Woodward

American Library Association, 2004

[more]
cover of Creating the Modern Man: American Magazines and Consumer Culture, 1900-1950

Creating the Modern Man

American Magazines and Consumer Culture, 1900-1950

Tom Pendergast

University of Missouri Press, 2000

In the late nineteenth century, general-interest magazines began to reach an unprecedented number of readers and conveyed to those readers diverse messages about the meaning of masculinity in America. Over the next fifty years, these messages narrated a shift from Victorian masculinity, which valued character, integrity, hard work, and duty, to modern masculinity, which valued personality, self-realization, and image. In Creating the Modern Man, Tom Pendergast studies the multifaceted ways that masculinity is represented in magazines published during this transitional period.

Pendergast focuses on the rise of mass consumer culture, demonstrating that consumerism was a key factor in reshaping American notions of masculinity as presented in popular magazines. Whereas much scholarship has decried the effects of consumerism, Pendergast treats consumer culture as an energizing force in the American magazine market. He suggests that such magazines offered men new and meaningful visions of masculine identity and argues that men actively participated in restructuring the masculine ideal. Engaging a wide range of magazines from American Magazine to Esquire to True, Pendergast demonstrates how these publications presented masculinity in ways that reflected the magazines' relationship to advertisers, contributors, and readers.

This fascinating study includes such African American magazines as the Colored American, Crisis, Opportunity, and Ebony. Pendergast reasons that the rise of modern masculinity opened the way for African American men to identify with normative masculine values. As white men reinvented the idea of the "self-made man" for a new era, black men struggled to negotiate a meaningful place for black masculinity in a culture intent on denying them access.

The first complete investigation of the representation of men in American magazines, Creating the Modern Man makes an important contribution to our understanding of these publications, both as elements of mass culture and as interesting institutions in their own right. Pendergast takes readers inside the complex world of magazine publishing, demonstrating how magazines slowly yet surely help create the cultural images that shape societal gender roles.

[more]
cover of Creating the One-Shot Library Workshop: A Step-by-Step Guide

Creating the One-Shot Library Workshop

A Step-by-Step Guide

Jerilyn Veldof

American Library Association, 2006

[more]
cover of Creative Commons for Educators and Librarians

Creative Commons for Educators and Librarians

American Library Association, 2020

[more]
cover of Creative Instructional Design: Practical Applications For

Creative Instructional Design

Practical Applications For

Brandon West

Assoc of College & Research Libraries, 2017

[more]
cover of Creative Writing Pedagogies for the Twenty-First Century

Creative Writing Pedagogies for the Twenty-First Century

Edited by Alexandria Peary and Tom C. Hunley

Southern Illinois University Press, 2015

The creative writing workshop: beloved by some, dreaded by others, and ubiquitous in writing programs across the nation. For decades, the workshop has been entrenched as the primary pedagogy of creative writing. While the field of creative writing studies has sometimes myopically focused on this single method, the related discipline of composition studies has made use of numerous pedagogical models. In Creative Writing Pedagogies for the Twenty-First Century, editors Alexandria Peary and Tom C. Hunley gather experts from both creative writing and composition studies to offer innovative alternatives to the traditional creative writing workshop.
 
Drawing primarily from the field of composition studies—a discipline rich with a wide range of established pedagogies—the contributors in this volume build on previous models to present fresh and inventive methods for the teaching of creative writing. Each chapter offers both a theoretical and a historical background for its respective pedagogical ideas, as well as practical applications for use in the classroom. This myriad of methods can be used either as a supplement to the customary workshop model or as stand-alone roadmaps to engage and reinvigorate the creative process for both students and teachers alike.
 
A fresh and inspiring collection of teaching methods, Creative Writing Pedagogies for the Twenty-First Century combines both conventional and cutting-edge techniques to expand the pedagogical possibilities in creative writing studies.
[more]
cover of Creativity

Creativity

Nancy Falciani-White

American Library Association, 2021

[more]
cover of Creators in the Academic Library: Collections and Spaces

Creators in the Academic Library

Collections and Spaces

Rebecca Zuege Kuglitsch

Assoc of College & Research Libraries, 2023

Engineering students, designers, studio artists, and other student creators have unique research needs that libraries are well-positioned to meet. They use academic literature to inspire and ground creation, but also seek information from trade literature, patents, technical standards, and how-to manuals. They apply tacit knowledge and need to learn not only how to write within academic discourse but also create objects, designs, and experiences.
 
In four parts, Creators in the Academic Library: Collections and Spaces explores how academic libraries can build collections, spaces, and communities that serve creators.
  • Tailoring Collections for Creators
  • Making in the Academic Library
  • Creating Experiences in the Library
  • Cultivating Creator Communities 
Chapters identify innovative ways the academic library can support creators by building new kinds of collections, resources, and experiences, including the use of rare books and archives; building a comprehensive technology and research equipment lending collection; performing in library spaces; supporting sustainability across disciplines; and creating equitable access to creator spaces, tools, and resources. Creators in the Academic Library documents spaces and collections that strive for equity and authenticity, for playfulness and joy, and offers strategies for creating a library open to all comers seeking a place to create in a liberating environment.
 
[more]
cover of Creators in the Academic Library: Instruction and Outreach

Creators in the Academic Library

Instruction and Outreach

Alexander C. Watkins

Assoc of College & Research Libraries, 2023

Engineering students, designers, studio artists, and other student creators have unique research needs that libraries are well-positioned to meet. They use academic literature to inspire and ground creation, but also seek information from trade literature, patents, technical standards, and how-to manuals. They apply tacit knowledge and need to learn not only how to write within academic discourse but also create objects, designs, and experiences.
 
In four parts, Creators in the Academic Library: Instruction and Outreach explores how to teach specifically for creator research, motivate learning, and deepen students’ understanding of their own practice.
  • Technology, Tools, and Techniques for Creation
  • Inspiring Creativity through Research
  • Creator’s Unique Information Needs
  • Grounding Creation in Research 
Chapters are grouped by learning objectives rather than discipline to highlight the throughlines that unite creators regardless of their field. They include methods for researching creative technology, tools, and techniques in different settings and disciplines; how to research for inspiration; adapting our tools and teaching to the unique information-seeking behaviors of creator disciplines; and how these skills can be transferred to students’ future careers. Creators in the Academic Library offers learning strategies and objectives that can help you teach all manner of creators.
 
[more]
cover of Cripping Labor-Based Grading for More Equity in Literacy Courses

Cripping Labor-Based Grading for More Equity in Literacy Courses

Asao B. Inoue

University Press of Colorado, 2024

Writing in response to recent work by Kathleen Kryger, Griffin X. Zimmerman, and Ellen C. Carillo, Asao B. Inoue offers an expanded and compassionate discussion of labor-based grading, a practice that involves negotiating a set of classroom agreements with all of the students in a course to determine how much labor will be expected of students and how it will be accounted for or identified to earn particular final course grades. Inoue focuses his exploration of labor-based grading by asking, “How can labor-based grading evolve so that it addresses the concerns around inequitable access to or expectations of labor that students with disabilities, neurodivergencies, illnesses, or limited time in the semester may face?” The result is a thoughtful re-examination and re-thinking of labor-based grading in writing courses.
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cover of Cripping the Archive: Disability, History, and Power

Cripping the Archive

Disability, History, and Power

Edited by Jenifer L. Barclay and Stefanie Hunt-Kennedy Foreword by Jaipreet Virdi

University of Illinois Press, 2025

How do we explain the conspicuous absence of disability from the histories we write? What forces and factors create this dynamic? How can disability be everywhere and nowhere, present and absent, and obvious and overlooked in both the historical record and historians’ interpretations of the past?

Jenifer L. Barclay and Stefanie Hunt-Kennedy edit a collection of interdisciplinary essays that consider how and why physical, sensory, intellectual, and psychological disabilities are underrepresented, erased, or distorted in the historical record. The contributors draw on the methodology and practice of cripping to uncover disability in contested archives and explore ways to build inclusive archives accountable to, and centered on, disabled people and disability justice. Throughout, they show ableness informing the politics of the archive as a physical space, a discriminatory record, and a collection of silences.

An essential contribution to research methods and disability justice, Cripping the Archive offers a blueprint for intersectional and interdisciplinary approaches that bridge disability studies, history, and archival studies.

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cover of Crisis in Employment

Crisis in Employment

Jane Jerrard

American Library Association, 2008

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cover of Critical Academic Writing and Multilingual Students

Critical Academic Writing and Multilingual Students

A. Suresh Canagarajah

University of Michigan Press, 2002

The critical approach to L2 writing is arguably one of the most significant recent developments in L2 writing pedagogy. A. Suresh Canagarajah provides a thorough discussion of this topic in Critical Academic Writing and Multilingual Students.
This volume facilitates teacher self-reflection and enables readers to better understand the motivations and pedagogical implications--especially for L2 writing--of a more openly pedagogical approach.
Critical Academic Writing and Multilingual Students explains what it means to commit to an academic pedagogy, in terms of form, self, content, and community--and what it can accomplish in the L2 writing classroom. It's a guide for writing teachers who wish to embark on a journey toward increased critical awareness of the role they play, or potentially could play, in the lives of their students.
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cover of Critical Approaches to Credit-Bearing Information Literacy Courses

Critical Approaches to Credit-Bearing Information Literacy Courses

Angela Pashia

Assoc of College & Research Libraries, 2019

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cover of Critical Data Storytelling for Libraries: Crafting Ethical Narratives for Advocacy and Impact

Critical Data Storytelling for Libraries

Crafting Ethical Narratives for Advocacy and Impact

Kate McDowell

American Library Association, 2025

In today’s polarized landscape, libraries face two key challenges: the difficulty of turning raw data into narratives that effectively advocate for libraries, and the ethical complexities of representing communities in these stories. McDowell’s vital toolkit empowers librarians and information professionals to transform data into ethical, compelling narratives that connect with communities and advocate for their organizations. This book teaches both the practicalities of data storytelling and introduces critical approaches that ensure stories are inclusive, socially just, and impactful. Readers will find the book essential for communicating library value to help secure funding, resources, and community support. Applying theory to real-world scenarios, chapters cover
  • the dynamic interrelationships between storyteller, audience, and story which lie at the heart of storytelling;
  • ways to mesh library data collection processes with long-term storytelling potential, prioritizing interaction over transaction;
  • three time-honored and effective narrative strategies for organizing the informational and emotional content of library data stories, easily adaptable for any situation;
  • approaches for emphasizing inclusivity and justice to ensure that library advocates can tell stories that challenge stereotypes, promote equity, and align their efforts with broader ethical and social goals;
  • audience attitudes as challenges and opportunities for library data communication; and
  • strategies for maintaining open and transparent public communication in the face of rampant misinformation and active disinformation campaigns.
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cover of Critical Data Storytelling in the Composition Classroom

Critical Data Storytelling in the Composition Classroom

Angela Laflen

Utah State University Press, 2025

Critical Data Storytelling in the Composition Classroom provides a timely and essential framework for integrating data literacy into multimodal composition pedagogy. Angela Laflen demonstrates that in an era dominated by big data and AI, the need to understand how to work with data is no longer limited to scientists and mathematicians. Instead, data literacy has become a crucial skill for participating in democratic society.
 
At the heart of Laflen’s approach is critical data storytelling—a practice that equips students with the skills to understand, interpret, and ethically communicate with and about data through various multimodal formats. By teaching students to make informed decisions as data storytellers, Laflen addresses the ethical implications of working with data while offering practical strategies for reading and analyzing data stories. This approach empowers both students and teachers to engage critically with data as a tool for learning and communication. It also highlights how multimodal composition has yet to fully account for the central role of data in shaping contemporary communication and argumentation.
 
By focusing on the ethical and rhetorical dimensions of data storytelling, Critical Data Storytelling in the Composition Classroompresents a pedagogical approach that prepares students for the challenges of working with data in a rapidly evolving digital landscape. This flexible, adaptable model for teaching critical data literacy is of great interest to writing instructors, scholars in rhetoric and composition, and educators who seek to prepare students for the demands of a data-driven world.
 
 
 
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cover of Critical Digital Humanities: The Search for a Methodology

Critical Digital Humanities

The Search for a Methodology

James E. Dobson

University of Illinois Press, 2019

Can established humanities methods coexist with computational thinking? It is one of the major questions in humanities research today, as scholars increasingly adopt sophisticated data science for their work. James E. Dobson explores the opportunities and complications faced by humanists in this new era. Though the study and interpretation of texts alongside sophisticated computational tools can serve scholarship, these methods cannot replace existing frameworks. As Dobson shows, ideas of scientific validity cannot easily nor should be adapted for humanities research because digital humanities, unlike science, lack a leading-edge horizon charting the frontiers of inquiry. Instead, the methods of digital humanities require a constant rereading. At the same time, suspicious and critical readings of digital methodologies make it unwise for scholars to defer to computational methods. Humanists must examine the tools--including the assumptions that went into the codes and algorithms--and questions surrounding their own use of digital technology in research. Insightful and forward thinking, Critical Digital Humanities lays out a new path of humanistic inquiry that merges critical theory and computational science.
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