679 books match the query 'Historiography' and 30 start with d
Michael Dolski
University of North Texas Press, 2014
Gary Topping
Signature Books, 2022
Richard L. Saunders
University of Utah Press, 2023
This is the first biography of Dale L. Morgan, preeminent Western historian of the fur trade, historic trails, and the Latter Day Saint movement. The book explores how, despite personal struggles, Morgan committed his life to tracking down sources and interpreting the past on the strength of documentary evidence. Connecting Morgan’s life with some of the broad cultural changes that shaped his experiences, this book engages with methodological shifts in the historical profession, the mid-twentieth-century collision of interpretations within Latter Day Saint history, and the development of a descriptive, scholarly approach to that history.
Morgan’s body of work and commitment to serious scholarship signaled the start of new ways of understanding, studying, and retelling history, and he motivated a generation of historians from the 1930s to the 1970s to transform their historical approaches. Sounding board, mentor, and close friend to Nels Anderson, Fawn Brodie, Juanita Brooks, Bernard DeVoto, Wallace Stegner, and Leonard Arrington, Dale Morgan is the common factor linking this influential generation of mid-twentieth-century historians of western America.
Lisa L. Moore
Duke University Press, 1997
Carsten Holbraad
University College London, 2017
Phillip G. Payne
Ohio University Press, 2008
If George Washington and Abraham Lincoln are the saints in America’s civil religion, then the twenty-ninth president, Warren G. Harding, is our sinner. Prior to the Nixon administration, the Harding scandals were the most infamous of the twentieth century. Harding is consistently judged a failure, ranking dead last among his peers.
By examining the public memory of Harding, Phillip G. Payne offers the first significant reinterpretation of his presidency in a generation. Rather than repeating the old stories, Payne examines the contexts and continued meaning of the Harding scandals for various constituencies. Payne explores such topics as Harding’s importance as a midwestern small-town booster, his rumored black ancestry, the role of various biographers in shaping his early image, the tension between public memory and academic history, and, finally, his status as an icon of presidential failure in contemporary political debates. Harding was a popular president and was widely mourned when he died in office in 1923; but with his death began the construction of his public memory and his fall from political grace.
In Dead Last, Payne explores how Harding’s name became synonymous with corruption, cronyism, and incompetence and how it is used to this day as an example of what a president should not be.
David W. Noble
University of Minnesota Press, 2002
A trenchant examination of epic shifts in American thought by a major scholar in the field.
In the 1940s, American thought experienced a cataclysmic paradigm shift. Before then, national ideology was shaped by American exceptionalism and bourgeois nationalism: elites saw themselves as the children of a homogeneous nation standing outside the history and culture of the Old World. This view repressed the cultures of those who did not fit the elite vision: people of color, Catholics, Jews, and immigrants. David W. Noble, a preeminent figure in American studies, inherited this ideology. However, like many who entered the field in the 1940s, he rejected the ideals of his intellectual predecessors and sought a new, multicultural, postnational scholarship. Throughout his career, Noble has examined this rupture in American intellectual life. In Death of a Nation, he presents the culmination of decades of thought in a sweeping treatise on the shaping of contemporary American studies and an eloquent summation of his distinguished career.
Exploring the roots of American exceptionalism, Noble demonstrates that it was a doomed ideology. Capitalists who believed in a bounded nationalism also depended on a boundless, international marketplace. This contradiction was inherently unstable, and the belief in a unified national landscape exploded in World War II. The rupture provided an opening for alternative narratives as class, ethnicity, race, and region were reclaimed as part of the nation’s history. Noble traces the effects of this shift among scholars and artists, and shows how even today they struggle to imagine an alternative postnational narrative and seek the meaning of local and national cultures in an increasingly transnational world. While Noble illustrates the challenges that the paradigm shift created, he also suggests solutions that will help scholars avoid romanticized and reductive approaches toward the study of American culture in the future.David W. Noble
University of Minnesota Press, 2012
Why do modern people assume that there will be perpetual economic growth? Because, David W. Noble tells us in this provocative study of cultural criticism, such a utopian conviction is the necessary foundation for bourgeois culture. One can imagine the existence of modern middle classes only as long as the capitalist marketplace is expanding. For Noble, the related—and relevant—question is, how can the middle classes believe that a finite earth is an environment in which infinite growth is possible? The answer, which Noble so painstakingly charts, is nothing less than a genealogy of the uses and abuses of knowledge that lie at the heart of so many of our political problems today.
As far back as Plato and as recently as Alan Greenspan, Noble finds proponents of the idea of a world of independent, rational individuals living in timeless simplicity, escaping from an old world of interdependence and generations. Such notions, although in sync with Newtonian science, have come up against the subsequent conclusions of geology, biology, and the physics of Einstein. In a survey of the responses to this quandary of historians, economists, literary critics, and ecologists, Noble reveals how this confrontation, and its implications for a single global marketplace, has forced certain academic disciplines into unnatural—and untenable—positions.
David Noble’s work exposes the cost—not academic at all—of the segregation of the physical sciences from the humanities and social sciences, even as it demonstrates the required movement of the humanities toward the ecological vision of a single, interconnected world.
Roumen Daskalov
Central European University Press, 2011
Edited by Gesa Mackenthun and Christen Mucher
University of Arizona Press, 2021
Svetla Baloutzova
Central European University Press, 2011
Wesley Moody
University of Missouri Press, 2011
Bryan Palmer
Temple University Press, 1990
"Critical theory is no substitute for historical materialism; language is not life." With this statement, Bryan Palmer enters the debate that is now transforming and disrupting a number of academic disciplines, including political science, women’s studies, and history. Focusing on the ways in which literary or critical theory is being promoted within the field of social history, he argues forcefully that the current reliance on poststructuralism—with its reification of discourse and avoidance of the structures of oppression and struggles of resistance—obscures the origins, meanings, and consequences of historical events and processes.
Palmer is concerned with the emergence of "language" as a central focus of intellectual work in the twentieth century. He locates the implosion of theory that moved structuralism in the direction of poststructuralism and deconstruction in what he calls the descent into discourse. Few historians who champion poststructuralist thought, according to Palmer, appreciate historical materialism’s capacity to address discourse meaningfully. Nor do many of the advocates of language within the field of social history have an adequate grounding in the theoretical making of the project they champion so ardently. Palmer roots his polemical challenge in an effort to "introduce historians more fully to the theoretical writing that many are alluding to and drawing from rather cavalierly."
Hal Crimmel
University of Utah Press, 2014

Diana V. Edelman
SBL Press, 2014
Explore how the past came to address the present and the future and why it became important for emerging Jewish identity.
Experts explore the themes and topics that made Deuteronomy and the Former Prophets appealing to ancient readers leading ultimately to those texts becoming authoritative for Persian and Hellenistic readers. This unique collection of essays focuses on what larger impact these texts might have had on primary and secondary audiences as part of emerging Torah. Contributors include Klaus-Peter Adam, Yairah Amit, Thomas M. Bolin, Philip R. Davies, Serge Frolov, Susanne Gilmayr-Bucher, E. Axel Knauf, Christoph Levin, James R. Linville, and Thomas Römer, and Diana V. Edelman.
Features:
Edited by Nic Leonhardt and Christopher B. Balme
University College London, 2024
Gary Alan Fine
University of Chicago Press, 2001
Jim Ridolfo
University of Michigan Press, 2015
Edited by Lloyd L. Lee; Foreword by Gregory Cajete
University of Arizona Press, 2014
Niccolò Machiavelli
University of Chicago Press, 1998
Ronald A.T. Judy
University of Minnesota Press, 1993
Cynthia Edenburg
SBL Press, 2016
A fresh literary analysis of political polemic in the Bible
The Book of Judges ends with a bizarre narrative of sex and violence that starts with a domestic tiff and ends with the decimation of a tribe that is restored by means of abduction and rape. Cynthia Edenburg applies a fresh literary analysis, recent understandings of historical linguistics, and historical geography in her exploration of the origin of the anti-Benjamin polemic found in Judges 19–21, the growth and provenance of the book of Judges, and the shape of the Deuteronomistic History. Her study exposes how Judges 19–21 function as political polemic reflecting not the pre-monarchic period but instead the historical realities of the settlement of Benjamin during the Babylonian and Persian period.
Features:
Kate Brown
University of Chicago Press, 2015
Lori Davisson with Edgar Perry and the Original Staff of the White Mountain Apache Cultural Center; Edited by John R. Welch
University of Arizona Press, 2016
Julia M. Walker, ed.
Duke University Press, 1998
Frederic Clark
University of Chicago Press, 2027
A bold reconstruction of the origins of the “ancient, medieval, modern” trope used to define historical eras and the transitions between them.
We are used to dividing time, indicating the beginning or end of an era based on a year, a month, or even a specific day, after which (supposedly) “nothing was the same.” In this book, historian and classicist Frederic Clark looks at a particularly enduring form of dividing time—the tripartite distinction between antiquity, the Middle Ages, and modernity—in order to analyze the history of this division, how it has been constructed and deployed, and what its past and present implications are.
Clark argues that the study of the past has always depended on subdividing it into multiple parts, which tend to underpin any attempt to articulate a system of culture or value. After all, certain eras, ages, and epochs are celebrated as having ushered in a new, better time, whereas others are depicted as extended periods of decay and darkness. Clark provides an ingenious critique of the foundational assumptions underlying our narratives of periodization and the complex and messy process by which historical schemas develop, from the Renaissance through the early modern period to the Enlightenment and beyond. The result is an engaging and erudite tour through time and its many contested divisions, imagined and reimagined across history.
Charles Stewart
University of Chicago Press, 2017
Jocelyn Fenton Stitt
Rutgers University Press, 2021
Ann Laura Stoler
Duke University Press, 2016
Brad D. Lookingbill
Ohio University Press, 2001
Whether romantic or tragic, accounts of the dramatic events surrounding the North American Dust Bowl of the “dirty thirties” unearthed anxieties buried deep in America’s ecological imagination. Moreover, the images of a landscape of fear remain embedded in the national consciousness today. In vivid form, the aesthetic of suffering captured in Dorothea Lange’s photographs and Woody Guthrie’s folk songs created the myths and memories of the Depression generation.
Dust Bowl, USA is a critical examination of the stories that grew out of the Dust Bowl experience. Across the nation, newspapers, magazines, books, films, and songs produced imagery of blight for local and mass audiences. As new technology, irrigation innovations, and conservation programs were introduced on a wide scale during the 1930s, the saga of the frontier continued to unfold through accounts of dust, drought, and desertification.
In piercing the myths brought forth in legends, lore, allegories, and anecdotes, Brad Lookingbill provides a revelatory insight into the history of the cultural narratives that have come to define an era.