Results by title

Robert Hopkins was a man caught between two worlds. As a member of the Dakota Nation, he was unfairly imprisoned, accused of taking up arms against U.S. soldiers when war broke out with the Dakota in 1862. However, as a Christian convert who was also a preacher, Hopkins’s allegiance was often questioned by many of his fellow Dakota as well. Without a doubt, being a convert—and a favorite of the missionaries—had its privileges. Hopkins learned to read and write in an anglicized form of Dakota, and when facing legal allegations, he and several high-ranking missionaries wrote impassioned letters in his defense. Ultimately, he was among the 300-some Dakota spared from hanging by President Lincoln, imprisoned instead at Camp Kearney in Davenport, Iowa, for several years. His wife, Sarah, and their children, meanwhile, were forced onto the barren Crow Creek reservation in Dakota Territory with the rest of the Dakota women, children, and elderly. In both places, the Dakota were treated as novelties, displayed for curious residents like zoo animals.

Historian Linda Clemmons examines the surviving letters from Robert and Sarah; other Dakota language sources; and letters from missionaries, newspaper accounts, and federal documents. She blends both the personal and the historical to complicate our understanding of the development of the Midwest, while also serving as a testament to the resilience of the Dakota and other indigenous peoples who have lived in this region from time immemorial.

The Battles along the Rivers, Mountains, and in the Deep Woods of the South that Changed the Fate of Nations

The American Revolution marked a dramatic change in the struggle for land along the southern frontier. In the colonial era, American Indian leaders and British offi cials attempted to accommodate the westward expansion of Anglo-Americans through land cessions designed to have the least impact on Indian societies. The region remained generally peaceful, but with the onset of the Revolution, the British no longer exercised sole authority to curb the settlements appearing within territory claimed by the Creeks, Shawnee, and most importantly, the Cherokee. Whether it was to escape the economic uncertainty of the east, the rigors of the confl ict, or the depredations of troops and militias on both sides, settlers fl ooded west. Under these conditions, the war in the south took on a savage character as Indians, Loyalists, and Whigs all desperately fought to defend their communities and maintain control of their own destinies. Taking advantage of the political turmoil in the east, the Cherokee Nation launched a coordinated offensive in 1776 against illegal frontier settlements. The Whigs responded with a series of expeditions from each of the Southern colonies that razed Cherokee towns and their food supplies. All the while, both British and Whig leaders walked a fi ne line: If the Indians attacked settlers without distinguishing between Loyalists and Whigs, those groups could unite and thwart both British and Indian interests; if the Indians attacked the western frontier with Loyalist and British support, the Whigs would face a two-front war—an event that ended up happening.

In Dark and Bloody Ground: The American Revolution Along the Southern Frontier, Richard Blackmon uses a wealth of primary source material to recount the confl ict between American Indians and Anglo-Americans in the colonial South during one of the most turbulent periods of North American history. He explains the complex points of contact in Georgia, Kentucky, North Carolina, South Carolina, Tennessee, and Virginia between native groups and settlers, while revealing the political gamesmanship between rival British and Whig traders and offi cials to secure Indian loyalty. The author also explains the critical role of the southern frontier to the American victory, a victory achieved long after the decision at Yorktown. Before the war, clashes between Cherokee and Shawnee hunters in Kentucky had become so commonplace that it was known as a “dark and bloody ground.” With the rise in Anglo-American settlements there, led by Daniel Boone and others, the dark and bloody ground became a metaphor for the entire struggle for the Southern frontier.

"The Karluk had disappeared. Whether the vessel had freed itself from the ice and steamed eastward, or whether, still imprisoned, it had been carried by the ice westward, we could not know. In any case it was gone, leaving our hunting party of six men marooned on a sandy islet surrounded by thin ice and open water. The wind finally died away, in the calm air the water rapidly froze over again, and on September 30 we crossed with our two sleds to the mainland."

In 1913 a young ethnologist from New Zealand boarded a ship for the Arctic, beginning a personal journey that was to make Diamond Jenness one of the twentieth century's foremost authorities on Alaskan Eskimos. Jenness had been asked to join the Stefansson expedition, and his official duties were to collect ethnographic details on the Eskimos—their culture, technology, religion, and social organization. His account of the expedition was published as People of the Twilight in 1928, but Jenness also kept a diary of his three years among the Eskimos. He was eventually persuaded to publish it as Dawn in Arctic Alaska.

Predating the genre of personal ethnographies that has become so popular and important today, Jenness's tales blend his keen observations of the Arctic and its people with his own reflections and sensory experiences. He expresses great adimiration for the customs and character of the Eskimos and great regret and disappointment over the destruction of their lifeway through contact with white men.

Is murder always a simple transaction? Don't bank on it.

Sadie Walela's life is about to be turned upside down.

One morning Sadie unlocks the door at the Mercury Savings Bank and confronts a robber who's been lying in wait for her and her fellow employees. He flees after stealing money and killing her coworker. When a whirlwind of events leaves Sadie herself under suspicion, she sets out to clear her name.

This banker turned sleuth is suddenly plunged into an unfamiliar world in which people are not always as they appear-not her employer, not the homeless man she's befriended, not the police officer who takes an interest in the case, not the man she falls in love with. And, as she's beginning to imagine, not even herself.

Sadie is a blue-eyed Cherokee living in northeastern Oklahoma, a half-blood who finds she sometimes has to adapt to get by in the white man's world, much as her father's ancestors did. In this story of robbery, murder, love, and intrigue, she faces adversity at each bend in the road, but in the tradition of her people she adapts and moves forward—even if it means having to re-think her relationships and expectations.

Set against the backdrop of small-town Oklahoma and its Native culture, Deception on All Accounts draws readers into the real lives of contemporary American Indians as it shines a light on violence, corporate corruption, and prejudice in modern America. As Sadie Walela comes to terms with murder, romance, and her hopes for a career, she finds deception on all accounts.

Decolonizing Native Histories is an interdisciplinary collection that grapples with the racial and ethnic politics of knowledge production and indigenous activism in the Americas. It analyzes the relationship of language to power and empowerment, and advocates for collaborations between community members, scholars, and activists that prioritize the rights of Native peoples to decide how their knowledge is used. The contributors—academics and activists, indigenous and nonindigenous, from disciplines including history, anthropology, linguistics, and political science—explore the challenges of decolonization.

These wide-ranging case studies consider how language, the law, and the archive have historically served as instruments of colonialism and how they can be creatively transformed in constructing autonomy. The collection highlights points of commonality and solidarity across geographical, cultural, and linguistic boundaries and also reflects deep distinctions between North and South. Decolonizing Native Histories looks at Native histories and narratives in an internationally comparative context, with the hope that international collaboration and understanding of local histories will foster new possibilities for indigenous mobilization and an increasingly decolonized future.

The range of the Dena’ina people stretches from the Cook Inlet region to southcentral Alaska and has been established for a thousand years. Yet their culture has largely been overlooked, leaving large gaps in the literature. Dena’inaq’ Huch’ulyeshi, a new catalog of Dena’ina materials, is an ambitious project that finally brings their culture to light.

Basket weaver, storyteller, and tribal elder, Frances Manuel is a living preserver of Tohono O’odham culture. Speaking in her own words from the heart of the Arizona desert, she now shares the story of her life. She tells of O’odham culture and society, and of the fortunes and misfortunes of Native Americans in the southwestern borderlands over the past century.

In Desert Indian Woman, Frances relates her life and her stories with the wit, humor, and insight that have endeared her to family and friends. She tells of her early childhood growing up in a mesquite brush house, her training in tribal traditions, her acquaintance with Mexican ways, and her education in an American boarding school. Through her recollections of births and deaths, heartache and happiness, we learn of her family’s migration from the reservation to the barrios and back again. In the details of her everyday life, we see how Frances has navigated between O’odham and American societies, always keeping her grandparents’ traditional teachings as her compass.

It is extraordinary to hear from a Native American woman like Frances, in her own words and her own point of view, to enter the complex and sensitive aspects of her life experience, her sorrows, and her dreams. We also become privy to her continuing search for her identity across the border, and the ways in which Frances and Deborah have attempted to make sense of their friendship over twenty-odd years. Throughout the book, Deborah captures the rhythms of Frances’s narrative style, conveying the connectedness of her dreams, songs, and legends with everyday life, bringing images and people from faraway times and places into the present.

Deborah Neff brings a breadth of experience in anthropology and Southwest Native American cultures to the task of placing Frances Manuel’s life in its broader historical context, illuminating how history works itself out in people’s everyday lives. Desert Indian Woman is the story of an individual life lived well and a major contribution to the understanding of history from a Native American point of view.

The traditional audience/producer boundary has collapsed in indigenous and ethnic community broadcasting, and this is the first comprehensive study of this homegrown media sector. Based on firsthand research of radio and television audiences in Australia, the authors argue that community radio and television worldwide performs an essential service for indigenous and ethnic audiences, empowering them at various levels, fostering active citizenry, and enhancing democracy. Developing Dialogues offers international researchers a new perspective on Australian community broadcasting and presents evidence of global trends in the media industry.

Traditional teachings derived from stories and practices passed through generations lie at the core of a well-balanced Navajo life. These teachings are based on a very different perspective of the physical and spiritual world than that found in general American culture. Dinéjí Na`nitin is an introduction to traditional Navajo teachings and history for a non-Navajo audience, providing a glimpse into this unfamiliar domain and illuminating the power and experience of the Navajo worldview.

Historian Robert McPherson discusses basic Navajo concepts such as divination, good and evil, prophecy, and metaphorical thought, as well as these topics' relevance in daily life, making these far-ranging ideas accessible to the contemporary reader. He also considers the toll of cultural loss on modern Navajo culture as many traditional values and institutions are confronted by those of dominant society. Using both historical and modern examples, he shows how cultural change has shifted established views and practices and illustrates the challenge younger generations face in maintaining the beliefs and customs their parents and grandparents have shared over generations.

This intimate look at Navajo values and customs will appeal not only to students and scholars of Native American studies, ethnic studies, and anthropology but to any reader interested in Navajo culture or changing traditional lifeways.

When the Apache wars ended in the late nineteenth century, a harsh and harrowing time began for the Western Apache people. Living under the authority of nervous Indian agents, pitiless government-school officials, and menacing mounted police, they knew that resistance to American authority would be foolish. But some Apache families did resist in the most basic way they could: they resolved to endure. Although Apache history has inspired numerous works by non-Indian authors, Apache people themselves have been reluctant to comment at length on their own past. Eva Tulene Watt, born in 1913, now shares the story of her family from the time of the Apache wars to the modern era. Her narrative presents a view of history that differs fundamentally from conventional approaches, which have almost nothing to say about the daily lives of Apache men and women, their values and social practices, and the singular abilities that enabled them to survive.

In a voice that is spare, factual, and unflinchingly direct, Mrs. Watt reveals how the Western Apaches carried on in the face of poverty, hardship, and disease. Her interpretation of her people’s past is a diverse assemblage of recounted events, biographical sketches, and cultural descriptions that bring to life a vanished time and the men and women who lived it to the fullest. We share her and her family’s travels and troubles. We learn how the Apache people struggled daily to find work, shelter, food, health, laughter, solace, and everything else that people in any community seek.

Richly illustrated with more than 50 photographs, Don’t Let the Sun Step Over You is a rare and remarkable book that affords a view of the past that few have seen before—a wholly Apache view, unsettling yet uplifting, which weighs upon the mind and educates the heart.

Josh Henneha has always been a traveler, drowning in dreams, burning with desires.

As a young boy growing up within the Muskogee Creek Nation in rural Oklahoma, Josh experiences a yearning for something he cannot tame. Quiet and skinny and shy, he feels out of place, at once inflamed and ashamed by his attraction to other boys. Driven by a need to understand himself and his history, Josh struggles to reconcile the conflicting voices he hears—from the messages of sin and scorn of the non-Indian Christian churches his parents attend in order to assimilate, to the powerful stories of his older Creek relatives, which have been the center of his upbringing, memory, and ongoing experience.

In his fevered and passionate dreams, Josh catches a glimpse of something that makes the Muskogee Creek world come alive. Lifted by his great-aunt Lucille’s tales of her own wild girlhood, Josh learns to fly back through time, to relive his people’s history, and uncover a hidden legacy of triumphs and betrayals, ceremonies and secrets he can forge into a new sense of himself.

When as a man, Josh rediscovers the boyhood friend who first stirred his desires, he realizes a transcendent love that helps take him even deeper into the Creek world he has explored all along in his imagination.

Interweaving past and present, history and story, explicit realism and dreamlike visions, Craig Womack’s Drowning in Fire explores a young man’s journey to understand his cultural and sexual identity within a framework drawn from the community of his origins. A groundbreaking and provocative coming-of-age story, Drowning in Fire is a vividly realized novel by an impressive literary talent.

The War for the Ohio Country that Gave the Colonies the Critical Time to Debate and Declare Independence
Known to history as “Dunmore’s War,” the 1774 campaign against a Shawnee-led Indian confederacy in the Ohio Country marked the final time an American colonial militia took to the field in His Majesty’s service and under royal command. Led by John Murray, the fourth Earl of Dunmore and royal governor of Virginia, a force of colonials including George Rogers Clark, Daniel Morgan, Michael Cresap, Adam Stephen, and Andrew Lewis successfully enforced the western border established by treaties in parts of present-day West Virginia and Kentucky. The campaign is often neglected in histories, despite its major influence on the conduct of the Revolutionary War that followed. In Dunmore’s War: The Last Conflict of America’s Colonial Era, award-winning historian Glenn F. Williams describes the course and importance of this campaign. Supported by extensive primary source research, the author corrects much of the folklore concerning the war and frontier fighting in general, demonstrating that the Americans did not adopt Indian tactics for wilderness fighting as is often supposed, but rather used British methods developed for fighting irregulars in the woods of Europe, while incorporating certain techniques learned from the Indians and experience gained from earlier colonial wars.
            As an immediate result of Dunmore’s War, the frontier remained quiet for two years, giving the colonies the critical time to debate and declare independence before Britain convinced its Indian allies to resume attacks on American settlements. Ironically, at the same time Virginia militiamen were fighting under command of a king’s officer, the colony was becoming one of the leaders in the move toward American independence. Although he was hailed as a hero at the end of the war, Lord Dunmore’s attempt to maintain royal authority put him in direct opposition to many of the subordinates who followed him on the frontier, and in 1776 he was driven from Virginia and returned to England.