4531 books match the query 'Cultural & Ethnic Studies' and 181 start with d

cover of Decolonial Care: Reimagining Caregiving in the French Caribbean

Decolonial Care

Reimagining Caregiving in the French Caribbean

Jennifer Boum Make

Rutgers University Press, 2025

Decolonial Care examines the relationship between the legacies of colonialism and the dynamics of caregiving that have emerged from the French Caribbean. Through a variety of media, including novels, graphic narratives, and curatorial discourse, this book explores four key contexts at the intersection of care and colonialism: care-focused gender roles, domestic service, nurturing human life and environments, and curation as caring. Decolonial Care argues that to imagine caregiving in the context of the French Caribbean means reckoning with intrinsically uncaring practices inherited from colonial rule that show disregard for human life and environments. Putting in dialogue postcolonial studies and care studies, this book elucidates how caring and uncaring have been historically shaped by colonialism, showing how media and narratives about the French Caribbean document the damaging impact of colonialism but also help develop decolonial approaches to care that sustain human life and livable environments.
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cover of Decolonial Feminist Genealogies and Futures

Decolonial Feminist Genealogies and Futures

Edited by Annie Isabel Fukushima and K. Melchor Quick Hall

University of Illinois Press, 2025

From the COVID-19 pandemic to the war in Gaza, recent events have demonstrated the implacability of settler colonialism and its racist underpinnings. Annie Isabel Fukushima and K. Melchor Quick Hall edit a visionary collection focused on radical struggles against these forces. The editors organize the essays in four thematic sections: subversive labor; spatialities and temporalities; resistance; and genealogies and feminist futures. Inspired by outside catalysts like sharing circles and poetry, the contributors challenge the boundaries of time and space that we imagine as constraints on labor and resistance. Their methodological approaches include participation observation, pláticas, critical participatory action research, spatial analysis, interviews, testimonio, grounded theory, and historical analysis. Interdisciplinary and diverse, Decolonial Feminist Genealogies and Futures draws on a unique history of thought and action to map a new generation of practices. Contributors: Esther O. Ajayi-Lowo, Ana Carolina Antunes, Xamuel Bañales, Azza Basarudin, Tina Beyene, Linda Carty, Elisa Contreras, Janice Cindy Gaudet, Lynn Hampton, Amanda Jurno, Eun-Jin Keish Kim, Shireen Keyl, Leece Lee-Oliver, Monique Lemos, Xochitl E. López Andrade, Tricia McGuire-Adams, Sylvia Mendoza Aviña, Akanksha Misra, Cueponcaxochitl D. Moreno Sandoval, Bruno Moreschi, Rachel Afi Quinn, K. Melchor Quick Hall, Angel Sutjipto, Miriam G. Valdovinos, and Lydia Zakel
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cover of Decolonial Witnessing: Cold War Afterlives in Latin American and Latinx Testimonios

Decolonial Witnessing

Cold War Afterlives in Latin American and Latinx Testimonios

Guadalupe Escobar

University of Texas Press, 2026

Examining the power of testimonios in illuminating political injustice in Latin America from the Cold War to the present.

During the Cold War, testimonio emerged as a powerful genre of political nonfiction in Latin America. Artists created first-person narratives of censorship and state violence, highlighting broader circumstances of oppression carried out by local right-wing oligarchies in collusion with the US empire. Decolonial Witnessing explores the continuing vitality of testimonio in the twenty-first century, as it has evolved into narratives contesting neoliberal dispossession and disposability.

Considering the cultural work of Ana Castillo, Regina José Galindo, Jayro Bustamante, Alberto Ledesma, Javier Zamora, Lila Downs, and others, Guadalupe Escobar shows how artists, authors, musicians, and filmmakers are using testimonial narratives to identify and resist the architecture of post–Cold War militarized democracy. Contemporary testimonios center migrant children, torture abolitionists, Indigenous land defenders—figures whose perspectives and, indeed, presence disrupt dominant paradigms of citizenship. Cast against the law, their stories—their memories—constitute a critical optic on the construction of belonging. In these acts of bearing witness, Escobar locates the possibility of a new, counterhegemonic political imagination.

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cover of Decolonizing Afghanistan: Countering Imperial Knowledge and Power

Decolonizing Afghanistan

Countering Imperial Knowledge and Power

Wazhmah Osman and Robert D. Crews, editors

Duke University Press, 2025

As the first comprehensive volume to explore the impact of empire on Afghanistan’s past and present, Decolonizing Afghanistan marks a decolonial turn in Afghanistan and American studies. Featuring new and often sidelined ground-up perspectives, this collection examines how Afghan communities have subverted, resisted, and participated in colonial projects from the early twentieth century to the present, with a particular focus on the US intervention that began in 2001. Contributors interrogate the relationship between knowledge and power to analyze how narratives about Afghanistan have framed and legitimated imperial governance. Topics span the contradictions and consequences of the US “Forever” War, the rise of private security contracting, the deployment of biometric and surveillance technologies, the politics of US and Taliban countermedia operations, the evolution of gender discourses, and the mobilization of Afghan Americans and “Afghan culture,” among others. Throughout, contributors draw important connections and insights to ongoing global anticolonial struggles and offer paths to decolonial futures.

Contributors. Matthieu Aikins, Dawood Azami, Purnima Bose, Paula Chakravartty, Robert D. Crews, Marya Hannun, Ali Karimi, Nivi Manchanda, Sabauon Nasseri, Tausif Noor, Wazhmah Osman, Hosai Qasmi, Zohra Saed, Gazelle Samizay, Morwari Zafar, Helena Zeweri
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cover of Decolonizing Latinx Masculinities

Decolonizing Latinx Masculinities

Edited by Arturo J. Aldama and Frederick Luis Aldama

University of Arizona Press, 2020

Latinx hypersexualized lovers or kingpin predators pulsate from our TVs, smartphones, and Hollywood movie screens. Tweets from the executive office brand Latinxs as bad-hombre hordes and marauding rapists and traffickers. A-list Anglo historical figures like Billy the Kid haunt us with their toxic masculinities. These are the themes creatively explored by the eighteen contributors in Decolonizing Latinx Masculinities.

Together they explore how legacies of colonization and capitalist exploitation and oppression have created toxic forms of masculinity that continue to suffocate our existence as Latinxs. And while the authors seek to identify all cultural phenomena that collectively create reductive, destructive, and toxic constructions of masculinity that traffic in misogyny and homophobia, they also uncover the many spaces—such as Xicanx-Indígena languages, resistant food cultures, music performances, and queer Latinx rodeo practices—where Latinx communities can and do exhale healing masculinities.

With unity of heart and mind, the creative and the scholarly, Decolonizing Latinx Masculinities opens wide its arms to all non-binary, decolonial masculinities today to grow a stronger, resilient, and more compassionate new generation of Latinxs tomorrow.

Contributors
Arturo J. Aldama
Frederick Luis Aldama
T. Jackie Cuevas
Gabriel S. Estrada
Wayne Freeman
Jonathan D. Gomez
Ellie D. Hernández
Alberto Ledesma
Jennie Luna
Sergio A. Macías
Laura Malaver
Paloma Martinez-Cruz
L. Pancho McFarland
William Orchard
Alejandra Benita Portillos
John-Michael Rivera
Francisco E. Robles
Lisa Sánchez González
Kristie Soares
Nicholas Villanueva Jr.

 
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cover of Deconstructing Yugonostalgia and (Post)Yugoslavism: The Generation of the Last Pioneers

Deconstructing Yugonostalgia and (Post)Yugoslavism

The Generation of the Last Pioneers

Milica Popovic

Central European University Press, 2027

Bringing together political science and cultural memory studies, Popovic examines the much-discussed phenomenon of Yugonostalgia. Drawing on qualitative research, ethnography, and life-narrative interviews with political actors from across the entire political spectrum and belonging to the generation of the last pioneers (those born between 1974 and 1982) in three (post)Yugoslav countries—Croatia, Serbia, and Slovenia—this book disentangles the commonly merged concepts of Yugonostalgia as a practice and (post)Yugoslavism as an identity. The book argues that while generational positionality strengthens (post)Yugoslavism, and political positionality determines the use of Yugonostalgia for private or political purposes, the (post)Yugoslav memory narratives of the last pioneers provide an important insight into new and unexplored political imaginaries of the (post)Yugoslav space.
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cover of Deep South: A Social Anthropological Study of Caste and Class

Deep South

A Social Anthropological Study of Caste and Class

Allison Davis, Burleigh B. Gardner, and Mary R. Gardner

University of Chicago Press, 2022

As seen in the movie Origins, a classic examination of the lived realities of American racism, now with a new foreword from Pulitzer Prize winner Isabel Wilkerson.
 
First published in 1941, Deep South is a landmark work of anthropology, documenting in startling and nuanced detail the everyday realities of American racism. Living undercover in Depression-era Mississippi—not revealing their scholarly project or even their association with one another—groundbreaking Black scholar Allison Davis and his White co-authors, Burleigh and Mary Gardner, delivered an unprecedented examination of how race shaped nearly every aspect of twentieth-century life in the United States. Their analysis notably revealed the importance of caste and class to Black and White worldviews, and they anatomized the many ways those views are constructed, solidified, and reinforced.
​
This reissue of the 1965 abridged edition, with a new foreword from Pulitzer Prize winner Isabel Wilkerson—who acknowledges the book’s profound importance to her own work—proves that Deep South remains as relevant as ever, a crucial work on the concept of caste and how it continues to inform the myriad varieties of American inequality.
 
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cover of Deeper Blues: The Life, Songs, and Salvation of Cornbread Harris

Deeper Blues

The Life, Songs, and Salvation of Cornbread Harris

Andrea Swensson

University of Minnesota Press, 2024

The emotional, epic story of James “Cornbread” Harris—a self-proclaimed “blessed dude” and one of Minneapolis’s most influential musicians

From the heart of the Minnesota blues comes the story of James “Cornbread” Harris Jr., the songwriter, pianist, and consummate bluesman whose seventy years making music helped to shape the Minneapolis Sound. “I am a blessed dude,” Cornbread tells Andrea Swensson, taking us along on his musical journey from a first “gig” entertaining his fellow soldiers during World War II to his subsequent years playing music for audiences across Minnesota. Following Cornbread’s extraordinary life story, Deeper Blues is a unique history of Minnesota music that evolves into a heartfelt tale of reconciliation and forgiveness, all to the tune of the legendary musician’s signature sound.

Cornbread’s career started in the 1950s, when he played with the Augie Garcia Quintet and cowrote their hit “Hi Ho Silver.” A tireless entertainer, he has been performing live ever since, influencing an entire generation of musicians credited with putting Minneapolis on the map in the 1980s—including his long-estranged son, Grammy-winning Rock and Roll Hall of Famer James “Jimmy Jam” Harris III. Going beyond the music, Deeper Blues turns toward family, atonement, and peace when Cornbread reunites with Jimmy Jam after a five-decade separation and they perform together on stage.

Through conversations with Cornbread, Jimmy Jam, and many others, Swensson reveals a story of perseverance and unfailing grace, a firsthand account of making music in the face of racism and segregation, and a hard-won acceptance of the personal sacrifices that are often required when dedicating one’s life to making music. As the man himself says, “All of my hardships ended up to be blessings.”

A rich mix of present-day anecdotes and historical vignettes, animated by voices from Cornbread’s life and the Twin Cities music scene, underscored by the bluesman’s original lyrics of heartache and hope, and featuring never-before-seen photographs of Cornbread and Jimmy Jam, Deeper Blues tells a singular story—one imprinted on the history, heart, and soul of the Minneapolis Sound.

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cover of Defending Diversity: Affirmative Action at the University of Michigan

Defending Diversity

Affirmative Action at the University of Michigan

Patricia Gurin, Jeffrey S. Lehman, and Earl Lewis, with Eric L. Dey, Gerald Gurin, and Sylvia Hurtado

University of Michigan Press, 2004

Even as lawsuits challenging its admissions policies made their way through the courts, the University of Michigan carried the torch for affirmative action in higher education.In June 2003, the Supreme Court vindicated UM's position on affirmative action when it ruled that race may be used as a factor for universities in their admissions programs, thus confirming what the UM had argued all along: diversity in the classroom translates to a beneficial and wide-ranging social value. With the green light given to the law school's admissions policies, Defending Diversity validates the positive benefits gained by students in a diverse educatioN/Al setting.Written by prominent University of Michigan faculty, Defending Diversity is a timely response to the court's ruling. Providing factual background, historical setting, and the psychosocial implications of affirmative action, the book illumiN/Ates the many benefits of a diverse higher educational setting -- including preparing students to be full participants in a pluralistic democracy -- and demonstrates why affirmative action is necessary to achieve that diversity.Defending Diversity is a significant contribution to the ongoing discussion on affirmative action in higher education. Perhaps more important, it is a valuable record of the history, events, arguments, and issues surrounding the original lawsuits and the Supreme Court's subsequent ruling, and helps reclaim the debate from those forces opposed to affirmative action.
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cover of Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons

Defending Rumba in Havana

The Sacred and the Black Corporeal Undercommons

Maya J. Berry

Duke University Press, 2025

In Defending Rumba in Havana, anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry’s feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state.
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cover of Defending Their Own in the Cold: The Cultural Turns of U.S. Puerto Ricans

Defending Their Own in the Cold

The Cultural Turns of U.S. Puerto Ricans

Marc Zimmerman

University of Illinois Press, 2011

Defending Their Own in the Cold: The Cultural Turns of U.S. Puerto Ricans explores U.S. Puerto Rican culture in past and recent contexts. The book presents East Coast, Midwest, and Chicago cultural production while exploring Puerto Rican musical, film, artistic, and literary performance. Working within the theoretical frame of cultural, postcolonial, and diasporic studies, Marc Zimmerman relates the experience of Puerto Ricans to that of Chicanos and Cuban Americans, showing how even supposedly mainstream U.S. Puerto Ricans participate in a performative culture that embodies elements of possible cultural "Ricanstruction."
 
Defending Their Own in the Cold examines various dimensions of U.S. Puerto Rican artistic life, including relations with other ethnic groups and resistance to colonialism and cultural assimilation. To illustrate how Puerto Ricans have survived and created new identities and relations out of their colonized and diasporic circumstances, Zimmerman looks at the cultural examples of Latino entertainment stars such as Jennifer Lopez and Benicio del Toro, visual artists Juan Sánchez, Ramón Flores, and Elizam Escobar, as well as Nuyorican dancer turned Midwest poet Carmen Pursifull. The book includes a comprehensive chapter on the development of U.S. Puerto Rican literature and a pioneering essay on Chicago Puerto Rican writing. A final essay considers Cuban cultural attitudes towards Puerto Ricans in a testimonial narrative by Miguel Barnet and reaches conclusions about the past and future of U.S. Puerto Rican culture. Zimmerman offers his own "semi-outsider" point of reference as a Jewish American Latin Americanist who grew up near New York City, matured in California, went on to work with and teach Latinos in the Midwest, and eventually married a woman from a Puerto Rican family with island and U.S. roots.
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cover of Defiant Bodies: Making Queer Community in the Anglophone Caribbean

Defiant Bodies

Making Queer Community in the Anglophone Caribbean

Nikoli A. Attai

Rutgers University Press, 2023

In the Anglophone Caribbean, international queer human rights activists strategically located within and outside of the region have dominated interventions seeking to address issues affecting people across the region; a trend that is premised on an idea that the Caribbean is extremely homophobic and transphobic, resulting in violence and death for people who defy dominant sexual and gender boundaries. Human rights activists continue to utilize international financial and political resources to influence these interventions and the region’s engagement on issues of homophobia, transphobia, discrimination, and the HIV/AIDS epidemic. This focus, however, elides the deeply complex nature of queerness across different spaces and places, and fails to fully account for the nuances of queer sexual and gender politics and community making across the Caribbean. Defiant Bodies: Making Queer Community in the Anglophone Caribbean problematizes the neocolonial and homoimperial nature of queer human rights activism in in four Anglophone Caribbean nations -- Barbados, Guyana, Jamaica, and Trinidad and Tobago -- and thinks critically about the limits of human rights as a tool for seeking queer liberation. It also offers critical insight into the ways that queer people negotiate, resist, and disrupt homophobia, transphobia, and discrimination by mobilizing “on the ground” and creating transgressive communities within the region.
 
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cover of Defining America: Through Immigration Policy

Defining America

Through Immigration Policy

Bill Ong Hing

Temple University Press, 2003

From the earliest days of nationhood, the United States has determined who might enter the country and who might be naturalized. In this sweeping review of US immigration policies, Bill Ong Hing points to the racial, ethnic, and social struggles over who should be welcomed into the community of citizens. He shows how shifting visions of America have shaped policies governing asylum, exclusion, amnesty, and border policing. Written for a broad audience, Defining America Through Immigration Policy sets the continuing debates about immigration in the context of what value we as a people have assigned to cultural pluralism in various eras. Hing examines the competing visions of America reflected in immigration debates over the last 225 years. For instance, he compares the rationales and regulations that limited immigration of southern and eastern Europeans to those that excluded Asians in the nineteenth century. He offers a detailed history of the policies and enforcement procedures put in place to limit migration from Mexico, and indicts current border control measures as immoral. He probes into little discussed issues such as the exclusion of gays and lesbians and the impact of political considerations on the availability of amnesty and asylum to various groups of migrants. Hing's spirited discussion and sophisticated analysis will appeal to readers in a wide spectrum of academic disciplines as well as those general readers interested in America's on-going attempts to make one of many.
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cover of Defining Dominion: The Discourses of Magic and Witchcraft in Early Modern France and Germany

Defining Dominion

The Discourses of Magic and Witchcraft in Early Modern France and Germany

Gerhild Scholz Williams

University of Michigan Press, 1999

In this intriguing volume, Gerhild Scholz Williams explores the roles of magic and demonology in France and Germany in the fifteenth and sixteenth centuries. She guides the reader through a variety of texts--many of them popular and influential in their day--to illuminate how magic came to shape people's perceptions of a changing world. This comprehensive study looks at magic as an intellectual and cultural language, as an attempt to explain the world, and as a means to control and confine women, whose propensity for satanic dalliance threatened not just their own souls but the health of the larger society.
". . . Williams has done an exemplary job of analyzing the intersection of the discourses of magic (as related to women and witchcraft), discovery, and religious diversity/dissidence to explain how the confluence of these discourses eventually 'determined who occupied society's center and who was forced to move to, or remain at, its margins.' . . . Gerhild Scholz Williams is no dilettante grazing in the greener pastures of other disciplines. She has been laboring assiduously in these neighboring fields for years now, and it is breathtaking to see how all of her disparate projects have come together so elegantly articulated in this one volume." --Susan L. Cocalis, German Studies Review
Gerhild Scholz Williams is Professor of German and Comparative Literature, Washington University, St. Louis.
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cover of Deflective Whiteness: Co-Opting Black and Latinx Identity Politics

Deflective Whiteness

Co-Opting Black and Latinx Identity Politics

Hannah Noel

The Ohio State University Press, 2022

In Deflective Whiteness, Hannah Noel repositions Whiteness studies in relation to current discussions around racialized animus and White victimhood, demonstrating how White supremacy adapts its discursive strategies by cannibalizing the language and rhetoric of Black and Latinx social justice movements. Analyzing a wide-ranging collection of cultural objects—memes, oration, music, advertisements, and news coverage—Noel shows how White deflection sustains and reproduces structures of inequality and injustice.

White deflection offers a script for how social justice rhetoric and the emotions of victimization are appropriated to conjure a hegemonic White identity. Using derivative language, deflection claims Whiteness as the aggrieved social status. Through case studies of cultural moments and archives including Twitter, country music, the Black Lives Matter movement, and more, Deflective Whiteness exposes the various forms of tacit White supremacy that operate under the alibi of injury and that ultimately serve to deepen racial inequities. By understanding how, where, and why White deflection is used, Noel argues, scholars and social justice advocates can trace, tag, and deconstruct covert White supremacy at its rhetorical foundations.
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cover of Defusing Democracy: Central Bank Autonomy and the Transition from Authoritarian Rule

Defusing Democracy

Central Bank Autonomy and the Transition from Authoritarian Rule

Delia M. Boylan

University of Michigan Press, 2001

Many of today's new democracies are constrained by institutional forms designed by previous authoritarian rulers. In this timely and provocative study, Delia M. Boylan traces the emergence of these vestigial governance structures to strategic behavior by outgoing elites seeking to protect their interests from the vicissitudes of democratic rule.
One important outgrowth of this political insulation strategy--and the empirical centerpiece of Boylan's analysis--is the existence of new, highly independent central banks in countries throughout the developing world. This represents a striking transformation, for not only does central bank autonomy remove a key aspect of economic decision making from democratic control; in practice it has also kept many of the would-be expansionist governments that hold power today from overturning the neoliberal policies favored by authoritarian predecessors.
To illustrate these points, Defusing Democracy takes a fresh look at two transitional polities in Latin America--Chile and Mexico--where variation in the proximity of the democratic "threat" correspondingly yielded different levels of central bank autonomy.
Boylan concludes by extending her analysis to institutional contexts beyond Latin America and to insulation strategies other than central bank autonomy. Defusing Democracy will be of interest to anyone--political scientists, economists, and policymakers alike--concerned about the genesis and consolidation of democracy around the globe.
Delia M. Boylan is Assistant Professor, Harris Graduate School of Public Policy Studies, University of Chicago.
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cover of Degrees of Difference: Reflections of Women of Color on Graduate School

Degrees of Difference

Reflections of Women of Color on Graduate School

Edited by Kimberly D. McKee and Denise A. Delgado

University of Illinois Press, 2020

University commitments to diversity and inclusivity have yet to translate into support for women of color graduate students. Sexism, classism, homophobia, racial microaggressions, alienation, disillusionment, a lack of institutional and departmental support, limited help from family and partners, imposter syndrome, narrow reading lists—all remain commonplace. Indifference to the struggles of women of color in graduate school and widespread dismissal of their work further poisons an atmosphere that suffocates not only ambition but a person's quality of life.

In Degrees of Difference, women of color from diverse backgrounds give frank, unapologetic accounts of their battles—both internal and external—to navigate grad school and fulfill their ambitions. At the same time, the authors offer strategies for surviving the grind via stories of their own hard-won successes with self-care, building supportive communities, finding like-minded mentors, and resisting racism and unsupportive faculty and colleagues.

Contributors: Aeriel A. Ashlee, Denise A. Delgado, Nwadiogo I. Ejiogu, Delia Fernández, Regina Emily Idoate, Karen J. Leong, Kimberly D. McKee, Délice Mugabo, Carrie Sampson, Arianna Taboada, Jenny Heijun Wills, and Soha Youssef

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cover of Del Otro Lado: Literacy and Migration across the U.S.-Mexico Border

Del Otro Lado

Literacy and Migration across the U.S.-Mexico Border

Susan V. Meyers

Southern Illinois University Press, 2014

In Del OtroLado: Literacy and Migration across the U.S.-Mexico Border, author Susan V. Meyers draws on her year-long ethnographic study in Mexico and the United States to analyze the literacy practices of Mexican-origin students on both sides of the border.

Meyers begins by taking readers through the historical development of the rural Mexican town of Villachuato. Through a series of case studies spanning the decades between the Mexican Revolution and the modern-day village, Meyers explores the ever-widening gulf between the priorities of students and the ideals of the public education system. As more and more of Villachuato’s families migrate in an effort to find work in the wake of shifting transnational economic policies like NAFTA, the town’s public school teachers find themselves frustrated by spiraling drop-out rates. Meyers discovers that students often consider the current curriculum irrelevant and reject the established value systems of Mexico’s public schools. Meyers debunks the longstanding myth that literacy is tied to economic development, arguing that a “literacy contract” model, in which students participate in public education in exchange for access to increased earning potential, better illustrates the situation in rural Mexico.

Meyers next explores literacy on the other side of the border, traveling to Marshalltown, Iowa, where many former citizens of Villachuato have come to reside because of the availability of jobs for unskilled workers at the huge Swift meat-packing plant there. Here she discovers that Mexican-origin families in the United States often consider education a desirable end in itself rather than a means to an end. She argues that migration has a catalyzing effect on literacy, particularly as Mexican migrant families tend to view education as a desirable form of prestige.

Meyers reveals the history and policies that have shaped the literacy practices of Mexican-origin students, and she raises important questions about not only the obligation of the United States to educate migrant students, but also those students’ educational struggles and ways in which these difficulties can be overcome. This transnational study is essential reading for scholars, students, educators and lawmakers interested in shaping the future of educational policy.

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cover of Democracy Moving: Bill T. Jones, Contemporary American Performance,  and the Racial Past

Democracy Moving

Bill T. Jones, Contemporary American Performance, and the Racial Past

Ariel Nereson

University of Michigan Press, 2022

On the 200th anniversary of Abraham Lincoln’s birth, renowned choreographer and director Bill T. Jones developed three tributes: Serenade/The Proposition, 100 Migrations, and Fondly Do We Hope . . . Fervently Do We Pray. These widely acclaimed dance works incorporated video and audio text from Lincoln’s writings as they examined key moments in his life and his enduring legacy. Democracy Moving explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography.
 
The project addresses how different communities choose to commemorate historical figures, events, and places through art—whether performance, oratory, song, statuary, or portraiture—and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America’s relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company’s largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones’s career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations.
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cover of Democracy on the Wall: Street Art of the Post-Dictatorship Era in Chile

Democracy on the Wall

Street Art of the Post-Dictatorship Era in Chile

Guisela Latorre

The Ohio State University Press, 2019

Guisela Latorre’s Democracy on the Wall: Street Art of the Post-Dictatorship Era in Chile documents and critically deconstructs the explosion of street art that emerged in Chile after the dictatorship of Augusto Pinochet, providing the first broad analysis of the visual vocabulary of Chile’s murals and graffiti while addressing the historical, social, and political context for this public art in Chile post-1990.
 
Exploring the resurgence and impact of the muralist brigades, women graffiti artists, the phenomenon of “open-sky museums,” and the transnational impact on the development of Chilean street art, Latorre argues that mural and graffiti artists are enacting a “visual democracy,” a form of artistic praxis that seeks to create alternative images to those produced by institutions of power. Keenly aware of Latin America’s colonial legacy and deeply flawed democratic processes, and distrustful of hegemonic discourses promoted by government and corporate media, the artists in Democracy on the Wall utilize graffiti and muralism as an alternative means of public communication, one that does not serve capitalist or nationalist interests. Latorre posits that through these urban interventions that combine creativity with social action, Chilean street artists formulate visions of what a true democracy looks like.
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cover of Democracy's Promise: Immigrants and American Civic Institutions

Democracy's Promise

Immigrants and American Civic Institutions

Janelle S. Wong

University of Michigan Press, 2006

Given the massive demographic changes in the United States during the past few decades, understanding the place of immigrants in the public sphere has never been more critical. Democracy's Promise examines both the challenges and opportunities posed to American civic institutions by the presence of increasing numbers of immigrants. Author Janelle Wong argues that the low levels of political participation among contemporary immigrants are not due to apathy or preoccupation with their homeland, but to the inability of American political parties and advocacy organizations to mobilize immigrant voters. Wong's rich study of Chinese and Mexican immigrants in New York and Los Angeles complements traditional studies of political behavior and civic institutions while offering a nuanced examination of immigrants' political activity.

Democracy's Promise will appeal to a broad spectrum of social scientists and ethnic studies scholars who study or teach immigration, racial and ethnic politics, political participation, civic engagement, and American political institutions. In addition, it will appeal to community organizers and party activists who are interested in issues of race and ethnicity, immigration, political participation, and political mobilization.

Janelle Wong is Assistant Professor of Political Science and American Studies and Ethnicity at the University of Southern California.

"As political parties (perhaps) decline in the United States, as civic organizations (perhaps) move away from direct participatory politics, and as the number of immigrants certainly increases--what will link new Americans to the political realm? Janelle Wong answers this important question clearly, with elegance, nuance, rich description, and galvanizing provocativeness. Her evidence is compelling and her sense of urgency about the need for parties to look beyond short-term interests even more so."
--Jennifer L. Hochschild, Harvard University

"Wong draws on the Latino and Asian immigrant experience, with specific examples from the Chinese and Mexican communities of New York and Los Angeles, to show how the political parties have largely failed to organize these groups and why labor unions and immigrant advocacy organizations have stepped in to take their place. Far from 'disuniting' America, she clearly shows that bringing these groups into the political fray is central to the project of renewing American democracy."
--John Mollenkopf, CUNY Graduate Center

"A scathing critique of the role of parties in the mobilization of new immigrants and an invaluable analysis of alternative pathways of mobilization through community organizations."
--Michael Jones-Correa, Cornell University

"By employing multiple empirical methods, including in-depth interviews and sophisticated survey analyses, Janelle Wong provides a compelling account of the political activities and allegiances of America's Asian and Latino immigrants that challenges much conventional wisdom. Often the political parties are failing to reach out to these groups, and often immigrants remain concerned about their home countries; but they are nonetheless increasingly active in American politics, in ways that may do much to shape the course of American political development in the 21st century. Democracy's Promise is a major contribution to our understanding of this crucial dimension of American politics."
--Rogers M. Smith, University of Pennsylvania

"Democracy's Promise challenges political parties to reexamine their priorities for mobilizing new voters, and identifies the critical role civic institutions play in invigorating participation among immigrant citizens. Wong's analysis is at once precise and expansive; illuminating the contours of Latino and Asian American political incorporation and provoking thoughtful debate on inclusion in democratic theory."
--Jane Junn, Rutgers University
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cover of Democratic Discourses: The Radical Abolition Movement and Antebellum American Literature

Democratic Discourses

The Radical Abolition Movement and Antebellum American Literature

Bennett, Michael

Rutgers University Press, 2005

"An arresting book that juxtaposes major and minor antebellum texts to develop its own democratic discourse. Michael Bennett writes with verve and brio, and offers some juicy surprises."—David Leverenz, University of Florida

Ever since the hallowed statement, "All men are created equal," was penned in the Declaration of Independence, it has become a historical tenet that freedom and equality were brought to American shores by the so-called Founding Fathers.

In this path-breaking study, Michael Bennett departs from tradition to argue that the democratic ideal of equality and the actual ways in which it has been practiced are grounded less in the fledgling government documents written by a handful of white men than in the actions and writings of the radical abolitionists of the nineteenth century. Bringing together key texts of both African American and European American authors, Democratic Discourses shows the important ways that abolitionist writing shaped a powerful counterculture within a slave-holding society. Bennett offers fresh new analysis through unusual pairings of authors, including Frederick Douglass with Henry David Thoreau, Frances Ellen Watkins Harper with Walt Whitman, and Margaret Fuller with Sojourner Truth. These rereadings avoid the tendency to view antebellum writing as a product primarily of either European American or African American influences and, instead, illustrate the interconnections of white and black literature in the creation and practice of democracy.

Drawing on discourses about race, the body, gender, economics, and aesthetics, this unique study encourages readers to reconsider the reality and roots of freedoms experienced in the United States today.

[more]
cover of Democratizing Texas Politics: Race, Identity, and Mexican American Empowerment, 1945-2002

Democratizing Texas Politics

Race, Identity, and Mexican American Empowerment, 1945-2002

By Benjamin Márquez

University of Texas Press, 2014

Winner, Outstanding Book Award, NACCS Tejas Foco Award for Non-Fiction, National Association for Chicana and Chicano Studies Tejas, 2015

By the beginning of the twenty-first century, Texas led the nation in the number of Latino officeholders, despite the state’s violent history of racial conflict. Exploring this and other seemingly contradictory realities of Texas’s political landscape since World War II, Democratizing Texas Politics captures powerful, interrelated forces that drive intriguing legislative dynamics. These factors include the long history of Mexican American activism; population growth among Mexican American citizens of voting age; increased participation among women and minorities at state and national levels in the Democratic Party, beginning in the 1960s; the emergence of the Republican Party as a viable alternative for Southern conservatives; civil rights legislation; and the transition to a more representative two-party system thanks to liberal coalitions.

Culling extensive archival research, including party records and those of both Latino activists and Anglo elected officials, as well as numerous interviews with leading figures and collected letters of some of Texas’s most prominent voices, Benjamin Márquez traces the slow and difficult departure from a racially uniform political class to a diverse one. As Texas transitioned to a more representative two-party system, the threat of racial tension and political exclusion spurred Mexican Americans to launch remarkably successful movements to ensure their incorporation. The resulting success and dilemmas of racially based electoral mobilization, embodied in pivotal leaders such as Henry B. Gonzalez and Tony Sanchez, is vividly explored in Democratizing Texas Politics.

[more]
cover of Demolition Means Progress: Flint, Michigan, and the Fate of the American Metropolis

Demolition Means Progress

Flint, Michigan, and the Fate of the American Metropolis

Andrew R. Highsmith

University of Chicago Press, 2015

In 1997, after General Motors shuttered a massive complex of factories in the gritty industrial city of Flint, Michigan, signs were placed around the empty facility reading, “Demolition Means Progress,” suggesting that the struggling metropolis could not move forward to greatness until the old plants met the wrecking ball. Much more than a trite corporate slogan, the phrase encapsulates the operating ethos of the nation’s metropolitan leadership from at least the 1930s to the present. Throughout, the leaders of Flint and other municipalities repeatedly tried to revitalize their communities by demolishing outdated and inefficient structures and institutions and overseeing numerous urban renewal campaigns—many of which yielded only more impoverished and more divided metropolises. After decades of these efforts, the dawn of the twenty-first century found Flint one of the most racially segregated and economically polarized metropolitan areas in the nation.

In one of the most comprehensive works yet written on the history of inequality and metropolitan development in modern America, Andrew R. Highsmith uses the case of Flint to explain how the perennial quest for urban renewal—even more than white flight, corporate abandonment, and other forces—contributed to mass suburbanization, racial and economic division, deindustrialization, and political fragmentation. Challenging much of the conventional wisdom about structural inequality and the roots of the nation’s “urban crisis,” Demolition Means Progress shows in vivid detail how public policies and programs designed to revitalize the Flint area ultimately led to the hardening of social divisions.
[more]
cover of Demonic Grounds: Black Women And The Cartographies Of Struggle

Demonic Grounds

Black Women And The Cartographies Of Struggle

Katherine McKittrick

University of Minnesota Press, 2006

IIn a long overdue contribution to geography and social theory, Katherine McKittrick offers a new and powerful interpretation of black women’s geographic thought. In Canada, the Caribbean, and the United States, black women inhabit diasporic locations marked by the legacy of violence and slavery. Analyzing diverse literatures and material geographies, McKittrick reveals how human geographies are a result of racialized connections, and how spaces that are fraught with limitation are underacknowledged but meaningful sites of political opposition.

Demonic Grounds moves between past and present, archives and fiction, theory and everyday, to focus on places negotiated by black women during and after the transatlantic slave trade. Specifically, the author addresses the geographic implications of slave auction blocks, Harriet Jacobs’s attic, black Canada and New France, as well as the conceptual spaces of feminism and Sylvia Wynter’s philosophies.

Central to McKittrick’s argument are the ways in which black women are not passive recipients of their surroundings and how a sense of place relates to the struggle against domination. Ultimately, McKittrick argues, these complex black geographies are alterable and may provide the opportunity for social and cultural change.

Katherine McKittrick is assistant professor of women’s studies at Queen’s University.
[more]
cover of Demonic Grounds: Black Women and the Cartographies of Struggle (20th Anniversary Edition)

Demonic Grounds

Black Women and the Cartographies of Struggle (20th Anniversary Edition)

Katherine McKittrick

University of Minnesota Press, 2026

The field-defining text for black geographies—now with a new foreword and afterword

The initial publication of Demonic Grounds in 2006 marked a watershed for the field of geography: revealing how human geographies are a result of racialized connections and black placemaking practices, this book opened the discipline to feminist, interdisciplinary, and black perspectives. Katherine McKittrick traces the geographies of black women across the diaspora, arguing that the spaces they inhabit are marked by legacies of violence and slavery while also being sites of unacknowledged political power. Making a forceful claim, she identifies rich opportunities within black geographies for social and cultural change and rebellion. With a new foreword by Simone Browne and comments from Sylvia Wynter on the original edition as an afterword, this twentieth-anniversary edition celebrates Demonic Grounds and its ongoing influence on twenty-first century geography.

Retail e-book files for this title are screen-reader friendly.

[more]
cover of Deportes: The Making of a Sporting Mexican Diaspora

Deportes

The Making of a Sporting Mexican Diaspora

José M Alamillo

Rutgers University Press, 2020

Spanning the first half of the twentieth century, Deportes uncovers the hidden experiences of Mexican male and female athletes, teams and leagues and their supporters who fought for a more level playing field on both sides of the border.  Despite a widespread belief that Mexicans shunned physical exercise, teamwork or “good sportsmanship,” they proved that they could compete in a wide variety of sports at amateur, semiprofessional, Olympic and professional levels. Some even made their mark in the sports world by becoming the “first” Mexican athlete to reach the big leagues and win Olympic medals or world boxing and tennis titles.
 
These sporting achievements were not theirs alone, an entire cadre of supporters—families, friends, coaches, managers, promoters, sportswriters, and fans—rallied around them and celebrated their athletic success. The Mexican nation and community, at home or abroad, elevated Mexican athletes to sports hero status with a deep sense of cultural and national pride. Alamillo argues that Mexican-origin males and females in the United States used sports to empower themselves and their community by developing and sustaining transnational networks with Mexico. Ultimately, these athletes and their supporters created a “sporting Mexican diaspora” that overcame economic barriers, challenged racial and gender assumptions, forged sporting networks across borders, developed new hybrid identities and raised awareness about civil rights within and beyond the sporting world.
[more]
cover of Desegregating Comics: Debating Blackness in the Golden Age of American Comics

Desegregating Comics

Debating Blackness in the Golden Age of American Comics

Qiana Whitted

Rutgers University Press, 2023

Winner of the Comics Studies Society Edited Book Prize 

Shortlisted for the Best Academic / Scholarly Work Eisner Award 

Honorable Mention for the Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies from the Popular Culture Association 


Some comics fans view the industry’s Golden Age (1930s-1950s) as a challenging time when it comes to representations of race, an era when the few Black characters appeared as brutal savages, devious witch doctors, or unintelligible minstrels. Yet the true portrait is more complex and reveals that even as caricatures predominated, some Golden Age comics creators offered more progressive and nuanced depictions of Black people. 
 
Desegregating Comics assembles a team of leading scholars to explore how debates about the representation of Blackness shaped both the production and reception of Golden Age comics. Some essays showcase rare titles like Negro Romance and consider the formal innovations introduced by Black comics creators like Matt Baker and Alvin Hollingsworth, while others examine the treatment of race in the work of such canonical cartoonists as George Herriman and Will Eisner. The collection also investigates how Black fans read and loved comics, but implored publishers to stop including hurtful stereotypes. As this book shows, Golden Age comics artists, writers, editors, distributors, and readers engaged in heated negotiations over how Blackness should be portrayed, and the outcomes of those debates continue to shape popular culture today.
[more]
cover of Desert Rose: The Life and Legacy of Coretta Scott King

Desert Rose

The Life and Legacy of Coretta Scott King

Edythe Scott Bagley with Joe Hilley

University of Alabama Press, 2012

An intimate biography illuminating the life, leadership, and legacy of Coretta Scott King within the American Civil Rights Movement.

Coretta Scott King—noted author, human rights activist, and wife and partner of famed Civil Rights Movement leader Martin Luther King Jr.—grew up in the rural Alabama Black Belt with her older sister, Edythe Scott Bagley. Bagley chronicles the sisters’ early education together at the Crossroads School and later at the progressive Lincoln School in Marion. She describes Coretta’s burgeoning talent for singing and her devotion to musical studies, and the sisters’ experiences matriculating at Antioch College, an all-white college far from the rural South. Bagley provides vivid insights into Coretta’s early passion for racial and economic justice, which lead to her involvement in the Peace Movement and the National Association for the Advancement of Colored People.

As Coretta’s older sister, Edythe shared in almost all of Coretta’s many trials and tribulations. Desert Rose charts Coretta’s hesitance about her romance with Martin Luther King and the prospect of having to sacrifice her dream of a career in music to become a minister’s wife. Ultimately, Coretta chose to utilize her artistic gifts and singing voice for the Movement through the development and performance of Freedom Concerts. This book also charts Coretta’s own commitment and dedication, in the years that followed King’s death, to the causes of international civil rights, the antiapartheid movement, and the establishment of the King Center in Atlanta and the national King Holiday. Coretta’s devotion to activism, motherhood, and the movement led by her husband, and her courageous assumption of the legacy left in the wake of King’s untimely assassination, are wonderfully detailed in this intimate biography.

[more]
cover of Deserving Americans: Partisanship and the New Politics of Social Policy

Deserving Americans

Partisanship and the New Politics of Social Policy

Chris Faricy and Christopher Ellis

University of Chicago Press, 0

A new framework for showing why deservingness politics, more than ideology, has become the central battleground for social policy in a polarized age.

Why do Americans support some government programs but not others? In Deserving Americans, Chris Faricy and Christopher Ellis argue that the answer lies in identity, not ideology. Specifically, support for particular social policies depends on perceptions of whether beneficiaries of government assistance actually deserve the aid that they receive. As partisanship and social identity have converged, partisans increasingly view government aid as a vehicle for rewarding ingroups and punishing outgroups, creating a politics polarized on identity and who government should serve.

Faricy and Ellis show how these dynamics play out across a wide range of policy domains, from antipoverty to health care to family policy and more. Their findings help to clarify many of our current predicaments, yielding insights that explain trends in public opinion and partisan debates over public policy. Deserving Americans offers a powerful new framework for understanding how Americans view social policy—and each other. 

[more]
cover of Desi Land: Teen Culture, Class, and Success in Silicon Valley

Desi Land

Teen Culture, Class, and Success in Silicon Valley

Shalini Shankar

Duke University Press, 2008

Desi Land is Shalini Shankar’s lively ethnographic account of South Asian American teen culture during the Silicon Valley dot-com boom. Shankar focuses on how South Asian Americans, or “Desis,” define and manage what it means to be successful in a place brimming with the promise of technology. Between 1999 and 2001 Shankar spent many months “kickin’ it” with Desi teenagers at three Silicon Valley high schools, and she has since followed their lives and stories. The diverse high-school students who populate Desi Land are Muslims, Hindus, Christians, and Sikhs, from South Asia and other locations; they include first- to fourth-generation immigrants whose parents’ careers vary from assembly-line workers to engineers and CEOs. By analyzing how Desi teens’ conceptions and realizations of success are influenced by community values, cultural practices, language use, and material culture, she offers a nuanced portrait of diasporic formations in a transforming urban region.

Whether discussing instant messaging or arranged marriages, Desi bling or the pressures of the model minority myth, Shankar foregrounds the teens’ voices, perspectives, and stories. She investigates how Desi teens interact with dialogue and songs from Bollywood films as well as how they use their heritage language in ways that inform local meanings of ethnicity while they also connect to a broader South Asian diasporic consciousness. She analyzes how teens negotiate rules about dating and reconcile them with their longer-term desire to become adult members of their communities. In Desi Land Shankar not only shows how Desi teens of different socioeconomic backgrounds are differently able to succeed in Silicon Valley schools and economies but also how such variance affects meanings of race, class, and community for South Asian Americans.

[more]
cover of Designing for Diversity: Gender, Race, and Ethnicity in the Architectural Profession

Designing for Diversity

Gender, Race, and Ethnicity in the Architectural Profession

Kathryn H. Anthony

University of Illinois Press, 2000

A powerful statement about the repercussions of discrimination and the benefits of diversity in architecture

Providing hard data for trends that many perceive only vaguely and some deny altogether, Designing for Diversity reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color.
Drawing on interviews and surveys of hundreds of architects, Kathryn H. Anthony outlines some of the forms of discrimination that recur most frequently in architecture: being offered added responsibility without a commensurate rise in position, salary, or credit; not being allowed to engage in client contact, field experience, or construction supervision; and being confined to certain kinds of positions, typically interior design for women, government work for African Americans, and computer-aided design for Asian American architects.

Anthony discusses the profession's attitude toward flexible schedules, part-time contracts, and the demands of family and identifies strategies that have helped underrepresented individuals advance in the profession, especially establishing a strong relationship with a mentor. She also observes a strong tendency for underrepresented architects to leave mainstream practice, either establishing their own firms, going into government or corporate work, or abandoning the field altogether.

Given the traditional mismatch between diverse consumers and predominantly white male producers of the built environment, plus the shifting population balance toward communities of color, Anthony contends that the architectural profession staves off true diversity at its own peril. Designing for Diversity argues convincingly that improving the climate for nontraditional architects will do much to strengthen architecture as a profession. Practicing architects, managers of firms, and educators will learn how to create conditions more welcoming to a diversity of users as well as designers of the built environment.

[more]
cover of Desire and Disaster in New Orleans: Tourism, Race, and Historical Memory

Desire and Disaster in New Orleans

Tourism, Race, and Historical Memory

Lynnell L. Thomas

Duke University Press, 2014

Most of the narratives packaged for New Orleans's many tourists cultivate a desire for black culture—jazz, cuisine, dance—while simultaneously targeting black people and their communities as sources and sites of political, social, and natural disaster. In this timely book, the Americanist and New Orleans native Lynnell L. Thomas delves into the relationship between tourism, cultural production, and racial politics. She carefully interprets the racial narratives embedded in tourism websites, travel guides, business periodicals, and newspapers; the thoughts of tour guides and owners; and the stories told on bus and walking tours as they were conducted both before and after Katrina. She describes how, with varying degrees of success, African American tour guides, tour owners, and tourism industry officials have used their own black heritage tours and tourism-focused businesses to challenge exclusionary tourist representations. Taking readers from the Lower Ninth Ward to the White House, Thomas highlights the ways that popular culture and public policy converge to create a mythology of racial harmony that masks a long history of racial inequality and structural inequity.
[more]
cover of Desis In The House: Indian American Youth Culture In Nyc

Desis In The House

Indian American Youth Culture In Nyc

Sunaina Maira

Temple University Press, 2002

She sports a nose-ring and duppata (a scarf worn by South Asian women) along with the latest fashion in slinky club wear; he's decked out in Tommy gear. Their moves on the crowded dance floor, blending Indian film dance with break-dancing, attract no particular attention. They are just two of the hundreds of hip young people who flock to the desi (i.e., South Asian) party scene that flourishes in the Big Apple.

New York City, long the destination for immigrants and migrants, today is home to the largest Indian American population in the United States. Coming of age in a city remarkable for its diversity and cultural innovation, Indian American and other South Asian youth draw on their ethnic traditions and the city's resources to create a vibrant subculture. Some of the city's hottest clubs host regular bhangra parties, weekly events where young South Asians congregate to dance to music that mixes rap beats with Hindi film music, bhangra (North Indian and Pakistani in origin), reggae, techno, and other popular styles. Many of these young people also are active in community and campus organizations that stage performances of "ethnic cultures."

In this book Sunaina Maira explores the world of second-generation Indian American youth to learn how they manage the contradictions of gender roles and sexuality, how they handle their "model minority" status and expectations for class mobility in a society that still racializes everyone in terms of black or white. Maira's deft analysis illuminates the ways in which these young people bridge ethnic authenticity and American "cool."
[more]
cover of Destructive Desires: Rhythm and Blues Culture and the Politics of Racial Equality

Destructive Desires

Rhythm and Blues Culture and the Politics of Racial Equality

Robert J. Patterson

Rutgers University Press, 2019

Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
[more]
cover of Dethroning the Deceitful Pork Chop: Rethinking African American Foodways from Slavery to Obama

Dethroning the Deceitful Pork Chop

Rethinking African American Foodways from Slavery to Obama

Jennifer Jensen Wallach

University of Arkansas Press, 2015

2016 Choice Outstanding Academic Title
2017 Association for the Study of Food and Society Award, best edited collection.


The fifteen essays collected in Dethroning the Deceitful Pork Chop utilize a wide variety of methodological perspectives to explore African American food expressions from slavery up through the present. The volume offers fresh insights into a growing field beginning to reach maturity. The contributors demonstrate that throughout time black people have used food practices as a means of overtly resisting white oppression—through techniques like poison, theft, deception, and magic—or more subtly as a way of asserting humanity and ingenuity, revealing both cultural continuity and improvisational finesse. Collectively, the authors complicate generalizations that conflate African American food culture with southern-derived soul food and challenge the tenacious hold that stereotypical black cooks like Aunt Jemima and the depersonalized Mammy have on the American imagination. They survey the abundant but still understudied archives of black food history and establish an ongoing research agenda that should animate American food culture scholarship for years to come.
[more]
cover of Detroit Remains: Archaeology and Community Histories of Six Legendary Places

Detroit Remains

Archaeology and Community Histories of Six Legendary Places

Krysta Ryzewski

University of Alabama Press, 2021

WINNER OF THE UNIVERSITY OF MARY WASHINGTON CENTER FOR HISTORIC PRESERVATION BOOK PRIZE,  THE JAMES DEETZ BOOK AWARD, AND THE JOAN GERO BOOK AWARD

An interdisciplinary study of urban archaeology, community heritage, and social justice in modern Detroit.

The city of Detroit has endured periods of unprecedented industrial growth, decline, and revitalization between the late nineteenth century and the present. In Detroit Remains: Archaeology and Community Histories of Six Legendary Places, Krysta Ryzewski presents six archaeological case studies of legendary Detroit institutions—Little Harry speakeasy, the Ransom Gillis house, the Blue Bird Inn, Gordon Park, the Grande Ballroom, and the Halleck Street log cabin—that trace the contours of the city’s underrepresented communities and their relationship to local currents of capitalism and social justice. Through a combination of rigorous historical archaeological research and narrative storytelling, Ryzewski deftly contextualizes the cases within the city’s current struggles, including recovery from bankruptcy, and future-oriented recovery efforts.

This is the first historical archaeology book focused on Detroit and one of the few to foreground the archaeology of the Great Migration era (ca. 1915–1970). The archaeological scholarship is rooted in collaborative, community-involved, and public-facing initiatives. The case studies examine how power is and has been exercised in Detroit’s communities over the past century: how it was stripped from the city’s twentieth- and twenty-first-century residents, but also how they acquired alternative sources of agency by establishing creative and illicit economies, most of which still operated within the city’s capitalist framework.

Throughout this book, connections run deep between archaeology, heritage, politics, historic preservation, and storytelling. Detroit Remains demonstrates how the city’s past, present, and future lie not in ruins but in the tangible archaeological traces of the everyday lives of Detroiters and their legacies.
 

[more]
cover of Developing States, Shaping Citizenship: Service Delivery and Political Participation in Zambia

Developing States, Shaping Citizenship

Service Delivery and Political Participation in Zambia

Erin Accampo Hern

University of Michigan Press, 2019

At the nexus of political science, development studies, and public policy, Developing States, Shaping Citizenship analyzes an overlooked driver of political behavior: citizens’ past experience with the government through service provision. Using evidence from Zambia, this book demonstrates that the quality of citizens’ interactions with the government through service provision sends them important signals about what they can hope to gain from political action. These interactions influence not only formal political behaviors like voting, but also collective behavior, political engagement, and subversive behaviors like tax evasion. Lack of capacity for service delivery not only undermines economic growth and human development, but also citizens’ confidence in the responsiveness of the political system. Absent this confidence, citizens are much less likely to participate in democratic processes, express their preferences, or comply with state revenue collection. Economic development and political development in low-capacity states, Hern argues, are concurrent processes.
 
Erin Accampo Hern draws on original data from an original large-N survey, interviews, Afrobarometer data, and archival materials collected over 12 months in Zambia. The theory underlying this book’s framework is that of policy feedback, which argues that policies, once in place, influence the subsequent political participation of the affected population. This theory has predominantly been applied to advanced industrial democracies, and this book is the first explicit effort to adapt the theory to the developing country context.
[more]
cover of Development Detoothed: Ugandan Girls and the Making and Unmaking of a Global NGO Campaign

Development Detoothed

Ugandan Girls and the Making and Unmaking of a Global NGO Campaign

Erin V. Moore

University of Chicago Press, 0

An in-depth examination and critique of girls’ empowerment campaigns in Uganda.

In Kampala, Uganda’s capital and largest city, to “detooth” is to take a man’s money with promises of sex and intimacy.  In this highly engaging book, anthropologist Erin V. Moore uses detoothing as a metaphor to capture the ways that many in Uganda, where unemployment rates are staggering, get access to resources from prosperous international NGOs. 

Based on over a decade of ethnographic research in Uganda, Canada, Ethiopia, Tanzania, the United Kingdom, the United States, and at the United Nations, Development Detoothed focuses on the world’s largest campaign to “empower” adolescent girls in the global south, which aimed to reach hundreds of millions of girls. Moore follows the campaign’s money and messages around the world, through what she calls the “development supply chain,” from NGO headquarters to staff training workshops, UN offices, government agencies, and community-based organizations.

From this uniquely multisited perspective, she explains how billions of aid dollars earmarked for girls ended up in the hands of men who ran these organizations. Rather than merely document ironic outcomes, however, Moore shows how people inventively navigated the development industry’s many injustices, arguing that as young Ugandan women pull development’s “teeth” they effectively challenge broader ideas about power, money, and masculinity.

[more]
cover of Development of Arab-American Identity

Development of Arab-American Identity

Ernest McCarus, Editor

University of Michigan Press, 1994

By the early twenty-first century, the United States will experience a demographic change as those groups previously thought of as minorities become the majority. Arab-Americans, a fast growning group from Asia and northern Africa, are among those who will soon form part of this new majority. The Development of Arab-American Identity offers an account of the Arab-American experience from the early immigration to the present day.What do Arab-Americans think of traditional American values? How do they perceive their treatment as new immigrants? Have they been seriously alienated from the dominant culture? The Development of Arab-American Identity offers an account of the Arab-American experience from the early immigration to the present day. After the historical background has been set, the essays in this book deal with the struggle for religious, political, cultural, and social identity, all of which involve coping with unconscious and conscious stereotyping and marginalization of Arabs and Arab-Americans.
[more]
cover of Dhol: Drummers, Identities, and Modern Punjab

Dhol

Drummers, Identities, and Modern Punjab

Gibb Schreffler

University of Illinois Press, 2021

An icon of global Punjabi culture, the dhol drum inspires an unbridled love for the instrument far beyond its application to regional vernacular music. Yet the identities of dhol players within their local communities and the broadly conceived Punjabi nation remain obscure.

Gibb Schreffler draws on two decades of research to investigate dhol's place among the cultural formations within Punjabi communities. Analyzing the identities of musicians, Schreffler illuminates concepts of musical performance, looks at how these concepts help create or articulate Punjabi social structure, and explores identity construction at the intersections of ethnicity, class, and nationality in Punjab and the diaspora. As he shows, understanding the identities of dhol players is an ethical necessity that acknowledges their place in Punjabi cultural history and helps to repair their representation.

An engaging and rich ethnography, Dhol reveals a beloved instrumental form and the musical and social practices of its overlooked performers.

[more]
cover of Dialect and Dichotomy: Literary Representations of African American Speech

Dialect and Dichotomy

Literary Representations of African American Speech

Lisa Cohen Minnick

University of Alabama Press, 2007

Applies linguistics methods for a richer understanding of literary texts and spoken language.

Dialect and Dichotomy outlines the history of dialect writing in English and its influence on linguistic variation. It also surveys American dialect writing and its relationship to literary, linguistic, political, and cultural trends, with emphasis on African American voices in literature.

Furthermore, this book introduces and critiques canonical works in literary dialect analysis and covers recent, innovative applications of linguistic analysis of literature. Next, it proposes theoretical principles and specific methods that can be implemented in order to analyze literary dialect for either linguistic or literary purposes, or both. Finally, the proposed methods are applied in four original analyses of African American speech as represented in major works of fiction of the American South—Mark Twain's Adventures of Huckleberry Finn, Charles W. Chesnutt's The Conjure Woman, William Faulkner's The Sound and the Fury, and Zora Neale Hurston's Their Eyes Were Watching God.

Dialect and Dichotomy is designed to be accessible to audiences with a variety of linguistic and literary backgrounds. It is an ideal research resource and course text for students and scholars interested in areas including American, African American, and southern literature and culture; linguistic applications to literature; language in the African American community; ethnicity and representation; literary dialect analysis and/or computational linguistics; dialect writing as genre; and American English.

[more]
cover of Dialectical Imaginaries: Materialist Approaches to U.S. Latino/a Literature in the Age of Neoliberalism

Dialectical Imaginaries

Materialist Approaches to U.S. Latino/a Literature in the Age of Neoliberalism

Marcial González and Carlos Gallego, editors

University of Michigan Press, 2018

Dialectical Imaginaries brings together essays that analyze the effects of class conflict and capitalist ideology on contemporary works of U.S. Latino/a literature. The editors argue that recent global events have compelled contemporary scholars to reexamine traditional interpretive models that center on identity politics and an ethics of multiculturalism. The volume seeks to demonstrate that materialist methodologies have a greater critical reach than other methods, and that Latino/a literary criticism should be more attuned to interpretive approaches that draw on Marxism and other globalizing social theories. The contributors analyze a wide range of literary works in fiction, poetry, drama, and memoir by writers including Rudolfo Anaya, Gloria Anzaldúa, Daniel Borzutzky, Angie Cruz, Sergio de la Pava, Mónica de la Torre, Sergio Elizondo, Juan Felipe Herrera, Rolando Hinojosa, Quiara Alegría Hudes, Lin-Manuel Miranda, Óscar Martínez, Cherríe Moraga, Urayoán Noel, Emma Pérez, Pedro Pietri, Miguel Piñero, Ernesto Quiñónez, Ronald Ruiz, Hector Tobar, Rodrigo Toscano, Alfredo Véa, Helena María Viramontes, and others.
[more]
cover of Diaspora Without Displacement: The Coloniality and Promise of Capoeira in Senegal

Diaspora Without Displacement

The Coloniality and Promise of Capoeira in Senegal

Celina de Sá

Duke University Press, 2025

Capoeira—a game of combat primarily developed by enslaved West Central Africans—has become an icon of both Brazilian national culture and pride in the country’s diasporic African heritage. Yet the sport remains less accessible in Africa itself, overshadowed in large part by participants in the Global North. In Diaspora Without Displacement, Celina de Sá tells the story of capoeira as it "returns" to the African continent through the creative initiatives of young urban professionals in Senegal. De Sá demonstrates how a new generation of African capoeiristas are taking up their own Afro-diasporic performance tradition, effectively reframing notions of diaspora and race through their social practice. Though capoeira has largely Angolan roots and the agents of return are typically white Brazilians and Europeans, the West African practitioners de Sá documents nonetheless form an exceptional relationship to capoeira that, in turn, becomes a mode of political and social consciousness. Analyzing a capoeira network across West Africa, de Sá shows how urban West Africans use capoeira to explore the relationship between Blackness, diaspora, and African heritage.
[more]
cover of Diasporic Intimacies: Queer Filipinos and Canadian Imaginaries

Diasporic Intimacies

Queer Filipinos and Canadian Imaginaries

Edited by Robert Diaz, Marissa Largo, and Fritz Pino

Northwestern University Press, 2018

Diasporic Intimacies: Queer Filipinos and Canadian Imaginaries is the first edited volume of its kind, featuring the works of leading scholars, artists, and activists who reflect on the contributions of queer Filipinos to Canadian culture and society.

Addressing a wide range of issues beyond the academy, the authors present a rich and under-studied archive of personal reflections, in-depth interviews, creative works, and scholarly essays. Their trandsdisciplinary approach highlights the need for queer, transgressive, and utopian practices that render visible histories of migration, empire building, settler colonialism, and globalization.

Timely, urgent, and fascinating, Diasporic Intimacies offers an accessible entry point for readers who seek to pursue critically engaged community work, arts education, curatorial practice, and socially inflected research on sexuality, gender, and race in this ever-changing world.
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cover of Dictablanda: Politics, Work, and Culture in Mexico, 1938–1968

Dictablanda

Politics, Work, and Culture in Mexico, 1938–1968

Paul Gillingham and Benjamin T. Smith, eds.

Duke University Press, 2014

In 1910 Mexicans rebelled against an imperfect dictatorship; after 1940 they ended up with what some called the perfect dictatorship. A single party ruled Mexico for over seventy years, holding elections and talking about revolution while overseeing one of the world's most inequitable economies. The contributors to this groundbreaking collection revise earlier interpretations, arguing that state power was not based exclusively on hegemony, corporatism, or violence. Force was real, but it was also exercised by the ruled. It went hand-in-hand with consent, produced by resource regulation, political pragmatism, local autonomies and a popular veto. The result was a dictablanda: a soft authoritarian regime.

This deliberately heterodox volume brings together social historians, anthropologists, sociologists, and political scientists to offer a radical new understanding of the emergence and persistence of the modern Mexican state. It also proposes bold, multidisciplinary approaches to critical problems in contemporary politics. With its blend of contested elections, authoritarianism, and resistance, Mexico foreshadowed the hybrid regimes that have spread across much of the globe. Dictablanda suggests how they may endure.

Contributors. Roberto Blancarte, Christopher R. Boyer, Guillermo de la Peña, María Teresa Fernández Aceves, Paul Gillingham, Rogelio Hernández Rodríguez, Alan Knight, Gladys McCormick, Tanalís Padilla, Wil G. Pansters, Andrew Paxman, Jaime Pensado, Pablo Piccato, Thomas Rath, Jeffrey W. Rubin, Benjamin T. Smith, Michael Snodgrass

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cover of Digital Activism in the Mexican Nations: Resistance, Catharsis, Transformation

Digital Activism in the Mexican Nations

Resistance, Catharsis, Transformation

David S. Dalton

Rutgers University Press, 2026

Digital Activism in the Mexican Nations analyzes Mexico’s rich history of digital activism, which is among the most vibrant of any country in the Hispanic world. The book begins with a discussion of the Zapatista uprising of 1994—which is widely understood as the first digital social movement in the history of the world—and ends with a discussion of the digital strategies of migrant communities trekking through Mexico into the present.

Conceptualizing (digital) activism as a type of performance, the book opens a dialogue with Brecht’s binary of cathartic and transformative performance. As such, it suggests that activist movements centered on expressive manifestations of emotion tend to stifle a social movement’s revolutionary potential by stifling their ability to resonate with potential allies outside their community. At the same time, it argues that the most successful digital social movements seek strategies to build connections with allies who can help them to shift state policy.

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cover of Digital Dilemmas: The State, the Individual, and Digital Media in Cuba

Digital Dilemmas

The State, the Individual, and Digital Media in Cuba

Venegas, Cristina

Rutgers University Press, 2010

The contentious debate in Cuba over Internet use and digital media primarily focuses on three issuesùmaximizing the potential for economic and cultural development, establishing stronger ties to the outside world, and changing the hierarchy of control. A growing number of users decry censorship and insist on personal freedom in accessing the web, while the centrally managed system benefits the government in circumventing U.S. sanctions against the country and in controlling what limited capacity exists.

Digital Dilemmas views Cuba from the Soviet Union's demise to the present, to assess how conflicts over media access play out in their both liberating and repressive potential. Drawing on extensive scholarship and interviews, Cristina Venegas questions myths of how Internet use necessarily fosters global democracy and reveals the impact of new technologies on the country's governance and culture. She includes film in the context of broader media history, as well as artistic practices such as digital art and networks of diasporic communities connected by the Web. This book is a model for understanding the geopolitic location of power relations in the age of digital information sharing.

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cover of Diplomas and Thatch Houses: Asserting Tradition in a Changing Micronesia

Diplomas and Thatch Houses

Asserting Tradition in a Changing Micronesia

Juliana Flinn

University of Michigan Press, 1992

Diplomas and Thatch Houses examines the people of Pulap, a tiny atoll just north of the Equator in the western Pacific. Pulapese consider themselves and are known to their neighbors as the most traditional islanders, a situation they regard as an asset and not as a sign of backwardness. Pulapese deliberately wear their lavalavas and loincloths and practice traditional dances and rituals. Rather than being just a remnant of the past, tradition for the Pulapese is created and displayed as a means of asserting cultural identity. Like other Micronesians, the Pulapese view a person less as an isolated, independent individual and more as a link in a network of relationships. Behavior, more than biology or descent, shapes identity. The Pulapese manipulate their "traditional" identity as a political tool--as an adaptive strategy to contend with the rapid changes wrought by a foreign administration. To the Pulapese, tradition is politically valuable; they fiercely contend that their customs and patterns of behavior entitle them to prestige and power in modern Micronesia. Diplomas and Thatch Houses is an important contribution to the literature on ethnicity, nationality, and cultural identity, as well as to Micronesian/Pacific studies.
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cover of Disability and Social Justice in Kenya: Scholars, Policymakers, and Activists in Conversation

Disability and Social Justice in Kenya

Scholars, Policymakers, and Activists in Conversation

Nina Berman and Rebecca Monteleone, Editors

University of Michigan Press, 2022

Disability in Africa has received significant attention as a dimension of global development and humanitarian initiatives. Little international attention is given, however, to the ways in which disability is discussed and addressed in specific countries in Africa. Little is known also about the ways in which persons with disabilities have advocated for themselves over the past one hundred years and how their needs were or were not met in locations across the continent. Kenya has been on the forefront of disability activism and disability rights since the middle of the twentieth century. The country was among the first African states to create a legal framework addressing the rights of persons with disabilities, namely the Persons with Disabilities Act of 2003. Kenya, however, has a much longer history of institutions and organizations that are dedicated to addressing the specific needs of persons with disabilities, and substantial developments have occurred since the introduction of the legal framework in 2003.

Disability and Social Justice in Kenya: Scholars, Policymakers, and Activists in Conversation is the first interdisciplinary and multivocal study of its kind to review achievements and challenges related to the situation of persons with disabilities in Kenya today, in light of the country’s longer history of disability and the wide range of local practices and institutions. It brings together scholars, activists, and policymakers who comment on topics including education, the role of activism, the legal framework, culture, the impact of the media, and the importance of families and the community.
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