4531 books match the query 'Cultural & Ethnic Studies' and 181 start with d

cover of Double Quartet, Volume I

Double Quartet, Volume I

Nathaniel Mackey

Duke University Press, 2027

Double Quartet, Volume I continues Nathaniel Mackey’s two intertwined serial poems, Song of the Andoumboulou and “Mu,” which he has been composing since the 1970s. Drawing on diverse traditions of poetry, literature, and jazz, Mackey pursues a musical approach to verging on and dispensing with the epic form. The poems follows a band of nervous, weary, and bewildered travelers as they touch on the predicaments and apprehensions of exile and uprootedness. Mackey’s writing moves by way of angle, ellipse, and accretion. He employs the arts, lore, figurative traditions, and historical motifs of the African diaspora and beyond to further a cross-cultural weave of global reach. Together, the poems of Double Quartet enact an improvisational jazz aesthetic that valorizes the tangled relationships of part to whole and whole to part. Double Quartet once again demonstrates Mackey’s innovative and distinctive mastery of rendering the ineluctable entwinement of the poetic and the musical, the written and the spoken.
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cover of Double Quartet, Volume II

Double Quartet, Volume II

Nathaniel Mackey

Duke University Press, 2027

Double Quartet, Volume II continues Nathaniel Mackey’s two intertwined serial poems, Song of the Andoumboulou and “Mu,” which he has been composing since the 1970s. Drawing on diverse traditions of poetry, literature, and jazz, Mackey pursues a musical approach to verging on and dispensing with the epic form. The poems follows a band of nervous, weary, and bewildered travelers as they touch on the predicaments and apprehensions of exile and uprootedness. Mackey’s writing moves by way of angle, ellipse, and accretion. He employs the arts, lore, figurative traditions, and historical motifs of the African diaspora and beyond to further a cross-cultural weave of global reach. Together, the poems of Double Quartet enact an improvisational jazz aesthetic that valorizes the tangled relationships of part to whole and whole to part. Double Quartet once again demonstrates Mackey’s innovative and distinctive mastery of rendering the ineluctable entwinement of the poetic and the musical, the written and the spoken.
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cover of Double V: The Civil Rights Struggle of the Tuskegee Airmen

Double V

The Civil Rights Struggle of the Tuskegee Airmen

Lawrence P. Scott

Michigan State University Press, 1994

On April 12, 1945, the United States Army Air Force arrested 101 of its African American officers. They were charged with disobeying a direct order from a superior officer—a charge that could carry the death penalty upon conviction. They were accused of refusing to sign an order that would have placed them in segregated housing and recreational facilities. Their plight was virtually ignored by the press at the time, and books written about the subject did not detail the struggle these aviators underwent to win recognition of their civil rights. 
     The central theme of Double V is the promise held out to African American military personnel that service in World War II would deliver to them a double victory—a "double V"—over tyranny abroad and racial prejudice at home. The book's authors, Lawrence P. Scott and William M. Womack Sr., chronicle for the first time, in detail, one of America's most dramatic failures to deliver on that promise. In the course of their narrative, the authors demonstrate how the Tuskegee airmen suffered as second-class citizens while risking their lives to serve their country. Among the contributions made by this work is a detailed examination of how 101 Tuskegee airmen, by refusing to live in segregated quarters, triggered one of the most significant judicial proceedings in U.S. military history. Double V uses oral accounts and heretofore unused government documents to portray this little-known struggle by one of America's most celebrated flying units. 
     In addition to providing background material about African American aviators before World War II. the authors also demonstrate how the Tuskegee airmen's struggle foretold dilemmas faced by the civil rights movement in the second half of the 20th century. Double V is destined to become an important contribution in the rapidly growing body of civil rights literature.

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cover of Double-Consciousness/Double Bind: Theoretical Issues in Twentieth-Century Black Literature

Double-Consciousness/Double Bind

Theoretical Issues in Twentieth-Century Black Literature

Sandra Adell

University of Illinois Press, 1994

Sandra Adell looks at Black literature and criticism's relationship with the complex ensemble of Western literature, criticism, and philosophy. Adell begins with an analysis of the metaphysical foundations of W. E. B. Du Bois's famous formulation of double-consciousness and how Black writing bears the traces of such European philosophers as Kant, Hegel, and Marx. She then examines, in the double context of black literature and European philosophy, the writings of major authors and essayists like Richard Wright, Leopold Senghor, Maya Angelou, Houston A. Baker, Jr., and Henry Louis Gates Jr. and offers a thoughtful analysis of the "double bind" created by conflicting claims of Euro- and Afrocentrism in Black literature.
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cover of Double-Take: A Revisionist Harlem Renaissance Anthology

Double-Take

A Revisionist Harlem Renaissance Anthology

Patton, Venetria K

Rutgers University Press, 2001

In this important new anthology, Venetria K. Patton and Maureen Honey bring together a comprehensive selection of texts from the Harlem Renaissance-a key period in the literary and cultural history of the United States. The collection revolutionizes our way of viewing this era, since it redresses the ongoing emphasis on the male writers of this time. Double-Take offers a unique, balanced collection of writers-men and women, gay and straight, familiar and obscure. Arranged by author, rather than by genre, this anthology includes works from major Harlem Renaissance figures as well as often-overlooked essayists, poets, dramatists, and artists.

The editors have included works from a wide variety of genres-poetry, short stories, drama, and essays-allowing readers to understand the true interdisciplinary quality of this cultural movement. Biographical sketches of the authors are provided and most of the pieces are included in their entirety. Double-Take also includes artwork and illustrations, many of which are from original journals and have never before been reprinted. Significantly, Double-Take is the first Harlem Renaissance title to include song lyrics to illustrate the interrelation of various art forms.
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cover of Down Syndrome Culture: Life Writing, Documentary, and Fiction Film in Iberian and Latin American Contexts

Down Syndrome Culture

Life Writing, Documentary, and Fiction Film in Iberian and Latin American Contexts

Benjamin Fraser

University of Michigan Press, 2024

People with Down syndrome possess a culture. They are producers of culture. And in the 21st century, this culture is increasingly visible as a global phenomenon. Down Syndrome Culture examines Down syndrome alongside its social, cultural, and artistic representation. Author Benjamin Fraser draws upon neomaterialist and posthumanist approaches to disability as well as the work of disability theorists such as David Mitchell, Sharon Snyder, Susan Antebi, Tobin Siebers, and Stuart Murray. By particularly focusing on Down syndrome, he showcases the unique place that it holds as an intellectual and developmental disability—one that fits between the social and medical models of disability—within the disability studies field. 

Down Syndrome Culture also pushes the traditionally Anglophone borders of disability studies by examining examples in Spanish, Catalan, and Portuguese-language texts, and incorporating the work of thinkers in Iberian and Latin American studies. Through a close analysis of life writing, documentaries, and fiction films, the book emphasizes the central role of people with Down syndrome in contemporary cultural production. Chapters discuss the autobiography of Andy Trias Trueta, the social actors of the documentary Los niños [The Grown-Ups] (2016), dancers from Danza Mobile, and a variety of fiction films, challenging ableist understandings of disability in nuanced ways. Ultimately, this book reveals the lives, cultural work, and representations of people with trisomy 21 in an international context.
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cover of Down and Dirty: Toward a Sucialogy of Queer Chicane Life

Down and Dirty

Toward a Sucialogy of Queer Chicane Life

Deborah R. Vargas

Duke University Press, 2027

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cover of Down by the Riverside: A South Carolina Slave Community

Down by the Riverside

A South Carolina Slave Community

Charles Joyner

University of Illinois Press, 2009

Charles Joyner takes readers on a journey back in time, up the Waccamaw River through the Lowcountry of South Carolina, past abandoned rice fields once made productive by the labor of enslaved Africans, past rice mills and forest clearings into the antebellum world of All Saints Parish. In this community, and many others like it, enslaved people created a new language, a new religion--indeed, a new culture--from African traditions and American circumstances.

Joyner recovers an entire lost society and way of life from the letters, diaries, and memoirs of the plantation whites and their guests, from quantitative analysis of census and probate records, and above all from the folklore and oral history of the enslaved Americans. His classic reconstruction of daily life in All Saints Parish is an inspiring testimony to the ingenuity and solidarity of a people.

This anniversary edition of Joyner's landmark study includes a new introduction in which the author recounts his process of writing the book, reflects on its critical and popular reception, and surveys the past three decades of scholarship on the history of enslaved people in the United States.

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cover of Downed by Friendly Fire: Black Girls, White Girls, and Suburban Schooling

Downed by Friendly Fire

Black Girls, White Girls, and Suburban Schooling

Signithia Fordham

University of Minnesota Press, 2016

Most Americans would never willingly revisit their high school experiences; the nation’s school systems reflect the broader society’s hierarchical emphasis on race, class, and gender. While schools purport to provide equal opportunities for all students, this rarely happens in actuality—particularly for girls. 

In Downed by Friendly Fire, Signithia Fordham unmasks and examines female-centered bullying in schools, arguing that it is essential to unmask female aggression, bullying, and competition, all of which directly relate to the structural violence embedded in the racialized and gendered social order. For two and a half years, Fordham conducted field research at “Underground Railroad High School,” a suburban high school in upstate New York. Through a series of composite student profiles, she examines the girls’ relationships to academic achievement, social competition, and aggression toward one another. Fordham argues that girls academically “compete to lose,” which only perpetuates their subordination through the misrecognition of their own competitive behaviors. She goes further to expand the meaning of violence to include what is seen as normal, including suffering, humiliation, and social and economic abuse. 

Using the concept “symbolic violence,” Fordham theorizes the psychological and social damage suffered especially by black girls in schools. The five narratives in Downed by Friendly Fire ultimately highlight the pain and suffering this violence produces as well as the ways in which it promotes inequality, exclusion, and marginalization among girls. 

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cover of Drawing the Sea Near: Satoumi and Coral Reef Conservation in Okinawa

Drawing the Sea Near

Satoumi and Coral Reef Conservation in Okinawa

C. Anne Claus

University of Minnesota Press, 2020

How Japanese coastal residents and transnational conservationists collaborated to foster relationships between humans and sea life

 

Drawing the Sea Near opens a new window to our understanding of transnational conservation by investigating projects in Okinawa shaped by a “conservation-near” approach—which draws on the senses, the body, and memory to collapse the distance between people and their surroundings and to foster collaboration and equity between coastal residents and transnational conservation organizations. This approach contrasts with the traditional Western “conservation-far” model premised on the separation of humans from the environment.

Based on twenty months of participant observation and interviews, this richly detailed, engagingly written ethnography focuses on Okinawa’s coral reefs to explore an unusually inclusive, experiential, and socially just approach to conservation. In doing so, C. Anne Claus challenges orthodox assumptions about nature, wilderness, and the future of environmentalism within transnational organizations. She provides a compelling look at how transnational conservation organizations—in this case a field office of the World Wide Fund for Nature in Okinawa—negotiate institutional expectations for conservation with localized approaches to caring for ocean life. 

In pursuing how particular projects off the coast of Japan unfolded, Drawing the Sea Near illuminates the real challenges and possibilities of work within the multifaceted transnational structures of global conservation organizations. Uniquely, it focuses on the conservationists themselves: why and how has their approach to project work changed, and how have they themselves been transformed in the process?

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cover of Dream Books and Gamblers: Black Women's Work in Chicago's Policy Game

Dream Books and Gamblers

Black Women's Work in Chicago's Policy Game

Elizabeth Schroeder Schlabach

University of Illinois Press, 2022

Ubiquitous illegal lotteries known as policy flourished in Chicago’s Black community during the overlapping waves of the Great Migration. Policy “queens” owned stakes in lucrative operations while women writers and clerks canvased the neighborhood, passed out winnings, and kept the books.

Elizabeth Schroeder Schlabach examines the complexities of Black women’s work in policy gambling. Policy provided Black women with a livelihood for themselves and their families. At the same time, navigating gender expectations, aggressive policing, and other hazards of the infromal economy led them to refashion ideas about Black womanhood and respectability. Policy earnings also funded above-board enterprises ranging from neighborhood businesses to philanthropic institutions, and Schlabach delves into the various ways Black women straddled the illegal policy business and reputable community involvement.

Vivid and revealing, Dream Books and Gamblers tells the stories of Black women in the underground economy and how they used their work to balance the demands of living and laboring in Black Chicago.

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cover of Dream Factories of a Former Colony: American Fantasies, Philippine Cinema

Dream Factories of a Former Colony

American Fantasies, Philippine Cinema

José B. Capino

University of Minnesota Press, 2010

Philippine cinema, the dream factory of the former U.S. colony, teems with American figures and plots. Local movies feature GIs seeking Filipina brides, cold war spies hunting down native warlords, and American-born Filipinos wandering in the parental homeland. The American landscape furnishes the settings for the triumphs and tragedies of Filipino nurses, GI babies, and migrant workers.

By tracking American fantasies in Philippine movies from the postindependence period to the present, José B. Capino offers an innovative account of cinema's cultural work in decolonization and globalization. Capino examines how a third world nation's daydreams both articulate empire and mobilize against it, provide imaginary maps and fables of identity for its migrant workers and diasporan subjects, pose challenges to the alibis of patriarchy and nationalism, and open up paths for participating in the cultures of globality.

Through close readings of more than twenty Philippine movies, Capino demonstrates the postcolonial imagination's vital role in generating pragmatic and utopian visions of living with empire. Illuminating an important but understudied cinema, he creates a model for understanding the U.S. image in the third world.
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cover of Dream Machine: Realism and Fantasy in Hindi Cinema

Dream Machine

Realism and Fantasy in Hindi Cinema

Samir Dayal

Temple University Press, 2015

Popular Hindi films offer varied cinematic representations ranging from realistic portraits of patriotic heroes to complex fantasies that go beyond escapism. In Dream Machine, Samir Dayal provides a history of Hindi cinema starting with films made after India’s independence in 1947. He constructs a decade-by-decade consideration of Hindi cinema’s role as a site for the construction of “Indianness.” 

Dayal suggests that Hindi cinema functions as both mirror and lamp, reflecting and illuminating new and possible representations of national and personal identity, beginning with early postcolonial films including Awaara and Mother India, a classic of the Golden Age. More recent films address critical social issues, such as My Name is Khan and Fire, which concern terrorism and sexuality, respectively. Dayalalso chronicles changes in the industry and in audience reception, and the influence of globalization, considering such films as Slumdog Millionaire.  

Dream Machine analyzes the social and aesthetic realism of these films concerning poverty and work, the emergence of the middle class, crime, violence, and the law while arguing for their sustained and critical attention to forms of fantasy.

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cover of Dream Nation: Puerto Rican Culture and the Fictions of Independence

Dream Nation

Puerto Rican Culture and the Fictions of Independence

Acosta Cruz, María

Rutgers University Press, 2014

Over the past fifty years, Puerto Rican voters have roundly rejected any calls for national independence. Yet the rhetoric and iconography of independence have been defining features of Puerto Rican literature and culture. In the provocative new book Dream Nation, María Acosta Cruz investigates the roots and effects of this profound disconnect between cultural fantasy and political reality.

Bringing together texts from Puerto Rican literature, history, and popular culture, Dream Nation shows how imaginings of national independence have served many competing purposes. They have given authority to the island’s literary and artistic establishment but have also been a badge of countercultural cool. These ideas have been fueled both by nostalgia for an imagined past and by yearning for a better future. They have fostered local communities on the island, and still helped define Puerto Rican identity within U.S. Latino culture.

In clear, accessible prose, Acosta Cruz takes us on a journey from the 1898 annexation of Puerto Rico to the elections of 2012, stopping at many cultural touchstones along the way, from the canonical literature of the Generación del 30 to the rap music of Tego Calderón. Dream Nation thus serves both as a testament to how stories, symbols, and heroes of independence have inspired the Puerto Rican imagination and as an urgent warning about how this culture has become detached from the everyday concerns of the island’s people.

A volume in the American Literature Initiatives series
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cover of Dream of Justice: The Story of Keyes v. Denver Public Schools

Dream of Justice

The Story of Keyes v. Denver Public Schools

by Pat Pascoe

University Press of Colorado, 2023

A Dream of Justice is Colorado state senator and former teacher Pat Pascoe’s firsthand account of the decades-long fight to desegregate Denver’s public schools. Drawing on oral histories and interviews with members of the legal community, parents, and students, as well as extensive institutional records, Pascoe offers a compelling social history of Keyes v. School District No. 1 (Denver).
 
Pascoe details Denver’s desegregation battle, beginning with the citizen studies that exposed the inequities of segregated schools and Rachel Noel’s resolution to integrate the system, followed by the momentous pro-integration Benton-Pascoe campaign of Ed Benton and Monte Pascoe for the school board in 1969. When segregationists won that election and reversed the integration plan for northeast Denver, Black, white, and Latino parents filed Keyes v. School District No. 1. This book follows the arguments in the case through briefs, transcripts, and decisions from district court to the Supreme Court of the United States and back, to its ultimate order to desegregate all Denver schools “root and branch.” It was the first northern city desegregation suit to be brought before the Supreme Court. However, with the end of court-ordered busing in 1995, schools quickly resegregated and are now more segregated than before Keyes was filed.
 
Pascoe asserts that school integration is a necessary step toward eliminating systemic racism in our country and should be the objective of every school board. A Dream of Justice will appeal to students, scholars, and readers interested in the history of civil rights in America, Denver history, and the history of US education.
 
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cover of Dreamer Nation: Immigration, Activism, and Neoliberalism

Dreamer Nation

Immigration, Activism, and Neoliberalism

Ana Milena Ribero

University of Alabama Press, 2023

Illustrates how the Dreamer community was created rhetorically—in the discourse, messages, actions, and visual representations of undocumented youth

Dreamer Nation tells the story of how Dreamers in the Obama era creatively confronted a complex sociopolitical landscape to advocate for immigrant rights and empower undocumented youth to proudly represent their lives and identities, all while under the ever-present threat of detention and deportation. Contributing to rhetorical studies of social movements, immigration, and minoritized rhetorics, Ribero argues that even though Dreamer rhetorics were reflective of the discursive limits of the neoliberal milieu, they also worked to disrupt neoliberal constraints through activism that troubled the primacy of the nation-state and citizenship, refused to adhere to respectability politics, forwarded embodied identity and transnational belonging, and looked for liberation in community—not solely in legislative action.

Each chapter presents a different rhetorical situation within the US “crisis” of immigration and the rhetoric that Dreamers used to respond to it. Organized chronologically, the chapters document Dreamer activism during the Obama presidency, from the 2010 hunger strikes advocating for the DREAM Act to undocuqueer “artivism” responding to Trump’s presidential campaign. The author draws not only on the methods and theories of rhetorical studies but also on women of color feminisms, ethnic studies, critical theory, and queer theory. In this way, the book looks across disciplines to illustrate the rhetorical savvy of one of the most important US social movements of our time.
 
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cover of Dreaming Equality: Color, Race, and Racism in Urban Brazil

Dreaming Equality

Color, Race, and Racism in Urban Brazil

Sheriff, Robin E.

Rutgers University Press, 2001

In the 1933 publication The Masters and the Slaves, Brazilian scholar and novelist Gilberto Freyre challenged the racist ideas of his day by defending the “African contribution” to Brazil’s culture. In so doing, he proposed that Brazil was relatively free of most forms of racial prejudice and could best be understood as a “racial democracy.” Over time this view has grown into the popular myth that racism in Brazil is very mild or nonexistent.

This myth contrasts starkly with the realities of a pernicious racial inequality that permeates every aspect of Brazilian life. To study the grip of this myth on African Brazilians’ views of themselves and their nation, Robin E. Sheriff spent twenty months in a primarily black shantytown in Rio de Janeiro, studying the inhabitants’s views of race and racism. How, she asks, do poor African Brazilians experience and interpret racism in a country where its very existence tends to be publicly denied? How is racism talked about privately in the family and publicly in the community—or is it talked about at all?

Sheriff’s analysis is particularly important because most Brazilians live in urban settings, and her examination of their views of race and racism sheds light on common but underarticulated racial attitudes. This book is the first to demonstrate that urban African Brazilians do not subscribe to the racial democracy myth and recognize racism as a central factor shaping their lives.
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cover of Dreams Achieved and Denied: Mexican Intergenerational Mobility

Dreams Achieved and Denied

Mexican Intergenerational Mobility

Robert Courtney Smith

Russell Sage Foundation, 2024

U.S.-born Mexicans in New York City have achieved perhaps the biggest single generation jump in mobility in American immigration history. In 2020, 42-percent of second-generation U.S.-born Mexican men and 49-percent of U.S.-born Mexican women in New York City had graduated from college – versus a 13-14-percent second-generation college graduation rate for most places for most studies done in recent decades. How did U.S.-born Mexicans in New York City achieve such remarkable mobility? In Dreams Achieved and Denied, sociologist Robert Courtney Smith examines the laws, policies, and individual and family practices that promoted – and inhibited – their social mobility.
 
For over twenty years, Smith followed the lives and mobility of nearly one hundred children of Mexican immigrants in New York City. Smith’s longitudinal, ethnographic data enabled him to intimately describe how specific mechanisms blocked or promoted mobility for years as his participants moved from adolescence through early adulthood and into established adulthood. Smith documents how having or gaining legal status made certain New York City or New York State policies and practices more efficacious in supporting individual and family efforts and strategies for mobility. Such immigrant-inclusive and mobility-promoting measures include enabling undocumented people to attend public colleges at in-state tuition rates, and later to get driver’s licenses, offering healthcare to all in New York City, and the City’s subway and school choice systems, which enabled students to attend better schools or take opportunities outside their neighborhoods.
Smith finds that keeping the immigrant bargain – whereby children of immigrants redeem their parents’ sacrifice by doing well in school, helping their parents and siblings, and becoming “good” people (in their parents’ words) – helped them towards better adult outcomes and lives. Having mentors, picking academically stronger schools and friends, and using second chance mechanisms also promoted more adult mobility.  However, lacking legal status blocked mobility, by preventing them from benefiting from these same mobility-promoting city and state policies, from mentors, or from working hard and keeping the immigrant bargain.
​
Dreams Achieved and Denied deeply analyzes the historic upward mobility of U.S.-born Mexicans in New York City. Itcounters the dominant story research and public discourse tell about Mexican mobility in the U.S. and shows how thoughtful public policy can improve the lives of young immigrants and families.
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cover of Dreams Derailed: Undocumented Youths in the Trump Era

Dreams Derailed

Undocumented Youths in the Trump Era

William A. Schwab

University of Arkansas Press, 2018

During the 2016 presidential campaign millions of voters, concerned about the economic impact of illegal immigration, rallied behind the notion of a border wall between the United States and Mexico. Well into the Trump presidency, immigration endures as a hotly contested issue in United States politics.

In Dreams Derailed sociologist William A. Schwab shares the stories of immigration reform advocates and follows up on stories told in his 2013 book Right to DREAM, which argued in favor of the DREAM Act that would have provided conditional residency for undocumented youth brought to the United States as children, a version of which was later enacted by executive order and referred to as DACA (Deferred Action for Childhood Arrivals).

Taking as its focal point the Trump administration’s decision to rescind Obama-era DACA protection, Dreams Derailed delves into the economic, political, and social factors that inform the public conversation about immigration, making a clear case for the many benefits of inclusive policies and the protection of undocumented youths. Schwab also takes a close look at the factors that carried Donald Trump to the White House, demonstrates how economic upheaval and the issue of immigration influenced the 2016 presidential election, analyzes current immigration laws, and suggests next steps for reform.

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cover of Dreams in Double Time: On Race, Freedom, and Bebop

Dreams in Double Time

On Race, Freedom, and Bebop

Jonathan Leal

Duke University Press, 2023

In Dreams in Double Time Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop’s complexity and radicality, Leal contends, made it possible for those like Araki, Salinas, and Wing who grappled daily with state-sanctioned violence to challenge a racially supremacist, imperial nation, all while hearing and making the world anew.
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cover of Dreams of the Hmong Kingdom: The Quest for Legitimation in French Indochina, 1850–1960

Dreams of the Hmong Kingdom

The Quest for Legitimation in French Indochina, 1850–1960

Mai Na M. Lee

University of Wisconsin Press, 2015

Countering notions that Hmong history begins and ends with the “Secret War” in Laos of the 1960s and 1970s, Dreams of the Hmong Kingdom reveals how the Hmong experience of modernity is grounded in their sense of their own ancient past, when this now-stateless people had their own king and kingdom, and illuminates their political choices over the course of a century in a highly contested region of Asia.
            In China, Vietnam, and Laos, the Hmong continuously negotiated with these states and with the French to maintain political autonomy in a world of shifting boundaries, emerging nation-states, and contentious nationalist movements and ideologies. Often divided by clan rivalries, the Hmong placed their hope in finding a leader who could unify them and recover their sovereignty. In a compelling analysis of Hmong society and leadership throughout the French colonial period, Mai Na M. Lee identifies two kinds of leaders—political brokers who allied strategically with Southeast Asian governments and with the French, and messianic resistance leaders who claimed the Mandate of Heaven. The continuous rise and fall of such leaders led to cycles of collaboration and rebellion. After World War II, the powerful Hmong Ly clan and their allies sided with the French and the new monarchy in Laos, but the rival Hmong Lo clan and their supporters allied with Communist coalitions.
            Lee argues that the leadership struggles between Hmong clans destabilized French rule and hastened its demise. Martialing an impressive array of oral interviews conducted in the United States, France, and Southeast Asia, augmented with French archival documents, she demonstrates how, at the margins of empire, minorities such as the Hmong sway the direction of history.

Best books for public & secondary school libraries from university presses, American Library Association
 
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cover of Driven from New Orleans: How Nonprofits Betray Public Housing and Promote Privatization

Driven from New Orleans

How Nonprofits Betray Public Housing and Promote Privatization

John Arena

University of Minnesota Press, 2012

In the early 1980s the tenant leaders of the New Orleans St. Thomas public housing development and their activist allies were militant, uncompromising defenders of the city’s public housing communities. Yet ten years later these same leaders became actively involved in a planning effort to privatize and downsize their community—an effort that would drastically reduce the number of affordable apartments. What happened? John Arena—a longtime community and labor activist in New Orleans—explores this drastic change in Driven from New Orleans, exposing the social disaster visited on the city’s black urban poor long before the natural disaster of Katrina magnified their plight.

Arena argues that the key to understanding New Orleans’s public housing transformation from public to private is the co-optation of grassroots activists into a government and foundation-funded nonprofit complex. He shows how the nonprofit model created new political allegiances and financial benefits for activists, moving them into a strategy of insider negotiations that put the profit-making agenda of real estate interests above the material needs of black public housing residents. In their turn, white developers and the city’s black political elite embraced this newfound political “realism” because it legitimized the regressive policies of removing poor people and massively downsizing public housing, all in the guise of creating a new racially integrated, “mixed-income” community.

In tracing how this shift occurred, Driven from New Orleans reveals the true nature, and the true cost, of reforms promoted by an alliance of a neoliberal government, nonprofits, community activists, and powerful real estate interests.

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cover of Driven toward Madness: The Fugitive Slave Margaret Garner and Tragedy on the Ohio

Driven toward Madness

The Fugitive Slave Margaret Garner and Tragedy on the Ohio

Nikki M. Taylor

Ohio University Press, 2016

Margaret Garner was the runaway slave who, when confronted with capture just outside of Cincinnati, slit the throat of her toddler daughter rather than have her face a life in slavery. Her story has inspired Toni Morrison’s Beloved, a film based on the novel starring Oprah Winfrey, and an opera. Yet, her life has defied solid historical treatment. In Driven toward Madness, Nikki M. Taylor brilliantly captures her circumstances and her transformation from a murdering mother to an icon of tragedy and resistance. Taylor, the first African American woman to write a history of Garner, grounds her approach in black feminist theory. She melds history with trauma studies to account for shortcomings in the written record. In so doing, she rejects distortions and fictionalized images; probes slavery’s legacies of sexual and physical violence and psychic trauma in new ways; and finally fleshes out a figure who had been rendered an apparition.
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cover of Drones, Tones, and Timbres: Sounding Place among Nomads of the Inner Asian Mountain-Steppes

Drones, Tones, and Timbres

Sounding Place among Nomads of the Inner Asian Mountain-Steppes

Carole Pegg

University of Illinois Press, 2024

An indispensable study of the music of Altai-Sayan peoples

Based on more than twenty years of collaborative research, Carole Pegg’s long-awaited participatory ethnography explores how Indigenous nomadic peoples of Russia’s southern Siberian republics (Altai, Khakassia, Tyva) sound multiphonies of place in a post-Soviet global world. Inspired by the mountain-steppe ecology and pathways of nomadism, soundscapes created in performative ritual events cross political and multiple-world boundaries in a shamanic-animist universe, enabling human and spirit actor interactions in a series of sensuous worlds. As with the “throat-singing” for which Indigenous Altai-Sayan peoples are famous, senses of place involve sonic relations, rootedness, movement, and plurality. Pegg echoes their drone-partials musical and ontological models in an innovative theoretical entwinement. Three strands form the book’s multivocal drone, the partials of which sound in each chapter: ontological sonicality and musicality that enables emplacement and movement; the importance of shamanism-animism--at the core of Indigenous spiritual practices--for personhood and community; and the agency of sonic performances. Sounding place, Pegg demonstrates, is essential to the identities, ways of life, and very senses of being of Indigenous Altai-Sayan peoples.
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cover of Droppin Science

Droppin Science

William Perkins

Temple University Press, 1996

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cover of Drumming For The Gods

Drumming For The Gods

Maria Velez

Temple University Press, 2000

"I am Felipe Garcia Villamil" begins Drumming for the Gods, the life history of the Afro-Cuban artist whose music has survived both political and personal upheaval. "Balogun for thirty years. Oluana, of Matanzas, Cuba, for about forty years. Omoana for almost forty-five years. OluIyesa [he knows the secrets of the Iyesa drums]." A practitioner of sacred drumming for almost his entire life, Felipe practiced his trade in Cuba both before and after the Revolution and brought it with him to New York, where he continues to play for the gods.

This book focuses on three periods of Felipe's life, each marked by changes in his personal life and by important historical events. The first period covers his formative years during which he received his initial training. Through Felipe's story, we explore the legacy of slavery in Cuba, the nature of Afro-Cuban religions and their musical traditions, and the history of bata drums. The second period covers the critical years of the Cuban Revolution. Here we see the effect of social turmoil both n music and religious practice (santero, palero, and abakua). The third period covers Felipe's life in New York as a refugee/immigrant, and the role of music in rebuilding his identity. Felipe's story illuminates his cultural practices and beliefs as well as the ways in which an individual musician selects and  modifies the elements of his cultural heritage to create a voice that is personal and unique. Felipe not only lives through history but also makes history, shaping an identity that cannot be described as "Cuban immigrant," "Afro-Cuban," "religious drummer," or "santeria initiate," but is composed of all of them.

Through Felipe's experiences, Maria Teresa Velez reveals the interaction between social, political, economic, and cultural forces and an individual's own actions. The professionalization of musicians in Cuba following the Revolution and the plight of Afro-Cuban immigrants in New York are seen as large historical and social problems to which Felipe must personally respond. A noted ethnomusicologist, Velez provides the most insightful and comprehensive English-language study of an individual Cuban religious drummer available.

Drumming for the Gods is a must-read for those interested in ethnomusicology, Caribbean studies, and Afro-Cuban religions and culture.
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cover of Dumb Luck: A Novel by Vu Trong Phung

Dumb Luck

A Novel by Vu Trong Phung

Peter Zinoman, Editor

University of Michigan Press, 2002

Banned in Vietnam until 1986, Dumb Luck--by the controversial and influential Vietnamese writer Vu Trong Phung--is a bitter satire of the rage for modernization in Vietnam during the late colonial era. First published in Hanoi during 1936, it follows the absurd and unexpected rise within colonial society of a street-smart vagabond named Red-haired Xuan. As it charts Xuan's fantastic social ascent, the novel provides a panoramic view of late colonial urban social order, from the filthy sidewalks of Hanoi's old commercial quarter to the gaudy mansions of the emergent Francophile northern upper classes. The transformation of traditional Vietnamese class and gender relations triggered by the growth of colonial capitalism represents a major theme of the novel.
Dumb Luck is the first translation of a major work by Vu Trong Phung, arguably the greatest Vietnamese writer of the twentieth century. The novel's clever plot, richly drawn characters and humorous tone and its preoccupation with sex, fashion and capitalism will appeal to a wide audience. It will appeal to students and scholars of Vietnam, comparative literature, colonial and postcolonial studies, and Southeast Asian civilization.
Vu Trong Phung died in Hanoi, in 1939 at the age of twenty-seven. He is the author of at least eight novels, seven plays, and several other works of fiction in addition to Dumb Luck.
Peter Zinoman is Associate Professor of Southeast Asian History, University of California, Berkeley. Nguyen Nguyet Cam is Vietnamese Language Instructor, University of California, Berkeley.
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cover of Dust Devils: A Novella

Dust Devils

A Novella

Robert Laxalt

University of Nevada Press, 1997

An action-packed story set during the violent and conflict-ridden days of the early 20th century, Dust Devils takes place in the rugged mountains and deserts of Eastern California and Northern Nevada. Ira Hamilton, the teenage son of rugged Indian-hating rancher John D. Hamilton, wins the bronc-riding competition at a local rodeo and comes away with a special prize: a beautiful Arabian colt. But the horse is soon stolen by Hawkeye, a notorious local rustler. Accompanied by Cricket, a young Paiute who has been his closest companion since infancy, Ira vows to retrieve his prize. On the way, Ira must find the courage to overcome the challenges of nature and outlaw, and to love the woman of his choice. This vivid tale will thrill readers with its authentic depiction of Nevada's lonely back country, its hardy ranchers, and its native peoples. Ira Hamilton's adventure shows us the last days of the Old West, when cowboys, sheepmen, and Indians still struggled to survive and overcome their long-standing animosities, and violent men rode boldly and unhindered across the harsh landscape.
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cover of Dyeing with the Earth: Textiles, Tradition, and Sustainability in Contemporary Japan

Dyeing with the Earth

Textiles, Tradition, and Sustainability in Contemporary Japan

Charlotte Linton

Duke University Press, 2025

In Dyeing with the Earth, Charlotte Linton explores the intersection of small-scale traditional craft production with contemporary sustainability practices. Focusing on natural textile dyeing on the southern Japanese island of Amami Ōshima, Linton details the complex relationship between preservation practices, resource extraction, and land access in the production of Oshima tsumugi kimono cloth, which uses the indigenous technique of dorozome (or mud-dyeing). As global interest in sustainable fashion grows, textile manufacturers on Amami have expanded from kimono production to dyeing garments and textiles for high-profile designers. While traditional craft may appear at odds with the large-scale global textile industry, Linton reveals how Amamian and global producers face similar social, economic, and environmental pressures. Ethical production in fashion, Linton contends, should focus on understanding local everyday practices that sustain direct relationships between people, place, and environment rather than rely on short-term solutions via new processes or materials. Weaving together ethnography, photography, and illustration, Linton underscores the continued relevance of traditional craft and material cultures amid ongoing climate change and biodiversity loss.
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cover of Dying to Count: Post-Abortion Care and Global Reproductive Health Politics in Senegal

Dying to Count

Post-Abortion Care and Global Reproductive Health Politics in Senegal

Siri Suh

Rutgers University Press, 2021

During the early 1990s, global health experts developed a new model of emergency obstetric care: post-abortion care or PAC. In developing countries with restrictive abortion laws and where NGOs relied on US family planning aid, PAC offered an apolitical approach to addressing the consequences of unsafe abortion. In Dying to Count, Siri Suh traces how national and global population politics collide in Senegal as health workers, health officials, and NGO workers strive to demonstrate PAC’s effectiveness in the absence of rigorous statistical evidence that the intervention reduces maternal mortality. Suh argues that pragmatically assembled PAC data convey commitments to maternal mortality reduction goals while obscuring the frequency of unsafe abortion and the inadequate care women with complications are likely to receive if they manage to reach a hospital. At a moment when African women face the highest risk worldwide of death from complications related to pregnancy, birth, or abortion, Suh’s ethnography of PAC in Senegal makes a critical contribution to studies of global health, population and development, African studies, and reproductive justice.
 
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cover of dear elia: Letters from the Asian American Abyss

dear elia

Letters from the Asian American Abyss

Mimi Khúc

Duke University Press, 2024

In dear elia Mimi Khúc revolutionizes how we understand mental health. Khúc traces the contemporary Asian American mental health crisis from the university into the maw of the COVID-19 pandemic, reenvisioning mental health through a pedagogy of unwellness—the recognition that we are all differentially unwell. In an intimate series of letters, she bears witness to Asian American unwellness up close and invites readers to recognize in it the shapes and sources of their own unwellness. Khúc draws linkages between student experience, the Asian immigrant family, the adjunctification of the university, and teaching methods pre- and post-COVID-19 to illuminate hidden roots of our collective unwellness: shared investments in compulsory wellness and meritocracy. She reveals the university as a central node and engine of unwellness and argues that we can no longer do Asian American studies without Asian American mental health—and vice versa. Interspersed throughout the book are reflective activities, including original tarot cards, that enact the very pedagogy Khúc advances, offering readers alternative ways of being that divest from structures of unwellness and open new possibilities for collective care.
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