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A major reformer and intellectual, Alexander Crummell (1819–1898) was the first black American to graduate from Cambridge University. From 1858 to 1872, he lived in Liberia, where he worked as a farmer, educator, and Episcopal missionary. Returning to America, he established St. Luke’s Episcopal Church in Washington D.C., serving as its pastor until 1894. In 1897 he founded the American Negro Academy, which he intended as a challenge to the accommodationist philosophy of Booker T. Washington. 

A prolific writer, Crummell produced pioneering works on black nationalism, black self-determination, and Pan Africanism that influenced W.E.B. Du Bois and other African-American leaders of the time. His surviving papers include over four hundred sermons and political essays and a voluminous correspondence. 

Yet despite his importance to American and African-American history, Crummell is little known today, and there have been virtually no modern printings of his writing. This volume is intended to restore Crummell’s voice and to prompt a reevaluation of his work. 

The richness of Detroit’s music history has by now been well established. We know all about Motown, the MC5, and Iggy and the Stooges. We also know about the important part the Motor City has played in the history of jazz. But there are stories about the music of Detroit that remain untold. One of the lesser known but nonetheless fascinating histories is contained within Detroit’s country music roots. At last, Craig Maki and Keith Cady bring to light Detroit’s most important country and western and bluegrass stars, such as Chief Redbird, the York Brothers, and Roy Hall. Beyond the individuals, Maki and Cady also map out the labels, radio programs, and performance venues that sustained Detroit’s vibrant country and bluegrass music scene. In the process, Detroit Country Music examines how and why the city’s growth in the early twentieth century, particularly the southern migration tied to the auto industry, led to this vibrant roots music scene.

This is the first book—the first resource of any kind—to tell the story of Detroit’s contributions to country music. Craig Maki and Keith Cady have spent two decades collecting music and images, and visiting veteran musicians to amass more than seventy interviews about country music in Detroit. Just as astounding as the book’s revelations are the photographs, most of which have never been published before. Detroit Country Musicwill be essential reading for music historians, record collectors, roots music fans, and Detroit music aficionados.

WINNER OF THE UNIVERSITY OF MARY WASHINGTON CENTER FOR HISTORIC PRESERVATION BOOK PRIZE,  THE JAMES DEETZ BOOK AWARD, AND THE JOAN GERO BOOK AWARD

An interdisciplinary study of urban archaeology, community heritage, and social justice in modern Detroit.

The city of Detroit has endured periods of unprecedented industrial growth, decline, and revitalization between the late nineteenth century and the present. In Detroit Remains: Archaeology and Community Histories of Six Legendary Places, Krysta Ryzewski presents six archaeological case studies of legendary Detroit institutions—Little Harry speakeasy, the Ransom Gillis house, the Blue Bird Inn, Gordon Park, the Grande Ballroom, and the Halleck Street log cabin—that trace the contours of the city’s underrepresented communities and their relationship to local currents of capitalism and social justice. Through a combination of rigorous historical archaeological research and narrative storytelling, Ryzewski deftly contextualizes the cases within the city’s current struggles, including recovery from bankruptcy, and future-oriented recovery efforts.

This is the first historical archaeology book focused on Detroit and one of the few to foreground the archaeology of the Great Migration era (ca. 1915–1970). The archaeological scholarship is rooted in collaborative, community-involved, and public-facing initiatives. The case studies examine how power is and has been exercised in Detroit’s communities over the past century: how it was stripped from the city’s twentieth- and twenty-first-century residents, but also how they acquired alternative sources of agency by establishing creative and illicit economies, most of which still operated within the city’s capitalist framework.

Throughout this book, connections run deep between archaeology, heritage, politics, historic preservation, and storytelling. Detroit Remains demonstrates how the city’s past, present, and future lie not in ruins but in the tangible archaeological traces of the everyday lives of Detroiters and their legacies.
 

Amid the city’s ruins, the director of the Pompeii Archaeological Park seeks signs of profound religious and cultural transformation to come. 

Recent excavations in Pompeii have unearthed stunning discoveries and a new understanding of how people really lived, revealing a city simmering with tension in an age of great upheaval. From the author of The Buried City comes a riveting account of religious and ritual engagement in and around Pompeii at the time of its destruction in 79 CE, a moment when Christianity was just beginning to gain footing in the Roman world.

Drawing on ancient artifacts and the latest findings from Pompeii, Gabriel Zuchtriegel, director of the Pompeii Archaeological Park, considers how such a momentous transformation might have come to pass. Each chapter takes a different deity as its starting point, exploring the place of the ancient gods in the life of the city and its people. Inviting readers behind the scenes to experience discoveries through the eyes of the excavation team, Zuchtriegel shares insights about Pompeii’s red-light district, where archaeologists have found graffiti that may refer to Christians; excavations in several of the city’s sanctuaries and in nearby Longola, a Bronze and Early Iron Age precursor of Pompeii; a top-secret dig in the House of the Thiasus that has yielded wall paintings as provocative as those of the famous Villa of the Mysteries; and much more. With intimate detail, this book brings to life a raw and often brutal society, capturing beauty and humanity in places both expected and surprising.

Early in the eighth century, the current of the Muslim movement that inundated northern Spain crept over the Pyrenees to spread across a portion of the French Midi. From the north the tide of Carolingian conquest forced the Muslims back and took in these same southern French and northern Spanish provinces. During the same era the Vikings raided intermittently and with varying degrees of intensity along the seacoasts and up the inland waterways, sometimes controlling considerable areas for extended periods.

These raids and conquests inevitably affected the way of life of the people of southern France and Catalonia. Contemporary travelers and later scholars have noted that the feudal traditions and obligations that were so strong in the north seemed very weak or nonexistent in the south. They found that the land seemed to be held largely as allods, not as feudal fiefs; they saw that women held positions of surprising power, that throughout the area there was great emphasis on money, and that the traditions of Roman and Visigothic law still survived.

Although scholars have noted these differences, no one has made a comprehensive study of southern French and Catalan society as a whole. It is to fill this void that Archibald Lewis provides this volume. In a detailed and scholarly study, based largely upon original records and chronicles, he examines the familial, social, economic, governmental, military, and religious life of the area from 718 to 1050 A.D.

Lewis gives as comprehensive a picture as the records will permit of the society that existed in the early eighth century, describes and discusses the major changes which took place during the next three centuries, and analyzes their causes and effects. This study, which includes careful and detailed notes and an extensive bibliography, provides a reliable and long-needed reference tool.

A groundbreaking examination of the entanglement between psychiatry, art, and art history.

Looking beyond the white walls of art galleries and museums, Kaira M. Cabañas explores art history through the psychiatric wards of the twentieth century, offering a reevaluation of the relationship between madness, making, and the art world and considering the deeply intertwined fields of psychiatry and art. 

Putting aside romanticized myths about “outsider art,” Cabañas argues for a radical revisioning that centers artists in psychiatric settings not as deviants and curiosities but rather as skilled, sophisticated innovators and active participants in shared culture. Beginning with the story of legendary art historian Aby Warburg, whose own psychiatric internment and subsequent recovery serve as a point of departure, the narrative then covers the globe, following visionary reformers such as Nise da Silveira in Brazil and Franco and Franca Basaglia in Italy. The book tracks how psychiatrists collaborated with professional artists and patients to turn clinical spaces into laboratories of liberation. By documenting how patient-artists moved from being subjects of clinical study to recognized cultural producers, Deviant Art Histories demonstrates how art was a primary vehicle for reclaiming their agency. Featuring a diverse cast of figures—including Lygia Clark, Ornette Coleman, and Antonin Artaud—the book offers a powerful testament to art’s ability to break the clinical frame and transform the definition of what it means to be a creative citizen in the modern world. 

The first book-length study of one of the Civil War's most outlandish and mysterious characters

Devil's Game traces the amazing career of Charles A. Dunham, Civil War spy, forger, journalist, and master of dirty tricks. Writing for a variety of New York papers under alternate names, Dunham routinely faked stories, created new identities, and later boldly cast himself to play those roles. He achieved his greatest infamy when he was called to testify in Washington concerning Abraham Lincoln's assassination. Many parts of Dunham's career remain shadowy, but Cumming offers the first detailed tour of Dunham's convoluted, high-stakes, international deceits, including his effort to sell Lincoln on plans for a raid to capture Jefferson Davis. 

Exhaustively researched and unprecedented in depth, this carefully crafted assessment of Dunham's motives, personality, and the complex effects of his schemes changes assumptions about covert operations during the Civil War.

that Dewey's metaphysical empiricism remained more indebted to Kant and Hegel than is commonly supposed;
that Dewey owed more to the influence of Wundt than is commonly believed;
that the influence of Peirce and James was not as significant for the development of Dewey's theories of mind and truth as has been argued in the past;
and that Dewey's pragmatic theory of knowledge never really abandoned idealism.

Shook's exposition of the unity of Dewey's thought challenges a large scholarly industry devoted to suppressing or explaining away the consistency between Dewey's early thought and his later work. In every respect, Dewey's Empirical Theory of Knowledge and Reality is a provocative and engaging study that will occupy a unique niche in this field. It is certain to stimulate discussion and controversy, forcing Dewey traditionalists out of habitual modes of thought and transforming our conventional understanding of the development of classical American philosophy.