308 books match the query 'Memory' and 7 start with e

cover of East-West Divan: In Memory of Werner Mark Linz

East-West Divan

In Memory of Werner Mark Linz

Edited by Aran Byrne

Gingko, 2014

This collection of scholarly essays on Egyptian culture, history, society, archeology, literature, art, and conservation is published in memory of Werner Mark Linz, who spent much of the latter part of his professional life as the Director of the American University in Cairo Press. East-West Divan is the first volume of the Gingko Library, a publishing project that embraces scholarship from both East and West, conceived by Werner Mark Linz to foster greater cross-cultural understanding. Among the contributors to this collection are the Egyptian novelist Alaa Al Aswany, author of The Yacoubian Building; Egyptian archaeologist Zahi Hawass; the renowned Swiss theologian, Hans Küng; the author of the acclaimed A Fort of Nine Towers, Qais Akbar Omar; and Prince El Hassan bin Talal of Jordan.
[more]
cover of Eduardo Halfon and the Itinerary of Memory

Eduardo Halfon and the Itinerary of Memory

Marilyn G. Miller

Vanderbilt University Press, 2024

Arguably, all of Guatemalan writer Eduardo Halfon’s fictional works deal with quandaries of translation, even in their original versions. The award-winning author of fifteen books claims to have lost his mother tongue when his family fled to the United States after his tenth birthday. This displacement, echoing the displacement of his four grandparents from different corners of the Jewish diaspora to Guatemala, gives Halfon, like his ancestors before him, good reason to consider translation a natural environment for his creative work and for life itself. Indeed, Halfon’s uncanny ability to translate his family’s history into “fictions” that resonate across the globe with readers in Spanish, English, and several other languages helps explain why he has received numerous prizes in the United States, Spain, Guatemala, and even France, some as a Latin American author, others as a Latino or Jewish author.

Marilyn G. Miller has written the first study to focus exclusively on this important voice in Jewish–Latin American letters. Only after returning to Guatemala and regaining his command of Spanish through reading literature did Halfon begin to build his life as a writer and translator. Nonetheless, the author admits that “one thing is stubbornly true, and it’s this: every sentence that I write, every verb or adjective that I painstakingly insert or remove, every literary thought that I have while writing, always . . . begins and ends in English.” Halfon’s translated works are never parallel texts, however. Thus, translation and its side effects (foreign words, linguistic lacunae, multilingual modes of perception) offer us crucial keys to understanding the author’s fictional world as a vehicle for retelling and surviving Jewish trauma and finding his own particular plurilingual voice.
[more]
cover of Endings: Questions of Memory in Hegel and Heidegger

Endings

Questions of Memory in Hegel and Heidegger

Edited by Rebecca Comay and John McCumber

Northwestern University Press, 1999

In this collection of essays, leading scholars provide a variety of models from which to view the unique relationship between the bodies of thought of Heidegger and Hegel, revealing how these philosophers offer ways of thinking historically that understand such thinking not merely as extensions and elaborations of a given paradigm but as actively engaged in the critical and transformative revisioning of the world.

Beginning at the point where Heidegger encountered Hegel, this volume of provocative essays addresses the respective philosophies of the two men. Leading scholars provide a variety of models from which to view the unique relationship between the bodies of thought of Heidegger and Hegel: bodies of thought that cannot be taken as two objects to be compared, contrasted, and finally evaluated but that must be viewed in dynamic terms, as a relationship in which self-transformations lead to mutual transformations and vice versa.
[more]
cover of Enduring Legacy: Rhetoric and Ritual of the Lost Cause

Enduring Legacy

Rhetoric and Ritual of the Lost Cause

W. Stuart. Towns

University of Alabama Press, 2013

Explores the crucial role of rhetoric and oratory in creating and propagating a “Lost Cause” public memory of the American South

Enduring Legacy explores the vital place of ceremonial oratory in the oral tradition in the South and analyses how rituals such as Confederate Memorial Day, Confederate veteran reunions, and dedication of Confederate monuments have contributed to creating and sustaining a Lost Cause paradigm for Southern identity. Towns studies in detail secessionist and Civil War speeches and how they laid the groundwork for future generations, including Southern responses to the civil rights movement, and beyond.

The Lost Cause orators that came after the Civil War, Towns argues, helped to shape a lasting mythology of the brave Confederate martyr, and the Southern positions for why the Confederacy lost and who was to blame. Innumerable words were spent—in commemorative speeches, newspaper editorials, and statehouse oratory—condemning the evils of Reconstruction, redemption, reconciliation, and the new and future South. Towns concludes with an analysis of how Lost Cause myths still influence Southern and national perceptions of the region today, as evidenced in debates over the continued deployment of the Confederate flag and the popularity of Civil War reenactments.
 

[more]
cover of Everything I Kept: Todo Lo Que Guardé

Everything I Kept

Todo Lo Que Guardé

Ruth Behar

Swan Isle Press, 2018

Moving between the speech and silence of a woman struggling to speak freely, Ruth Behar embarks on a poetic voyage into her own vulnerability and the sacrifices of her exiled ancestors as she tries to understand love, loss, regret, and the things we keep and carry with us. Behar’s vivid renderings of wilted gardens, crashing waves, and firefly-lit nights recall the imagery of her inspiration, Dulce María Loynaz, who is often known as the Cuban Emily Dickinson. Presented in a beautiful bilingual English-Spanish edition—Behar serves as her own translator—Everything I Kept/Todo lo que guardé will haunt readers with the cries and whispers which illuminate the human spirit and the spectrum of emotions that make for a life and lives well-remembered.  
[more]
cover of Excavating the Memory Palace: Arts of Visualization from the Agora to the Computer

Excavating the Memory Palace

Arts of Visualization from the Agora to the Computer

Seth Long

University of Chicago Press, 2020

With the prevalence of smartphones, massive data storage, and search engines, we might think of today as the height of the information age. In reality, every era has faced its own challenges of storing, organizing, and accessing information. While they lacked digital devices, our ancestors, when faced with information overload, utilized some of the same techniques that underlie our modern interfaces: they visualized and spatialized data, tying it to the emotional and sensory spaces of memory, thereby turning their minds into a visual interface for accessing information.

In Excavating the Memory Palace, Seth David Long mines the history of Europe’s arts of memory to find the origins of today’s data visualizations, unearthing how ancient constructions of cognitive pathways paved the way for modern technological interfaces. Looking to techniques like the memory palace, he finds the ways that information has been tied to sensory and visual experience, turning raw data into lucid knowledge. From the icons of smart phone screens to massive network graphs, Long shows us the ancestry of the cyberscape and unveils the history of memory as a creative act.
 
[more]
cover of Expressing New Mexico: Nuevomexicano Creativity, Ritual, and Memory

Expressing New Mexico

Nuevomexicano Creativity, Ritual, and Memory

Edited by Phillip B. Gonzales

University of Arizona Press, 2007

The culture of the Nuevomexicanos, forged by Spanish-speaking residents of New Mexico over the course of many centuries, is known for its richness and diversity. Expressing New Mexico contributes to a present-day renaissance of research on Nuevomexicano culture by assembling eleven original and noteworthy essays. They are grouped under two broad headings: “expressing culture” and “expressing place.” Expressing culture derives from the notion of “expressive culture,” referring to “fine art” productions, such as music, painting, sculpture, drawing, dance, drama, and film, but it is expanded here to include folklore, religious ritual, community commemoration, ethnopolitical identity, and the pragmatics of ritualized response to the difficult problems of everyday life.

Intertwined with the concept of expressive culture is that of “place” in relation to New Mexico itself. Place is addressed directly by four of the authors in this anthology and is present in some way and in varying degrees among the rest. Place figures prominently in Nuevomexicano “character,” contributors argue. They assert that Nuevomexicanos and Nuevomexicanas construct and develop a sense of self that is shaped by the geography and culture of the state as well as by their heritage.

Many of the articles deal with recent events or with recent reverberations of important historical events, which imbues the collection with a sense of immediacy. Rituals, traditions, community commemorations, self-concepts, and historical revisionism all play key roles. Contributors include both prominent and emerging scholars united by their interest in, and fascination with, the distinctiveness of Nuevomexicano culture.
[more]