Edited by P. Jane Hafen and Brenden W. Rensink
University of Utah Press, 2019
Arnaldo Momigliano
University of Chicago Press, 1994
Edited by James B. Griffin
University of Michigan Press, 1951
Edited by Robert J. Connors, Lisa S. Ede, and Andrea A. Lunsford
Southern Illinois University Press, 1984
Eighteen essays by leading scholars in English, speech communication, education, and philosophy explore the vitality of the classical rhetorical tradition and its influence on both contemporary discourse studies and the teaching of writing.
Some of the essays investigate theoretical and historical issues. Others show the bearing of classical rhetoric on contemporary problems in composition, thus blending theory and practice. Common to the varied approaches and viewpoints expressed in this volume is one central theme: the 20th-century revival of rhetoric entails a recovery of the classical tradition, with its marriage of a rich and fully articulated theory with an equally efficacious practice. A preface demonstrates the contribution of Edward P. J.Corbett to the 20th-century revival, and a last chapter includes a bibliography of his works.
R. H. Coase
University of Chicago Press, 1994
R. H. Coase
University of Chicago Press, 1994
Guenter Lewy
University of Utah Press, 2012
The essays in this book, written over a span of some twenty years but updated for this publication, discuss episodes of mass murder that are often considered instances of genocide: the large-scale killing of Armenians in Ottoman Turkey during World War I, the near-extinction of North America’s Indian population, the vicious persecution of the “Roma” or Gypsies under the Nazi regime. But in line with Article II of the Genocide Convention of 1948, Lewy stresses the crucial importance of looking closely at the intent of the perpetrators. In contrast to the Holocaust, the killers in the atrocities mentioned above did not seek to destroy an entire people, and so, these three large-scale killings do not deserve the label of genocide.
Lewy argues that affirming the distinctiveness of the Holocaust does not deny, downgrade, or trivialize the suffering of other people. The crimes against the Ottoman Armenians, the American Indians, and the Gypsies—even if they did not reach the threshold of genocide—involved horrendous suffering and a massive loss of life. The genocides of Cambodia and Rwanda that took place in the second half of the twentieth century remind us that man’s inhumanity to man can take many forms and is not the special prerogative of any particular group. The last essay of the collection deals with the complications of humanitarian intervention to prevent genocide. As the recent support of the Libyan rebels by NATO demonstrates, the issues raised here remain topical and controversial.
Susanne Fusso and Priscilla Meyer
Northwestern University Press, 1994
Louis Dumont
University of Chicago Press, 1986

Edited by Howard Lloyd Williams
University of Chicago Press, 1992

Susanne Fusso and Alexander Lehrman
Northwestern University Press, 2001
F. A. Hayek
University of Chicago Press, 2022
Naguib Mahfouz
Gingko, 2025
Edited by Philip Schofield
University College London, 2025
Edited by Klaus P. Wachsmann
Northwestern University Press, 1971
H. Arnold Barton
Southern Illinois University Press, 2008
Essays on Scandinavian History examines important aspects of the history of Sweden and its Nordic neighbors between the later eighteenth and the beginning of the twenty-first century. Historian H. Arnold Barton has selected thirteen of the numerous essays he has published over the past forty years on the history of Scandinavia.
This is a companion volume to Barton's The Old Country and the New, an essay collection on Swedish emigration and the Swedes in America. Included here are studies of the special significance of the eighteenth century in Sweden's history and culture, the relationship of King Gustaf III to the eighteenth-century Enlightenment, the impact of the American Revolution in Sweden, and Gustaf III's ambitions in the East Baltic region. Also detailed are the king's early reaction to the French Revolution and his efforts to organize a European coalition to crush it, a reassessment of the reign and internal reforms of Gustaf IV Adolf, and the Swedish succession crises of 1809 and 1810.
In addition, Barton examines the increasing tension between the Pan-Scandinavian movement and the rising Finnish national movement. He deals with the historians of the Danish Agrarian Reforms of 1784-1814, parallel developments in Finland and Norway between 1808 and 1917, the discovery of Norway abroad, Swedish national romanticism, and Sweden's transition from a warfare state to a welfare state, now exemplifying the rational and humane ideals of the twentieth century.
Essays on Scandinavian History highlights important topics in the history of the Scandinavian region, which has remained all too little known outside the Nordic lands themselves, while also offering broader perspectives on Europe since the mid-eighteenth century. Twelve keyed-to-text illustrations, a bibliography of Barton's publications on Scandinavian history, essay endnotes, and an index augment this work.
John Stuart Mill and Harriet Taylor Mill
University of Chicago Press, 1970
José Pinto De Azeredo
Tagus Press, 2016
Edited by Michael Adas for the American Historical Association
Temple University Press, 2010
In the sub-field of world history, there has been a surprising paucity of thinking and writing about how to approach and conceptualize the long twentieth century from the 1870s through the early 2000s. The historiographic essays collected in Essays on Twentieth Century History will go a long way to filling that lacuna.
Each contribution covers a key theme and one or more critical sub-fields in twentieth century global history. Chapters address migration patterns, the impact of world wars, transformations in gender and urbanization, as well as environmental transitions. All are written by leading historians in each of the sub-fields represented, and each is intended to provide an introduction to the literature, key themes, and debates that have proliferated around the more recent historical experience of humanity.
EMORY L. KEMP
West Virginia University Press, 2014
Emory Kemp is the founder and director of the Institute for the History of Technology and Industrial Archaeology at West Virginia University, where he also served as a chair and professor of civil engineering and a professor of history. This collection of essays encompasses over fifty years of his research in the field of the history of technology.
Within these twelve essays, Kemp describes and analyzes nineteenth century improvements in building materials such as iron, steel, and cement; roads and bridges, especially the evolution of the suspension bridge; canals and navigable rivers, including the Ohio River and its tributaries; and water supply systems. As one of the few practicing American engineers who also researches and writes as an academic, Kemp adds an important historical context to his work by focusing not only on the construction of a structure but also on the analytical science that heralds a structure’s design and development.
Yamaji Aizan; Translated by Graham Squires, with Introductory Essays by Graham Squires and A. Hamish Ion
University of Michigan Press, 2000
Lloyd Lee Wilson
QuakerPress, 1993
Giovanni Aloi
University of Minnesota Press, 2023
Interdisciplinary essays on Manuela Infante’s award-winning play explore the relationship between critical plant studies and performance art in the Anthropocene
Since its first staging in 2016, Estado Vegetal, Manuela Infante’s riveting piece of experimental performance art, has expanded philosophical thinking into a fully-fledged artistic inquiry of nonanthropocentric being. Through Infante’s polyvocal monologue, acted with impetus by Marcela Salinas, plants are charged with an agency capable of uprooting culturally grounded conceptions of the world in the face of incommensurable trauma and loss.
This first book dedicated to Infante’s plant-focused performance features eight essays by scholars, poets, and artists whose practices draw from research fields as disparate as new materialism, anthropogenic feminism, queer studies, and speculative realism. Including an interview with Infante, the full playscript, and stills from the performance, Estado Vegetal: Performance and Plant-Thinking reveals the roles that plants in art can play in productively reconfiguring human–nonhuman relations within current anthropogenic perspectives.
Infante’s performance is a perfect case study and reference point for anyone interested in exploring the complexities of plant-thinking through alternative and experimental avenues. Furthermore, this book is at once a critical plant studies primer and an artistic problematization of the philosophical questions that have been central to the latest multidisciplinary discussions on plant-being.
Contributors: Maaike Bleeker, Utrecht U; Lucy Cotter, Portland State U; Prudence Gibson, UNSW Sydney; Michael Marder, U of the Basque Country; Dawn Sanders, U of Gothenburg; Catriona Sandilands, York U; Sibila Sotomayor Van Rysseghem, colectivo LASTESIS; Mandy-Suzanne Wong.
Edited by John Deigh
University of Chicago Press, 1992
Ivo Strecker
Michigan State University Press, 2011
Andrew D. Scrimgeour
SBL Press, 2018
Enter the world of an academic trailblazer
Robert W. Funk, professor of New Testament, former Executive Secretary of the Society of Biblical Literature, and founder of Scholars Press and the Jesus Seminar, was one of the most gifted, controversial figures in modern biblical scholarship. The volume includes nineteen of his essays, correspondences, interviews, and administrative papers pertaining to the Society of Biblical Literature and Scholars Press. Colleagues introduce each section with reflections on the life and contributions of Funk.
Features:
Bruce Jay Friedman
University of Chicago Press, 2000
Hector Berlioz
University of Chicago Press, 1999
Sallis, James
University of Iowa Press, 2026
Ever New Earths gathers twenty-five years of book columns written by legendary writer James Sallis and published in The Magazine of Fantasy & Science Fiction to offer an exceptional overview of developments in contemporary science fiction, fully appreciating the genre’s traditions while recognizing its reach, its potential. This is a rare view of the genre from the inside, written toward outsiders with reason to learn and understand more: critics, historians, writers, editors.
Jerry Apps
Wisconsin Historical Society Press, 2018
Neil Steinberg
University of Chicago Press, 2022
Joanne Jacobson
University of Utah Press, 2020
Camisha L. Jones, Michael Northen, Naomi Ortiz, and Travis Chi Wing Lau
Northwestern University Press, 2026
An anthology of poems and essays by and celebrating Disabled writers
Declaring that Disabled people exist, innovate, thrive, and persevere, Every Place on the Map Is Disabled imagines the world we deserve. Its contributors spotlight the wisdom Disabled people embody from living within and navigating the economic and medical systems, communities, and families that often oppress their existence. This anthology is an intersectional compass pointing to the creative ways Disabled people build bridges to each other through Disability poetics and perspectives.
The contributing poets write about love, resistance, loss, pain, beauty, and culture. They capture tender and life-affirming moments where one Disabled person recognizes themself in another. The essays illustrate how Disability poetics suggest avenues for embracing the full spectrum of disability experiences. Every Place on the Map Is Disabled offers students, scholars, members of disability communities, and any reader a direction for paving a wider path toward a collective survival.
Howard Jay Graham
Wisconsin Historical Society Press, 1968
Christine Hume
The Ohio State University Press, 2023
Dana Nichols, editor
Michigan Publishing Services, 2017
Every day, students at the University of Michigan work hard to develop their skills as writers. Every winter, we have a chance to sample the fruits of this labor as we select winners for the first-year writing prize. The English Department Writing Program and the Sweetland Center for Writing established a first-year writing prize in 2010. With generous support from the Sweetland Center for Writing, Andrew Feinberg and Stacia Smith (both of whom earned English degrees from the University of Michigan), and the Granader Family, we have developed a tradition of honoring students who produce writing of exceptional quality.
In this collection, we share the writing of prize-winning students so that other writers may learn from, and feel inspired by, their examples. The featured essays illustrate how writers formulate compelling questions, engage in dialogue with other thinkers, incorporate persuasive and illuminating evidence, express powerful and poetic insights, and participate in meaningful conversations.
We are equally grateful to the many students who submitted essays for these writing prizes and the many instructors who encouraged and supported them. As writing teachers, we relish the opportunity to learn from the challenging questions, intellectual energy, creativity, and dedication that our students and their teachers bring to our classrooms. We hope that you will gain as much pleasure as we have from reading the writing contained in this volume.

Edited by Dana Nichols
Michigan Publishing Services, 2018
Every day, students at the University of Michigan work hard to develop their skills as writers. Every winter, we have a chance to sample the fruits of this labor as we select winners for the first-year writing prize. The English Department Writing Program and the Sweetland Center for Writing established a first-year writing prize in 2010. With generous support from the Sweetland Center for Writing, Andrew Feinberg and Stacia Smith (both of whom earned English degrees from the University of Michigan), and the Granader Family, we have developed a tradition of honoring students who produce writing of exceptional quality.
In this collection, we share the writing of prize-winning students so that other writers may learn from, and feel inspired by, their examples. The featured essays illustrate how writers formulate compelling questions, engage in dialogue with other thinkers, incorporate persuasive and illuminating evidence, express powerful and poetic insights, and participate in meaningful conversations.
We are equally grateful to the many students who submitted essays for these writing prizes and the many instructors who encouraged and supported them. As writing teachers, we relish the opportunity to learn from the challenging questions, intellectual energy, creativity, and dedication that our students and their teachers bring to our classrooms. We hope that you will gain as much pleasure as we have from reading the writing contained in this volume.
Dana Nichols
Michigan Publishing Services, 2019
Dana Nichols, editor
Michigan Publishing Services, 2017
Ask any professional, business person, or employer about one of the most important qualifications for college-educated workers, and the answer will be nearly universal: the ability to write well. The Upper-Level Writing Requirement (ULWR) was established to enable undergraduates in the College of Literature, Science, and the Arts to develop their capacities as writers. Originally designed in 1978 to help students “understand and communicate effectively the central concepts, approaches, and materials of their discipline,” the ULWR supports a slightly different goal in today’s more interdisciplinary context. A significant percentage of students now have more than one major or fulfill the ULWR outside of their majors. Likewise, many faculty members are increasingly concerned with preparing students to write for various professional and public audiences as well as for discipline-based ones. However, whether students fulfill the ULWR within or outside of their majors or write for audiences within or outside of the academy, they are held to the same standards of effective writing.
This collection demonstrates the continuing value of the ULWR. Courses like the ones in which students produced these essays create contexts where students meet the expectations of the ULWR and can push beyond them to an even more impressive level of accomplishment. While the specifics of what counts as evidence and how one makes a convincing argument vary across the essays included here, each one embodies qualities that mark effective writing. The authors deal with a wide variety of topics, but in every case they combine deep understanding of a specific area with excellent prose. They take risks and adhere to conventions; they synthesize complex ideas and provide rich detail; they exert intellectual independence and respect disciplinary conventions, from creative nonfiction in the humanities to empirical research in the sciences.
We have been honoring students for outstanding writing in ULWR courses since 2010, but since 2014, thanks to a generous gift from the Granader Family, the prizes are more substantial. We are grateful to the Granaders for choosing to recognize student writing in this way. This collection is another form of recognition for the award-winning students. By publishing this student writing both online and in hard copy we make it available as a model and as a source of inspiration for others.
Talented and committed as they are, these students represented here did not become award-winners entirely on their own. Each of them benefited from well-designed assignments, careful reading, and suggestions for revision from the instructors who nominated them. The instructors’ introductions for each selection provide a window into student learning as well as into the specific dimensions of each student’s achievements.

Edited by Dana Nichols
Michigan Publishing Services, 2018
Ask any professional, business person, or employer about one of the most important qualifications for college-educated workers, and the answer will be nearly universal: the ability to write well. The Upper-Level Writing Requirement (ULWR) was established to enable undergraduates in the College of Literature, Science, and the Arts to develop their capacities as writers. Originally designed in 1978 to help students "understand and communicate effectively the central concepts, approaches, and materials of their discipline," the ULWR supports a slightly different goal in today's more interdisciplinary context. A significant percentage of students now have more than one major or fulfill the ULWR outside of their majors. Likewise, many faculty members are increasingly concerned with preparing students to write for various professional and public audiences as well as for discipline-based ones. However, whether students fulfill the ULWR within or outside of their majors or write for audiences within or outside of the academy, they are held to the same standards of effective writing.
This collection demonstrates the continuing value of the ULWR. Courses like the ones in which students produced these essays create contexts where students meet the expectations of the ULWR and can push beyond them to an even more impressive level of accomplishment. While the specifics of what counts as evidence and how one makes a convincing argument vary across the essays included here, each one embodies qualities that mark effective writing. The authors deal with a wide variety of topics, but in every case they combine deep understanding of a specific area with excellent prose. They take risks and adhere to conventions; they synthesize complex ideas and provide rich detail; they exert intellectual independence and respect disciplinary conventions, from creative nonfiction in the humanities to empirical research in the sciences.
We have been honoring students for outstanding writing in ULWR courses since 2010, but since 2014, thanks to a generous gift from the Granader Family, the prizes are more substantial. We are grateful to the Granaders for choosing to recognize student writing in this way. This collection is another form of recognition for the award-winning students. By publishing this student writing both online and in hard copy we make it available as a model and as a source of inspiration for others.
Talented and committed as they are, these students represented here did not become award-winners entirely on their own. Each of them benefited from well-designed assignments, careful reading, and suggestions for revision from the instructors who nominated them. The instructors' introductions for each selection provide a window into student learning as well as into the specific dimensions of each student's achievements.
Dana Nichols
Michigan Publishing Services, 2019
Andrew Robinson
Templeton Press, 2013
Josef Pieper
St. Augustine's Press, 2016
S. Morris Eames. Edited by Elizabeth R. Eames and Richard W. Field
Southern Illinois University Press, 2002
Experience and Value: Essays on John Dewey and Pragmatic Naturalism brings together twelve philosophical essays spanning the career of noted Dewey scholar, S. Morris Eames. The volume includes both critiques and interpretations of important issues in John Dewey’s value theory as well as the application of Eames’s pragmatic naturalism in addressing contemporary problems in social theory, education, and religion.
The collection begins with a discussion of the underlying principles of Dewey’s pragmatic naturalism, including the concepts of nature, experience, and philosophic method. Essays “Experience and Philosophical Method in John Dewey” and “Primary Experience in the Philosophy of John Dewey” develop what Eames believed to be a central theme in Dewey’s thought and provide a theoretical framework for subsequent discussion.
The volume continues with specific applications of this framework in the areas of value theory, moral theory, social philosophy, and the philosophy of religion. Eames’s analysis of value exposes the connection between the immediately felt values of experience and the more sophisticated judgments of value that are the product of reflection. From this basis in moral theory, Eames considers the derivation of judgments of obligation from judgments of fact. This discussion provides a grounding for a consideration of contemporary social issues directed by naturalistic and scientific principles.
In the third section, with regard to educational theory, Eames considers possible resolutions of the current dichotomy between the factual worldview of science and the humanistic worldview of the liberal arts. The comprehensive article, “Dewey’s Views of Truth, Beauty, and Goodness,” connects the essays of the first and second sections and explores the placement of Dewey’s value theory with respect to morals and aesthetics. With “Creativity and Democracy,” in the fourth section, Eames also considers the concept of democracy from the standpoint of current and historical issues faced by society. This article hints at a major project of Eames’s intellectual life—the theory of democracy.
The volume concludes with a discussion of the difficulty of maintaining the values of religious experience in a scientifically and technologically sophisticated world, the very topic that first brought Eames to philosophy—the meaning of religion and the religious life. Suggested solutions are offered in “The Lost Individual and Religious Unity.”
Experience and Value: Essays on John Dewey and Pragmatic Naturalism illuminates Eames’ life of inquiry, a life that included moral, social, aesthetic, and religious dimensions of value—all suffused with the influence of John Dewey.
By Peter Koch and June Cooper Price
University of Texas Press, 2007
Photographer-naturalist Peter Koch first visited the new Big Bend National Park in February, 1945, on assignment to take promotional pictures for the National Park Service. He planned to spend a couple of weeks—and ended up staying for the rest of his life. Koch's magnificent photographs and documentary film-lectures Big Bend, Life in a Desert Wilderness and Desert Gold introduced the park to people across the United States, drawing thousands of visitors to the Big Bend. His photographs and films of the region remain among the best ever produced, and are an invaluable visual record of the first four decades of Big Bend National Park.
In this highly readable book, Koch's daughter June Cooper Price draws on the newspaper columns her father wrote for the Alpine Avalanche, supplemented by his photographs, journal entries, and short pieces by other family members, to present Peter Koch's vision of the Big Bend. The book opens with his first "big adventure," a six-day photographic trip through Santa Elena Canyon on a raft made from agave flower stalks. From there, Koch takes readers hiking on mountain trails and driving the scenic loop around Fort Davis. He also describes "wax smuggling" and other ways of making a living on the Mexican border; ranching in the Big Bend; the prehistory and Native Americans of the region; collaborating with botanist Barton Warnock on books of Trans-Pecos wildflowers; and the history and beauty of Presidio County, the Rio Grande, and the Chihuahuan Desert.
This fascinating blend of firsthand adventures, natural history, and personal musings on anthropology and history creates an unforgettable portrait of both Peter Koch and the Big Bend region he so loved.
Marsha Siefert
Central European University Press, 2003
The borders of Russian history, whether chronological, geographical, political or intellectual, have always been patrolled, have sometimes been evaded, but have never been invisible. This volume attempts to extend those borders in several ways. The articles stress continuity rather than ruptures and their organization emphasizes persistent factors over time, particularly across the 1917 divide. Geographical dimensions are explored not through conquest but through regional responses to the center: local variants of eighteenth- and nineteenth-century colonial policies in the Caucasus and Turkestan are complemented by Central Asian petitions for citizenship in the 1930s and Siberian healing in the 1990s. Ukrainian aspirations take a special focus, from Kyivan Rus’ to Ruthenian dreams.
Politically, of course, Marxist–Leninist ideology attempted to extend its own frontiers of Russian history. Several studies here attempt to assess the meaning of the Soviet period in terms of ideology, practices, processes and memory. It is fitting too that the now accepted boundaries of the Soviet era—the revolutionary decade and the first decade of transition—are subject to detailed attention and analysis. The intellectual borders of Russian and Soviet history, long policed from within and without, have been breached by the creative and wide-ranging use of newly accessible archival sources that form the basis for these articles. The sense of community exhibited by this collection, however, is not artificial nor is it wholly imagined. It derives from the honoree, whose scholarly life has exhibited the blurring of traditional boundaries, whether disciplinary, generational, or national, that is represented by the contributors to this volume.