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“There is no version of this wherein I am given the time machine and do not destroy it,” writes Siew Hii in this wide-ranging collection that offers a poet’s perspective on what it means to be a queer Asian American in the American South. Exuding wit and profound insight, Hii’s is a voice that can elicit both laughter and sober reflection within the space of a few lines. In an explosion of different styles and formats, she delivers precise, cutting observations about self, family, and strangers.

From taking aim at Hollywood’s representations of identity, to exploring the meaning and dynamics of family, to describing her adopted home of Florida through a set of formally explosive poems, Hii makes sense of an unjust and absurd world, all the while exhibiting  genuine curiosity and humor. Entered Some Aliens offers rare and powerful insight into feeling out of place and out of time.

Erasurism traces how erasure shapes art and thought across history, exposing the political and poetic forces behind creative acts. The book explores erasure as a radical aesthetic and philosophical force shaping avant-garde, modernist, and postmodern practices across literature, art, media, and theory. From ancient cave marks to biopoetry, the volume traces a history of erasure that challenges authorship, ideology, and representation—uncovering the hidden politics and poetics beneath every act of writing.

Some of the dimmest years in Walt Whitman’s life precede the advent of Leaves of Grass in 1855, when he was working as a jour­nalist and fiction writer. Starting around 1850, what he’d begun writing in his personal notebooks was far more enigmatic than anything he’d done before.

One of Whitman’s most secretive projects during this timeframe was a novel, Life and Adventures of Jack Engle; serialized anonymously in the spring of 1852, and rediscovered and properly published in 2017. The key to the novel’s later discovery were plot notes Whit­man had made in one of his private notebooks.

Whitman’s invaluable notebooks have been virtually inacces­sible to the public, until now. Maintaining the early notebooks’ wild, syncretic feel and sample illustrations of Whitman’s beauti­ful and unkempt pages, scholars Zachary Turpin and Matt Miller’s thorough transcriptions have made these notebooks available to all; sharing Whitman’s secret space for developing his poetry, his writing, his philosophy, and himself.

An anthology of poems and essays by and celebrating Disabled writers

Declaring that Disabled people exist, innovate, thrive, and persevere, Every Place on the Map Is Disabled imagines the world we deserve. Its contributors spotlight the wisdom Disabled people embody from living within and navigating the economic and medical systems, communities, and families that often oppress their existence. This anthology is an intersectional compass pointing to the creative ways Disabled people build bridges to each other through Disability poetics and perspectives.

The contributing poets write about love, resistance, loss, pain, beauty, and culture. They capture tender and life-affirming moments where one Disabled person recognizes themself in another. The essays illustrate how Disability poetics suggest avenues for embracing the full spectrum of disability experiences. Every Place on the Map Is Disabled offers students, scholars, members of disability communities, and any reader a direction for paving a wider path toward a collective survival.

An exploration of how language, creativity, and spiritual practice shape human experience.

By what narrow path is the ineffable silence of Zen cleft by the scratch of a pen? The distilled insights of forty years, Norman Fischer’s Experience: Thinking, Writing, Language, and Religion is a collection of essays by Zen master Fischer about experimental writing as a spiritual practice.

Raised in a Conservative Jewish family, Fischer embraced the twin practices of Zen Buddhism and innovative poetics in San Francisco in the early 1970s. His work includes original poetry, descriptions of Buddhist practice, translations of the Hebrew psalms, and eclectic writings on a range of topics from Homer to Heidegger to Kabbalah. Both Buddhist priest and participant in avant-garde poetry’s Language movement, Fischer has limned the fertile affinities and creative contradictions between Zen and writing, accumulating four decades of rich insights he shares in Experience.

Fischer’s work has been deeply enriched through his collaborations with leading rabbis, poets, artists, esteemed Zen Buddhist practitioners, Trappist monks, and renowned Buddhist leaders, among them the Dalai Lama. Alone and with others, he has carried on a deep and sustained investigation into the intersection of writing and consciousness as informed by meditation.

The essays in this artfully curated collection range across divers, fascinating topics such as time, the Heart Sutra, God in the Hebrew psalms, the supreme “uselessness” of art making, “late work” as a category of poetic appreciation, and the subtle and dubious notion of “religious experience.” From the theoretical to the revealingly personal, Fischer’s essays, interviews, and notes point toward a dramatic expansion of the sense of religious feeling in writing.

Readers who join Fischer on this path in Experience can discover how language is not a description of experience, but rather an experience itself: shifting, indefinite, and essential.

Though contributors write from a variety of methodological positions and address themselves to a range of archives, they share the primary conviction that the impact of Web 2.0 on literary practice is far-reaching, far from self-evident, and far more variegated and unpredictable than easy summations of social media’s influence suggest. Expressive Networks asks after poetry’s present and future by examining what poems themselves express about the social make-up of networked platforms.

Edited by Matthew Kilbane with contributions from Cameron Awkward-Rich, Micah Bateman, Andrew Campana, Sumita Chakraborty, Scott Challener, C.R. Grimmer, Tess McNulty, Michael Nardone, Seth Perlow, Anna Preus, Susanna Sacks, Carly Schnitzler, Melanie Walsh, and Samuel Caleb Wee.

The second poetry collection by award-winning author Jenny L. Davis (Chickasaw), Extant confronts the many ways in which Native Americans continue to be associated with the distant past and imagined, even today, as more animal than human. For more than a century, anthropologists, museum guides, and high school teachers have described Native American bodies, cultures, and languages as “endangered” or “almost extinct.” Through a combination of blackout poems, occasional poems, and free verse, Davis rewrites the narrative of what it means to exist, to live in a present shaped by colonial violence that emphasizes the power of survival. Drawing on online question forums, scientific studies, kitschy decor, and the day-to-day musings of an Indigiqueer Native woman, Extant stages encounters of Native survival within a world full of stars, cicadas, earthworms, and moss.