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From a revered public intellectual, an essential argument for the political preconditions of a liberal society. 

Liberalism has always suffered from messaging challenges. It simultaneously implies a pursuit of individual liberty and social equality, two projects often regarded as at odds. Or: Liberal means the opposite of conservative. Except when it doesn’t. The list goes on. 

Liberal bard Deirdre Nansen McCloskey understands these rhetorical troubles. Equality of Permission is her stirring and career-defining intervention on this essentially contested yet critical topic—a forceful case for liberalism as our best hope, and an essential vision of the political conditions necessary for its survival. McCloskey prescribes a liberalism built around liberty from the bottom up: “equality before the law and equality of political and economic permissions,” lightly administered.

The state, McCloskey argues, is increasingly the source of our discontents—an illiberal institution, hindered by a quixotic fixation on pursuing equality of wealth or opportunity. Equality of Permission evangelizes for a better, and earlier, version of liberalism—that of John Locke, Adam Smith, Mary Wollstonecraft, and Henry David Thoreau—as against a top-down quest for an unattainable utopia. McCloskey shows that statism in pursuit of a chimerical general will, even when well-intentioned, leads to tyranny.

Brimming with energy and erudition, drawing on wisdoms from Alexis de Tocqueville to Mae West, Equality of Permission is McCloskey at the peak of her powers—brilliant, lacerating, garrulous, funny, worldly, and warm. Amid intense debate over the use and abuse of government institutions, McCloskey shares her singular vision for a true democracy, one grounded in respect and conducive to universal human flourishing.

From a revered public intellectual, an essential argument for the political preconditions of a liberal society. 

Liberalism has always suffered from messaging challenges. It simultaneously implies a pursuit of individual liberty and social equality, two projects often regarded as at odds. Or: Liberal means the opposite of conservative. Except when it doesn’t. The list goes on. 

Liberal bard Deirdre Nansen McCloskey understands these rhetorical troubles. Equality of Permission is her stirring and career-defining intervention on this essentially contested yet critical topic—a forceful case for liberalism as our best hope, and an essential vision of the political conditions necessary for its survival. McCloskey prescribes a liberalism built around liberty from the bottom up: “equality before the law and equality of political and economic permissions,” lightly administered.

The state, McCloskey argues, is increasingly the source of our discontents—an illiberal institution, hindered by a quixotic fixation on pursuing equality of wealth or opportunity. Equality of Permission evangelizes for a better, and earlier, version of liberalism—that of John Locke, Adam Smith, Mary Wollstonecraft, and Henry David Thoreau—as against a top-down quest for an unattainable utopia. McCloskey shows that statism in pursuit of a chimerical general will, even when well-intentioned, leads to tyranny.

Brimming with energy and erudition, drawing on wisdoms from Alexis de Tocqueville to Mae West, Equality of Permission is McCloskey at the peak of her powers—brilliant, lacerating, garrulous, funny, worldly, and warm. Amid intense debate over the use and abuse of government institutions, McCloskey shares her singular vision for a true democracy, one grounded in respect and conducive to universal human flourishing.

Erasurism traces how erasure shapes art and thought across history, exposing the political and poetic forces behind creative acts. The book explores erasure as a radical aesthetic and philosophical force shaping avant-garde, modernist, and postmodern practices across literature, art, media, and theory. From ancient cave marks to biopoetry, the volume traces a history of erasure that challenges authorship, ideology, and representation—uncovering the hidden politics and poetics beneath every act of writing.

This collection of essays endeavors to generate a dialogue between Eric Voegelin and other prominent twentieth-century thinkers and explore some of the more perplexing issues in contemporary political theory. Each essay rests on the underlying question: is it possible or desirable to construct or discover political foundations without resorting to metaphysical or essentialist constructs? The introduction focuses on the two nineteenth-century thinkers, Nietzsche and Husserl, who have framed the debate about modernity and postmodernity; thereafter, the book examines Voegelin's ideas as compared to those of other twentieth-century thinkers.

Discussed within the volume are Levinas and the precedence of ethics, Ricoeur's theory of narrative representation, Deleuze and the philosophy of immanence, Voegelin's relationship to a speech- dimension theory of human behavior, and Patocka's theory of pre- metaphysical transcendence in Socrates. What will impress scholars most about this collection is the provocative dialogue created between Voegelin and other major thinkers of postmodernism that addresses the issue of establishing foundations without foundationalism.

Linking the writings of the great humanist psychologist Erich Fromm to criminology, this collection shows how viewing crime patterns and the criminal justice system from Fromm's humanist perspective opens a path to more effective and more humane ways of understanding and dealing with crime and criminals.

Contributors to Erich Fromm and Critical Criminology draw on Fromm's writings on alienation, sadomasochism, and patriarchal/matriarchal values to assess the kinds of crimes being committed and the kinds of people committing them. They explore the spiritual and intellectual sources of Fromm's thought--including Jewish theology, Freudian psychoanalysis, Marxism, and Buddhism--and demonstrate how his socialist humanism points toward a society free of crime and violence. This volume also includes translations of two of Fromm's early articles on criminal justice, never before available in English, in which he develops a psychoanalytic Marxist critique of the role of criminal justice in a class society.

At a time when American society seems bent, to an unprecedented degree, on imprisonment, executions, and other violent responses to the problem of crime, Fromm's humanist critique offers a unique vantage point from which to renew and develop a critical criminology.

The final work of this essential thinker.

Essays Critical and Clinical is the final work of the late Gilles Deleuze, one of the most important and vital figures in contemporary philosophy. It includes essays, all newly revised or published here for the first time, on such diverse literary figures as Herman Melville, Walt Whitman, D. H. Lawrence, T. E. Lawrence, Samuel Beckett, Leopold von Sacher-Masoch, Alfred Jarry, and Lewis Carroll, as well as philosophers such as Plato, Spinoza, Kant, Nietzsche, and Heidegger.

For Deleuze, every literary work implies a way of living, a form of life, and must be evaluated not only critically but also clinically. As Proust said, great writers invent a new language within language, but in such a way that language in its entirety is pushed to its limit or its own “outside.” This outside of language is made up of affects and precepts that are not linguistic, but which language alone nonetheless makes possible. In Essays Critical and Clinical, Deleuze is concerned with the delirium-the process of Life-that lies behind this invention, as well as the loss that occurs, the silence that follows, when this delirium becomes a clinical state. Taken together, these eighteen essays present a profoundly new approach to literature by one of the greatest twentieth-century philosophers.

An exploration of the ideas that have shaped Jewish faith, culture, and identity.

In Essays in Jewish Thought, renowned scholar Nahum N. Glatzer offers a thoughtful and illuminating exploration of the intellectual, spiritual, and cultural traditions that have shaped Judaism across centuries. Drawing upon his deep knowledge of Jewish history, philosophy, theology, and literature, Glatzer examines the ideas, texts, and personalities that have influenced Jewish religious life and identity from antiquity to the modern era.

Through a collection of insightful essays, readers encounter enduring questions concerning faith, ethics, revelation, community, and the relationship between tradition and modernity. Glatzer's scholarship highlights the richness and diversity of Jewish thought while demonstrating how Jewish thinkers have engaged with changing historical circumstances and universal human concerns. His clear and accessible writing makes complex philosophical and theological concepts approachable without sacrificing intellectual depth.

Essays in Jewish Thought provides a valuable introduction to key themes in Jewish intellectual history and offers fresh perspectives for both newcomers and seasoned students of Judaism. The volume serves as a meaningful resource for understanding the foundations of Jewish belief, practice, and cultural continuity. Ideal for courses in Jewish studies, religious studies, theology, and philosophy, this collection remains an important contribution to the study of one of the world's most enduring religious and intellectual traditions.

A guide to the fundamentals of understanding film history, filmmaking, and film appreciation.

Film is not just a medium; it is also a language—and a global one at that. Essential Film History describes how this language emerged and how it has matured over the course of more than 125 years. Beginning with the experiments of the late nineteenth century, and tracking the development of cinematic storytelling, commercial distribution, and audience reception into the era of digital recording, Charles Ramírez Berg and John Bruns offer a comprehensive course in both the history and artistry of film.

Essential Film History breaks cinematic language into three core components: image, sound, and narrative. Between the 1890s and 1940s, this audiovisual language both consolidated and spread, becoming comprehensible worldwide. Since then, filmmakers have adapted and extended the language of cinema to suit an ever-growing range of aesthetic and narrative projects, from documentaries and full-length animation to avant-garde and made-for-TV movies. Covering major figures, studios, and events as well as key technological and sociopolitical developments, Essential Film History is an indispensable guide to the evolution of cinematic style.

Interdisciplinary essays on Manuela Infante’s award-winning play explore the relationship between critical plant studies and performance art in the Anthropocene

Since its first staging in 2016, Estado Vegetal, Manuela Infante’s riveting piece of experimental performance art, has expanded philosophical thinking into a fully-fledged artistic inquiry of nonanthropocentric being. Through Infante’s polyvocal monologue, acted with impetus by Marcela Salinas, plants are charged with an agency capable of uprooting culturally grounded conceptions of the world in the face of incommensurable trauma and loss.

This first book dedicated to Infante’s plant-focused performance features eight essays by scholars, poets, and artists whose practices draw from research fields as disparate as new materialism, anthropogenic feminism, queer studies, and speculative realism. Including an interview with Infante, the full playscript, and stills from the performance, Estado Vegetal: Performance and Plant-Thinking reveals the roles that plants in art can play in productively reconfiguring human–nonhuman relations within current anthropogenic perspectives.

Infante’s performance is a perfect case study and reference point for anyone interested in exploring the complexities of plant-thinking through alternative and experimental avenues. Furthermore, this book is at once a critical plant studies primer and an artistic problematization of the philosophical questions that have been central to the latest multidisciplinary discussions on plant-being.

Contributors: Maaike Bleeker, Utrecht U; Lucy Cotter, Portland State U; Prudence Gibson, UNSW Sydney; Michael Marder, U of the Basque Country; Dawn Sanders, U of Gothenburg; Catriona Sandilands, York U; Sibila Sotomayor Van Rysseghem, colectivo LASTESIS; Mandy-Suzanne Wong.

Ethics and morality are generally viewed as critical areas in contemporary sport and need not be limited to such topics as sportsmanship, the use of performance-enhancing drugs, violence and cheating. Those in sport management are responsible for addressing ethical and moral questions pertaining to professionalism, equity, legal and financial management, personnel concerns, governance and policies, league and franchise issues, and matters of social justice associated with all aspects of sport. Sport managers must also be aware of and approach these queries logically, rationally and with sensitivity to ensure the integrity of sport, the sport community and society at large.

Ethics & Morality in Sport Management, 4th edition, presents concepts and theories in ethics and morality and demonstrates their applicability in sport management. While addressed primarily to undergraduate and graduate students interested in the organization and administration of sport, this text is also  a practical guide and reference for professionals already in the field, as well as athletes, coaches, franchise owners, journalists, spectators, governmental agencies and others associated with sport. Sport managers must be aware of and concerned about their own obligations, rights and responsibilities, as well as those they influence. As such, nothing short of sound ethical and moral reasoning must inform their managerial decisions and actions. This text aims to make clear the nature of ethics and morality, introducing readers to several major ethical theories, and discussing and analyzing the practical ramifications of these precepts in several sport management contexts.

    Hermann Cohen’s essay on Maimonides’ ethics is one of the most fundamental texts of twentieth-century Jewish philosophy, correlating Platonic, prophetic, Maimonidean, and Kantian traditions. Almut Sh. Bruckstein provides the first English translation and her own extensive commentary on this landmark 1908 work, which inspired readings of medieval and rabbinic sources by Leo Strauss, Franz Rosenzweig, and Emmanuel Levinas.
    Cohen rejects the notion that we should try to understand texts of the past solely in the context of their own historical era. Subverting the historical order, he interprets the ethical meanings of texts in the light of a future yet to be realized. He commits the entire Jewish tradition to a universal socialism prophetically inspired by ideals of humanity, peace, and universal justice.
    Through her own probing commentary on Cohen’s text, like the margin notes of a medieval treatise, Bruckstein performs the hermeneutical act that lies at the core of Cohen’s argument: she reads Jewish sources from a perspective that recognizes the interpretive act of commentary itself.