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Examining the conflicted legacy of Ernst Jünger’s thought and its relationship to critical theory

In the 1920s, Ernst Jünger’s journalistic advocacy of a militaristic, antidemocratic nationalism played a central role in the rise of German fascism. At the same time, Jünger developed an increasingly acute account of how the mobilizing force of industrial technology embodied a will to power that, on the one hand, anticipated an authoritarian state but, on the other, assumed a planetary perspective that made national identifications redundant. What he called the Gestalt of the worker expresses the “elemental powers” that, he believed, mark the limits of Enlightenment conceptions of historical progress.

Today, Jünger appears in intellectual history primarily as a representative of protofascist decisionism, reactionary modernism, or the so-called conservative revolution. Andrew McCann puts these aspects of Jünger’s early work into dialogue with the posthistorical orientation that he developed after the Second World War, in order to offer a fresh reading that demonstrates how Jünger’s obsession with the transience of cultural and historical forms displays deep structural affinities with the idea of natural history developed by Walter Benjamin and Theodor Adorno. By tracing this thread in intellectual history, McCann charts the currents of influence and confluence between what are usually understood as sharply polarized political positions and the conceptual postures that accompany them: immanence and transcendence, reason and myth, class and nation, relations of production and the forces of nature.

The interactions between the elites and the lower classes of Latin America are explored from the divergent perspectives of three eminent historians in this volume. The result is a counterbalance of viewpoints on the urban and the rural, the rich and the poor, and the Europeanized and the traditional of Latin America during the late nineteenth and early twentieth centuries.

E. Bradford Burns advances the view that two cultures were in conflict in nineteenth-century Latin America: that of the modernizing, European-oriented elite, and that of the “common folk” of mixed racial background who lived close to the earth. Thomas E. Skidmore discusses the emerging field of labor history in twentieth-century Latin America, suggesting that the historical roots of today’s exacerbated tensions lie in the secular struggle of army against workers that he describes. In the introduction, Richard Graham takes issue with both authors on certain basic premises and points out implications of their essays for the understanding of North American as well as Latin American history.

The United States detains and deports several hundred thousand migrants every year. Many spend significant amounts of time in immigration detention as they await adjudication of their immigration cases. The Elizabeth Detention Center in New Jersey is located in a converted warehouse, managed by a private, for-profit prison company. Over three decades, migrants and asylum seekers have been brought to EDC directly from Newark Airport or have been transferred to the site from elsewhere in the United States, including from the US-Mexico border region.

Through a longitudinal, site-specific study unique in its kind, this volume unites the voices and perspectives of formerly detained migrants, scholars, journalists, lawyers, and social and faith movement leaders, who share their experiences of Elizabeth Detention Center and reconstruct its social history and its location in New Jersey's political economy and in the changing legal landscapes of immigration detention in the United States.

International Labor History Association Honorable Mention Book Award for 2025

Elizabeth Gurley Flynn was involved in almost every major campaign of the U.S. Left in the first two thirds of the twentieth century. An outstanding orator, writer, and tactician, Flynn is one of the most important figures in the history of the American labor movement. Inspired by the Irish freedom struggle and appalled by the exploitation and grinding poverty she saw around her, she devoted her life to the advancement of civil liberties. Here, Mary Anne Trasciatti traces Flynn’s personal and political life to explore the broader social issues of a fraught era.
 
Born in 1890, Flynn began her activist career by joining the Industrial Workers of the World (IWW) when she was just sixteen, and she ended it as the first female chair of the American Communist Party, a position she held from 1961 until her death in 1964. In the intervening years she organized workers into unions, led strikes, championed women’s rights, supported anti-imperialist movements around the globe, protested deportation, advocated for prison reform, and fought for Black liberation. Above all, she showed absolute devotion to workers and their struggles.
 
Slandered as an “un-American” in the anticommunist fervor of the 1940s and 1950s, Flynn was eventually ousted from the very organization she helped found, the American Civil Liberties Union, and imprisoned for two years. Though her own movement abandoned her, her commitment to the cause never wavered. This stirring biography illuminates Flynn’s inspiring life and worldview and returns her to her rightful place at the heart of labor and civil liberties history.

One of the most compelling figures in colonial America, Elizabeth Murray (1726–1785) was a Scottish immigrant who settled in Boston in her early twenties and took up shopkeeping. For many years, she practiced her trade successfully while marrying three times, once to a much older man who left her an extremely rich widow. This biography chronicles the life of this extraordinary “ordinary” woman who tried to make a place for herself and other women in the world by asserting her own independence inside and outside of the home. 

As an importer and retailer of British goods, Murray conducted business with merchants and manufacturers in England and buyers in the American colonies, even traveling to London to select her own stock. Deeply satisfied by her work and the economic freedom it brought her, she acted as mentor to other women, helping them to establish shops of their own. She also protected her autonomy by demanding prenuptial agreements from her second and third husbands that gave her a measure of control over her property that was rare for a married woman of her day. 

The spirit of independence that Murray so valued in herself and nurtured in other women was severely tested by the upheavals of the American Revolution. With strong loyalties to both Britain and America, she was torn by the conflict, especially when close relatives chose opposing sides and her third husband abandoned her, leaving her to defend the family estate alone. Her wartime experiences—wild midnight rides, accusations of being a spy, quartering both royal and rebel troops, and brief imprisonment—vividly capture the turmoil of the Revolution and highlight the range of her political commitments.

An in-depth account of the life and career of Minnesota’s first modern architect

2024 Docomomo US Modernism in America Award of Excellence
2021 Finalist, Minnesota Book Award, Emilie Buchwald Award for Minnesota Nonfiction

Elizabeth “Lisl” Scheu Close (1912–2011) left an indelible mark on Minnesota’s built landscape during her six decades as an architect. In 1938, with her husband, Winston Close, she founded the state’s first architecture firm dedicated to modernism. In addition to designing the first International Style house in Minneapolis, the firm also created more than 250 handsome and efficiently planned modern residences. One of few women who were practicing architects in the mid-twentieth century, she blazed a trail for future generations of women in the profession.

As Jane King Hession shows, the trajectory of Lisl’s architectural career was shaped by the political, economic, and aesthetic upheavals of the twentieth century. Raised in a renowned modern house in Vienna, Austria, Lisl was exposed to revolutionary ideas in art and architecture at a young age. Forced to emigrate to the United States as the Nazis rose to power in Europe, she completed her architectural education at MIT. During the Depression, she struggled to find work and encountered challenges as a young woman in the field. In her pursuit of and devotion to a singular and successful career as a modern architect, she proved herself to be talented, determined, and adept at negotiating obstacles.

Through documentation of Lisl’s projects, this personal and professional biography also explores multiple aspects of modern architecture, including the innovative use of new materials and technologies, the design of prefabricated houses, and the relationship between residential design and changing American lifestyles. 

A crack shot, expert skinner and tanner, seamstress, sculptor, and later writer—a list that only hints at her intelligence and abilities—Ella Elgar Bird Dumont was one of those remarkable women who helped tame the Texas frontier. First married at sixteen to a Texas Ranger, she followed her husband to Comanche Indian country in King County, where they lived in a tepee while participating in the final slaughter of the buffalo. Living off the land until the frontier was opened for ranching, Ella and Tom Bird typified the Old West ideals of self-sufficiency and generosity, with a hesitancy to complain about the hard life in the late 1800s.

Yet, in one important way, Ella Dumont was unsuited for life on the frontier. Endowed with an instinctive desire and ability to carve and sculpt, she was largely prevented from pursuing her talents by the responsibilities of marriage and frontier life and later, widowhood with two small children. Even though her second marriage, to Auguste Dumont, made life more comfortable, the realities of her existence still prevented the fulfillment of her artistic longings.

Ella Bird Dumont’s memoir is rich with details of the frontier era in Texas, when Indian depredations were still a danger for isolated settlers, where animals ranged close enough to provide dinner and a new pair of gloves, and where sheer existence depended on skill, luck, and the kindness of strangers. The vividness and poignancy of her life, coupled with the wealth of historical material in the editor’s exhaustive notes, make this Texas pioneer’s autobiography a very special book.

For many years Pulitzer Prize winner Ellen Glasgow has been regarded as a classic American regional novelist. But Glasgow is far more than a Southern writer, as Linda Wagner demonstrates in this fascinating reassessment of her work.

A Virginia lady, Glasgow began to write at a time when the highest praise for a literary woman was to be mistaken for a male writer. In her early fiction, published at the turn of the century, all attention is focused on male protagonists; the strong female characters who do appear early in these novels gradually fade into the background.

But Ellen Glasgow grew to become a woman who, born to be protected from the very life she wanted to chronicle, moved “beyond convention” to live her life on her own terms. And as her own self-image changed, the perspective of her novels became more feminine, the female characters moved to center stage, and their philosophies became central to her themes. Glasgow’s best novels, then—Barren Ground, Vein of Iron, and the romantic trilogy that includes The Sheltered Life—came late in her life, when she was no longer content to imitate fashionable male novelists.

Glasgow’s increased self-assurance as writer and woman led to a far greater awareness of craft. Her style became more highly imaged, more suggestive, as though she wished to widen the range of resources available to move her readers. She became a writer both popular and respected. Her novels appeared as selections of the Literary Guild and the Book-of-the-Month Club, and one became a best seller. At the same time she was chosen as one of the few female members of the Academy of Arts and Letters, and in 1942 she was awarded the Pulitzer Prize for her novel In This Our Life.

 "A magisterially written, well-researched, informative, and entertaining biography of a woman who helped throw open the doors to broader participation and power for women in the Republican Party and American politics."
---Dave Dempsey, author of William G. Milliken: Michigan's Passionate Moderate

"Elly Peterson will be a text to which historians and researchers turn for insight into the yin and yang of mainstream politics in the mid-century."
---Patricia Sullivan, past president, Journalism and Women Symposium

"This lively portrait of a leading woman in the Republican Party between 1952 and 1982 also charts the party's shift to the right after 1964, revealingly viewed through the eyes of liberal Republican women. Intensively researched with ethnographic attention to the subtleties of political culture, Fitzgerald's book is essential reading for anyone interested in how the Republican Party changed during the turbulent decades after 1960 and how women and women's issues shaped those changes."
---Kathryn Kish Sklar, Distinguished Professor of History, State University of New York, Binghamton

"Sara Fitzgerald tells Peterson's story in this superb and timely biography. It carries a message that deserves the widest audience as the nation struggles to find needed consensus on critical issues amid poisonous political partisanship that has made it increasingly difficult for public officials to bridge their differences. I hope that every American reads it."
---Pulitzer Prize winner Haynes Johnson, from the Foreword

"To understand the quest for equal rights in America you really need to meet those women who were active at the time of transition. In this gripping biography we meet one woman who entered a male dominated world and triumphed."
---Francis X. Blouin Jr., Director, Bentley Historical Library

"Sara Fitzgerald's writing is as intelligent as it is entertaining."
---Best-selling novelist Diane Chamberlain

Elly Peterson was one of the highest ranking women in the Republican Party. In 1964 she ran for a Michigan seat in the U.S. Senate and became the first woman to serve as chair of the Michigan Republican Party. During the 1960s she grew disenchanted with the increasing conservatism of her party, united with other feminists to push for the Equal Rights Amendment and reproductive choice, battled Phyllis Schlafly to prevent her from gaining control of the National Federation of Republican Women, and became an independent.

Elly Peterson's story is a missing chapter in the political history of Michigan, as well as the United States. This new biography, written by Sara Fitzgerald (a Michigan native and former Washington Post editor), finally gives full credit to one of the first female political leaders in this country.

When Peterson resigned in 1970 as assistant chairman of the Republican National Committee, David Broder of the Washington Post wrote that "her abilities would have earned her the national chairmanship, were it not for the unwritten sex barrier both parties have erected around that job."

Elsewhere argues that you can make all of the “smart” food choices you want and follow Michael Pollan to the letter, but that won’t end the violence in the food system. Eating is an act of violence. With every life-sustaining meal and food purchase, we shorten the lives of farmers, laborers, animals, the planet, and ourselves. This isn’t a symptom of a broken food system, but a feature of a working one: our capitalist food system doesn’t cause harm accidentally, it does so because it has to. To keep generating wealth, the system moves its violence around, away from privileged producers and consumers and into forgettable elsewheres: reservations, prisons, distant islands, killing floors, inner cities, rural hinterlands, and war-torn countries. 

     This shell-game is not new. Elsewhere examines the 250-year history of the US food system to uncover how the country used abundance to enrich some and exploit others; how it captured, colonized, and reorganized territory to conceal its harms; and why decades of technological innovation, environmental awareness, and consumer consciousness haven’t staunched these self-inflicted wounds. Elsewhere invites us to ask different questions about the food system: where does its violence come from, where does it go, and how can we nurture a food system that first does no harm.

The essays that comprise Elusive Archives raise a common question: how do we study material culture when the objects of study are transient, evanescent, dispersed or subjective? Such things resist the taxonomic protocols that institutions, such as museums and archives, rely on to channel their acquisitions into meaningful collections. What holds these disparate things together here are the questions authors ask of them. Each essay creates by means of its method a provisional collection of things, an elusive archive. Scattered matter then becomes fixed within each author’s analytical framework rather than within the walls of an archive’s reading room or in cases along a museum corridor.

This book follows the ways in which objects may be identified, gathered, arranged, conceptualized and even displayed rather than by “discovering” artifacts in an archive and then asking how they came to be there. The authors approach material culture outside the traditional bounds of learning about the past. Their essays are varied not only in subject matter but also in narrative format and conceptual reach, making the volume accessible and easy to navigate for a quick reference or, if read straight through, build toward a new way to think about material culture.

Inside the Illinois showdown that derailed the Equal Rights Amendment

In this gripping account of one of the most consequential political battles of the twentieth century, Mark R. DePue takes readers inside the fight that halted the Equal Rights Amendment. Drawing upon hundreds of hours of original oral history interviews, DePue reconstructs the drama, strategy, and emotion of the ERA showdown in Illinois, the state that became the amendment’s most critical battleground.

First introduced in Congress in 1923, the Equal Rights Amendment has endured for more than a century as one of the most debated yet still unratified proposals in American constitutional history. Its ratification seemed closer than ever when Congress passed the ERA in 1972 and sent it to the states with a seven-year deadline, but in Illinois, a constitutional quirk stalled its momentum. Optimism faltered, and what followed was a political war like no other the state had ever seen. Illinois’ state legislature in Springfield became the epicenter of a national struggle over gender, power, and the future of the Constitution.

At the center of the storm stood Phyllis Schlafly, the formidable conservative activist from Alton, Illinois, whose STOP ERA movement transformed a faltering amendment into a rallying cry for the New Right. Opposing her and her allies was an array of feminist organizers, legislators, celebrities, clergy, union members, and grassroots activists—often divided among themselves—who believed that equality under the law was within reach. Bringing creativity, passion, and persistence to the cause, they staged inventive demonstrations, lobbied relentlessly, and fought for every vote.

What sets this book apart are its extraordinary cast of characters and the chance DePue gives them to speak for themselves. Through vivid first-person testimony gathered at the Abraham Lincoln Presidential Library and the University of Illinois Springfield, supporters and opponents alike reflect on their motivations, fears, strategies, and regrets. Their voices bring to life the packed committee hearings, late-night strategy sessions, and personal sacrifices behind the headlines.

By 1982, the amendment fell three states short of ratification nationwide. Illinois never delivered the votes that might have changed history.

More than a political chronicle, this is a story of conviction and conflict, ambition and compromise. It is the story of how a century-old amendment came tantalizingly close to becoming law—and how, in one state capitol, the battle over women’s equality reshaped a movement and left a constitutional promise still unfinished.

At the Pan–African Conference in London in 1900, W. E. B. Du Bois famously prophesied that the problem of the twentieth century would be the global color line, the elevation of “whiteness” that created a racially divided world. While Pan-Africanism recognized the global nature of the color line in this period, Thomas E. Smith argues that it also pushed against it, advocating for what Du Bois called "opportunities and privileges of modern civilization" to open up to people of all colors.

Covering a period roughly bookended by two international forums, the 1884–1885 Berlin Conference and the 1911 Universal Races Congress, Emancipation without Equality chronicles how activists of African descent fought globally for equal treatment and access to rights associated with post-emancipated citizenship. While Euro-American leaders created a standard to guide the course of imperialism at the Berlin Conference, the proceedings of the Universal Races Congress demonstrated that Pan-Africanism had become a visible part of a growing, global, anti-imperialist protest.