788 books match the query 'Caribbean & Latin American' and 25 start with f

cover of Facundo and the Construction of Argentine Culture

Facundo and the Construction of Argentine Culture

By Diana Sorensen Goodrich

University of Texas Press, 1996

Domingo F. Sarmiento's classic 1845 essay Facundo, Civilizacion y Barbarie opened an inquiry into the nature of Argentinian culture that continues to the present day. In this elegantly written study, Diana Sorensen Goodrich explores the varied, and often conflicting, readings that Facundo has received since its publication and shows how these readings have contributed to the making and remaking of the Argentine nation and its culture.

Goodrich's analysis sheds new light on the intersection between canon formation and nation-building. While much has been written about Facundo as a primary text in Latin American letters, this is the first study that locates it within the problematics of canon formation and the cultural, social, and political contexts in which conflicting interpretations are constructed.

This new approach to Facundo illuminates the interactions among institutions, cultural ideologies, and political life. This book will be important reading for everyone interested in questions of national identity and the institutionalization of a national tradition.

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cover of False Documents: Inter-American Cultural History, Literature, and the Lost Decade (1975–1992)

False Documents

Inter-American Cultural History, Literature, and the Lost Decade (1975–1992)

Frans Weiser

The Ohio State University Press, 2020

False Documents: Inter-American Cultural History, Literature, and the Lost Decade (1975–1992) examines the “return of history” that swept across the Americas during the final two decades of the Cold War as Latin American nations redemocratized and US multiculturalism responded to the conservative bicentennial backlash. Revising the predominantly economic and isolationist accounts of the era, Frans Weiser examines the work of journalists and academics from Hispanic America, Brazil, and the United States who adopted fiction to document recent national discord, repositioning challenges to self-determination in a postnational context.
After deconstructing economic accounts of the “two Americas" model of the hemisphere, including the lost decade (1981–1992) and the “end of history” (1975–1992), Weiser considers six case studies during the same period that reach very different conclusions by drawing on cultural history, including works by Tomás Eloy Martínez, Laura Antillano, Ana Maria Machado, Silviano Santiago, John Updike, and Jay Cantor. In order to expose how governments controlled and misrepresented recent events, these writers created false documents, or fake historical texts, that presented themselves as legitimate eyewitness accounts or archival documents. Weiser establishes how this alternative to postmodern irony more effectively galvanized citizen responses. As the first book to contextualize the parallel, hemispheric evolutions of postwar literary criticism and cultural historiography, False Documents responds to the methodological impasse between Latin American and American studies as well as the antagonism between history and literature, arguing that collaboration and synthesis are particularly vital at a moment when the humanities is increasingly under attack.
 
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cover of Far from Mecca: Globalizing the Muslim Caribbean

Far from Mecca

Globalizing the Muslim Caribbean

Aliyah Khan

Rutgers University Press, 2020

Honorable Mention, 2022 MLA Prize for a First Book

Far from Mecca: Globalizing the Muslim Caribbean is the first academic work on Muslims in the English-speaking Caribbean. Khan focuses on the fiction, poetry, and music of Islam in Guyana, Trinidad, and Jamaica. Combining archival research, ethnography, and literary analysis, Khan argues for a historical continuity of Afro- and Indo-Muslim presence and cultural production in the Caribbean. Case studies explored range from Arabic-language autobiographical and religious texts written by enslaved Sufi West Africans in nineteenth-century Jamaica, to early twentieth-century fictions of post-indenture South Asian Muslim indigeneity and El Dorado, to the attempted government coup in 1990 by the Jamaat al-Muslimeen in Trinidad, as well as the island’s calypso music, to contemporary judicial cases concerning Caribbean Muslims and global terrorism. Khan argues that the Caribbean Muslim subject, the “fullaman,” a performative identity that relies on gendering and racializing Islam, troubles discourses of creolization that are fundamental to postcolonial nationalisms in the Caribbean.
 
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cover of Fearless Women in the Mexican Revolution and the Spanish Civil War

Fearless Women in the Mexican Revolution and the Spanish Civil War

Tabea Alexa Linhard

University of Missouri Press, 2005

In this first book-length study of the role women played in two of the most momentous revolutions of the twentieth century, Tabea Alexa Linhard provides a comparative analysis of works on the Mexican Revolution (circa 1910–1919) and the Spanish Civil War (1936–1939). Linhard was inspired by the story of the “Trece Rosas,” about thirteen young women who, after the Spanish Civil War ended with the Nationalists’ victory, were executed. One of the women, Julia Conesa, was particularly influential. In a letter she wrote to her mother a few hours before she faced the firing squad, she said, “Do not allow my name to vanish in history.” Fearless Women in the Mexican Revolution and the Spanish Civil War is Linhard’s attempt to respond to Julia’s last request.
Although female figures such as the soldaderas of the Mexican Revolution and the milicianas of the Spanish Civil War are abundant in writings about revolution and war, they are often treated as icons, myths, and symbols, displacing the women’s particular and diverse experiences. Linhard maintains a focus on these women’s stories, which until now—when presented at all—have usually been downplayed in literary canons, official histories, and popular memories. She addresses several existing gaps in studies of the intersections of gender, revolution, and culture in both the Mexican and the Spanish contexts.
The book is grounded in transatlantic studies, an emerging field that bridges disciplinary boundaries between Peninsular studies and Latin American studies. In this case, the connection between the Mexican Revolution and the Spanish Civil War is a natural consequence of the disjointed conditions out of which arose the cultural texts in which fearless women appear.
            Fearless Women in the Mexican Revolution and the Spanish Civil War will be especially valuable to scholars of early twentieth-century Peninsular and Mexican literature and culture. It will also be a useful resource in gender studies and interdisciplinary approaches to the study of revolution, war, and culture.
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cover of Fictional Environments: Mimesis, Deforestation, and Development in Latin America

Fictional Environments

Mimesis, Deforestation, and Development in Latin America

Victoria Saramago

Northwestern University Press, 2021

Winner of the Brazilian Studies Association’s Roberto Reis Book Award for First Monograph • Honorable Mention for the Latin American Studies Association’s Antonio Candido Book Award • Shortlisted for the Association for the Study of Literature and Environment Book Award 

Fictional Environments: Mimesis, Deforestation, and Development in Latin America investigates how fictional works have become sites for the production of knowledge, imagination, and intervention in Latin American environments. It investigates the dynamic relationship between fictional images and real places, as the lasting representations of forests, rural areas, and deserts in novels clash with collective perceptions of changes like deforestation and urbanization.

From the backlands of Brazil to a developing Rio de Janeiro, and from the rainforests of Venezuela and Peru to the Mexican countryside, rapid deforestation took place in Latin America in the second half of the twentieth century. How do fictional works and other cultural objects dramatize, resist, and intervene in these ecological transformations? Through analyses of work by João Guimarães Rosa, Alejo Carpentier, Juan Rulfo, Clarice Lispector, and Mario Vargas Llosa, Victoria Saramago shows how novels have inspired conservationist initiatives and offered counterpoints to developmentalist policies, and how environmental concerns have informed the agendas of novelists as essayists, politicians, and public intellectuals. This book seeks to understand the role of literary representation, or mimesis, in shaping, sustaining, and negotiating environmental imaginaries during the deep, ongoing transformations that have taken place from the 1950s to the present.

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cover of Fictions of Migration: Narratives of Displacement in Peru and Bolivia

Fictions of Migration

Narratives of Displacement in Peru and Bolivia

Lorena Cuya Gavilano

The Ohio State University Press, 2021

Lorena Cuya Gavilano’s Fictions of Migration: Narratives of Displacement in Peru and Bolivia is an aesthetic and cultural analysis of how political and economic trends have impacted narratives about migration in Peru and Bolivia in the late twentieth and early twenty-first centuries. Going beyond representations of migrants as subjects of crisis, Fictions of Migration approaches the migrant as a subject of knowledge, examining how narratives of migrancy in the Andes have become affective epistemological tools to learn about migrants’ experiences, cultural roots, and the mishaps of modernity that caused their displacement in the first place. Through the examination of films and novels—by such writers and filmmakers as José María Arguedas, Blanca Wiethüchter, Daniel Alarcón, Claudia Llosa, Jorge Sanjinés, Juan Carlos Valdivia, Jesús Urzagasti, and Paolo Agazzi, among others–Cuya Gavilano looks at the intersection of crisis, knowledge, and affect in order to piece together seemingly incompatible images of migrancy. She explores how dissimilar images of migration in two countries with a common ethnic and cultural history are the result of differentiated emotional and social responses to the adoption and adaptation of neoliberal economic agendas. Fictions of Migration thereby shows Andean stories of displacement can serve as distinctive models to understand multiethnic national spaces globally.
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cover of Fictions of the Bad Life: The Naturalist Prostitute and Her Avatars in Latin American Literature, 1880–2010

Fictions of the Bad Life

The Naturalist Prostitute and Her Avatars in Latin American Literature, 1880–2010

Claire Thora Solomon

The Ohio State University Press, 2014

The first comprehensive and interdisciplinary study of the prostitute in Latin American literature, Claire Thora Solomon’s book The Naturalist Prostitute and Her Avatars in Latin American Literature, 1880–2010 shows the gender, ethnic, and racial identities that emerge in the literary figure of the prostitute during the consolidation of modern Latin American states in the late nineteenth century in the literary genre of Naturalism. Solomon first examines how legal, medical, and philosophical thought converged in Naturalist literature of prostitution. She then traces the persistence of these styles, themes, and stereotypes about women, sex, ethnicity, and race in the twentieth and twenty-first century literature with a particular emphasis on the historical fiction of prostitution and its selective reconstruction of the past.
 
Fictions of the Bad Life illustrates how at very different moments—the turn of the twentieth century, the 1920s–30s, and finally the turn of the twenty-first century—the past is rewritten to accommodate contemporary desires for historical belonging and national identity, even as these efforts inevitably re-inscribe the repressed colonial history they wish to change.
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cover of Fighting Monsters in the Abyss: The Second Administration of Colombian President Álvaro Uribe Vélez, 2006–2010

Fighting Monsters in the Abyss

The Second Administration of Colombian President Álvaro Uribe Vélez, 2006–2010

Harvey F. Kline

University of Alabama Press, 2015

Studies the complex constraints and trade-offs the second administration of Colombian President Uribe (2006–2010) encountered as it attempted to resolve that nation’s violent Marxist insurrection and to have a more efficient judicial system

Fighting Monsters in the Abyss offers a deeply insightful analysis of the efforts by the second administration of Colombian President Álvaro Uribe Vélez (2006–2010) to resolve a decades-long Marxist insurgency in one of Latin America’s most important nations. Continuing work from his prior books about earlier Colombian presidents and yet written as a stand-alone study, Colombia expert Harvey F. Kline illuminates the surprising successes and setbacks in Uribe’s response to this existential threat.

In State Building and Conflict Resolution in Colombia, 1986–1994, Kline documented and explained the limited successes of Presidents Virgilio Barco and César Gaviria in putting down the revolutionaries while also confronting challenges from drug dealers and paramilitary groups. The following president Andrés Pastrana then boldly changed course and attempted resolution through negotiations, an effort whose failure Kline examines in Chronicle of a Failure Foretold. In his third book, Showing Teeth to the Dragons, Kline shows how in his first term President Álvaro Uribe Vélez more successfully quelled the insurrection through a combination of negotiated demobilization of paramilitary groups and using US backing to mount more effective military campaigns.

Kline opens Fighting Monsters in the Abyss with a recap of Colombia’s complex political history, the development of Marxist rebels and paramilitary groups and their respective relationships to the narcotics trade, and the attempts of successive Colombian presidents to resolve the crisis. Kline next examines the ability of the Colombian government to reimpose rule in rebel-controlled territories as well as the challenges of administering justice. He recounts the difficulties in the enforcement of the landmark Law of Justice and Peace as well as two significant government scandals, that of the “false positives” (“falsos positivos”) in which innocent civilians were killed by the military to inflate the body counts of dead insurgents and a second scandal related to illegal wiretapping.

In tracing Uribe’s choices, strategies, successes, and failures, Kline also uses the example of Colombia to explore a dimension quite unique in the literature about state building: what happens when some members of a government resort to breaking rules or betraying their societies’ values in well-intentioned efforts to build a stronger state?

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cover of Finding Caspicara: Double Identities, Hidden Figures, and the Commerce of Sculpture in Colonial Quito

Finding Caspicara

Double Identities, Hidden Figures, and the Commerce of Sculpture in Colonial Quito

Susan Verdi Webster

University of Texas Press, 2024

2026 Eleanor Tufts Award, Society for Iberian Global Art, College Art Association

An examination of sculpture and authorship in eighteenth-century Quito that documents Caspicara as a participant in the innovative artistic production of the city’s workshops and its widespread commerce of polychrome sculptures.

Who is Caspicara? Nothing is known of Caspicara’s life, and not a single sculpture has been documented as his work. Yet traditional histories laud him as a prolific Indigenous sculptor in eighteenth-century Quito who created exquisite polychrome figures and became a national artistic icon. Drawing on extensive archival, historical, and object research, Susan Verdi Webster peels away layers of historiographical fabrication to reveal what we do and do not know about Caspicara and his work.

Rather than being a solitary master, Caspicara collaborated with other, largely Indigenous artists in Quito’s protoindustrial workshops, manufacturing sculptures now credited to him alone. The high quality of Quito sculptures produced by anonymous artists turned the city into a hub of wide-ranging commerce in religious icons. The art world and post-independence Ecuadorians have lionized the one named sculptor, Caspicara, according to the Western model of the artist-genius, amplifying the market for works bearing his name and creating a national hero on par with European masters. Lost in this process were the artists themselves. Webster returns to their world, detailing their methods and labor and, for the first time, documenting a sculpture made by Caspicara.

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cover of Finished from the Start and Other Plays

Finished from the Start and Other Plays

Juan Radrigan

Northwestern University Press, 2007

This collection of plays comes from one of Chile’s finest voices of the voiceless: Juan Radrigán. A history marked by personal and political hardship has equipped Radrigán to tell the stories of those his nation left behind. Seven years old when his father abandoned his family, he was forced to work from an early age. As an adult, he worked as a manual laborer during a very dark time for Chile: the demise of Salvador Allende and the rise of General Augusto Pinochet. In a time of torture, exile, and political “disappearances,” his plays stood as quietly powerful anti-regime statements that mourned the country’s loss. Translator Ana Elena Puga’s introduction places Radrigán’s work in its historical and cultural context and provides ample background for the six pieces.

The first work, Testimonies to the Deaths of Sabina, features a fruit seller who may lose her livelihood after she is accused of some mysterious infraction; but she doesn’t know what she has done—if she has truly done anything. The Beasts tells the story of three sisters living in the wilderness who, fearing they have been completely abandoned, devise a means of ultimate escape. Funeral Drums for Lambs and Wolves comes in three parts: Isabel Banished in Isabel, a monologue of a woman left to go mad alone; Without Apparent Motive, a monologue by a murderer who laments the spread of violence; and the dialogue The Guest, a confrontational piece that speaks directly to the spectators, implicating them in their silent, passive tolerance of Pinochet. The title play, Radrigán’s 1981 masterpiece, speaks directly to the specter of the many “disappeared” victims of the military regime.

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cover of First Contact: Speculative Visions of the Conquest of the Americas

First Contact

Speculative Visions of the Conquest of the Americas

Zac Zimmer

Northwestern University Press, 2025

Examining the power of speculative fiction to reimagine historical accounts of the conquest of the Americas

The historical conquest of the Americas resides at the core of all first-contact narratives, which stage colonization and resistance in the generic guise of speculative fiction. Starting from this axiom, First Contact: Speculative Visions of the Conquest of the Americas moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period’s historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac Zimmer examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. First Contact thus poses a foundational question: Can we understand the conquest as an originary world-historical event without eclipsing the other cosmologies that existed, and continue to exist, within the contact zone? Can we decolonize the speculative imagination itself?

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cover of Flooded: Development, Democracy, and Brazil’s Belo Monte Dam

Flooded

Development, Democracy, and Brazil’s Belo Monte Dam

Peter Taylor Klein

Rutgers University Press, 2022

Winner of the 2023 Marysa Navarro Best Book Prize from the New England Council for Latin American studies

In the middle of the twentieth century, governments ignored the negative effects of large-scale infrastructure projects. In recent decades, many democratic countries have continued to use dams to promote growth, but have also introduced accompanying programs to alleviate these harmful consequences of dams for local people, to reduce poverty, and to promote participatory governance. This type of dam building undoubtedly represents a step forward in responsible governing. But have these policies really worked?
 
Flooded provides insights into the little-known effects of these approaches through a close examination of Brazil’s Belo Monte hydroelectric facility. After three decades of controversy over damming the Xingu River, a tributary of the Amazon, the dam was completed in 2019 under the left-of-center Workers’ Party, becoming the world’s fourth largest. Billions of dollars for social welfare programs accompanied construction. Nonetheless, the dam brought extensive social, political, and environmental upheaval to the region. The population soared, cost of living skyrocketed, violence spiked, pollution increased, and already overextended education and healthcare systems were strained. Nearly 40,000 people were displaced and ecosystems were significantly disrupted. Klein tells the stories of dam-affected communities, including activists, social movements, non-governmental organizations, and public defenders and public prosecutors. He details how these groups, as well as government officials and representatives from private companies, negotiated the upheaval through protests, participating in public forums for deliberation, using legal mechanisms to push for protections for the most vulnerable, and engaging in myriad other civic spaces. Flooded provides a rich ethnographic account of democracy and development in the making. In the midst of today’s climate crisis, this book showcases the challenges and opportunities of meeting increasing demands for energy in equitable ways.
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cover of Folk Stories from the Hills of Puerto Rico / Cuentos folklóricos de las montañas de Puerto Rico

Folk Stories from the Hills of Puerto Rico / Cuentos folklóricos de las montañas de Puerto Rico

Rafael Ocasio

Rutgers University Press, 2021

This exciting new anthology gathers together Puerto Rican folktales that were passed down orally for generations before finally being transcribed beginning in 1914 by the team of famous anthropologist Franz Boas. These charming tales give readers a window into the imaginations and aspirations of Puerto Rico’s peasants, the Jíbaro.
 
Some stories provide a distinctive Caribbean twist on classic tales including “Snow White” and “Cinderella.” Others fictionalize the lives of local historical figures, such as infamous pirate Roberto Cofresí, rendered here as a Robin Hood figure who subverts the colonial social order. The collection also introduces such beloved local characters as Cucarachita Martina, the kind cockroach who falls in love with Ratoncito Pérez, her devoted mouse husband who brings her delicious food. 
 
Including a fresh English translation of each folktale as well as the original Spanish version, the collection also contains an introduction from literary historian Rafael Ocasio that highlights the historical importance of these tales and the Jíbaro cultural values they impart. These vibrant, funny, and poignant stories will give readers unique insights into Puerto Rico’s rich cultural heritage.
 

Esta nueva y emocionante antología reúne cuentos populares puertorriqueños que fueron transmitidos oralmente durante generaciones antes de ser finalmente transcritos comenzando en 1914 por el equipo del famoso antropólogo Franz Boas. Estos encantadores cuentos ofrecen a los lectores un vistazo a la imaginación y las aspiraciones de los jíbaros, los campesinos de Puerto Rico.
 
Algunas historias brindan un distintivo toque caribeño a cuentos clásicos como "Blanca Nieves" y "Cenicienta". Otros ficcionalizan la vida de personajes históricos locales, como el famoso pirata Roberto Cofresí, representado como una figura al estilo de Robin Hood, quien subvierte el orden social colonial. La colección también presenta personajes locales tan queridos como Cucarachita Martina, la amable cucaracha que se enamora de Ratoncito Pérez, su devoto esposo ratón que le trae deliciosa comida. 
 
Incluyendo una nueva traducción al inglés de estos cuentos populares, así como las versiones originales en español, la colección también contiene una introducción del historiador literario Rafael Ocasio, quien destaca la importancia histórica de estos cuentos y los valores culturales del jíbaro que éstos imparten en los relatos. Estas historias vibrantes, divertidas y conmovedoras brindarán a los lectores una visión única de la rica herencia cultural de Puerto Rico.

Introducción en español (https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2021/02/03154419/Ocasio_Cuentos_Intro_Espan%CC%83ol.pdf)

Rafael Ocasio will discussing his book, 'Folk Stories from the Hills of Puerto Rico / Cuentos folklóricos de las montañas de Puerto Rico' at Biblioteca Juvenil de Mayagüez in Puerto Rico (https://youtu.be/o6Tub094EoI)
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cover of Food Studies in Latin American Literature: Perspectives on the Gastronarrative

Food Studies in Latin American Literature

Perspectives on the Gastronarrative

Rocío del Aguila

University of Arkansas Press, 2021

Food Studies in Latin American Literature presents a timely collection of essays analyzing a wide array of Latin American narratives through the lens of food studies. Topics explored include potato and maize in colonial and contemporary global narratives; the role of cooking in Sor Juana Inés de la Cruz’s poetics; the centrality of desire in twentieth-century cooking writing by women; the relationship among food, recipes, and national identity; the role of food in travel narratives; and the impact of advertisements on domestic roles.

The contributors included here—experts in Latin American history, literature, and cultural studies—bring a novel, interdisciplinary approach to these explorations, presenting new perspectives on Latin American literature and culture.

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cover of Food, Texts, and Cultures in Latin America and Spain

Food, Texts, and Cultures in Latin America and Spain

Rafael Climent-Espino

Vanderbilt University Press, 2020

The fourteen essays in Food, Texts, and Cultures in Latin America and Spain showcase the eye-opening potential of a food lens within colonial studies, ethnic and racial studies, gender and sexuality studies, and studies of power dynamics, nationalisms and nation building, theories of embodiment, and identity. In short, Food, Texts, and Cultures in Latin America and Spain grapples with an emerging field in need of a foundational text, and does so from multiple angles.

The studies span from the Middle Ages to the twenty-first century, and the contributing scholars occupy diverse fields within Latin American and Hispanic Studies. As such, their essays showcase eclectic critical and theoretical approaches to the subject of Latin American and Iberian food.

Food, Texts, and Cultures in Latin America and Spain also introduces the first English-language publication of works from such award-winning scholars as Adolfo Castañón of the Mexican Academy of Language; Sergio Ramírez, winner of the 2017 Miguel de Cervantes Prize in Literature; and Carmen Simón Palmer, winner of the 2015 Julián Marías Prize for Research.

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cover of Forgotten Friendships: Yugoslavia and the Anticolonial Francophone World

Forgotten Friendships

Yugoslavia and the Anticolonial Francophone World

Alexandra Perišic

Amherst College Press, 2025

Forgotten Friendships: Yugoslavia and the Anticolonial Francophone World examines transnational friendships and alliances between intellectuals from Yugoslavia and the Francophone African and Caribbean world during the mid-twentieth century. The book argues that transnational political friendships helped shape major intellectual movements like Négritude, African socialism, and global socialist feminisms, which surged beyond national, regional, and even diasporic spaces. Blending archival research, literary analysis, and biography, the book fills a significant gap in our understanding of how intellectuals from the Global South and the socialist world collaborated on shared goals of decolonization, anti-racism, and socialist worldmaking.

Forgotten Friendships emphasizes the ways in which writers, intellectuals, and activists envisioned alternative futures rooted in collaboration across peripheries. Personal bonds of friendship were not mere footnotes to the anti-colonial struggle, but vital political tools for rethinking global solidarity.

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cover of Forgotten Futures, Colonized Pasts: Transnational Collaboration in Nineteenth-Century Greater Mexico

Forgotten Futures, Colonized Pasts

Transnational Collaboration in Nineteenth-Century Greater Mexico

Cara Anne Kinnally

Bucknell University Press, 2019

Forgotten Futures, Colonized Pasts traces the existence of a now largely forgotten history of inter-American alliance-making, transnational community formation, and intercultural collaboration between Mexican and Anglo American elites. This communion between elites was often based upon Mexican elites’ own acceptance and reestablishment of problematic socioeconomic, cultural, and ethno-racial hierarchies that placed them above other groups—the poor, working class, indigenous, or Afro-Mexicans, for example—within their own larger community of Greater Mexico. Using close readings of literary texts, such as novels, diaries, letters, newspapers, political essays, and travel narratives produced by nineteenth-century writers from Greater Mexico, Forgotten Futures, Colonized Pasts brings to light the forgotten imaginings of how elite Mexicans and Mexican Americans defined themselves and their relationship with Spain, Mexico, the United States, and Anglo America in the nineteenth century. These “lost” discourses—long ago written out of official national narratives and discarded as unrealized or impossible avenues for identity and nation formation—reveal the rifts, fractures, violence, and internal colonizations that are a foundational, but little recognized, part of the history and culture of Greater Mexico.  

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Fragmented Lives, Assembled Parts: Culture, Capitalism, and Conquest at the U.S.-Mexico Border

Fragmented Lives, Assembled Parts

Culture, Capitalism, and Conquest at the U.S.-Mexico Border

By Alejandro Lugo

University of Texas Press, 2008

Southwest Book Award, Border Regional Library Association, 2008
Association of Latina and Latino Anthropologists Book Award, 2009

Established in 1659 as Misión de Nuestra Señora de Guadalupe de los Mansos del Paso del Norte, Ciudad Juárez is the oldest colonial settlement on the U.S.-Mexico border-and one of the largest industrialized border cities in the world. Since the days of its founding, Juárez has been marked by different forms of conquest and the quest for wealth as an elaborate matrix of gender, class, and ethnic hierarchies struggled for dominance. Juxtaposing the early Spanish invasions of the region with the arrival of late-twentieth-century industrial "conquistadors," Fragmented Lives, Assembled Parts documents the consequences of imperial history through in-depth ethnographic studies of working-class factory life.

By comparing the social and human consequences of recent globalism with the region's pioneer era, Alejandro Lugo demonstrates the ways in which class mobilization is itself constantly being "unmade" at both the international and personal levels for border workers. Both an inside account of maquiladora practices and a rich social history, this is an interdisciplinary survey of the legacies, tropes, economic systems, and gender-based inequalities reflected in a unique cultural landscape. Through a framework of theoretical conceptualizations applied to a range of facets—from multiracial "mestizo" populations to the notions of border "crossings" and "inspections," as well as the recent brutal killings of working-class women in Ciudad Juárez—Fragmented Lives, Assembled Parts provides a critical understanding of the effect of transnational corporations on contemporary Mexico, calling for official recognition of the desperate need for improved working and living conditions within this community.

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cover of Framing Silence: Revolutionary Novels by Haitian Women

Framing Silence

Revolutionary Novels by Haitian Women

Chancy, Myriam J

Rutgers University Press, 1992

Raped and colonized, coerced and silenced--this has been the position of Haitian women within their own society, as well as how they have been seen by foreign occupiers. Romanticized symbols of nationhood, they have served, however unwillingly, as a politicized site of contestation between opposing forces.

In this first book-length study in English devoted exclusively to Haitian women's literature, Myriam Chancy finds that Haitian women have their own history, traditions, and stories to tell, tales that they are unwilling to suppress or subordinate to narratives of national autonomy. Issues of race, class, color, caste, nationality, and sexuality are all central to their fiction--as is an urgent sense of the historical place of women between the two U.S. occupations of the country. Their novels interrogate women's social and political stance in Haiti from an explicitly female point of view, forcefully responding to overt sexual and political violence within the nation's ambivalent political climate. Through daring and sensitive readings, simultaneously historical, fictional and autobiographical, Chancy explores this literature, seeking to uncover answers to the current crisis facing these women today, both within their country and in exile.The writers surveyed include Anne-christine d'Adesky, Ghislaine Rey Charlier, Marie Chauvet, Jan J. Dominique, Nadine Magloire, and Edwidge Danticat, whose work has recently achieved such high acclaim.

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cover of Frivolous Women and Other Sinners / Frívolas y pecadoras

Frivolous Women and Other Sinners / Frívolas y pecadoras

Alicia Borinsky

Swan Isle Press, 2009

Tango and fairy tales mix freely in this seductive, irreverent, and sensual collection of poems. From a city that is at once Buenos Aires and all others, Alicia Borinsky brings to life reluctant mothers, slightly mad teachers, selfless wives, neighborhood witches, best friends, sworn enemies, torturers, vamps, cheats, and lovers—a gallery of characters who wink and boldly gaze back at us. Vignettes become poems and poems become vignettes, reflections that dance, reveal, conceal, enchant, confess, and dream. 

Frivolous Women invites us to visit the darker and lighter sides of laughter and love and feel the tenderness of recovered memories as we cross the bridges of relationships and stroll down the mysterious streets of childhood. Alicia Borinsky reminds us that the revelations of poetry are always intimate and dangerous. Cola Franzen’s agile and insightful translation, crafted in close collaboration with the poet, is faithful to the letter and spirit of the original Spanish in this bilingual edition.  
 
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cover of From Popular to Insurgent Intellectuals: Peasant Catechists in the Salvadoran Revolution

From Popular to Insurgent Intellectuals

Peasant Catechists in the Salvadoran Revolution

Leigh Binford

Rutgers University Press, 2023

From Popular to Insurgent Intellectuals explains how a group of Catholic lay catechists educated in liberation theology came to take up arms and participate on the side of the rebel FMLN during El Salvador’s revolutionary war (1980-92). In the process they became transformed from popular intellectuals to insurgent intellectuals who put their organizational and cognitive skills at the service of a collective effort to create a more egalitarian and democratic society. The book highlights the key roles that peasant catechists in northern Morazán played in disseminating liberation theology before the war and supporting the FMLN during it—as quartermasters, political activists, and musicians, among other roles. Throughout, From Popular to Insurgent Intellectuals highlights the dialectical nature of relations between Catholic priests and urban revolutionaries, among others, in which the latter learned from the former and vice-versa. Peasant catechists proved capable at making independent decisions based on assessment of their needs and did not simply follow the dictates of those with superior authority, and played an important role for the duration of the twelve-year military conflict. 
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cover of From Strangers to Neighbors: Post-Disaster Resettlement and Community Building in Honduras

From Strangers to Neighbors

Post-Disaster Resettlement and Community Building in Honduras

By Ryan Alaniz

University of Texas Press, 2017

Natural disasters, the effects of climate change, and political upheavals and war have driven tens of millions of people from their homes and spurred intense debates about how governments and nongovernmental organizations (NGOs) should respond with long-term resettlement strategies. Many resettlement efforts have focused primarily on providing infrastructure and have done little to help displaced people and communities rebuild social structure, which has led to resettlement failures throughout the world. So what does it take to transform a resettlement into a successful community?

This book offers the first long-term comparative study of social outcomes through a case study of two Honduran resettlements built for survivors of Hurricane Mitch (1998) by two different NGOs. Although residents of each arrived from the same affected neighborhoods and have similar demographics, twelve years later one resettlement wrestles with high crime, low participation, and low social capital, while the other maintains low crime, a high degree of social cohesion, participation, and general social health. Using a multi-method approach of household surveys, interviews, ethnography, and analysis of NGO and community documents, Ryan Alaniz demonstrates that these divergent resettlement trajectories can be traced back to the type and quality of support provided by external organizations and the creation of a healthy, cohesive community culture. His findings offer important lessons and strategies that can be utilized in other places and in future resettlement policy to achieve the most effective and positive results.

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cover of Fueling Development: How Black Radical Trade Unionism Transformed Trinidad and Tobago

Fueling Development

How Black Radical Trade Unionism Transformed Trinidad and Tobago

Zophia Edwards

Duke University Press, 2025

Despite Trinidad and Tobago’s economic dependence on oil and gas production and its history of colonial exploitation of labor and resources, it enjoys relatively high democratic and redistributive development compared to other nations in the global South. In Fueling Development, Zophia Edwards draws on archival data, historical analysis, and Black radical political economic thought to trace Trinidad and Tobago’s success to a specific form of working-class mobilization she calls “liberation unionism.” A Black radical labor tradition, liberation unionism was multiracial, multisectoral, and gender inclusive; and Pan-African, anti-imperial, anticolonial, and diasporic; it advocated not only for workplace issues, but for economic, political, and social transformation. Emerging during the colonial period, liberation unionism forced the colonial state to increase its institutional capacity to promote equitable development. The movement persisted into the post-independence period and further compelled the independent state to channel oil windfalls toward increasing its ability to better serve the needs of the people. By uncovering liberation unionism’s power to create robust social and economic change, Edwards expands understandings of the relationship between development, race, labor, and political economy.
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cover of Fuentes, Terra Nostra, and the Reconfiguration of Latin American Culture

Fuentes, Terra Nostra, and the Reconfiguration of Latin American Culture

Michael Abeyta

University of Missouri Press, 2006

Widely acknowledged as Carlos Fuentes’s most ambitious novel, Terra Nostra is a paradigm-shifting work that has generated a virtual cottage industry of scholarly analysis. Michael Abeyta has now taken a new approach to this celebrated novel by considering how giving a gift is like telling a story.
            Grounding his study on the work of Derrida and Bataille, Abeyta focuses on the theme of the gift in Terra Nostra, analyzing how gift giving, excess, expenditure, sacrifice, and exchange give shape to the novel. The question of giving leads him into contemplations of such parallel issues as money and exchange economies, the gift’s role in art and narration, and the Baroque in Latin American culture—an elaborate set of arguments that puts Fuentes’s understanding of Latin American culture in a surprising new light.
            Blending literary theory with economic anthropology, philosophy, and Latin American studies, Abeyta analyzes the deconstructive functions of rhetorical figures and tropes in Terra Nostra to show how the novel’s revival of Baroque style integrates European and Nahuatl figural strategies. In the process, he reveals the novel’s relevance to current discussions about the relationship between art and the question of the gift. He then goes on to examine Fuentes’s Baroque in relation to Terra Nostra’s reconfiguration of Latin American cultural history.
Abeyta’s study opens new windows on this difficult work as he grapples intelligently with the sometimes dizzying conceptual dances that Fuentes performs. He shows how Fuentes’s rereading of Latin American history confronted important changes during the initial encounter between Europe and the Americas, which coincided with the spread of the European market and the shift from a gift to an exchange economy—from a culture in which economic relations were based on sacrifices, tributes, or gifts to one in which market forces predominated. He also engages in the recent scholarly debate on the potlatch and its implications in New World culture.
            As Abeyta reveals, underlying Fuentes’s treatment of the gift is a deep questioning of utopian thought and its impact throughout Latin America’s history. His insights help define Terra Nostra’s place in current discussions in literary theory about art, economy, and the question of the gift, and this work stands to be hailed as one of the most perceptive readings of the novel yet to appear.
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cover of Futuring Black Lives: Independent Black Institutions and the Literary Imagination

Futuring Black Lives

Independent Black Institutions and the Literary Imagination

Maisha T. Winn

Vanderbilt University Press, 2025

Futuring Black Lives is a historical ethnography examining Black institution builders in the late 1960s and early 1970s and their work to leverage the power of publications and the literary imagination to engage “concerned men and women” in conversations about the educational journeys and futures of Black children. While many began as reactions to anti-Blackness and American public schooling failing Black children, Independent Black Institutions (IBIs) came to be viable ecosystems anchored in a shared Black value system preparing Black children in three areas: identity, purpose, and direction.

The rationale for establishing and valuing IBIs remains highly relevant, given the sociopolitical landscape of education today. In addition to persistent racial disparities in academic achievement and Black students’ highly disproportionate experiences of punishment and “discipline,” friction and legislation against critical examination of race, racism, and racist ideas in school settings are front and center, and children’s and young adult literature are under attack through censorship and outright book bans. Yet Black institution builders left useful maps of and for the educational future/s of Black children that remain available in journals, newspapers, pamphlets, and other ephemera. Author Maisha T. Winn demonstrates how and why the historiography-grounded futuring of Black education can and should inform current pursuits of equity, justice, and liberation through education.
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