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Explore a diversity of feminist readings of the Bible

This latest volume in the Bible and Women series is concerned with documenting, through word and image, both well-known and largely unknown women and their relationship to the Bible from the period of the late eighteenth century up to the beginning of the twentieth century. The essays in this collection illustrate the broad range of treatment of the Holy Scripture. Paul Chilcote, Marion Ann Taylor, Christiana de Groot, Elizabeth M. Davis, and Pamela S. Nadell offer perspectives on the Anglo-American sphere during this period. Marina Cacchi, Adriano Valerio, Inmaculada Blasco Herranz, and Alexei Klutschewski and Eva Maria Synek illuminate the areas of southern and eastern Europe. Angela Berlis, Ruth Albrecht, Doris Brodbeck, Ute Gause, and Michaela Sohn-Kronthaler examine women from the German-speaking world and their texts. Bernhard Schneider, Magda Motté, Katharina Büttner-Kirschner, and Elfriede Wiltschnigg treat the subject area of religious literature and art.

Features

• Insight into how women participated in academic exegesis and applied biblical figures as models for structuring their own lives
• Exploration of genres used by women, including letters, diaries, autobiographical records, stories, novels, songs, poems, and specialized exegetical treatises and commentaries on individual books of the Bible
• Detailed analyses of women’s interpretations ranging from those that sought to confirm traditions to those that challenged them

An intimate history that puts the Black church at the heart of New England’s struggle with race, power, and belonging

On the eve of Barack Obama’s historic election in 2008, the Macedonia Church of God in Christ in Springfield, Massachusetts—a church built by historian Todd E. Robinson’s family—was set ablaze in an act of racial terror. This devastating event echoes a long history of attacks on Black churches, institutions that have served as vital centers of faith, civic life, and community organization.

In Faith in the Fire, Robinson charts the evolution of Springfield’s Black community from its seventeenth-century beginnings through the Great Migration and into the twenty-first century. Centering the Black church, he demonstrates how African Americans shaped the city’s industrial, cultural, and civic landscape, building social networks and organizations that became enduring anchors of community life. From the League of Gileadites, an all-Black armed anti-slavery militia, to twentieth-century initiatives like the Springfield Plan—a pioneering but short-lived experiment in interracial education—Robinson uncovers the city’s deep history of Black resistance to white supremacy. In doing so, he exposes the limits of New England’s mythic racial tolerance. Racial violence, police brutality, economic inequality, educational disparities, and housing segregation, Robinson argues, are not aberrations of the South but also enduring features of Northern life and culture.

Drawing on extensive archival research and his own family’s experience, Robinson offers a powerful and deeply personal narrative that links past and present. Through the intertwined story of Springfield’s Black community and the destruction of one of its most cherished institutions, he illuminates how the long struggle for freedom, justice, and belonging continues to shape the life of Black Americans and the nation as a whole.

Sons of Britches. The Great American Chuckwagon Dinner Show. The Haygoods. The Grand Jubilee. These are just a couple of the many shows performed in Branson, MO, a popular tourist destination that has played a role in the nation’s culture wars for over one hundred years.
 
Branson, Missouri, the Ozark Mountain mecca of wholesome entertainment, has been home to countless stage shows espousing patriotism and Christianity, welcoming over ten million visitors a year. Some consider it “God’s Country” and others “as close to Hell as anything on Earth.” For Joanna Dee Das, Branson is a political, religious, and cultural harbinger of a certain enduring dream of what America is. She takes Branson more seriously than the light-hearted fun it advertises—and maybe we should too.
 
For Das, Branson’s performers offer visions of the American Dream that embody a set of values known as the three Fs: faith, family, and flag. Branson boosters insist that these are universal values that welcome all people; the city aims to capture as many tourists as possible. But over the past several decades, faith, family, and flag have become markers of contemporary conservatism. The shows and culture of Branson, for all their fun and laughter, have been a galvanizing political force for white, working-and-middle class, Christian Americans. For social and economic conservatives alike, Branson is practically proof-of-concept for America as they want it to be. 
 
Faith, Family, and Flag is a comprehensive history of the Branson entertainment industry, within the context of America’s long culture wars. Das reveals how and why a town known for popular entertainment, a domain associated most often with the political left (“Hollywood liberals”), came to be so important to the political right and its vision for America.

The search for belief and meaning among nineteenth-century intellectuals

The nineteenth century’s explosion of scientific theories and new technologies undermined many deep-seated beliefs that had long formed the basis of Western society, making it impossible for many to retain the unconditional faith of their forebears. A myriad of discoveries—including Faraday’s electromagnetic induction, Joule’s law of conservation of energy, Pasteur’s germ theory, Darwin’s and Wallace’s theories of evolution by natural selection, and Planck’s work on quantum theory—shattered conventional understandings of the world that had been dictated by traditional religious teachings and philosophical systems for centuries.

Fictions of Certitude: Science, Faith, and the Search for Meaning, 1840–1920 investigates the fin de siècle search for truth and meaning in a world that had been radically transformed. John S. Haller Jr. examines the moral and philosophical journeys of nine European and American intellectuals who sought deeper understanding amid such paradigmatic upheaval. Auguste Comte, John Henry Newman, Herbert Spencer, Alfred Russel Wallace, Thomas Henry Huxley, John Fiske, William James, Lester Frank Ward, and Paul Carus all belonged to an age in which one world was passing while another world that was both astounding and threatening was rising to take its place.

For Haller, what makes the work of these nine thinkers worthy of examination is how they strove in different ways to find certitude and belief in the face of an epochal sea change. Some found ways to reconceptualize a world in which God and nature coexist. For others, the challenge was to discern meaning in a world in which no higher power or purpose can be found. As explained by D. H. Meyer, “The later Victo­rians were perhaps the last generation among English-speaking intellectuals able to believe that man was capable of understanding his universe, just as they were the first generation collectively to suspect that he never would.”
 

A survivor's powerful testament to faith, memory, and the triumph of the human spirit.

A fascinating memoir about a Holocaust survivor's loss of and journey back to faith. In 1939, Baruch Goldstein was a religiously observant adolescent resident of the Jewish community in Mlawa, a town that was then in East Prussia. After war broke out, the Jewish community there was relatively sheltered, as that region was incorporated into the German Reich rather than into the General Government (the German run-fragment of pre-war Poland, where conditions were harsh for everyone). However in 1942, Goldstein was sent to Auschwitz, where he stayed two-and-a-half years. His family was scattered all to their deaths, but he survived the war--barely. For Decades I Was Silent is an account of life in a small Polish-German town and provides information on the religious life of the Jewish citizens. This book creates a direct sense of the random, mystifying personal violence individuals felt at the hands of Germans--not the anonymous industrial death machine, but immediate, face-to-face violence.

After the war, Goldstein drifted as a refugee to UNRR camps in Italy. Over time, young Goldstein had to face the fact that all of his extended family was lost and he had only the possibilities of Palestine or help from distant relatives in the United States as a future. His American relatives urged him to enter the United States as a yeshiva student, and eventually he became a rabbi and started a family. As a young rabbinical student, and then as a rabbi, Goldstein was forced to confront the events of the Holocaust and the damage done to his faith. 

Freddie Steinmark tells the story of a legendary University of Texas football player whose courage on the field and in battling cancer still inspires the Longhorn nation.

Freddie Steinmark started at safety for the undefeated University of Texas Longhorns in 1969. In the thrilling “Game of the Century,” a come-from-behind victory against Arkansas that ensured Texas the national championship, Steinmark played with pain in his left leg. Two days later, X-rays revealed a bone tumor so large that it seemed a miracle Steinmark could walk, let alone play football. Within a week of the Arkansas game, his leg was amputated.

A gritty, undersized player, Steinmark had quickly become a fan favorite at Texas. What he endured during the Longhorns’ memorable 1969 season, and what he encountered afterward, captivated not only Texans but the country at large. Americans watched closely as Steinmark confronted life’s ultimate challenge, and his openness during his battle against savage odds helped reframe the national conversation surrounding cancer and the ongoing race for a cure.

Written with unfettered access to the Steinmark family and archives, Freddie Steinmark: Faith, Family, Football is the exploration of a brief but full life, one that began humbly but ended on a grand stage. It is a fitting tribute to a legendary Longhorn whose photograph, emblazoned with the word “Heart,” flashes on the Freddie Steinmark Scoreboard’s Jumbotron prior to each home football game in UT’s Darrell K Royal–Texas Memorial Stadium at Joe Jamail Field.