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In this volume, contributors demonstrate the real-world application of Indigenous theory to the work they do in their own communities and how this work is driven by urgency, responsibility, and justice—work that is from the skin.

In From the Skin, contributors reflect on and describe how they apply the theories and concepts of Indigenous studies to their communities, programs, and organizations, and the ways the discipline has informed and influenced the same. They show the ways these efforts advance disciplinary theories, methodologies, and praxes. Chapters cover topics including librarianship, health programs, community organizing, knowledge recovery, youth programming, and gendered violence. Through their examples, the contributors show how they negotiate their peoples’ knowledge systems with knowledge produced in Indigenous studies programs, demonstrating how they understand the relationship between their people, their nations, and academia.

Editors J. Jeffery Clark and Elise Boxer propose and develop the term practitioner-theorist to describe how the contributors theorize and practice knowledge within and between their nations and academia. Because they live and exist in their community, these practitioner-theorists always consider how their thinking and actions benefit their people and nations. The practitioner-theorists of this volume envision and labor toward decolonial futures where Indigenous peoples and nations exist on their own terms.

Contributors
Randi Lynn Boucher-Giago
Elise Boxer
Shawn Brigman
J. Jeffery Clark
Nick Estes
Eric Hardy
Shalene Joseph
Jennifer Marley
Brittani R. Orona
Alexander Soto

Moving from Moneyball and Football Manager to coverage of analytics gurus like Daryl Morey, Buehler shows how a fixation on managerial moves has taken hold across the entire sports media landscape. Buehler’s chapter-by-chapter look at specific media forms illustrates different facets of the managerial craze while analyzing the related effects on what fans see, hear, and play. Throughout, Buehler explores the unsettling implications of exalting the management class and its logics, in the process arguing that sports media’s managerial lionization serves as one of the clearest reflections of major material and ideological changes taking place across culture and society.

Insightful and timely, Front Office Fantasies reveals how sports media moved the action from the field to the executive suite.

In an age when pundits constantly decry overt political bias in the media, we have naturally become skeptical of the news. But the bluntness of such critiques masks the highly sophisticated ways in which the media frame important stories. In Front Page Economics, Gerald Suttles delves deep into the archives to examine coverage of two major economic crashes—in 1929 and 1987—in order to systematically break down the way newspapers normalize crises.

Poring over the articles generated by the crashes—as well as the people in them, the writers who wrote them, and the cartoons that ran alongside them—Suttles uncovers dramatic changes between the ways the first and second crashes were reported. In the intervening half-century, an entire new economic language had arisen and the practice of business journalism had been completely altered. Both of these transformations, Suttles demonstrates, allowed journalists to describe the 1987 crash in a vocabulary that was normal and familiar to readers, rendering it routine.

A subtle and probing look at how ideologies are packaged and transmitted to the casual newspaper reader, Front Page Economics brims with important insights that shed light on our own economically tumultuous times.

Borderlands Regional Library Association Southwest Book Award Winner
2025 International Latino Book Award Winner

The topic of mothers and mothering transcends all spaces, from popular culture to intellectual thought and critique. This collection of essays bridges both methodological and theoretical frameworks to explore forms of mothering that challenge hegemonic understandings of parenting and traditional notions of Latinx womxnhood. It articulates the collective experiences of Latinx, Black, and Indigenous mothering from both sides of the U.S.-Mexico border.

Thirty contributors discuss their lived experiences, research, or community work challenging multiple layers of oppression, including militarization of the border, border security propaganda, feminicides, drug war and colonial violence, grieving and loss of a child, challenges and forms of resistance by Indigenous mothers, working mothers in maquiladoras, queer mothering, academia and motherhood, and institutional barriers by government systems to access affordable health care and environmental justice. Also central to this collection are questions on how migration and detention restructure forms of mothering. Overall, this collection encapsulates how mothering is shaped by the geopolitics of border zones, which also transcends biological, sociological, or cultural and gendered tropes regarding ideas of motherhood, who can mother, and what mothering personifies.

Contributors
Elva M. Arredondo
Cynthia Bejarano
Bertha A. Bermúdez Tapia
Margaret Brown Vega
Macrina Cárdenas Montaño
Claudia Yolanda Casillas
Luz Estela (Lucha) Castro
Marisa Elena Duarte
Taide Elena
Sylvia Fernández Quintanilla
Paula Flores Bonilla
Judith Flores Carmona
Sandra Gutiérrez
Ma. Eugenia Hernández Sánchez
Irene Lara
Leticia López Manzano
Mariana Martinez
Maria Cristina Morales
Paola Isabel Nava Gonzales
Olga Odgers-Ortiz
Priscilla Pérez
Silvia Quintanilla Moreno
Cirila Quintero Ramírez
Felicia Rangel-Samponaro
Coda Rayo-Garza
Shamma Rayo-Gutierrez
Marisol Rodríguez Sosa
Brenda Rubio
Ariana Saludares
Victoria M. Telles
Michelle Téllez
Marisa S. Torres
Edith Treviño Espinosa
Mariela Vásquez Tobon
Hilda Villegas

Until the 1960s, the Ayoreo people of Paraguay's Chaco region had remained uncontacted by the world. But as development encroached on their territory, the Ayoreo began to experience rapid cultural change. Paola Canova looks at one aspect of this change in Frontier Intimacies: the sexual practices of Ayoreo women, specifically the curajodie, or single women who exchange sex for money or material goods with non-Ayoreo men, often Mennonite settlers.

Weaving personal anecdotes into her extensive research, Canova shows how the advancement of economic and missionary frontiers has reconfigured gender roles, sexual ethics, and notions of desire in the region. Ayoreo women, she shows, have reappropriated their sexual practices, approaching intimate liaisons on their own terms and seeing the involvement of money not as morally problematic but as constitutive of sexual encounters. By using their sexuality to construct an intimate frontier operating according to their own logics, Canova reveals, Ayoreo women expose the fractured workings of frontier capitalism in spaces of rapid transformation. Inviting broader examination of the ways in which contemporary frontier economies are constructed and experienced, Frontier Intimacies brings a captivating new perspective to the economic development of the Chaco region.

When her octogenarian poet mother was diagnosed with terminal ovarian cancer, Mary Cappello and her wife moved into the living room of Rosemary’s one-bedroom apartment in Philadelphia to help fulfill her wish to live out her life at home. A memoir in the form of lyric essays—with her mother’s own writing interspersed—Frost Will Come is a daughter’s tribute to her mother’s months-long transition from a deeply lived life to a difficult, beautiful, and uneasy death.

Cappello renders an immersive and emotionally honest portrait of modern caregiving in a prose style that is the very definition of candor. While paying homage to expert caregivers and medical professionals, Cappello also brings her signature razor-sharp analysis to all the things that fall outside the realm of (medical) knowledge—from platitudes around the time death takes to the defiance of a “peaceful death” as a sign of a moral failing. More than a memoir of grief, Frost Will Come is a rare reckoning with the very fundamentals of existence: how we come into being, how we care, and how we die.

Kim Myeong-sun is Korea's first published woman writer. Fruit of Life: Poems (생명의 과실: 김명순 시선) is the first book-length, Korean-to-English translation of her poetry. Kim’s poems offer a raw portrait of 1920s–30s Korea, driven by her personal experiences of sexual assault, misogynistic journalism and criticism, displacement, and poverty during the Japanese colonial occupation (1910–1945). Alongside feminist critique, Kim also writes about sapphic desire, familial affection, and nature, in styles that range from the traditional to the experimental. While Kim’s work was erased from the canon by Korea’s misogynistic literary establishment, Fruit of Life celebrates the legacy of Kim’s radical, versatile poetry, which paved the way for contemporary Korean women writers.
 

English-Korean Bilingual Edition 
영-한 이중언어판

This book is published with the support of the Literature Translation Institute of Korea (LTI Korea).

‘한국 여성 최초 등단 작가’ 김명순의 시가 영문 완역본 『생명의 과실: 김명순 시선』으로 영어권 독자들을 만난다. 1920–30년대 조선 사회의 민낯을 강렬하고 가감 없는 언어로 담아낸 김명순의 시는, 일제강점기 아래 성폭력과 여성혐오적 언론 및 비평, 이주와 빈곤을 직접 겪어낸 작가의 여성주의적·반식민주의적 저항 정신을 생생히 드러낸다. 또한 전통과 실험을 넘나드는 다채로운 형식과 기법으로 여성 간 연대와 사랑, 가족애, 자연에 대하여 노래한다. 『생명의 과실: 김명순 시선』은 여성혐오적 문단으로부터 소외당한 김명순의 작품을 재조명하며, 한국 여성문학의 새로운 지평을 연 그의 업적을 기념한다.

A personal, provocative, and boundary-breaking volume on the power relations that racialized, gendered, and sexualized researchers grapple with while conducting activist research.

Fugitive Anthropology is a transnational, intergenerational engagement that extends feminist theory, activist research methodologies, and the discipline of anthropology in new directions. Contributors examine the tensions that arise from conducting politically engaged, collaborative research alongside communities in struggle, in particular theorizing from the experiences of racialized women, queer, trans, and gender nonconforming researchers across distinct geographies. Essays contend with the matrices of colonial, imperial, and patriarchal violence that afflict the researchers and communities with which they seek political alignment.

Articulating an ethnographic practice grounded in Black and Indigenous political struggles and committed to collective liberation, the volume reflects on what it means to navigate violent relations of power, systemic inequities, and current onslaughts shaping field research and US academia. Ultimately, Fugitive Anthropology argues that a feminist ethos—one that embraces embodied knowledges and fugitive sensibilities—forges liberatory spaces that break from dominant masculinist frames of the “political” and challenge colonial regimes within and beyond the neoliberal university.

Looks to the philosophy and experience of prisoners to reinvigorate our concepts of justice, solidarity, and freedom

In Fugitive Thought, Michael Hames-García argues that writings by prisoners are instances of practical social theory that seek to transform the world. Unlike other authors who have studied prisons or legal theory, Hames-García views prisoners as political and social thinkers whose ideas are as valuable as those of lawyers and philosophers.

Stallings uses funk to highlight the importance of the erotic and eroticism in Black cultural and political movements, debunking "the truth of sex" and its histories. Brandishing funk as a theoretical tool, Stallings argues that Western theories of the erotic fail as universally applicable terms or philosophies, and thus lack utility in discussions of black bodies, subjects, and culture. In considering the Victorian concept of freak in black funk, Stallings proposes that black artists across all media have fashioned a tradition that embraces the superfreak, sexual guerrilla, sexual magic, mama's porn, black trans narratives, and sex work in a post-human subject position. Their goal: to ensure survival and evolution in a world that exploits black bodies in capitalist endeavors, imperialism, and colonization.

Revitalizing and wide-ranging, Funk the Erotic offers a needed examination of black sexual cultures, a discursive evolution of black ideas about eroticism, a critique of work society, a reexamination of love, and an articulation of the body in black movements.

"The most sensational, perpetual teenager in the world.” —Jim Henson

"To know him was to love him, and we do." —Mark Hamill
 
Funny Boy: The Richard Hunt Biography tells the life story of a gifted performer whose gleeful irreverence, sharp wit and generous spirit inspired millions. Richard Hunt was one of the original main five performers in the Muppet troupe. He brought to life an impressive range of characters on The Muppet Show, Sesame Street, Fraggle Rock and various Muppet movies, everyone from eager gofer Scooter to elderly heckler Statler, groovy girl Janice to freaked-out lab helper Beaker, even early versions of Miss Piggy and Elmo. Hunt also acted, directed and mentored the next generation of performers. His accomplishments are all the more remarkable in that he crammed them all into only 40 years. 

Richard Hunt was just 18 years old when he joined Jim Henson’s company, where his edgy humor quickly helped launch the Muppets into international stardom. Hunt lived large, savoring life’s delights, amassing a vivid, disparate community of friends. Even when the AIDS epidemic wrought its devastation, claiming the love of Hunt’s life and threatening his own life, he showed an extraordinary sense of resilience, openness and joy. Hunt’s story exemplifies how to follow your passion, foster your talents, adapt to life’s surprises, genuinely connect with everyone from glitzy celebrities to gruff cab drivers – and have a hell of a lot of fun along the way.

A Junior Library Guild Gold Standard Selection

The National Comedy Center and Smithsonian Institution hold unparalleled collections of artifacts that illustrate the vitality and importance of comedy in American life, from vaudeville, silent films, and TV sitcoms to stand-up, sketch, and cartoons. Now, for the first time, these collections are brought together in vibrant photographs and illuminating essays that tell the story of how comedy shaped American history.
 
Written by historians responsible for safeguarding these cultural treasures, the book takes readers behind the scenes to uncover the stories behind American heirlooms like Groucho Marx’s tailcoat, George Carlin’s joke files, Carol Burnett’s “Went with the Wind” dress, Johnny Carson’s monologues, and the very first Saturday Night Live script, alongside materials from cultural touchstones like The Simpsons, The Muppet Show, In Living Color, All In the Family, and I Love Lucy.

With a foreword by comedy legend Mel Brooks, this dynamic work offers pop culture aficionados, history lovers, and comedy nerds alike a new perspective on America’s past and who we are as a nation through our comedy.

A provocative peek into this complicated film as a space for subversion, activism, and imaginative power

While both fans and foes point to Mad Max: Fury Road’s feminist credentials, Furious Feminisms asks: is there really anything feminist or radical happening on the screen? The four authors—from backgrounds in art history, American literature, disability studies, and sociology—ask what is possible, desirable, or damaging in theorizing feminism in the contested landscape of the twenty-first century. Can we find beauty in the Anthropocene? Can power be wrested from a violent system without employing and perpetuating violence? 

This experiment in collaborative criticism weaves multiple threads of dialogue together to offer a fresh perspective on our current cultural moment. 

Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

How feminism has failed African American women and why they must fight back.

Amid the longest-running economic boom in American history and despite the emergence of a significant black middle class, the lot of low-income black people in general-and black women in particular-seems more troubling than ever. Their plight, Sheila Radford-Hill argues in this book, is directly related to the diminution of black women’s traditional power as culture bearers and community builders. A cogent critique of feminist theory and practice, Further to Fly identifies the failure of feminism to connect with the social realities it should seek to explain, in particular the decline of black women’s empowerment.

The 2015 Affirmatively Furthering Fair Housing Rule was the most significant federal effort to increase equality of access to place-based resources and opportunities, such as high-performing schools or access to jobs, since the 1968 Fair Housing Act. However, in an effort to appeal to suburban voters, the Trump administration repealed the rule in 2020, leaving its future in doubt.

Furthering Fair Housing analyzes multiple dimensions of this rule, identifying failures of past efforts to increase housing choice, exploring how the AFFH Rule was crafted, measuring the initial effects of the rule before its rescission, and examining its interaction with other contemporary housing issues, such as affordability, gentrification, anti-displacement, and zoning policies.

The editors and contributors to this volume—a mix of civil rights advocates, policymakers, and public officials—provide critical perspectives and identify promising new directions for future policies and practices. Placing the history of fair housing in the context of the centuries-long struggle for racial equity, Furthering Fair Housing shows how this policy can be revived and enhanced to advance racial equity in America’s neighborhoods.

Latin American athletes have achieved iconic status in global popular culture, but what do we know about the communities of women in sport? Futbolera is the first monograph on women’s sports in Latin America. Because sports evoke such passion, they are fertile ground for understanding the formation of social classes, national and racial identities, sexuality, and gender roles. Futbolera tells the stories of women athletes and fans as they navigated the pressures and possibilities within organized sports.

Futbolera charts the rise of physical education programs for girls, often driven by ideas of eugenics and proper motherhood, that laid the groundwork for women’s sports clubs, which began to thrive beyond the confines of school systems. Futbolera examines how women challenged both their exclusion from national pastimes and their lack of access to leisure, bodily integrity, and public space. This vibrant history also examines women’s sports through comparative case studies of Argentina, Brazil, Chile, Costa Rica, Mexico, and others. Special attention is given to women’s sports during military dictatorships of the 1970s and 1980s as well as the feminist and democratic movements that followed. The book culminates by exploring recent shifts in mindset toward women’s football and dynamic social movements of players across Latin America.