2285 books match the query 'Women' and 89 start with f

cover of Finding the Movement: Sexuality, Contested Space, and Feminist Activism

Finding the Movement

Sexuality, Contested Space, and Feminist Activism

Finn Enke

Duke University Press, 2007

In Finding the Movement, Anne Enke reveals that diverse women’s engagement with public spaces gave rise to and profoundly shaped second-wave feminism. Focusing on women’s activism in Detroit, Chicago, and Minneapolis-St. Paul during the 1960s and 1970s, Enke describes how women across race and class created a massive groundswell of feminist activism by directly intervening in the urban landscape. They secured illicit meeting spaces and gained access to public athletic fields. They fought to open bars to women and abolish gendered dress codes and prohibitions against lesbian congregation. They created alternative spaces, such as coffeehouses, where women could socialize and organize. They opened women-oriented bookstores, restaurants, cafes, and clubs, and they took it upon themselves to establish women’s shelters, health clinics, and credit unions in order to support women’s bodily autonomy.

By considering the development of feminism through an analysis of public space, Enke expands and revises the historiography of second-wave feminism. She suggests that the movement was so widespread because it was built by people who did not identify themselves as feminists as well as by those who did. Her focus on claims to public space helps to explain why sexuality, lesbianism, and gender expression were so central to feminist activism. Her spatial analysis also sheds light on hierarchies within the movement. As women turned commercial, civic, and institutional spaces into sites of activism, they produced, as well as resisted, exclusionary dynamics.

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cover of Fine Dreams

Fine Dreams

Linda N. Masi

University of Massachusetts Press, 2024

Longlisted for the 2025 Nigeria Prize for Literature

A 2024 Foreword INDIES Finalist

Set in a fictional town, at a fictional school, Linda N. Masi’s debut novel, Fine Dreams, rewrites myth and history. Framed by a ghost’s first-person narrative, the book centers on four young friends, the stars of their school’s track team. While studying for exams, they are kidnapped and taken to a terrorist encampment. Two are claimed as “wives” by their captors, one is forced to wear a suicide vest, and each is subjected to appalling violence and terror. While their stories resonate with a widely publicized 2014 abduction, these four young women could have been taken in any of the many incidents that have plagued the Nigerian people for years.

Even though they are abducted and abused by men in power and forced to survive in a dark place like Persephone, Masi’s protagonists offer new endings for Persephone’s story. In Masi’s telling, these resilient young women recover their dreams and hopes to live in daylight once again. No matter where they travel or where they stay, they gain self-determination and reclaim their dreams.

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cover of Firebrands: The Untold Story of Four Women Who Made and Unmade Prohibition

Firebrands

The Untold Story of Four Women Who Made and Unmade Prohibition

Gioia Diliberto

University of Chicago Press, 2024

Guaranteed to change how you picture Prohibition, this lively history turns the spotlight on four women in the immediate aftermath of winning the vote who played influential roles on all sides of the Eighteenth and Twenty-First Amendments.

In the popular imagination, the story of Prohibition in America is a story of men and male violence, one full of federal agents fighting gangsters over the sale of moonshine. In contrast, Firebrands is the story of four Jazz Age dynamos—all women –who were forces behind the passage, the enforcement, the defiance, and, ultimately, the repeal of the Eighteenth Amendment. They battled each other directly, and they learned to marshal clout with cowed and hypocritical legislators, almost all of them men. Their clash over Prohibition stands as the first significant exercise of women’s political power since women gained the right to vote, and their influence on the American political scene wouldn’t be equaled for decades.

In Gioia Diliberto’s fresh and timely take on this period of history, we meet Ella Boole, the stern and ambitious leader of the Woman’s Christian Temperance Union, who campaigned fiercely to introduce Prohibition and fought desperately to keep it alive. We also meet Mabel Walker Willebrandt, the most powerful woman in America at the time, who served as the top federal prosecutor charged with enforcing Prohibition. Diliberto tells the story, too, of silent film star Texas Guinan, who ran New York speakeasies backed by the mob and showed that Prohibition was not only absurd but unenforceable. And, she follows Pauline Morton Sabin, a glamorous Manhattan aristocrat who belatedly recognized the cascading evil in Prohibition and mobilized the movement to kill it.

These women led their opposing forces of “Wets” and “Drys” across a teeming landscape of bootleggers, gangsters, federal agents, temperance fanatics, and cowardly politicians, many of them secret drunks. Building on the momentum of suffrage, they forged a path for the activists who followed during the great civil rights battles of the mid-twentieth century. Yet, they have been largely lost to history. In Firebrands, Diliberto finally gives these dynamic figures their due, creating a varied and dramatic portrait of women wielding power, in politics, society, and popular culture.
 
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cover of Fireweed: A Political Autobiography

Fireweed

A Political Autobiography

Gerda Lerner

Temple University Press, 2003

In Fireweed, Gerda Lerner, a pioneer and leading scholar in women's history, tells her story of moral courage and commitment to social change with a novelist's skill and a historian's command of context. Lerner's memoir focuses on the formative experiences that made her an activist for social justice before her academic career began. The child of a well-to-do Viennese Jewish family, she was still a teenager when a fascist regime came to power in 1934, and she became involved in the underground resistance movement. The Nazi takeover of Austria cast her into prison, then forced her and her family into exile; she alone was able to leave Europe. Once in the United States, she experienced the harshness of the Depression and despair over the fate of her family. Still, she persisted in adapting to the new culture and to becoming a writer. Here she met and married her life-long partner, Carl Lerner, a film editor and director. Together they become deeply involved in left-wing activities, from struggling to unionize the film industry and resisting the blacklist in Hollywood to community organizing for peace, for an interracial civil rights movement, and for better schools in New York City. Lerner insists that her decades of grassroots organizing largely account for the theoretical insights she was later able to bring to the development of women's history. In Fireweed, Lerner presents her life in the context of the major historical events of the twentieth century and the repression of dissent. Hers is a gripping story about surviving hardship and summoning the courage to live according to one's convictions.
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cover of Fistula Politics: Birthing Injuries and the Quest for Continence in Niger

Fistula Politics

Birthing Injuries and the Quest for Continence in Niger

Heller, Alison

Rutgers University Press, 2019

Obstetric fistula is a birthing injury caused by prolonged obstructed labor that results in urinary and fecal incontinence. It is nearly non-existent in the Global North. In contrast Niger, in West Africa, has one of the highest rates of fistula in the world. In Western humanitarian and media narratives, fistula is presented as deeply stigmatizing, resulting in divorce, abandonment by kin, exile from communities, depression and suicide. In Fistula Politics, Alison Heller illustrates the inaccuracy of these popular narratives and shows how they serve the interests not of the women so affected, but of humanitarian organizations, the media, and local clinics.  
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cover of Follow My Footprints: Changing Images of Women in American Jewish Fiction

Follow My Footprints

Changing Images of Women in American Jewish Fiction

Edited by Sylvia Barack Fishman

Brandeis University Press, 1992

Twenty-one writers document the diverse representations and roles of Jewish women in American literature and culture.
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cover of Follow the Signs: Searching for Linda Goodman, America’s Forgotten Astrology Queen

Follow the Signs

Searching for Linda Goodman, America’s Forgotten Astrology Queen

Courtney Ann LaFaive

University of Iowa Press, 2026

If you have ever been asked “What’s your sign?” you have Linda Goodman to thank—or blame. America’s first New Age celebrity, Goodman’s 1968 book, Sun Signs, sold over 60 million copies, while the advance for her second book, Love Signs, broke an unprecedented $2.25 million. And yet, while Goodman was teaching the world how to search the skies for clarity, her gaze was fixed upon her own dark, mysterious pursuit.

In 1973, Goodman’s daughter was found dead and the police declared it a suicide; Goodman believed otherwise. She spent years depleting her fortune, chasing down leads that might uncover the real truth about her beloved daughter’s death. Headlines criticized and discredited Goodman, ultimately overshadowing the revolutionary nature of her work.

Courtney Ann LaFaive first discovered Goodman’s books as a teenager. Reading her astrological wisdom decades after its heyday, LaFaive contemplates the redemption of Goodman as a literary and spiritual figure, all the while reckoning with her own impulsive forays into love and relationships. Follow the Signs asks what it means when facts become stranger than fiction and who we become when we must walk away from those we love.
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cover of For Fear of the Fire: Joan of Arc and the Limits of Subjectivity

For Fear of the Fire

Joan of Arc and the Limits of Subjectivity

Françoise Meltzer

University of Chicago Press, 2001

Why are contemporary secular theorists so frequently drawn to saints, martyrs, and questions of religion? Why has Joan of Arc fascinated some of the most important thinkers of the twentieth century? In a book that faces crucial issues in both critical and feminist inquiry, Françoise Meltzer uses the story of Joan as a guide for reading the postmodern nostalgia for a body that is intact and transparent. She argues that critics who place excessive emphasis on opposition and difference remain blind to their nostalgia for the pre-Cartesian idea that the body and mind are the same.

Engaging a number of theorists, and alternating between Joan's historical and cultural context, Meltzer also explores the ways in which postmodern thinkers question subjectivity. She argues that the way masculine subjects imagine Joan betrays their fear of death and necessitates the role of women as cultural others: enigmatic, mysterious, dark, and impossible. As such, Joan serves as a useful model of the limits and risks of subjectivity. For Meltzer, she is both the first modern and the last medieval figure. From the ecclesial jury that burned her, to the theorists of today who deny their attraction to the supernatural, the philosophical assumptions that inform Joan's story, as Meltzer ultimately shows, have changed very little.
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cover of For Glory and Bolívar: The Remarkable Life of Manuela Sáenz

For Glory and Bolívar

The Remarkable Life of Manuela Sáenz

By Pamela S. Murray

University of Texas Press, 2008

She was a friend, lover, and confidante of charismatic Spanish American independence hero Simón Bolívar and, after her death, a nationalist icon in her own right. Yet authors generally have chosen either to romanticize Manuela Sáenz or to discount her altogether. For Glory and Bolivar: The Remarkable of Life of Manuela Sáenz, by contrast, offers a comprehensive and clear-eyed biography of her. Based on unprecedented archival research, it paints a vivid portrait of the Quito-born "Libertadora," revealing both an exceptional figure and a flesh-and-blood person whose life broadly reflected the experiences of women during Spanish America's turbulent Age of Revolution.

Already married at the time of her meeting with the famous Liberator, Sáenz abandoned her husband in order to become not only Bolívar's romantic companion, but also his official archivist, a member of his inner circle, and one of his most loyal followers. She played a central role in Spanish South America's independence drama and eventually in developments leading to the consolidation of new nations. Pamela Murray, for the first time, closely examines Sáenz's political trajectory including her vital, often-overlooked years in exile. She exposes the myths that still surround her. She offers, in short, a nuanced and much-needed historical perspective, one that balances recognition of Sáenz's uniqueness with awareness of the broader forces that shaped this dynamic nineteenth-century woman.

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cover of For Tranquility and Order: Family and Community on Mexico's Northern Frontier, 1800–1850

For Tranquility and Order

Family and Community on Mexico's Northern Frontier, 1800–1850

By Laura M. Shelton

University of Arizona Press, 2010

On Mexico’s northwestern frontier, judicial conflicts unfolded against a backdrop of armed resistance and ethnic violence. In the face of Apache raids in the north and Yaqui and Mayo revolts in the south, domestic disputes involving children, wives, and servants were easily conflated with ethnic rebellion and “barbarous” threats. A wife’s adulterous liaison, a daughter’s elopement, or a nephew’s enraged assault shook the very foundation of what it meant to be civilized at a time when communities saw themselves under siege.

Laura Shelton has plumbed the legal archives of early Sonora to reveal the extent to which both court officials and quarreling relatives imagined connections between gender hierarchies and civilized order. As she describes how the region’s nascent legal system became the institution through which spouses, parents, children, employers, and servants settled disputes over everything from custody to assault to debt, she reveals how these daily encounters between men and women in the local courts contributed to the formation of republican governance on Mexico’s northwestern frontier.

Through an analysis of some 700 civil and criminal trial records—along with census data, military reports, church records, and other sources—Shelton describes how courtroom encounters were conditioned by an Iberian legal legacy; brutal ethnic violence; emerging liberal ideas about trade, citizenship, and property rights; and a growing recognition that honor—buenas costumbres—was dependent more on conduct than on bloodline. For Tranquility and Order offers new insight into a legal system too often characterized as inept as it provides a unique gender analysis of family relations on the frontier.
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cover of For the Love of Labor: The Life of Pauline Newman

For the Love of Labor

The Life of Pauline Newman

Cathryn J. Prince

University of Illinois Press, 2026

From her start as one of the youngest activists in US history, Pauline Newman helped shape the International Ladies' Garment Workers’ Union (ILGWU) into a dominant force in industrial America. Cathryn J. Prince tells the story of a self-educated Jewish immigrant who dedicated herself to a legion of causes and lifelong battles against sexism and classism.

Prince follows Newman’s life from a youth split between Lithuania and New York City sweatshops to her work as an advisor to New Deal–era labor secretary Frances Perkins. Newman’s long hours at the Triangle Shirtwaist Factory informed her entrée into labor activism. In the following years, she tirelessly advocated for workers, ran for New York Secretary of State as a socialist, and became the first woman to serve as the ILGWU general organizer. Her interest in the health of workers led to service on the Joint Board of Sanitary Control and a decades-long term as education director of the ILGWU health center. Membership in Eleanor Roosevelt’s circle opened doors to government positions and advisory roles that continued into the postwar era. Prince also weaves in the details of Newman’s fifty-year relationship with a woman, her struggles with her sexual identity, and her final years.

Engaging and panoramic, For the Love of Labor is the first major biography of an important figure in labor and women’s history.
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cover of For the Love of Pleasure: Women, Movies, and Culture in Turn-of-the-Century Chicago

For the Love of Pleasure

Women, Movies, and Culture in Turn-of-the-Century Chicago

Rabinovitz, Lauren

Rutgers University Press, 1998

"One of the most readable books on early cinema I have ever encountered. . . . Rabinovitz ably brings together a wealth of information about the exciting era of social change that marked the beginning of U.S. cinema."
--Gaylyn Studlar, atuhor of This Mad Masquerade: Stardom and Masculinity in the Jazz Age

The period from the 1880s until the 1920s saw the making of a consumer society, the inception of the technological, economic, and social landscape in which we currently live. Cinema played a key role in the changing urban landscape. For working-class women, it became a refuge from the factory. For middle-class women, it presented a new language of sexual danger and pleasure. Women found greater freedom in big cities, entering the workforce in record numbers and moving about unchaperoned in public spaces. Turn-of-the-century Chicago surpassed even New York as a proving ground for pleasure and education, attracting women workers at three times the national rate. Using Chicago as a model, Lauren Rabinovitz analyzes the rich interplay among demographic, visual, historical, and theoretical materials of the period. She skillfully links cinema theory and women's studies for a fuller understanding of cultural history. She also demonstrates how cinema dramatically affected social conventions, ultimately shaping modern codes of masculinity and feminity.
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cover of For the Public Good: Women, Health, and Equity in Rural India

For the Public Good

Women, Health, and Equity in Rural India

Patricia Antoniello

Vanderbilt University Press, 2020

For the Public Good details the role of the Comprehensive Rural Health Project (CRHP), a groundbreaking, internationally recognized primary health care model that uses local solutions to solve intractable global health problems. Emphasizing equity and community participation, this grassroots approach recruits local women to be educated as village-based health workers. In turn, women village health workers collaborate to overcome the dominant double prejudices in local villages—caste and gender inequality.

In one generation, village health workers have progressed from child brides and sequestered wives to knowledgeable health practitioners, valued teachers, and community leaders. Through collective efforts, CRHP has reduced infant and maternal mortality, eliminated some endemic health problems, and advanced economic well-being in villages with women's cooperative lending groups.

This book describes how the recognition and elimination of embedded inequalities—in this case caste discrimination, gender subordination, and class injustice—promote health and well-being and collaboratively establish the public good.
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cover of Forbidden Family: Wartime Memoir of the Philippines, 1941-1945

Forbidden Family

Wartime Memoir of the Philippines, 1941-1945

Margaret Sams

University of Wisconsin Press, 1997

Written just five years after the end of World War II, this is Margaret Sams’s moving testimony of life in a Japanese internment camp—the can of Spam hoarded for Christmas dinner, the clandestine radio hidden in her sewing kit, the beheading of other prisoners for transgressions. With her husband held elsewhere as a prisoner of war and with a small son to protect, Margaret broke the rules both of society and of her captors to fall in love and bear a child with a kind and daring fellow internee, Jerry Sams.

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cover of Ford Road

Ford Road

Amy Kenyon

University of Michigan Press, 2012

After the death of her mother, Kay Seger abandons her career as a historical consultant to a Los Angeles film company and returns to her childhood home in Michigan. There, she rekindles a teenage love affair with Joe Chase, now a Vietnam War veteran and Ford auto worker. Afflicted by grief and the mysterious symptoms of an unidentified ailment, Kay, at Joe's urging, begins an investigation of her family's past.

As Kay pores over the boxes of papers, letters, and photo albums her mother left behind, vivid recollections of a bygone Detroit, ragged and teeming at the start of the automotive age, come to life alongside snapshots of Michigan's rural western counties after the settlement of the frontier. In the midst of her searches, Kay comes across the long-forgotten medical history of nostalgia, and it is this new knowledge that helps her to recover the lost histories of her family and find a resolution to her troubled relationship with Joe.

An exploration of memory as both pathology and promise, Ford Roadoffers a moving examination of the injuries we inflict on the people closest to us, the worldly injuries that are often beyond our control, and our astonishing ability to act upon and inhabit our own stories. It is also a meditation on American car culture, the road, and the role of early Hollywood in the creation of America's vision of itself. Written in spare, evocative prose, historian Amy Kenyon's first novel is as heartbreaking as it is thought-provoking.

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cover of Forgotten Veterans, Invisible Memorials: How American Women Commemorated the Great War, 1917–1945

Forgotten Veterans, Invisible Memorials

How American Women Commemorated the Great War, 1917–1945

Allison S. Finkelstein

University of Alabama Press, 2021

Investigates the groundbreaking role American women played in commemorating those who served and sacrificed in World War I

In Forgotten Veterans, Invisible Memorials: How American Women Commemorated the Great War, 1917–1945 Allison S. Finkelstein argues that American women activists considered their own community service and veteran advocacy to be forms of commemoration just as significant and effective as other, more traditional forms of commemoration such as memorials. Finkelstein employs the term “veteranism” to describe these women’s overarching philosophy that supporting, aiding, and caring for those who served needed to be a chief concern of American citizens, civic groups, and the government in the war’s aftermath. However, these women did not express their views solely through their support for veterans of a military service narrowly defined as a group predominantly composed of men and just a few women. Rather, they defined anyone who served or sacrificed during the war, including women like themselves, as veterans.

These women veteranists believed that memorialization projects that centered on the people who served and sacrificed was the most appropriate type of postwar commemoration. They passionately advocated for memorials that could help living veterans and the families of deceased service members at a time when postwar monument construction surged at home and abroad. Finkelstein argues that by rejecting or adapting traditional monuments or by embracing aspects of the living memorial building movement, female veteranists placed the plight of all veterans at the center of their commemoration efforts. Their projects included diverse acts of service and advocacy on behalf of people they considered veterans and their families as they pushed to infuse American memorial traditions with their philosophy. In doing so, these women pioneered a relatively new form of commemoration that impacted American practices of remembrance, encouraging Americans to rethink their approach and provided new definitions of what constitutes a memorial. In the process, they shifted the course of American practices, even though their memorialization methods did not achieve the widespread acceptance they had hoped it would.

Meticulously researched, Forgotten Veterans, Invisible Memorials utilizes little-studied sources and reinterprets more familiar ones. In addition to the words and records of the women themselves, Finkelstein analyzes cultural landscapes and ephemeral projects to reconstruct the evidence of their influence. Readers will come away with a better understanding of how American women supported the military from outside its ranks before they could fully serve from within, principally through action-based methods of commemoration that remain all the more relevant today.

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cover of Fortress of My Youth: Memoir of a Terezín Survivor

Fortress of My Youth

Memoir of a Terezín Survivor

Jana Renée Friesová

University of Wisconsin Press, 2011

Jana Renée Friesová was fifteen when she was imprisoned by the Nazis in the Czech ghetto town of Terezín. Her memoir tells the poignantly familiar story of a young girl who, even under the most abominable circumstances, engages in intense adolescent friendships, worries with her companions over her looks, and falls in love.
Anne Frank’s diary ends with deportation to a concentration camp; Fortress of My Youth, in contrast, takes the reader deep into the horrors of daily life in a camp that were faced by a young girl and her family. But Friesová also tells of love, joy, sacrifice, and the people who shared in the most profound experiences of her life.

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cover of Founding Mothers of the Society for Ethnomusicology

Founding Mothers of the Society for Ethnomusicology

Charlotte J. Frisbie

University of Illinois Press, 2026

Women played an essential role in the creation and incorporation of the Society for Ethnomusicology. Charlotte J. Frisbie uses participant observation, multiple voices and lenses, and a wide range of interviews to chronicle the women of the era, their contributions to the emerging discipline, and the reasons for their involvement in the Society. Candid and revealing, the women offer their personal and professional stories and provide observations of the Society over time. They also describe experiences with discrimination and unequal access to opportunities while discussing the slights, cruel jokes, and other insensitive behaviors of some of the men in the Society’s leadership.

An enlightening eyewitness account, Founding Mothers of the Society for Ethnomusicology is an invaluable window into the work and contributions of women scholars and the obstacles they faced.
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cover of Framed: Women in Law and Film

Framed

Women in Law and Film

Orit Kamir

Duke University Press, 2006

Some women attack and harm men who abuse them. Social norms, law, and films all participate in framing these occurrences, guiding us in understanding and judging them. How do social, legal, and cinematic conventions and mechanisms combine to lead us to condemn these women or exonerate them? What is it, exactly, that they teach us to find such women guilty or innocent of, and how do they do so?

Through innovative readings of a dozen movies made between 1928 and 2001 in Europe, Japan, and the United States, Orit Kamir shows that in representing “gender crimes,” feature films have constructed a cinematic jurisprudence, training audiences worldwide in patterns of judgment of women (and men) in such situations. Offering a novel formulation of the emerging field of law and film, Kamir combines basic legal concepts—murder, rape, provocation, insanity, and self-defense—with narratology, social science methodologies, and film studies.

Framed not only offers a unique study of law and film but also points toward new directions in feminist thought. Shedding light on central feminist themes such as victimization and agency, multiculturalism, and postmodernism, Kamir outlines a feminist cinematic legal critique, a perspective from which to evaluate the “cinematic legalism” that indoctrinates and disciplines audiences around the world. Bringing an original perspective to feminist analysis, she demonstrates that the distinction between honor and dignity has crucial implications for how societies construct women, their social status, and their legal rights. In Framed, she outlines a dignity-oriented, honor-sensitive feminist approach to law and film.

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cover of Framing Female Lawyers: Women on Trial in Film

Framing Female Lawyers

Women on Trial in Film

By Cynthia Lucia

University of Texas Press, 2005

As real women increasingly entered the professions from the 1970s onward, their cinematic counterparts followed suit. Women lawyers, in particular, were the protagonists of many Hollywood films of the Reagan-Bush era, serving as a kind of shorthand reference any time a script needed a powerful career woman. Yet a close viewing of these films reveals contradictions and anxieties that belie the films' apparent acceptance of women's professional roles. In film after film, the woman lawyer herself effectively ends up "on trial" for violating norms of femininity and patriarchal authority.

In this book, Cynthia Lucia offers a sustained analysis of women lawyer films as a genre and as a site where other genres including film noir, maternal melodrama, thrillers, action romance, and romantic comedy intersect. She traces Hollywood representations of female lawyers through close readings of films from the 1949 Adam's Rib through films of the 1980s and 1990s, including Jagged Edge, The Accused, and The Client, among others. She also examines several key male lawyer films and two independent films, Lizzie Borden's Love Crimes and Susan Streitfeld's Female Perversions. Lucia convincingly demonstrates that making movies about women lawyers and the law provides unusually fertile ground for exploring patriarchy in crisis. This, she argues, is the cultural stimulus that prompts filmmakers to create stories about powerful women that simultaneously question and undermine women's right to wield authority.

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cover of Framing Silence: Revolutionary Novels by Haitian Women

Framing Silence

Revolutionary Novels by Haitian Women

Chancy, Myriam J

Rutgers University Press, 1992

Raped and colonized, coerced and silenced--this has been the position of Haitian women within their own society, as well as how they have been seen by foreign occupiers. Romanticized symbols of nationhood, they have served, however unwillingly, as a politicized site of contestation between opposing forces.

In this first book-length study in English devoted exclusively to Haitian women's literature, Myriam Chancy finds that Haitian women have their own history, traditions, and stories to tell, tales that they are unwilling to suppress or subordinate to narratives of national autonomy. Issues of race, class, color, caste, nationality, and sexuality are all central to their fiction--as is an urgent sense of the historical place of women between the two U.S. occupations of the country. Their novels interrogate women's social and political stance in Haiti from an explicitly female point of view, forcefully responding to overt sexual and political violence within the nation's ambivalent political climate. Through daring and sensitive readings, simultaneously historical, fictional and autobiographical, Chancy explores this literature, seeking to uncover answers to the current crisis facing these women today, both within their country and in exile.The writers surveyed include Anne-christine d'Adesky, Ghislaine Rey Charlier, Marie Chauvet, Jan J. Dominique, Nadine Magloire, and Edwidge Danticat, whose work has recently achieved such high acclaim.

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cover of Framing the Rape Victim: Gender and Agency Reconsidered

Framing the Rape Victim

Gender and Agency Reconsidered

Mardorossian, Carine M

Rutgers University Press, 2014

Winner of the 2016 Nonfiction Category from The Authors' Zone

In recent years, members of legal, law enforcement, media and academic circles have portrayed rape as a special kind of crime distinct from other forms of violence. In Framing the Rape Victim, Carine M. Mardorossian argues that this differential treatment of rape has exacerbated the ghettoizing of sexual violence along gendered lines and has repeatedly led to women’s being accused of triggering, if not causing, rape through immodest behavior, comportment, passivity, or weakness.

Contesting the notion that rape is the result of deviant behaviors of victims or perpetrators, Mardorossian argues that rape saturates our culture and defines masculinity’s relation to femininity, both of which are structural positions rather than biologically derived ones. Using diverse examples throughout, Mardorossian draws from Hollywood film and popular culture to contemporary women’s fiction and hospitalized birth emphasizing that the position of dominant masculinity can be occupied by men, women, or institutions, while structural femininity is a position that may define and subordinate men, minorities, and other marginalized groups just as effectively as it does women.  Highlighting the legacies of the politically correct debates of the 1990s and the terrorist attacks of 9/11, the book illustrates how the framing of the term “victim” has played a fundamental role in constructing notions of agency that valorize autonomy and support exclusionary, especially masculine, models of American selfhood.

The gendering of rape, including by well-meaning, sometimes feminist, voices that claim to have victims’ best interests at heart, ultimately obscures its true role in our culture. Both a critical analysis and a call to action, Framing the Rape Victim shows that rape is not a special interest issue that pertains just to women but a pervasive one that affects our society as a whole.
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cover of Frankly Feminist: Short Stories by Jewish Women from Lilith Magazine

Frankly Feminist

Short Stories by Jewish Women from Lilith Magazine

Edited by Susan Weidman Schneider and Yona Zeldis McDonough

Brandeis University Press, 2022

A groundbreaking Jewish feminist short story collection.
 
Short story collections focusing on Jewish writers have—no surprise—typically given women authors short shrift. This new volume represents the best Jewish feminist fiction published in Lilith magazine, and does what no other collection has done before in its geographic scope, its inclusion of twenty-first-century stories, and its Jewish feminist focus.

This collection showcases a wide range of stories offering variegated cultures and contexts and points of view: Persian Jews; a Biblical matriarch; an Ethiopian mother in modern Israel; suburban American teens; Eastern European academics; a sexual questioner; a Jew by choice; a new immigrant escaping her Lower East Side sweatshop; a Black Jewish marcher for justice; in Vichy France, a toddler’s mother hiding out; and more.

Organized by theme, the stories in this book emphasize a breadth of content, and our hope is that in reading you’ll appreciate the liveliness of the burgeoning self-awareness brought to life in each tale, and the occasional funny, call-your-friend-and-tell-her-about-it moment. Skip around, encounter an author whose other work you may know, be enticed by a title, or an opening line. We hope you’ll find both pleasure and enlightenment—and sometimes revelation—within these pages.
 
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cover of Frauen: German Women Recall the Third Reich

Frauen

German Women Recall the Third Reich

Owings, Alison

Rutgers University Press, 1993

From Publishers Weekly
A vivid picture of Germany under the Nazis emerges from this collection of unsettling interviews conducted by freelance TV writer Owings with 29 women of diverse backgrounds, both Aryan and Jewish. Among the women whose lives in Germany's war-torn homefront are chronicled are the widow of a resistance leader and the wife of an SS guard, who refers to her husband's work in the Ravensbrook and Buchenwald "manufacturing plants." Not only did Hitler attract the young but, according to one supporter, "he understood how to fascinate women." Some of these women claim that they privately protested mistreatment of Jews and prisoners and risked their lives to assist them. Only one non-Jewish woman, however, admits to "hearing" that Jews were gassed. 


From Library Journal
Owings, a freelance television writer who is neither a German nor a Jew, has compiled and edited a groundbreaking set of oral histories. She interviews women from many spectrums of the Third Reich: Germans, Jews, individuals of "mixed" parentage, a countess, a camp guard, women who hid Jews, Nazi supporters, Communists, and other women who witnessed and participated in everyday and extraordinary events. Owings has tried, as much as possible, to quote her interviewees directly yet still manages to create an even and engaging text. This volume is an excellent companion to Claudia Koonz's Mothers in the Fatherland: Women, Family Life, and Nazi Ideology , 1919-1945 ( LJ 11/1/86). Highly recommended.
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cover of Frauen: German Women Recall the Third Reich

Frauen

German Women Recall the Third Reich

Owings, Alison

Rutgers University Press, 1995

What were the women of Germany doing during the Third Reich? What were they thinking? And what do they have to say a half century later?

In Frauen we hear their voices––most for the first time. Alison Owings interviewed and here records the words of twenty-nine German women who were there: Working for the Resistance. Joining the Nazi Party. Outsmarting the Gestapo. Disliking a Jewish neighbor. Hiding a Jewish friend. Witnessing "Kristallnacht." Witnessing the firebombing of Dresden. Shooting at Allied planes. Welcoming Allied troops. Being a prisoner. And being a guard. The women recall their own and others' enthusiasm, doubt, fear, fury, cowardice, guilt, and anguish.

Alison Owings, in her pursuit of such memories, was invited into the homes of these women. Because she is neither Jewish nor German, and because she speaks fluent colloquial German, many of the women she interviewed felt comfortable enough with her to unlock the past. What they have to say will surprise Americans, just as they surprised the women themselves.

Not since Marcel Ophuls's controversial film The Sorrow and the Pity have we been on such intimate terms with "the enemy." In this case, the story is that of the women, those who did not make policy but were forced to participate in its effects and to witness its results. What they did and did not do is not just a reflection on them and their country––it also leads us to question what actions we might have taken in their place. The interviews do not allow for easy, smug answers.

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cover of Freedom’s Ring: Literatures of Liberation from Civil Rights to the Second Wave

Freedom’s Ring

Literatures of Liberation from Civil Rights to the Second Wave

Jacqueline Foertsch

Rutgers University Press, 2021

Freedom’s Ring begins with the question of how the American ideal of freedom, which so effectively defends a conservative agenda today, from globally exploitative free trade to anti-French “freedom fries” during the War in Iraq, once bolstered the progressive causes of Freedom Summer, the Free Speech Movement, and more militant Black Power and Women’s Liberation movements with equal efficacy. Focused as it is on the faring of freedom throughout the liberation era, this book also explores attempts made by rights movements to achieve the often competitive or cross-canceling American ideal of equality–economic, professional, and otherwise. Although many struggled and died for it in the civil rights era, freedoms such as the vote, integrated bus rides, and sex without consequences via the Pill, are ultimately free–costing officialdom little if anything to fully implement—while equality with respect to jobs, salaries, education, housing, and health care, will forever be the much more expensive nut to crack. Freedom’s Ring regards the politics of freedom, and politics in general, as a low-cost substitute for and engrossing distraction from substantive economic problem-solving from the liberation era to the present day.
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cover of Friendly Fire

Friendly Fire

Kathryn Chetkovich

University of Iowa Press, 1998

Winner of the 1998 John Simmons Short Fiction Award "These stories about the common human experiences of romance, friendship, and family are rich with witty, devastating observations. They show us what it means to live where friendly fire is the real hazard. Kathy Chetkovich's touch is deft, affectionate, and very funny."--Nancy Packer, author of Jealous-Hearted Me "I was once lucky enough to publish a story Kathy Chetkovich had worked on for fourteen years, at least that's what she claimed. To me the story felt like a bolt of fire, searing, delicious, made for the moment, all-devouring. She is the kind of crafty writer who makes it seem so easy. I read her the way I eat an apple--grateful something so close to home can be so exquisite."--Howard Junker, editor, ZYZZYVA "This is a book that's genuine fun to read thanks in part to the comic vision that gives these stories a memorable charm. The humor in Friendly Fire springs more from keen observation than situation. It's a complex humor that seems absolutely natural to the predominantly youthful voices of these narrators; yet, beneath the quips, there's a wisdom that prevents the youthfulness from ever seeming callow and a sense of understated sentiment that's all the more affecting for its comic guise."--Stuart Dybek, author of Childhood and Other Neighbors and judge of the 1998 John Simmons Short Fiction Award Friendly Fire describes how we are sometimes brought down by those we love. Kathryn Chetkovich's stories detail the lives of women finding their way in a contemporary world where the traditional maps of love, family, and community are no longer particularly reliable.
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cover of From Betty Crocker to Feminist Food Studies: Critical Perspectives on Women and Food

From Betty Crocker to Feminist Food Studies

Critical Perspectives on Women and Food

Arlene Voski Avakian

University of Massachusetts Press, 2005

In recent years, scholars from a variety of disciplines have turned their attention to food to gain a better understanding of history, culture, economics, and society. The emerging field of food studies has yielded a great deal of useful research and a host of publications. Missing, however, has been a focused effort to use gender as an analytic tool. This stimulating collection of original essays addresses that oversight, investigating the important connections between food studies and women's studies.

Applying the insights of feminist scholarship to the study of food, the thirteen essays in this volume are arranged under four headings—the marketplace, histories, representations, and resistances. The editors open the book with a substantial introduction that traces the history of scholarly writing on food and maps the terrain of feminist food studies. In the essays that follow, contributors pay particular attention to the ways in which gender, race, ethnicity, class, colonialism, and capitalism have both shaped and been shaped by the production and consumption of food.

In the first section, four essays analyze the influence of large corporations in determining what came to be accepted as proper meals in the United States, including what mothers were expected to feed their babies. The essays in the second section explore how women have held families together by keeping them nourished, from the routines of an early nineteenth-century New Englander to the plight of women who endured the siege of Leningrad.

The essays in the third section focus on the centrality of gender and race in the formation of identities as enacted through food discourse and practices. These case studies range from the Caribbean to the San Luis Valley of Colorado. The final section documents acts of female resistance within the contexts of national or ethnic oppression. From women in colonial India to Armenian American feminists, these essays show how food has served as a means to assert independence and personal identity.

In addition to the editors, contributors include Amy Bentley, Carole M. Counihan, Darra Goldstein, Nancy Jenkins, Alice P. Julier, Leslie Land, Laura Lindenfield, Beheroze F. Shroff, Sharmila Sen, Laura Shapiro, and Jan Whitaker.
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cover of From Curlers to Chainsaws: Women and Their Machines

From Curlers to Chainsaws

Women and Their Machines

Joyce Dyer

Michigan State University Press, 2016

The twenty-three distinguished writers included in From Curlers to Chainsaws: Women and Their Machines invite machines into their lives and onto the page. In every room and landscape these writers occupy, gadgets that both stir and stymie may be found: a Singer sewing machine, a stove, a gun, a vibrator, a prosthetic limb, a tractor, a Dodge Dart, a microphone, a smartphone, a stapler, a No. 1 pencil and, of course, a curling iron and a chainsaw.
From Curlers to Chainsaws is a groundbreaking collection of lyrical and illuminating essays about the serious, silly, seductive, and sometimes sorrowful relationships between women and their machines. This collection explores in depth objects we sometimes take for granted, focusing not only on their functions but also on their powers to inform identity.
For each writer, the device moves beyond the functional to become a symbolic extension of the writer’s own mind—altering and deepening each woman’s concept of herself.
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cover of From Little Houses to Little Women: Revisiting a Literary Childhood

From Little Houses to Little Women

Revisiting a Literary Childhood

Nancy McCabe

University of Missouri Press, 2018

A typical travel book takes readers along on a trip with the author, but a great travel book does much more than that, inviting readers along on a mental and spiritual journey as well. This distinction is what separates Nancy McCabe’s From Little Houses to Little Women from the typical and allows it to take its place not only as a great travel book but also as a memoir about the children’s books that have shaped all of our imaginations.

McCabe, who grew up in Kansas just a few hours from the Ingalls family’s home in Little House on the Prairie, always felt a deep connection with Laura Ingalls Wilder, author of the Little House series. McCabe read Little House on the Prairie during her childhood and visited Wilder sites around the Midwest with her aunt when she was thirteen. But then she didn’t read the series again until she decided to revisit in adulthood the books that had so influenced her childhood. It was this decision that ultimately sparked her desire to visit the places that inspired many of her childhood favorites, taking her on a journey that included stops in the Missouri of Laura Ingalls Wilder, the Minnesota of Maud Hart Lovelace, the Massachusetts of Louisa May Alcott, and even the Canada of Lucy Maud Montgomery.

From Little Houses to Little Women reveals McCabe’s powerful connection to the characters and authors who inspired many generations of readers. Traveling with McCabe as she rediscovers the books that shaped her and ultimately helped her to forge her own path, readers will enjoy revisiting their own childhood favorites as well.
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cover of From Peaks to Prairie: The Gifts of Walking in an Anxious Life

From Peaks to Prairie

The Gifts of Walking in an Anxious Life

Cara Chamberlain

Oregon State University Press, 2026

Along twenty-nine trails near Yellowstone National Park, Cara Chamberlain leads readers on a journey of perseverance, drawing lessons from human and natural history. She reflects on being diagnosed with generalized anxiety disorder (GAD) and obsessive-compulsive disorder (OCD) and explores how walking helps manage anxiety, opening rich pathways of perception.

In From Peaks to Prairie, Chamberlain examines her personal life, family history, and struggles as she encounters animals and plants of Montana and Wyoming. Each essay is an episode mingling the past with the present, combining sightings of bears, birds, and wildflowers with memories of her Utah childhood and family. She observes, “I walk. It’s the way I’ve found not to eliminate GAD and OCD, as I used to long to do, but to live with them.” Mountains and prairies offer strength and nurture those who need them. It is on their paths that Chamberlain finds clarity.

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cover of From Reverence to Rape: The Treatment of Women in the Movies

From Reverence to Rape

The Treatment of Women in the Movies

Molly Haskell

University of Chicago Press, 1987

For this edition of her classic study of the feminine role in film, Molly Haskell has written a new chapter addressing recent developments in the appearance and perception of women in the movies.

"An incisive, exceedingly thoughtful look at the distorted lens through which Hollywood has historically viewed women. It is a valuable contribution not just of film criticism but to a society in which the vital role of women is just beginning to emerge."—Christian Science Monitor

"Haskell is interested in women—how they are used in movies, how they use movies, and how the parts they play function as projections and verifications of our myths about women's lot and woman's psyche and even, lately, women's lib."—Jane Kramer, Village Voice

"In examining the goddesses worshipped by an entire nation, Molly Haskell reveals a good deal about our national character and our most cherished sexual myths. . . . Concerned with the deeply ingrained belief of women's inferiority, she analyzes movies as a social product as well as a social arbiter, and she effectively demonstrates how women are encouraged to impose limitations on themselves by fashioning those selves after flickering shadows in a darkened auditorium—sexual creatures who possess neither ability nor ambition beyond their bodies. . . . Both as an examination of film and as sociology, From Reverence to Rape is excellent."—Harriet Kriegel, The Nation
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cover of From Reverence to Rape: The Treatment of Women in the Movies, Third Edition

From Reverence to Rape

The Treatment of Women in the Movies, Third Edition

Molly Haskell

University of Chicago Press, 2016

A revolutionary classic of feminist cinema criticism, Molly Haskell’s From Reverence to Rape remains as insightful, searing, and relevant as it was the day it was first published. Ranging across time and genres from the golden age of Hollywood to films of the late twentieth century, Haskell analyzes images of women in movies, the relationship between these images and the status of women in society, the stars who fit these images or defied them, and the attitudes of their directors. This new edition features both a new foreword by New York Times film critic Manohla Dargis and a new introduction from the author that discusses the book’s reception and the evolution of her views.
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cover of From the Battlefront to the Bridal Suite: Media Coverage of British War Brides, 1942-1946

From the Battlefront to the Bridal Suite

Media Coverage of British War Brides, 1942-1946

Barbara G. Friedman

University of Missouri Press, 2007

       With their gregarious natures and casual styles, American GIs in wartime England were instantly attractive to British women—especially in the absence of their fighting men. As a result, some seventy thousand British war brides returned to the United States—with many on the home front at first suspecting that the GIs were somehow being exploited.

            The war brides’ stories have been told in memoirs, romantic novels, and immigration history. Barbara Friedman sheds new light on their experiences by focusing on media representations of sexuality and marriage in wartime, showing how mass media interpretations turned from public suspicion of war brides to popular acceptance.

            Friedman tells how British media first insisted that GIs had come to fight, not to woo the locals, and shrugged off the first brides as an “American problem.” Yet, as Friedman shows, the British media were complicit in encouraging the relationships in the first place: the British press promoted a hospitality program that deemed the entertainment of American troops “patriotic duty,” while women’s magazines hailed American men as ideal husbands and the United States as a promised land.

From the American perspective, Friedman reveals, despite rules against foreign marriages, the U.S. Army encouraged GI-civilian fraternization through armed service publications, attitudes toward GI sexuality, and participation in the hospitality program. Armed service publications went from depicting British women as “frowsy dames” to honoring them as models of domesticity, while newspapers back home eventually legitimized the marriages by casting the brides as welcome additions to American society. Meanwhile, American women’s magazines viewed them as more similar to than different from their American counterparts and called on readers to help British brides master American homemaking.

            By combining letters and diaries of brides with published accounts, Friedman identifies accuracies and inaccuracies in the media record as well as gaps in coverage. She considers how the brides saw themselves compared to their media images and shows how the media co-opted brides as symbols of the Anglo-American “special friendship,” postwar power imbalance, and gendered ideals of marriage and domestication.

            From the Battlefront to the Bridal Suite is the untold story of overlooked participants in the most celebrated drama of the twentieth century—women whose lives were shaped profoundly by a war that was more than just a male enterprise. It shows the power of the press in the most unlikely matters and suggests a broader definition of the wartime experience.

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cover of From the House to the Streets: The Cuban Woman's Movement for Legal Reform, 1898-1940

From the House to the Streets

The Cuban Woman's Movement for Legal Reform, 1898-1940

K. Lynn Stoner

Duke University Press, 1991

From the House to the Streets is the first study on feminists and the feminist movement in Cuba between 1902 and 1940. In the four decades following its independence form Spain in 1898, Cuba adopted the most progressive legislation for women in the western hemisphere. K. Lynn Stoner explains how a small group of women and men helped to shape broad legal reforms: she describes their campaigns, the version of feminism they adopted with all its contradictions, and contrasts it to the model of feminism North Americans were transporting to Cuba.
Stoner draws on rich primary sources—texts, personal letters, journal essays, radio broadcasts, memoirs from women’s congresses—which allow these women to speak in their own voices. In reconstructing the mentalité of Cuban feminists, who came primarily from a privileged social status, Stoner shows how feminism drew from traditional notions of femininity and a rejection of gender equality to advance a cause that assumed women’s expanded roles were necessary for social progress. She also examines the values of the progressive male politicians who supported feminists and worked to change Cuban laws.
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cover of From the Jewish Provinces: Selected Stories

From the Jewish Provinces

Selected Stories

Fradl Shtok; Translated from the Yiddish by Jordan D. Finkin and Allison Schachter

Northwestern University Press, 2022

Winner, 2022 MLA Fenia and Yaakov Leviant Memorial Prize in Yiddish Studies

From the Jewish Provinces showcases a brilliant and nearly forgotten voice in Yiddish letters. An insistently original writer whose abrupt departure from the literary scene is the stuff of legend, Fradl Shtok composed stories that describe the travails of young women looking for love and desire in a world that spurns them. These women struggle with disability, sexual violence, and unwanted marriage, striving to imagine themselves as artists or losing themselves in fantasy worlds. The men around them grapple with their own frustrations and failures to live up to stifling social expectations. Through deft portraits of her characters’ inner worlds Shtok grants us access to unnoticed corners of the Jewish imagination.
 
Set alternately in the Austro‑Hungarian borderlands and in New York City, Shtok’s stories interpret the provincial worlds of the Galician shtetl and the Lower East Side with literary sophistication, experimenting with narrative techniques that make her stories expertly alive to women’s aesthetic experiences.
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cover of From the Lookout: Memories of Peninsula State Park’s Summer Camp for Girls

From the Lookout

Memories of Peninsula State Park’s Summer Camp for Girls

Kathleen Harris

Wisconsin Historical Society Press, 2020

For every summer from 1916 to 1948, Camp Meenahga, on the picturesque shoreline of Lake Michigan in Door County’s Peninsula State Park, hosted young girls and women from across the United States and Canada. From July to September each year, campers slept in canvas tents, told stories beside a massive stone fireplace, swam, canoed, sailed, hiked, rode horses, and watched the sunset from the Lookout, a gazebo with a spectacular view of the waters of Green Bay.
 
With big ideas, little money, and no experience, Alice Orr Clark and Frances Louise “Kidy” Mabley founded Meenahga as a place for young women to refine their manners, enjoy outdoor leisure activities, and learn woodcraft. From the Lookout is an account of these experiences, a history of Camp Meenahga informed by what campers, counselors, and others left behind, including letters home, notes from Clark and Mabley, and many pages from the camp yearbook and newsletter Pack and Paddle. 

Brimming with nostalgia, From the Lookout brings to life the sights, sounds, and smells of an idyllic summer retreat, one that long after it closed lived on as a place of respite in the memories of those who knew and loved it best.
 
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cover of Front Pages, Front Lines: Media and the Fight for Women's Suffrage

Front Pages, Front Lines

Media and the Fight for Women's Suffrage

Edited by Linda Steiner, Carolyn Kitch, and Brooke Kroeger

University of Illinois Press, 2020

Suffragists recognized that the media played an essential role in the women's suffrage movement and the public's understanding of it. From parades to going to jail for voting, activists played to the mass media of their day. They also created an energetic niche media of suffragist journalism and publications.

This collection offers new research on media issues related to the women's suffrage movement. Contributors incorporate media theory, historiography, and innovative approaches to social movements while discussing the vexed relationship between the media and debates over suffrage. Aiming to correct past oversights, the essays explore overlooked topics such as coverage by African American and Mormon-oriented media, media portrayals of black women in the movement, suffragist rhetorical strategies, elites within the movement, suffrage as part of broader campaigns for social transformation, and the influence views of white masculinity had on press coverage.

Contributors: Maurine H. Beasley, Sherilyn Cox Bennion, Jinx C. Broussard, Teri Finneman, Kathy Roberts Forde, Linda M. Grasso, Carolyn Kitch, Brooke Kroeger, Linda J. Lumsden, Jane Marcellus, Jane Rhodes, Linda Steiner, and Robin Sundaramoorthy

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cover of Futbolera: A History of Women and Sports in Latin America

Futbolera

A History of Women and Sports in Latin America

By Brenda Elsey and Joshua Nadel

University of Texas Press, 2019

Latin American athletes have achieved iconic status in global popular culture, but what do we know about the communities of women in sport? Futbolera is the first monograph on women’s sports in Latin America. Because sports evoke such passion, they are fertile ground for understanding the formation of social classes, national and racial identities, sexuality, and gender roles. Futbolera tells the stories of women athletes and fans as they navigated the pressures and possibilities within organized sports.

Futbolera charts the rise of physical education programs for girls, often driven by ideas of eugenics and proper motherhood, that laid the groundwork for women’s sports clubs, which began to thrive beyond the confines of school systems. Futbolera examines how women challenged both their exclusion from national pastimes and their lack of access to leisure, bodily integrity, and public space. This vibrant history also examines women’s sports through comparative case studies of Argentina, Brazil, Chile, Costa Rica, Mexico, and others. Special attention is given to women’s sports during military dictatorships of the 1970s and 1980s as well as the feminist and democratic movements that followed. The book culminates by exploring recent shifts in mindset toward women’s football and dynamic social movements of players across Latin America.

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