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In his new book, The Glen Canyon Country, archaeologist Don D. Fowler shares the history of a place and the peoples who sojourned there over the course of several thousand years. To tell this story, he weaves his personal experience as a student working on the Glen Canyon Salvage Project with accounts of early explorers, geologists, miners, railroad developers, settlers, river runners, and others who entered this magical place. The book details the canyon’s story via historical and scientific summaries, biographical sketches, personal memoir, and previously unpublished photos of the land and its explorers.

In 1956, Congress passed legislation that provided authorization and funds for emergency research to be conducted in Glen Canyon in response to the threat of losses posted by the construction of the Glen Canyon Dam in northern Arizona. For eight years, scientists worked against the clock to record the archaeology, geology, history, and paleontology of the region before the waters of Lake Powell covered the area.

In this highly interpretive summary, Jesse Jennings preserves the achievements of the salvage team and explains how the finds affected previous conclusions. Maps and photographs capture archaeological artifacts as well as the landscape of the area. This book also highlights the larger consequences of the massive salvage project — among them the stimulation of additional Southwest research, the applications of techniques made in response to emergency situations, and a valuable perspective on the Pueblo culture. Because this area is becoming increasingly controversial, with a raging debate over whether Lake Powell should be drained, Glen Canyon: An Archaeological Summary stands as more than a model of salvage archaeology. It is also a record and testament of the rich history of Glen Canyon.

Rock art is one of humankind’s most ancient forms of artistic expression, and one of its most enigmatic. For centuries, scholars and other observers have struggled to interpret the meaning of the mysterious figures incised or painted on natural rocks and to understand their role in the lives of their long-vanished creators. The Great Basin of the American West is especially rich in rock art, but until recently North American archaeologists have largely ignored these most visible monuments left by early Native Americans and have given little attention to the terrain surrounding them. In Great Basin Rock Art, twelve respected rock art researchers examine a number of significant sites from the dual perspectives of settlement archaeology and contemporary Native American interpretations of the role of rock art in their cultural past. The authors demonstrate how modern archaeological methodology and interpretations are providing a rich physical and cultural context for these ancient and hitherto puzzling artifacts. They offer exciting new insights into the lives of North America’s first inhabitants. This is essential reading for anyone interested in the petroglyphs of the American West and in the history of the Great Basin and its original peoples.

The Great Maya Droughts in Cultural Context offers new insights into the complicated series of events that impacted the decline of Maya civilization. This significant contribution to our increasingly comprehensive understanding of ancient Maya culture will be of interest to students and scholars of archaeology, anthropology, geography, and environmental studies.

Edited by Michael S. Foster and Shirley Gorenstein

Archaeology

Mesoamerican studies, as they are still practiced today, are framed by the Spanish colonial intrusion into Mexico from the east, and subsequent involvement with the Aztec Empire. Greater Mesoamerica expands the definition of "Mesoamerica" beyond the more traditionally accepted central Mexican areas to both western and northwestern Mexico where sophisticated cultures were flourishing outside the realm of Spanish influence. It is the first comprehensive overview of both regions since the Handbook of Middle American Indians was published in the early 1970s.

Based on recent archaeological surveys and excavations, the chapters in this volume provide current, comprehensive, area-by-area summaries of the region's Precolumbian past, noting the discovery of new cultural configurations, new connections, and new complexities.

Archaeologists refer to stone artifacts that are altered by or used to alter other items through abrasion, pecking, or polishing as "ground stone." This includes mortars, and pestles used to process vegetal materials, pigments, clays, and tempers; abraders, polishing stones, and hammerstones for manufacturing other artifacts; and artifacts shaped by abrasion or pecking, such as axes, pipes, figurines, ornaments, and architectural pieces. Because there is a fuzzy line between flaked and ground stone artifacts, some analysts state that ground stone includes any stone item not considered flaked.

This manual presents a flexible yet structured method for analyzing stone artifacts and classifying them in meaningful categories. The analysis techniques record important attributes based on design, manufacture, and use.

Part I contains discussions on determining function, classification, attributes of grinding technology, use-wear analysis, modeling tool use, utilization of ethnographic and experimental resources, and research suggestions. Part II contains definitions and descriptions of artifact types. Here the author also seeks to unravel the knot that has developed around conflicting application of terms.

A significant reference for any archaeological fieldworker or student who encounters such artifacts.