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3388 books match the query 'Fiction' and 82 start with g

cover of G-Strings and Sympathy: Strip Club Regulars and Male Desire

G-Strings and Sympathy

Strip Club Regulars and Male Desire

Katherine Frank

Duke University Press, 2002

Based on her experiences as a stripper in a city she calls Laurelton—a southeastern city renowned for its strip clubs—anthropologist Katherine Frank provides a fascinating insider’s account of the personal and cultural fantasies motivating male heterosexual strip club "regulars." Given that all of the clubs where she worked prohibited physical contact between the exotic dancers and their customers, in G-Strings and Sympathy Frank asks what—if not sex or even touching—the repeat customers were purchasing from the clubs and from the dancers. She finds that the clubs provide an intermediate space—not work, not home—where men can enjoyably experience their bodies and selves through conversation, fantasy, and ritualized voyeurism. At the same time, she shows how the dynamics of male pleasure and privilege in strip clubs are intertwined with ideas about what it means to be a man in contemporary America.

Frank’s ethnography draws on her work as an exotic dancer in five clubs, as well as on her interviews with over thirty regular customers—middle-class men in their late-twenties to mid-fifties. Reflecting on the customers’ dual desires for intimacy and visibility, she explores their paradoxical longings for "authentic" interactions with the dancers, the ways these aspirations are expressed within the highly controlled and regulated strip clubs, and how they relate to beliefs and fantasies about social class and gender. She considers how regular visits to strip clubs are not necessarily antithetical to marriage or long-term heterosexual relationships, but are based on particular beliefs about marriage and monogamy that make these clubs desirable venues. Looking at the relative "classiness" of the clubs where she worked—ranging from the city’s most prestigious clubs to some of its dive bars—she reveals how the clubs are differentiated by reputations, dress codes, cover charges, locations, and clientele, and describes how these distinctions become meaningful and erotic for the customers. Interspersed throughout the book are three fictional interludes that provide an intimate look at Frank’s experiences as a stripper—from the outfits to the gestures, conversations, management, coworkers, and, of course, the customers.

Focusing on the experiences of the male clients, rather than those of the female sex workers, G-Strings and Sympathy provides a nuanced, lively, and tantalizing account of the stigmatized world of strip clubs.

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cover of Gabriel Garcia Marquez and the Powers of Fiction

Gabriel Garcia Marquez and the Powers of Fiction

By Julio Ortega

University of Texas Press, 1988

Together with the late Jorge Luis Borges, Gabriel García Márquez, the 1982 Nobel laureate, stands at the pinnacle of Latin American literature. His work, in the words of Julio Ortega, "contains its own 'deconstructive' force—a literary power capable of reshaping natural order and rhetorical tradition in order to 'carnivalize' the Borges' library and allow us to hear the voices—and the laughter—of a culture, that of Latin America." This reshaping force invites us to read the works of García Márquez in a new way, one that bypasses the traditional, inadequate approaches through Latin American politics, history, and "magical realism."

In Gabriel García Márquez and the Powers of Fiction, noted scholars Julio Ortega, Ricardo Gutiérrez Mouat, Michael Palencia-Roth, Aníbal González, and Gonzalo Díaz-Migoyo offer English-speaking readers a new approach to García Márquez's work. Their poststructuralist readings focus on the peculiar sign-system, formal configuration, intradiscursivity, and unfolding representation in the novels One Hundred Years of Solitude, No One Writes to the Colonel, In Evil Hour, The Autumn of the Patriarch, and Chronicle of a Death Foretold and in several of the author's short stories. Also included as an appendix is a translation of García Márquez's Nobel Prize acceptance speech, "The Solitude of Latin America."

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cover of Gallery Bundu: A Story about an African Past

Gallery Bundu

A Story about an African Past

Paul Stoller

University of Chicago Press, 2005

There comes a time for most of us when we knowingly face a decision of such consequence that it will drastically affect the shape of our lives. Some people are prepared to carry the weight of that decision. David Lyons, the protagonist of Gallery Bundu, was not.

In Paul Stoller's work of fiction framed by African storytelling, David is the 52-year-old co-owner of Gallery Bundu, an African art shop in New York City. As a young man in the late 1960s, he joined the Peace Corps to avoid the draft. Assigned to teach English in Niger, he was eager to seek out adventure, and he found it—from drugged-out American expatriates and mamba-filled forests to seductive African women. In the course of his stay in Niger, David meets and falls in love with Zeinabou, a strikingly beautiful woman who professes her love to him, though David believes that he is not the only man she dates. Two weeks before his anticipated return to the United States, Zeinabou informs David that she is pregnant with what she believes is his child. Not knowing how to react, David flees Niger and returns to America ridden with guilt. The hastiness of David's decision will shadow his every move for the rest of his life and will lead him to eventually return to Niger and try to make amends.

Beautifully written and deeply felt, Gallery Bundu is a cautionary tale about the impulses of youth and the unyielding grip of regret. Stoller's vivid language and style allow readers, through David's recollections, to touch, taste, and smell the sensations of West Africa—the tasty aroma of a traditional African fish stew, the spectacle of witches, and the humorous and often frightening experiences of traveling in the bush. A lyrical novel of decisions and destiny, Gallery Bundu is rich in character and detail, bringing anthropology to a new literary height.
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cover of Gantenbein

Gantenbein

Max Frisch

Seagull Books, 1965

A playfully postmodern novel exploring questions of identity from a major Swiss writer.
 
A man walks out of a bar and is later found dead at the wheel of his car. On the basis of a few overheard remarks and his own observations, the narrator of this novel imagines the story of this stranger, or rather two alternative stories based on two identities the narrator has invented for him, one under the name of Enderlin, the other under the name Gantenbein.
 
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cover of Gaps: A Novel

Gaps

A Novel

Bohumil Hrabal

Northwestern University Press, 2011

Gaps begins with Hrabal receiving the long anticipated advance copy of his first short story collection, Perlicka na dne (Pearl of the Deep). Hrabal's career as a successful writer starts here, and the novel details his rise on the domestic front, his relationship with influential Czech artists and writers, as well as the international recognition he gains from novels such as Closely Watched Trains. 

Gaps is a more overtly political novel than either In-House Weddings or Vita Nuova. The 1968 Soviet invasion of Czechoslovakia and the subsequent repression of artistic freedom figure prominently. Hrabal is placed on the "liquidated writers" list, and copies of his novel Poupata (Buds) are disposed of at the paper salvage where he once worked. Hrabal's decision to tell his autobiography in his wife Eliska's voice highlights their very close relationship and lovingly details her deep influence on his work. Every movement, sound, fragrance, and color is detailed, creating a collage of Bohumil and Eliska's life together, an unforgettable picture that reveals the author's innermost attitudes to life, love, and the pursuit of his own art.

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cover of Gary In Your Pocket: Stories and Notebooks of Gary Fisher

Gary In Your Pocket

Stories and Notebooks of Gary Fisher

Gary Fisher

Duke University Press, 1996

The incandescent African American writer Gary Fisher was completely unpublished when he died of AIDS in 1994 at the age of 32. This volume, which includes all of Fisher’s stories and a generous selection from his journals, notebooks, and poems, will introduce readers to a tender, graphic, extravagant, and unswervingly incisive talent. In Fisher’s writings the razor-sharp rage is equalled only by the enveloping sweetness; the raw eroticism by a dazzling writerly elegance. Evocations of a haunting and mobile childhood are mixed in Fisher’s stories with an X-ray view of the racialized sexual vernaculars of gay San Francisco; while the journals braid together the narratives of sexual exploration and discovery, a joyous and deepening vocation as a writer, a growing intimacy with death, and an engagement with racial problematics that becomes ever more gravely and probingly imaginative.

A uniquely intimate, unflinching testimony of the experience of a young, African American gay man in the AIDS emergency, Gary in Your Pocket includes an introduction by Don Belton that describes Fisher’s achievement in the context of other work by Black gay men such as Marlon Riggs and Essex Hemphill, and a biographical afterword by Eve Kosofsky Sedgwick.
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cover of Gender and the Gothic in the Fiction of Edith Wharton

Gender and the Gothic in the Fiction of Edith Wharton

Kathy A. Fedorko

University of Alabama Press, 1995

Revealing the Gothic foundations of Edith Wharton's vision of gender and identity.

Gender and the Gothic in the Fiction of Edith Wharton is an innovative study that provides fresh insights into Wharton’s male characters while at the same time showing how Wharton’s imagining of a fe/male self evolves throughout her career. Using feminist archetypal theory and theory of the female Gothic, Kathy A. Fedorko shows how Wharton, in sixteen short stories and six major novels written during four distinct periods of her life, adopts and adapts Gothic elements to explore the nature of feminine and masculine ways of knowing and being and to dramatize the tension between them.

Edith Wharton’s contradictory views of women and men—her attitudes toward the feminine and the masculine—reflect a complicated interweaving of family and social environment, historical time, and individual psychology. Studies of Wharton have exhibited this same kind of contradiction, with some seeing her as disparaging men and the masculine and others depicting her as disparaging women and the feminine. The use of Gothic elements in her fiction provided Wharton, who was often considered the consummate realist, with a way to dramatize the conflict between feminine and masculine selves as she experienced them and to evolve an alternative to the dualism.

Fedorko’s work is unique in its careful consideration of Wharton’s sixteen Gothic works, which are seldom discussed. Further, the revelation of how these Gothic stories are reflected in her major realistic novels. In the novels with Gothic texts, Wharton draws multiple parallels between male and female protagonists, indicating the commonalities between women and men and the potential for a female self. Eventually, in her last completed novel and her last short story, Wharton imagines human beings who are comfortable with both gender selves.

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cover of General Firebrand and His Red Atlas

General Firebrand and His Red Atlas

Tathagata Bhattacharya

Seagull Books, 2024

A fast-paced and action-packed dystopian novel, addressing the nature of power, the limits of rationality, and the dominance of fear.

In a world on the brink of totalitarian rule, one man rises from the shadows to ignite a revolution and becomes the unlikely leader of a war of resistance that will shake the very foundations of power. General Firebrand, an unsocial and recovered alcoholic, considered a pariah by society, rises up against the country’s fascist regime. In this guerrilla war, Firebrand garners support from the unlikeliest allies. Beasts and birds of the jungle join the struggle. Spirits of historical figures from past wars and fictional characters with supernatural abilities lend their strength to the cause. As a devastating secret is revealed that moves Firebrand to the core, the battle for liberation takes on new dimensions, exposing the fragility of rationality and the weight of historical wrongs committed in the name of a supposedly humane ideology.
 
With zany, irreverent prose and a breakneck pace, General Firebrand and His Red Atlas is an explosive debut novel that challenges conventional wisdom and explores the complexities of courage, doubt, and the pursuit of justice in a world dominated by fear.
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cover of Genius: A Novel

Genius

A Novel

Thomas Rayfiel

Northwestern University Press, 2016

Kara Bell spent her youth plotting escape from Witch’s Falls, Arkansas. Relentless focus and the spurning of all emotional attachment led to the doctoral program in philosophy at Columbia University. But Kara’s careful plans are upended by cancer, and suddenly she is home again, where she finds herself subject to her mother’s suffocating care, her brother’s puzzling love life, the local doctor’s meddling, and the strong gravitational pull of her old friend and obsession, Christy Lee. Will Kara find health and sanity? Will she learn what really happened to her father? Can she escape Witch’s Falls a second time, or will she succumb to the slow poison of local kindness and Snickers Salad?

In Genius, Thomas Rayfiel finds both poignancy and dark humor in deathly illness, family secrets, organized religion, parenting, abortion, gossip, senility, and the mysterious rhythms of small-town life.

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cover of Genre Worlds: Popular Fiction and Twenty-First-Century Book Culture

Genre Worlds

Popular Fiction and Twenty-First-Century Book Culture

Kim Wilkins, Beth Driscoll, and Lisa Fletcher

University of Massachusetts Press, 2022

Works of genre fiction are a source of enjoyment, read during cherished leisure time and in incidental moments of relaxation. This original book takes readers inside popular genres of fiction, including crime, fantasy, and romance, to reveal how personal tastes, social connections, and industry knowledge shape genre worlds. Attuned to both the pleasure and the profession of producing genre fiction, the authors investigate contemporary developments in the field—the rise of Amazon, self-publishing platforms, transmedia storytelling, and growing global publishing conglomerates—and show how these interact with older practices, from fan conventions to writers’ groups.

Sitting at the intersection of literary studies, genre studies, fan studies, and studies of the book and publishing cultures, Genre Worlds considers how contemporary genre fiction is produced and circulated on a global scale. Its authors propose an innovative theoretical framework that unfolds genre fiction’s most compelling characteristics: its connected social, industrial, and textual practices. As they demonstrate, genre fiction books are not merely texts; they are also nodes of social and industrial activity involving the production, dissemination, and reception of the texts.

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cover of Geography and Plays

Geography and Plays

Gertrude Stein; Introduction by Cyrena N. Pondrom

University of Wisconsin Press, 1993

Geography and Plays is a collection of Gertrude Stein’s writing from about 1908 to 1920. Originally published in 1922 with an introduction by Sherwood Anderson, it was almost inaccessible for many years. This edition makes it possible for students and other devotees of Stein to see the developing strategies of one of the acknowledged giants of literary modernism, whose pathbreaking departures in literary style have recently been assigned still greater importance in light of new theories about women’s writing. An introduction by Cyrena N. Pondrom provides contemporary readers with a fine orientation to the importance of Stein’s achievement in this early work.
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cover of Geography of Water

Geography of Water

Mary Emerick

University of Alaska Press, 2015

In this exquisite debut novel, Mary Emerick takes readers into the watery landscape of southeast Alaska and the depths of a family in crisis.
An abusive father and a broken home forces a teenage Winnie to seek the safety of a neighboring bay and a pair of unlikely father figures. Years later her mother goes missing, and Winnie returns to the hunting and fishing lodge she grew up in to find the world she knew gone. Her once-powerful father disfigured by a bear attack. Her childhood hero revealed as merely human. And her mother’s story rewritten by a stray note.
As Winnie uses the help of friends to sort out the details of her mother’s final exodus, she finds herself pulled into a murky swirl of family secrets and devastating revelations. As the search heads higher into the mountains, Winnie must learn to depend on her own strength in order to reach the one she loves.
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cover of George Eliot's Dialogue with John Milton

George Eliot's Dialogue with John Milton

Anna K. Nardo

University of Missouri Press, 2003

In George Eliot’s Dialogue with John Milton, Anna K. Nardo details how Eliot reimagined Milton’s life and art to write epic novels for an age of unbelief. Nardo demonstrates that Eliot directly engaged Milton’s poetry, prose, and the well-known legends of his life—transposing, reframing, regendering, and thus testing both the stories told about Milton and the stories Milton told.
In Romola and Middlemarch, Eliot’s contemporary audience would immediately have recognized in her heroines’ stories the plight of Milton’s daughters—enlisted as readers for a blind poet and scholar. By evoking the well-known legends of Milton’s life in these novels, Eliot places Milton in dialogue with himself in order to imagine new possibilities. In Romola, a daughter uses what she has learned from one Miltonic father to liberate herself from subjugation to the other, and in Middlemarch, Eliot tests Milton’s fundamental assumptions about gender and knowledge by evoking, then reframing scenes from his life and his epic Paradise Lost.
This strategy for establishing a dialogue with authoritative discourse, which Eliot evolved in midcareer, is complex and elegant. Eliot’s first full-length novel, however, poses a direct challenge to the pastoral assumptions of Milton’s “L’Allegro” and “Il Penseroso”—a challenge that she extends to the theology of Milton’s epic of a lost pastoral paradise. In Adam Bede, Eliot summons Miltonic patterns into situations that expose their absence, leaving not the denial of these patterns, but their echo. Having separated Milton’s characteristic patterns of choice from his theology, Eliot then began to experiment with transformations of the Miltonic hero. By reimagining the story of the virtuous Lady of Comus, Eliot discovers the possibility for a heroic deliverance for the beleaguered heroine of The Mill on the Floss. In Felix Holt and Daniel Deronda, she first characterizes a male protagonist as a Miltonic hero, and then confronts her female, rather than her male, protagonist with the trials faced by that hero.
In these complex transformations, we see Eliot’s strenuous and lifelong dialogue with Milton—a dialogue that liberated Eliot’s imagination. The author shows that Eliot opens the authoritative discourse by and about Milton to new possibilities envisioned by a towering female intellect. Scholars of both seventeenth-century and nineteenth-century British literature, especially those specializing in Eliot or Milton, as well as theorists engaged in the ongoing debate about intertextuality, will find this book of great interest.
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cover of Gerald Gray's Wife and Lily: A Novel

Gerald Gray's Wife and Lily

A Novel

Susan Petigru King. Edited by William H. Pease and Jane H. Pease.

Duke University Press, 1993

Susan Petigru King wrote and published virtually all of her novels and short stories just before and during the American civil war, although her fiction deals neither with slavery nor sectional politics. Set in her native Charleston and its surrounding plantations, King's novels explore the social life and sexual politics of South Carolina's privileged antebellum elite. In the tradition of nineteenth-century domestic novels, King's writings chronicle courtships and marriages, love and jealousy. The republication of these long-neglected novels will introduce contemporary readers to the imaginative power of an important southern American woman writer.
Lily, King's best known novel, was originally published by Harper and Brothers in 1855. In this work, King skewers the rituals of courtship that propel its wealthy young heroine toward marriage and a melodramatic death. Gerald Gray's Wife, King's last novel, plays out the ironies of a plain woman who survives—but barely—the revelations that destroy her seemingly perfect marriage and acquired beauty. In both novels, women's jealousies and men's deceptions are the forces that propel King's often satirical pen. Largely lacking the moral instruction so common among nineteenth-century domestic novelists, King's novels are differentiated by their critical perspective on women's position, their exploration of themes of failure and frustration, and their focus on the drawing room and ballroom rather than the kitchen and nursery.
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cover of Getaway

Getaway

Glen Pourciau

Four Way Books, 2021

Although the characters in Pourciau’s stories change face, story to story they all inhabit a world dominated by interior voices revealing fragmented selves. They find difficulty making their inner worlds, with their competing narratives and emotions, fit into the world surrounding them. As they confront everyday predicaments and encounters, they are oftentimes averse to expressing their thoughts, thereby leading themselves deeper into a conflicted interior landscape.

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cover of Gettysburg: The Living and the Dead

Gettysburg

The Living and the Dead

Kent Gramm. Photographs by Chris Heisey

Southern Illinois University Press, 2019

In Gettysburg: The Living and the Dead, writer Kent Gramm and photographer Chris Heisey tell the famous battle’s story through the eyes of those who lived and died there. Unlike histories that simply recount the three furious days in July 1863, this book transports readers onto the battlefield and into the event’s historical echoes, making for a delightful, immersive experience.
 
Creative nonfiction, fiction, dramatic dialogue, and poetry combine with full-color photographs to convey the essential reality of the famous battlefield as a place both terrible and beautiful. The living and the dead contained here include Confederates and Yankees, soldiers and civilians, male and female, young and old. Visitors to the battlefield after 1863, both well known and obscure, provide the voices of the living. They include a female admiral in the U.S. Navy and a man from rural Virginia who visits the battlefield as a way of working through the death of his son in Iraq. The ghostly voices of the dead include actual participants in the battle, like a fiery colonel and a girl in Confederate uniform, as well as their representatives, such as a grieving widow who has come to seek her husband.   
 
Utilizing light as a central motif and fourscore and seven voices to evoke how Gettysburg continues to draw visitors and resound throughout history, alternately wounding and stitching the lives it touches, Gramm’s words and Heisey’s photographs meld for a historical experience unlike any other. Gettysburg: The Living and the Dead offers a panoramic view wherein the battle and battlefield of Gettysburg are seen through the eyes of those who lived through it and died on it as well as those who have sought meaning at the site ever since. 
 
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cover of Ghady & Rawan

Ghady & Rawan

By Fatima Sharafeddine and Samar Mahfouz Barraj, translated by M. Lynx Qualey and Sawad Hussain

University of Texas Press, 2019

Ghady and Rawan is a heartfelt and timely novel by the award-winning author Fatima Sharafeddine (The Servant, Cappuccino) and Samar Mahfouz Barraj. The novel follows the close-knit friendship of two Lebanese teenagers, Ghady, who lives with his family in Belgium, and Rawan, who lives in Lebanon. Ghady’s family travels every summer to Beirut, where Ghady gets to spend all his time with Rawan and their other friends, enjoying their freedom from school. During the rest of the year, he and Rawan keep in touch by email. Through this correspondence, we learn about the daily ups and downs of their lives in Brussels and Beirut, including Ghady’s homesickness and his struggles with racism at school, as well as Rawan’s changing relationship to her family. The novel offers a glimpse into the lives of Lebanese adolescents while exploring a range of topics relevant to young people everywhere: bullying, parental conflicts, racism, belonging and identity, and peer pressure. Through the connection between the two main characters, Sharafeddine and Mahfouz Barraj show how the love and support of a good friend can help you through difficulties as well as sweeten life’s triumphs and good times.

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cover of Ghetto Kingdom: Tales of the Lodz Ghetto

Ghetto Kingdom

Tales of the Lodz Ghetto

Isaiah Spiegel

Northwestern University Press, 1998

Isaiah Spiegel was an inmate of the Lodz Ghetto from its inception in 1940 until its liquidation in 1944. While there, he wrote short stories depicting Jewish life in the ghetto and managed to hide them before he was deported to Auschwitz. After being freed, he returned to Lodz to retrieve and publish his stories.
​
The stories examine the relationship between inmates and their families, their friends, their Christian former neighbors, the German soldiers, and, ultimately, the world of hopelessness and desperation that surrounded them. In using his creative powers to transform the suffering and death of his people into stories that preserve their memory, Spiegel succeeds in affirming the humanity and dignity the Germans were so intent on destroying.

Originally published as Malchut geto (Malkhes geto) in Yiddish.
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cover of Ghosts of Chicago: Stories

Ghosts of Chicago

Stories

John McNally

Northwestern University Press, 2010

Chicago is famously a "city of neighborhoods" that somehow balances metropolitan and parochial life. In the seventeen vividly rendered stories in Ghosts of Chicago, John McNally likewise captures the poignancy of both the shared experiences of a city and the interior details of his everyday characters.While McNally resurrects Chicago icons and institutions—including John Belushi, Walter Payton, and Richard J. Daley make appearances, and WGN’s "Creature Features" and a morning show for children featuring a silent goose are settings-- he is ultimately interested in the human condition, whether it’s railroad mogul George Pullman remembering his greatest triumph or the host of Romper Room experiencing her own awakening during the sexual revolution.Other stories tell of everyday people who must confront their own private ghosts—an accountant who falls in love with a woman who is in love with a man on death row; the son of a realtor who discovers his father’s secret life; a memoirist whose dark night of the soul leads him on a journey from which he may never return.McNally may be writing about Chicago—in the words of a Chicago Sun-Times reviewer, "He may have physically left Chicago, but the city has never left him"—but like Faulkner’s Yoknapatawpha or Sherwood Anderson’s Winesburg, the stories in this book transcend place.
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cover of Ghosts of New York: A Novel

Ghosts of New York

A Novel

Jim Lewis

West Virginia University Press, 2021

*A NEW YORK TIMES NOTABLE BOOK OF THE YEAR*
“A wondrous novel, with prose that sparkles like certain sidewalks after rain. . . . That’s it, I thought. That’s exactly what it’s like to live in New York.” —New York Times Book Review

Ghosts of New York is a novel in which the laws of time and space have been subtly suspended. It interweaves four strands: a photographer newly returned to the neighborhood where she grew up, after years spent living overseas; a foundling raised on 14th Street; a graduate student, his romantic partner, and his best friend entangled in a set of relationships with far-reaching personal and political repercussions; and a shopkeeper suffering from first love late in life. Mixing prophecy, history, and a hint of speculative fiction, its stories are bound together even as they are propelled into stranger territory. And undergirding it all is a song, which appears, disappears, and then resurfaces.

Ghosts of New York explores complex lives through indelible renderings of settings—a bar, a night market, a recording studio—that alternate between familiar and unsettling. The work of a celebrated novelist and veteran of the art, film, and music scenes in New York and Austin (described as “a rare talent” by the New York Times and “a powerful literary voice” by Jeffrey Eugenides), this novel will immediately absorb readers intrigued by creative people and the places that sustain and challenge them.
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cover of Giant Steps: Suffragettes and Soldiers

Giant Steps

Suffragettes and Soldiers

Mary Blair Immel

Indiana Historical Society Press, 2017

As Giant Steps opens, thirteen-year-old Bernie Epperson of Lafayette, Indiana, is wrestling with double standards placed on her compared with her brothers. Soon her cousin awakens her to all the unfair restrictions women face, and Bernie becomes a suffragette. Meanwhile, World War I begins. Her family is devastated when her brothers become soldiers, and Bernie must decide how to help the war effort and continue to fight for women’s rights. While this story is fictional, the details of the suffrage movement and the war efforts of ordinary Americans are true. Middle and high school students will relate to Bernie and her brothers’ dilemmas a century ago because they also face making decisions in a turbulent world while sifting through contradictory news and changing wisdom.
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cover of Gichigami: A Novel

Gichigami

A Novel

Lindsey Steffes

University of Massachusetts Press, 2025

Winner, Edna Ferber Fiction Book Award

An eerie coming-of-age story of a young girl’s quest for her absent mother across the frozen terrain of Lake Superior

One December evening, when 13-year-old Marta crosses the frozen Lake Superior and reaches the home she shares with her father, she finds a woman standing at their door. As Marta approaches, she realizes the woman, who looks like a tropical bird caught in the snow, is her mother who’d abruptly left them six years before. Marta hopes this is a turning point, that her mother will stay this time—despite hating this town, this island, and their creaky, towering Victorian house. But not everyone in town is thrilled with her mother’s arrival, least of all her dad.

Almost as soon as she arrives, however, Marta’s mother abruptly vanishes again, nowhere to be found, leaving Marta with more questions than answers. Her father denies her mother was ever there and Marta is left with the mystery of her mother’s homecoming. She begins to wonder if he is lying, or if there is a deeper secret being kept from her by the entire tight-knit community. As Marta delves into her mother's sudden reappearance and subsequent disappearance, she seeks answers, visiting places that were significant to her mother and questioning people she knew. Desperate for answers that will shed light on the mystery, this quest leads her to uncover a web of secrets that threaten to unravel everything she thought she knew about her family and herself.

Gichigami is an eerie coming-of-age novel, weaving between Marta and the person desperately trying to keep Marta and her mother apart. This poignant exploration of the lives of women and girls of the Midwest shines a light on the struggles of absent mothers, runaway daughters, and those who yearn for more than life has offered them. With rich prose and vivid imagery, Lindsey Steffes spins a tale of loss, longing, and betrayal set against the backdrop of the harsh yet beautiful landscape of Lake Superior. 

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cover of Ginseng and Other Tales from Manila

Ginseng and Other Tales from Manila

Marianne Villanueva

Calyx, 1991

Please fill in Nominee Manila Critics Circle Award These beautiful and poignant stories evoke a complex and empathetic picture of the Philippines. They reveal characters trapped in the extremity of urban violence or the crushing poverty of the provinces. The reader comes away with new insight into human nature and the valor and courage of the Philippine people. copy
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cover of Giovanna's 86 Circles: And Other Stories

Giovanna's 86 Circles

And Other Stories

Paola Corso

University of Wisconsin Press, 2007

    These ten magical stories are primarily set in Pittsburgh-area river towns, where Italian American women and girls draw from their culture and folklore to bring life and a sense of wonder to a seemingly barren region of the Rust Belt. Each story catapults the ordinary into something original and unpredictable.
    A skeptical journalist scopes out the bar where the town mayor, in seemingly perfect health, is drinking with his buddies and celebrating what he claims is the last day of his life. A woman donates her dead mother’s clothes to a thrift shop but learns that their destiny is not what she expected. A ten-year-old girl wrestles with the facts of life as she watches her neighbor struggle to get pregnant while her teenage sister finds it all too easy. A high school girl hallucinates in a steamy hospital laundry room and discovers she can see her coworkers’ futures. A developer’s wrecking ball is no match for the legend of Giovanna’s green thumb in the title story “Giovanna’s 86 Circles.”
    Quirky and profound, Corso’s magical leaps uncover the everyday poetry of these women’s lives.

Finalist for the John Gardner Fiction Book Award


Selected for “Best Short Stories of 2005” in Montserrat Review

Best Books for Regional Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association

Sons of Italy National Book Club Selection
 

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cover of Girl Beside Him

Girl Beside Him

Cris Mazza

University of Alabama Press, 2026

Every shadow tells a story she’s not ready to share.

In her ninth work of fiction, Cris Mazza walks the fence between man and nature, instinct and compusion, all the while throwing rocks into the yawning gulch between the sexes. As a portrait of our species, Girl Beside Him is a powerful book.

As the novel unfolds, a moody naturalist obsessed with target shooting meets his pretty assistant, rebounding from her bitter divorce, via a classified ad. Brian and Leya work together in the Wyoming outback, a landscape quick with beauty, death and sex. Ostensibly they have joined forces to track wild cougar, but humanity is the most endangered species here.

As the story lopes along, the naturalists, made feral by heartbreak and the drone of pop culture, spend the summer tracking cougars.…

Taking Sartre's aphorism, hell is other people, to new, dreadful extremes, Mazza's varmits know that the only thing wrong with any landscape is who else is living in it. From deep inside her character's skins, Mazza brings a psychological awareness to her novel that would make Stephen King squirm.

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cover of Girl Imagined by Chance

Girl Imagined by Chance

Lance Olsen

University of Alabama Press, 2002

Girl Imagined by Chance is a critifictional novel about a couple who find themselves having created a make-believe daughter (and soon a make-believe life to accompany her) in order to appease their friends, family, and the culture of reproduction. Structured around twelve photographs from a single roll of film, the book explores the nature of photography and the questions that nature raises about the notions of the simulated and the real, the media-ization of consciouness, originality, self construction, and the way we all continually fashion our faces into masks for the next shot. At its heart, Girl Imagined by Chance investigates the mystery of self-knowledge. The prevailing metaphor and structural device of photograpy examines the way images, in their magical ability to mimic memory, ultimately mock and eradicate it. The seemigly stable and fixed individual past turns out to be as protean and unknowable as the future. The body becomes strangely dispensable, perpetually adrift in a cybernetic world of hyperlinks and interfaces.
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cover of Girl Zoo

Girl Zoo

Aimee Parkison and Carol Guess

University of Alabama Press, 2019

A dark yet playful collection of short stories that pushes boundaries and blurs the lines between the real and surreal
 
Girl Zoo is an enthralling and sometimes unsettling collection of short stories that examines how women in society are confined by the limitations and expectations of pop culture, politics, advertising, fashion, myth, and romance. In each story, a woman or girl is literally confined or held captive, and we can only watch as they are transformed into objects of terror and desire, plotting their escape from their cultural cages.
 
Taken as a whole, this experimental speculative fiction invites parallels to social justice movements focused on sexuality and gender, as well as cautionary tales for our precarious political movement. Parkison and Guess offer no solutions to their characters’ captivity. Instead, they challenge their audience to read against the grain of conventional feminist dystopian narratives by inviting them inside the “Girl Zoo” itself.
 
Take a step inside the zoo and see for yourself. We dare you. Behind the bars, a world of wonder awaits.
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Give Them Stones

Mary Beckett

Catholic University of America Press, 2024

Give Them Stones follows Martha Murtagh’s life in Belfast during the Troubles. A working-class Catholic wife and mother, Martha struggles to find work and safe shelter for her children amid growing civil strife. Having renounced an education in order to financially support her family and living in one of the most precarious parts of the city, Martha discovers her passion for home-baking. Her bread provides sustenance and community for her neighbors, and for Martha herself it brings economic independence and spiritual communion. Mary Beckett’s novel is a skillfully written, moving narrative of one woman’s coming of age amid violence. It won the Sunday Tribune Arts Award in 1987 then fell out of print by the end of the century, while male writers of the Troubles rose to prominence. This restored edition brings Give Them Stones to a new readership, for whom Martha’s struggle for financial and personal independence remains an acutely relevant meditation on the burdens carried by women during war and the redemptive power of simple things.
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Given Ground

Ann Pancake

University Press of New England, 2008

Departing from Appalachia's 150-year-old literary legacy of formula and caricature, West Virginia native Ann Pancake uses the texture of language, an intense attention to place, and complexity of characterization to recreate the region -- its tragic history and fragile culture, the interior landscapes of its people, and their deep rootedness in a threatened land. Her characters, already marginalized economically and socially, confront what many perceive as an invading outside culture, enduring and at times transcending the loss of their "place," both literally and figuratively. Their stories undermine the assumption that just because people don't articulate what happens inside them, nothing much is happening at all.
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cover of Giving Their Word: Conversations with Contemporary Poets

Giving Their Word

Conversations with Contemporary Poets

Steven Ratiner

University of Massachusetts Press, 2002

Based on a three-year series of interviews conducted by Steven Ratiner for the Christian Science Monitor, this book offers extended conversations with twelve of the most influential poets writing today. Their comments are wonderfully detailed, refreshingly honest, and provide the sort of intimate introduction to both poet and text that readers are rarely privileged to enjoy. Included are conversations with William Stafford, Mary Oliver, John Montague, Charles Simic, Seamus Heaney, Donald Hall, Maxine Kumin, Carolyn Forché, Martí­n Espada, Marge Piercy, Rita Dove, and Bei Dao. In the book's closing interview, Steven Ratiner makes a return visit to Donald Hall's New Hampshire farm shortly before the publication of Hall's collection Without, which focused on the death of his wife, poet Jane Kenyon. 

Giving their word is what poets do; it is their stock-in-trade, their daily bread. In the hands of the most accomplished, a poet's words are transformed into a kind of window: looking inward toward the territory of memory, dream, personal mythology and opening out onto the landscape of the shared world where life and work are rooted. For each poet there is an intricate relationship between these two realms and poetry's third domain, the language that bridges both experiences and becomes the body of the poem. Giving Their Word shows us that the poet's fidelity to that relationship sustains his or her development over time, urges the writing toward new levels of discovery, and bestows on readers that most prized of commodities: a feeling of the authentic. 

For poets, students of poetry, and that far-flung community of readers for whom the contemporary poem still provides a journey worth taking, this book will present a host of pleasures. Giving Their Word enlarges the frame through which we view the poet's text and yields significant insights into the craft and character of each of these writers.

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Glass Eel

A Novel

Casey Bell

University of Massachusetts Press, 2027

Exploring the power of female friendships in times of despair

In the near-future United States, abortion is criminalized. Women are not only stripped of bodily autonomy but are also arrested and put through various punishments, including a Christian fundamentalist rehabilitation program and manual labor. Thrown together in this harrowing corrections process, two women, E and M, form a deep bond. Rippling through time and space, Glass Eel illuminates an imminent nightmare while exploring the unbreakable force of female friendship in times of despair. 

Before serving their sentences, E is a romantic who is prone to vivid, maladaptive daydreaming, and M is an empiricist studying to become a marine biologist. Isolated by her devout mother, E turns inward, developing a passion for poetry and myth. At the exact wrong time, she becomes involved with a married man. When E becomes pregnant, he gaslights her, denying their entire relationship. M, while working as a part-time performer at an underwater mermaid theater, carries the heavy responsibility of being the sole provider for her sick mother. One night, she reluctantly accompanies her roommate to a party where she’s raped. Both E and M make the difficult decision to terminate their pregnancies and are eventually arrested for it. 

Brought together to serve their sentences, E and M painstakingly labor underground to unclog the Chicago sewers at night. By day, they wander the bleak shore of a radioactive industrial lake, home to mysterious unearthly creatures. E and M unravel psychologically, desperate to cope with their impossible new reality as they grasp at their last real connection—their friendship—to make it through this dystopian time. Glass Eel explores the bond between E and M to show how people hold each other together when everything feels like it is falling apart.

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Glenway Wescott Personally

A Biography

Jerry Rosco

University of Wisconsin Press, 2002

As a writer, Glenway Wescott (1901–1987) left behind several novels, including The Grandmothers and The Pilgrim Hawk, noted for their remarkable lyricism. As a literary figure, Wescott also became a symbol of his times. Born on a Wisconsin farm in 1901, he associated as a young writer with Hemingway, Stein, and Fitzgerald in 1920s Paris and subsequently was a central figure in New York’s artistic and gay communities. Though he couldn’t finish a novel after the age of forty-five, he was just as famous as an arts impresario, as a diarist, and for the company he kept: W. H. Auden, Christopher Isherwood, Marianne Moore, Somerset Maugham, E. M. Forster, Joseph Campbell, and scores of other luminaries.
     In Glenway Wescott Personally, Jerry Rosco chronicles Wescott’s long and colorful life, his early fame and later struggles to write, the uniquely privileged and sometimes tortured world of artistic creation. Rosco sensitively and insightfully reveals Wescott’s private life, his long relationship with Museum of Modern Art curator Monroe Wheeler, his work with sex researcher Alfred Kinsey that led to breakthrough findings on homosexuality, and his kinship with such influential artists as Jean Cocteau, George Platt-Lynes, and Paul Cadmus.

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cover of Glimmering Girls: A Novel of the Fifties

Glimmering Girls

A Novel of the Fifties

Merrill Joan Gerber

University of Wisconsin Press, 2005

Glimmering Girls tells the story of three extraordinary American women during a time of sexual and cultural repression. Francie and her friends Liz and Amanda are college students, coming of age intellectually, emotionally, and physically in a setting where men were forbidden entry to women's dorm rooms, and women were locked into those rooms after curfew. College life for women was governed by one simple, cardinal rule: Marry Before Graduation or Be Lost Forever. Any thirst for adventure was supposed to be satisfied by the occasional panty raid. Francie and friends, however, find all this hard to swallow, and they resist their appointed futures as elementary school teachers and holders of the precious "MRS" degree. Doing the unthinkable, the three move off campus to live in a house with three men-Liz's boyfriend and two handsome, mysterious Southern twins who fix foreign cars in a shop off campus. There the young women's rebellion against expectations deepens, and they begin the real-world education of pursuing their dreams. Francie yearns to be a writer, and is encouraged by her Russian literature professor. Then she meets Joshua, a talented and dedicated piano student, who presents the ultimate challenge: does she maintain her "virtue," or give in to her sexual desires, finally breaking fully free of repressive "respectability"? Glimmering Girls follows Francie, Liz, and Amanda through this and other discoveries and adventures. Ultimately, each finds a way to live fully at a time when their entire culture seemed arrayed against them.
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Glory Hole

Stephen Beachy

University of Alabama Press, 2017

An enthralling, epic tale of the webs of misinformation that saturate, obscure, and complicate the vagaries of day-to-day life in modern America.

It’s 2006, and a cloud of darkness seems to have descended over the Earth—or at least over the minds of a ragtag assortment of Bay Area writers, drug dealers, social workers, porn directors, and Melvin, a street kid and refugee from his Mormon family. A shooter runs amok in an Amish schoolhouse, the president runs amok in the Middle East, a child is kidnapped from Disneyland, and on the local literary scene, a former child prostitute and wunderkind author that nobody has ever met has become a media sensation.

But something is fishy about this author, Huey Beauregard, and so Melvin and his friends Felicia and Philip launch an investigation into the webs of self-serving stories, lies, rumors, and propaganda that have come to constitute our sad, fractured reality.

Glory Hole is a novel about the ravages of time and the varied consequences of a romantic attitude toward literature and life. It is about AIDS, meth, porn, fake biographies, street outreach, the study of Arabic verb forms, Polish transgender modernists, obsession, and future life forms. It’s about getting lost in the fog, about prison as both metaphor and reality, madness, evil clowns, and mystical texts.

Vast and ambitious, comic and tragic, the novel also serves as a version of the I Ching, meaning it can be used as an oracle.
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cover of Glory: The Gospel of Judas, A Novel

Glory

The Gospel of Judas, A Novel

Giuseppe Berto

Rutgers University Press, 2024

Christ’s nemesis Judas Iscariot remains a shadowy figure in the four canonical gospels, which give contradictory reasons for why this rogue disciple betrays Christ. But how would Judas himself explain his motives? 
 
In Glory, Italian modernist Giuseppe Berto’s final novel, Judas finally tells his side of the story. From his perspective, Jesus is the betrayer, a would-be political activist and social reformer who fails to live up to his promises. And by fulfilling his predestined role in the drama of Christ’s death and resurrection, Judas himself is partly responsible for humanity’s salvation, enabling them to be redeemed by Christ’s sacrifice. As the novel probes into the psychological motivations behind his rejection of Jesus’ authority, Judas emerges as a compelling conflicted character, a man who seeks to have agency even when he knows his actions are being scripted by a higher power. Through Judas’s searing tortured monologues, this late masterpiece from one of Italy’s greatest writers investigates deep questions about the nature of faith, rebellion, fate, and free will. 

 

 
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Glossary for the End of Days

Stories

Ian Stansel

Acre Books, 2020

Following his acclaimed debut novel, The Last Cowboys of San Geronimo, the eleven stories of Ian Stansel’s Glossary for the End of Days explore today’s cultural and political climate with a disarming blend of speculation and realism. Whether faced with tragedy, approaching disaster, or an all-too-familiar uncertainty, Stansel’s protagonists—siblings, lovers, executives, drifters—reveal complex and often startling turns of mind, surprising themselves as well as the reader.

In Boulder, a man calls into a radio program with an altered tale of his brother’s murder—and faces the consequences when the story goes viral. In Tampa, a woman attends a convention of people believing themselves to be targets of clandestine government agencies. In Houston, a family with many secrets attempts to escape an oncoming tropical storm. In an East Coast college town, a professor has a charged run-in with a young woman from the radical right. And in Iowa, a cult suicide spurs the lone survivor to create a “glossary” in an effort to come to terms with his experience.
​
Simultaneously gritty and lyrical, grounded and visionary, Glossary for the End of Days gives us characters grappling with how to push on through dark days and dark times. This arresting, relevant collection tunes into and seeks to illuminate shared anxieties about the present—and future—of our world.
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cover of Go to the Store with Shakur!: A Shakur Series Board Book

Go to the Store with Shakur!

A Shakur Series Board Book

Andrea Sonnier

Gallaudet University Press, 2024

At the store, Shakur is ready to walk around instead of riding in the cart. He explores aisles filled with colorful choices. Dad reminds him that he can only pick one treat. Will it be strawberries or cookies? When it is time to check out, Shakur is a good helper and places the groceries on the belt. His trip to the store captures the excitement and pride of growing up.

About the Shakur Series:
The Shakur Series features Black deaf characters who use American Sign Language, offering a unique and inclusive reading experience for children. The vibrant illustrations showcase a signing family and will captivate young minds, while the engaging text reinforces learning. These charming board books contain positive messages and practical lessons, support early childhood development, and encourage children to explore the world with Shakur. This series honors and celebrates Black deaf experiences through everyday adventures that will resonate with young children and their families.

Published in partnership with The Laurent Clerc National Deaf Education Center.
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Goat Days

Benyamin

Seagull Books, 2016

Now in paperback, Benyamin's wry and tender telling transforms the strange and bitter comedy of Najeeb’s life in the desert into a universal tale of loneliness and alienation.

In the southern Indian state of Kerala, Najeeb’s dearest wish is to work in a Persian Gulf country and earn enough money to send some back home. One day, he finally achieves this dream, only to be propelled by a series of incidents—grim and absurd—into a slave-like existence, herding goats in the middle of the Saudi desert. Memories of his loving family and of the lush, verdant landscape of his village haunt Najeeb, whose only solace is the companionship of goats. In the end, the lonely young man is forced to contrive a hazardous scheme to escape his desert prison.

An instant bestseller in India, Goat Days is available for the first time in English, translated by Joseph Koyippally. Benyamin is a brilliant new talent of Malayalam literature and his wry and tender telling transforms the strange and bitter comedy of Najeeb’s life in the desert into a universal tale of loneliness and alienation.
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God Went Like That

A Novel

Yxta Maya Murray

Northwestern University Press, 2023

An artful and gripping new novel that recounts the human and environmental damage caused by actual disasters in Simi Valley, California

In award-winning legal scholar and novelist Yxta Maya Murray’s new novel, federal agent Reyna Rodriguez reports on a real-life nuclear reactor meltdown and accidents that occurred in 1959, 1964, and 1968 at the Santa Susana Field Laboratory. An infamous research and development complex in California’s Simi Valley, the lab was eventually dismantled by the US government—but not before it created a toxic legacy of contamination and numerous cancer clusters. Toxins and nuclear residue may have been further released by the 2018 Woolsey Fire and 2019 floods in the area.

God Went Like That takes the form of an EPA report in which Reyna presents riveting interviews with individuals affected by the disasters. With imagination and artistry, Murray brings to life an actual 2011 Department of Energy dossier that detailed the catastrophes and the ensuing public health fallout and highlights the high costs of governmental malfeasance and environmental racism.
[more]
cover of God of Beer

God of Beer

Garret Keizer

University Press of New England, 2016

In the remote mill town of Salmon Falls, Vermont, the dead of winter can feel like death itself. Jobs are scarce, kids are bored, and it sometimes seems there’s nothing better to do than drink. But when eighteen-year-old Kyle Nelson and a motley group of friends decide to challenge both the legal drinking age and the local drinking culture with a daring act of civil disobedience, they find there’s more to do than they ever imagined. Garret Keizer’s gripping novel about young men and women in revolt bears witness to the power of ideas, the bonds of friendship, and the trials of working-class kids on the margins of American society. His story never flinches in the face of those forces that conspire against, but needn’t overcome, the resilient spirits of the young.
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cover of God of River Mud: A Novel

God of River Mud

A Novel

Vic Sizemore

West Virginia University Press, 2024

Winner, 2025 Tennessee Book Award, Fiction

Grappling with innate desires and LGBTQ identity, a family struggles under the oppressive expectations foisted on them by fundamentalist Christianity.

Told through alternating perspectives, God of River Mud chronicles the lives of Berna Minor, her husband, their four children, and Berna’s secret lover.

To escape a life of poverty and abuse, Berna Cannaday marries Zechariah Minor, a fundamentalist Baptist preacher, and commits herself to his faith, trying to make it her own. After Zechariah takes a church beside the Elk River in rural Clay, West Virginia, Berna falls in love with someone from their congregation—Jordan, a woman who has known since childhood that he was meant to be a man. Berna keeps her secret hidden as she struggles to be the wife and mother she believes God wants her to be. Berna and Zechariah’s children struggle as well, trying to reconcile the theology they are taught at home with the fast-changing world around them. And Jordan struggles to find a community and a life that allow him both to be safely and fully himself, as Jay, and to be loved for who he is.

As the decades and stories unfold, traditional evangelical Bible culture and the values of rural Appalachia clash against innate desires, LGBTQ identity, and gender orientation. Sympathies develop—sometimes unexpectedly—as the characters begin to reconcile their faith and their love. God of River Mud delves into the quandary of those marginalized and dehumanized within a religious patriarchy and grapples with the universal issues of identity, faith, love, and belonging.

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cover of God's Country or Devil's Playground: The Best Nature Writing from the Big Bend of Texas

God's Country or Devil's Playground

The Best Nature Writing from the Big Bend of Texas

Edited by Barney Nelson

University of Texas Press, 2002

The dramatic desert landscapes of the Big Bend country along the Texas-Mexico border reminded historian Walter Prescott Webb of "an earth-wreck in which a great section of country was shaken down, turned over, blown up, and set on fire." By contrast, naturalist Aldo Leopold considered the region a mountainous paradise in which even the wild Mexican parrots had no greater concern than "whether this new day which creeps slowly over the canyons is bluer or golder than its predecessors, or less so." Whether it impresses people as God's country or as the devil's playground, the Big Bend typically evokes strong responses from almost everyone who lives or visits there.

In this anthology of nature writing, Barney Nelson gathers nearly sixty literary perspectives on the landscape and life of the Big Bend region, broadly defined as Trans-Pecos Texas and northern Chihuahua, Mexico. In addition to Leopold and Webb, the collection includes such well-known writers as Edward Abbey, Mary Austin, Roy Bedichek, and Frederick Olmsted, as well as a wide range of voices that includes explorers, trappers, cowboys, ranch wives, curanderos, college presidents, scientists, locals, tourists, historians, avisadores, and waitresses. Following a personal introduction by Barney Nelson, the pieces are grouped thematically to highlight the distinctive ways in which writers have responded to the Big Bend.

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cover of God's Horse and The Atheists' School

God's Horse and The Atheists' School

Wilhelm Dichter

Northwestern University Press, 2012

Wilhelm Dichter's autobiographical novels, God's Horse and The Atheists' School, have been translated into English for the first time and are presented here in a single volume. From the gradually maturing perspective of the narrator, a Polish Jewish youngster, they recount the harrowing tale of his family's struggle to survive the Holocaust and their privileged post-Holocaust lives as members of Poland's political elite. God's Horse depicts the sudden reversal of victim status that occurred when, in the postwar period, the hidden Jewish child became a little Red prince, thanks to his stepfather, a Jewish rising star in the communist regime. The Atheists' School, the sequel, follows the narrator through the years of high Stalinism into young adulthood and depicts the tensions between dedicated Jewish communists, some of whom join the elite, and Jews who are convinced that the Jews in Poland will inevitably be victimized again. 

In spare, precise prose, Dichter brings to life the tensions between ideologues and pragmatists, Polish patriots and their Soviet masters. These evocative novels also provide a psychologically persuasive and profoundly moving portrait of the narrator. The author's alter ego, supported by his stalwart and overly indulgent mother, possesses the tenacity to transform himself from an awkward, traumatized child survivor into an unsettled but eventually independent-minded young man.
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cover of God's Rainbow

God's Rainbow

Jaroslav Durych

Karolinum Press, 2016

This is a book about collective guilt, individual fate, and repentance, a tale that explores how we can come to be responsible for crimes we neither directly commit nor have the power to prevent. Set in the Czechoslovakian borderland shortly after WWII amid the sometimes violent expulsion of the region’s German population, Jaroslav Durych’s poetic, deeply symbolic novel is a literary touchstone for coming to terms with the Czech Republic’s difficult and taboo past of state-sanctioned violence.

A leading Catholic intellectual of the early twentieth century, Durych became a literary and political throwback to the prewar Czechoslovak Republic and faced censorship under the Stalinist regime of the 1950s. As such, he was a man not unfamiliar with the ramifications of a changing society in which the minority becomes the rule-making political authority, only to end up condemned as criminals. Though Durych finished writing God’s Rainbow in 1955, he could not have hoped to see it published in his lifetime. Released in a still-censored form in 1969, God’s Rainbow is available here in full for the first time in English.
[more]
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God

The Autobiography

Franco Ferrucci

University of Chicago Press, 1996

At the center of Franco Ferrucci's God: An Autobiography is one tender, troubled character: God. In the beginning is God's solitude, and because God is lonely he creates the world. He falls in love with Earth, plunges into the oceans, lives as plant and reptile and bird. His every thought and mood serve to populate the planet, with consequences that run away from him—sometimes delightfully, sometimes unfortunately. Witty, thought-provoking, and beautifully translated, this playful and irresistible Short will leave you wondering where philosophy ends and fiction begins, while it recounts thousands of years of religious thought—and reminds you that above all else, God knows how to tell a good story.

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cover of Gods, Demons, and Others

Gods, Demons, and Others

R. K. Narayan llustrated by R. K. Laxman

University of Chicago Press, 1993

Following in the footsteps of the storytellers of his native India, R. K. Narayan has produced his own versions of tales taken from the Ramayana and the Mahabarata. Carefully selecting those stories which include the strongest characters, and omitting the theological or social commentary that would have drawn out the telling, Narayan informs these fascinating myths with his urbane humor and graceful style.

"Mr. Narayan gives vitality and an original viewpoint to the most ancient of legends, lacing them with his own blend of satire, pertinent explanation and thoughtful commentary."—Santha Rama Rau, New York Times

"Narayan's narrative style is swift, firm, graceful, and lucid . . . thoroughly knowledgeable, skillful, entertaining. One could hardly hope for more."—Rosanne Klass, Times Literary Supplement

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cover of Godzilla and Godzilla Raids Again

Godzilla and Godzilla Raids Again

Shigeru Kayama

University of Minnesota Press, 2023

The first English translations of the original novellas about the iconic kaijū Godzilla

Godzilla emerged from the sea to devastate Tokyo in the now-classic 1954 film, produced by Tōhō Studios and directed by Ishirō Honda, creating a global sensation and launching one of the world’s most successful movie and media franchises. Awakened and transformed by nuclear weapons testing, Godzilla serves as a terrifying metaphor for humanity’s shortsighted destructiveness: this was the intent of Shigeru Kayama, the science fiction writer who drafted the 1954 original film and its first sequel and, in 1955, published these novellas. 

 

Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. This book finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. The novellas reveal valuable insights into Kayama’s vision for the Godzilla story, feature plots that differ from the films, and clearly display the author’s strong antinuclear, proenvironmental convictions.

 

Kayama’s fiction depicts Godzilla as engaging in guerrilla-style warfare against humanity, which has allowed the destruction of the natural world through its irresponsible, immoral perversion of science. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways.

 

 

Retail e-book files for this title are screen-reader friendly.

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Goethe Dies

Thomas Bernhard

Seagull Books, 2019

This collection of four stories by the writer George Steiner called “one of the masters of European fiction” is, as longtime fans of Thomas Bernhard would expect, bleakly comic and inspiringly rancorous. The subject of his stories vary: in one, Goethe summons Wittgenstein to discuss the Tractatus Logico-Philosophicus; “Montaigne: A Story (in 22 Installments)” tells of a young man sealing himself in a tower to read; “Reunion,” meanwhile, satirizes that very impulse to escape; and the final story rounds out the collection by making Bernhard himself a victim, persecuted by his greatest enemy—his very homeland of Austria. Underpinning all these variously comic, tragic, and bitingly satirical excursions is Bernhard’s abiding interest in, and deep knowledge of, the philosophy of doubt.

Bernhard’s work can seem off-putting on first acquaintance, as he suffers no fools and offers no hand to assist the unwary reader. But those who make the effort to engage with Bernhard on his own uncompromising terms will discover a writer with powerful comic gifts, penetrating insight into the failings and delusions of modern life, and an unstinting desire to tell the whole, unvarnished, unwelcome truth. Start here, readers; the rewards are great.
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cover of Going

Going

Kevin Oderman

West Virginia University Press, 2006

In Granada, a boy in a dress begs in the white alleys of the old town. A vulnerable runaway, he turns to an American painter who is living in the city for protection, Madeleine James. The boy also meets Madeleine's new friend, poet Cy Jacobs. Although the two adults mean to help the boy, they unwittingly expose him to more peril. Soon, all the characters in the story have been scraped on the touchstone of hard realities and made to show their mettle, be it base or gold. This novel, at times somber and at times flaring with intensity, calls up indelibly the difficulties of making a good life—or a good death—in a world in which we are all, in one way or another, going.

[more]
cover of Going Through Ghosts

Going Through Ghosts

Mary Sojourner

University of Nevada Press, 2010

Maggie Foltz is a fifty-five-year-old cocktail waitress in a rundown casino in the southern Nevada Mojave Desert. She spends her days serving drinks to lonely old folks playing the slot machines and her nights trying to escape her bitter past. When she befriends Sarah, a young Native American woman who is hired to cook in the casino coffee shop, her life begins to change. Maggie finds herself falling in love with a memory-haunted Vietnam veteran and warily begins to hope that together they can find peace. Then Sarah is mysteriously murdered, and Sarah’s ghost enlists Maggie to accompany her on a quest for the wisdom that she needs in order to move into the next world. The story ranges from smoky casinos into the harsh magnificence of the desert and the reservation where Sarah’s people are trying to preserve their culture and find their own place in a modern world that seems to want them to be either shamans or losers. Sojourner’s characters are compellingly real, and the Mojave setting has rarely been depicted as sensitively or truthfully. This is a memorable story of love, redemption, and solace, told by one of the West’s finest writers.

[more]