62 books match the query 'Ghosts' and 19 start with g

cover of Ghostly Encounters: The Hauntings of Everyday Life

Ghostly Encounters

The Hauntings of Everyday Life

Dennis Waskul

Temple University Press, 2016

“In the top corner of the window a pale, milky-white wisp is rising almost to the top of our ten-foot ceiling…. I am startled but not afraid…. Mostly, I am engrossed; I have never seen anything like this before (or since) and it fascinates me.”

Dennis Waskul writes these lines—about his first-hand experience with the supernatural—in the introduction to his beguiling book Ghostly Encounters. Based on two years of fieldwork and interviews with 71 midwestern Americans, the Waskuls’ book is a reflexive ethnography that examines how people experience ghosts and hauntings in everyday life. The authors explore how uncanny happenings become ghosts, and the reasons people struggle with or against a will to believe. They present the variety and character of hauntings and ghostly encounters, outcomes of people telling haunted legends, and the nested consequences of ghostly experiences.

Through these stories, Ghostly Encounters seeks to understand the persistence of uncanny experiences and beliefs in ghosts in an age of reason, science, education, and technology—as well as how those beliefs and experiences both reflect and serve important social and cultural functions.

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cover of Ghostly Matters: Haunting and the Sociological Imagination

Ghostly Matters

Haunting and the Sociological Imagination

Avery F. Gordon

University of Minnesota Press, 1996

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cover of Ghostly Past, Capitalist Presence: A Social History of Fear in Colonial Bengal

Ghostly Past, Capitalist Presence

A Social History of Fear in Colonial Bengal

Tithi Bhattacharya

Duke University Press, 2024

In Ghostly Past, Capitalist Presence, Tithi Bhattacharya maps the role that Bengali ghosts and ghost stories played in constituting the modern Indian nation, and the religious ideas seeded therein, as it emerged in dialogue with European science. Bhattacharya introduces readers to the multifarious habits and personalities of Bengal’s traditional ghosts and investigates and mourns their eventual extermination. For Bhattacharya, British colonization marked a transition from the older, multifaith folk world of traditional ghosts to newer and more frightening specters. These "modern" Bengali ghosts, borne out of a new rationality, were homogeneous specters amenable to "scientific" speculation and invoked at séance sessions in elite drawing rooms. Reading literature alongside the colonial archive, Bhattacharya uncovers a new reordering of science and faith from the middle of the nineteenth century. She argues that these shifts cemented the authority of a rising upper-caste colonial elite who expelled the older ghosts in order to recast Hinduism as the conscience of the Indian nation. In so doing, Bhattacharya reveals how capitalism necessarily reshaped Bengal as part of the global colonial project.
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cover of Ghosts Of Slavery: A Literary Archaeology of Black Women’s Lives

Ghosts Of Slavery

A Literary Archaeology of Black Women’s Lives

Jenny Sharpe

University of Minnesota Press, 2002

Questions traditional assumptions about power and agency in slave women’s everyday lives.

Through their open defiance, women like Harriet Tubman and Sojourner Truth had a significant impact on the institution of slavery. But what of the countless other women who did not commit public or even private acts of resistance? Are their stories worthy of our attention? While some scholars imply that only the struggle for freedom was legitimate, Jenny Sharpe complicates the linear narrative-from slavery to freedom and literacy-that emerged from the privileging of autobiographical accounts like that of Frederick Douglass. She challenges a paradigm that equates agency with resistance and self-determination, and introduces new ways to examine negotiations for power within the constraints of slavery.

In Ghosts of Slavery, Sharpe introduces a wider range of everyday practices by examining the lives of three distinctive Caribbean women: a maroon leader, a mulatto concubine, and a fugitive slave. Through them she explains how the diasporic experience of slavery enabled black women to claim an authority that they didn’t possess in Africa, how concubines empowered themselves through their mimicry of white women, and how less-privileged slave women manipulated situations that they were powerless to change. Finding the highly mediated portrayal of slave women in the historical records limited and sometimes misleading, Sharpe turns to unconventional sources for investigating these women’s lives. In this fascinating and historically rich account, she calls for new strategies of reading that question traditional narratives of history, and she finds alternative ways to integrate oral storytelling, slave songs, travel writing, court documents, proslavery literature, and contemporary literature into black history. Ultimately, this layered approach not only produces a more complex picture of the slave women’s agency than conventional readings, it encourages a more nuanced understanding of the roles of slaves in the history of slavery.
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cover of Ghosts and The Japanese: Cultural Experience in Japanese Death Legends

Ghosts and The Japanese

Cultural Experience in Japanese Death Legends

Michiko Iwasaka & Barre Toelken

Utah State University Press, 1994

The Japanese have ambivalent attitudes toward death, deeply rooted in pre-Buddhist traditions. In this scholarly but accessible work, authors Iwasaka and Toelken show that everyday beliefs and customs--particularly death traditions--offer special insight into the living culture of Japan.

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cover of Ghosts and the Overplus: Reading Poetry in the Twenty-First Century

Ghosts and the Overplus

Reading Poetry in the Twenty-First Century

Christina Pugh

University of Michigan Press, 2024

Ghosts and the Overplus is a celebration of lyric poetry in the twenty-first century and how lyric poetry incorporates the voices of our age as well as the poetic “ghosts” from the past. Acclaimed poet and award-winning teacher Christina Pugh is fascinated by how poems continually look backward into literary history. Her essays find new resonance in poets ranging from Emily Dickinson to Gwendolyn Brooks to the poetry of the present. Some of these essays also consider the way that poetry interacts with the visual arts, dance, and the decision to live life as a nonconformist. This wide-ranging collection showcases the critical discussions around poetry that took place in America over the first two decades of our current millennium. Essay topics include poetic forms continually in migration, such as the sonnet; poetic borrowings across visual art and dance; and the idiosyncrasies of poets who lived their lives against the grain of literary celebrity and trend. What unites all of these essays is a drive to dig more deeply into the poetic word and act: to go beyond surface reading in order to reside longer with poems. In essays both discursive and personal, Pugh shows that poetry asks us to think differently—in a way that gathers feeling into the realm of thought, thereby opening the mysteries that reside in us and in the world around us.
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cover of Ghosts in the Middle Ages: The Living and the Dead in Medieval Society

Ghosts in the Middle Ages

The Living and the Dead in Medieval Society

Jean-Claude Schmitt

University of Chicago Press, 1998

Through this vivid study, Jean-Claude Schmitt examines medieval religious culture and the significance of the widespread belief in ghosts, revealing the ways in which the dead and the living related to each other during the middle ages. Schmitt also discusses Augustine's influence on medieval authors; the link between dreams and autobiographical narratives; and monastic visions and folklore. Including numerous color reproductions of ghosts and ghostly trappings, this book presents a unique and intriguing look at medieval culture.

"Valuable and highly readable. . . . [Ghosts in the Middle Ages] will be of interest to many students of medieval thought and culture, but especially to those seeking a general overview of this particularly conspicuous aspect of the medieval remembrance of the dead."—Hans Peter Broedel, Medieval Review

"A fascinating study of the growing prevalence of ghost imagery in ecclesiastical and popular writing from the fifth to the fifteenth century."—Choice
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cover of Ghosts in the Neighborhood: Why Japan Is Haunted by Its Past and Germany Is Not

Ghosts in the Neighborhood

Why Japan Is Haunted by Its Past and Germany Is Not

Walter F. Hatch

University of Michigan Press, 2023

Germany, which brutalized its neighbors in Europe for centuries, has mostly escaped the ghosts of the past, while Japan remains haunted in Asia. The most common explanation for this difference is that Germany knows better how to apologize; Japan is viewed as “impenitent.” Walter F. Hatch rejects the conventional wisdom and argues that Germany has achieved reconciliation with neighbors by showing that it can be a trustworthy partner in regional institutions like the European Union and NATO; Japan has never been given that opportunity (by its dominant partner, the U.S.) to demonstrate such an ability to cooperate. This book rigorously defends the argument that political cooperation—not discourse or economic exchange—best explains Germany’s relative success and Japan’s relative failure in achieving reconciliation with neighbors brutalized by each regional power in the past. It uses paired case studies (Germany-France and Japan-South Korea; Germany-Poland and Japan-China) to gauge the effect of these competing variables on public opinion over time. With numerous charts, each of the four empirical chapters illustrates the powerful causal relationship between institution building and interstate reconciliation.

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cover of Ghosts in the Schoolyard: Racism and School Closings on Chicago's South Side

Ghosts in the Schoolyard

Racism and School Closings on Chicago's South Side

Eve L. Ewing

University of Chicago Press, 2018

“Failing schools. Underprivileged schools. Just plain bad schools.”
 
That’s how Eve L. Ewing opens Ghosts in the Schoolyard: describing Chicago Public Schools from the outside. The way politicians and pundits and parents of kids who attend other schools talk about them, with a mix of pity and contempt.
 
But Ewing knows Chicago Public Schools from the inside: as a student, then a teacher, and now a scholar who studies them. And that perspective has shown her that public schools are not buildings full of failures—they’re an integral part of their neighborhoods, at the heart of their communities, storehouses of history and memory that bring people together.
 
Never was that role more apparent than in 2013 when Mayor Rahm Emanuel announced an unprecedented wave of school closings. Pitched simultaneously as a solution to a budget problem, a response to declining enrollments, and a chance to purge bad schools that were dragging down the whole system, the plan was met with a roar of protest from parents, students, and teachers. But if these schools were so bad, why did people care so much about keeping them open, to the point that some would even go on a hunger strike?
 
Ewing’s answer begins with a story of systemic racism, inequality, bad faith, and distrust that stretches deep into Chicago history. Rooting her exploration in the historic African American neighborhood of Bronzeville, Ewing reveals that this issue is about much more than just schools. Black communities see the closing of their schools—schools that are certainly less than perfect but that are theirs—as one more in a long line of racist policies. The fight to keep them open is yet another front in the ongoing struggle of black people in America to build successful lives and achieve true self-determination.
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cover of Ghosts of Chicago: Stories

Ghosts of Chicago

Stories

John McNally

Northwestern University Press, 2010

Chicago is famously a "city of neighborhoods" that somehow balances metropolitan and parochial life. In the seventeen vividly rendered stories in Ghosts of Chicago, John McNally likewise captures the poignancy of both the shared experiences of a city and the interior details of his everyday characters.While McNally resurrects Chicago icons and institutions—including John Belushi, Walter Payton, and Richard J. Daley make appearances, and WGN’s "Creature Features" and a morning show for children featuring a silent goose are settings-- he is ultimately interested in the human condition, whether it’s railroad mogul George Pullman remembering his greatest triumph or the host of Romper Room experiencing her own awakening during the sexual revolution.Other stories tell of everyday people who must confront their own private ghosts—an accountant who falls in love with a woman who is in love with a man on death row; the son of a realtor who discovers his father’s secret life; a memoirist whose dark night of the soul leads him on a journey from which he may never return.McNally may be writing about Chicago—in the words of a Chicago Sun-Times reviewer, "He may have physically left Chicago, but the city has never left him"—but like Faulkner’s Yoknapatawpha or Sherwood Anderson’s Winesburg, the stories in this book transcend place.
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cover of Ghosts of Fascism: Italian Intellectuals After Mussolini

Ghosts of Fascism

Italian Intellectuals After Mussolini

Simon Levis Sullam, Translated by Stuart Oglethorpe

University of Wisconsin Press, 2026

While public intellectuals are typically thought of as inherently nonconformist and critical of established power, in practice many adapt themselves to the views of the majority—particularly in the context of repressive governments and dictatorships. When the political winds change, such figures often refashion themselves to fit the new paradigm. Ghosts of Fascism follows the trajectories of four major Italian intellectuals who, despite their passivity and at times collaboration with Fascist institutions, became some of postwar Italy’s iconic anti-Fascists: Federico Chabod, a prominent historian who would join the Resistance; the jurist Piero Calamandrei, who later participated in drafting the Italian democratic constitution; the influential literary critic Luigi Russo, who presided over the prestigious Scuola Normale Superiore in Pisa; and Alberto Moravia, the internationally renowned novelist. Simon Levis Sullam weaves together their histories to show how postwar Italian intellectuals quietly revised their previous political positions, redefining themselves—and their recent pasts, together with that of the entire nation—as consistently anti-Fascist.

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cover of Ghosts of Fourth Street: My Family, a Death, and the Hills of Duluth

Ghosts of Fourth Street

My Family, a Death, and the Hills of Duluth

Laurie Hertzel

University of Minnesota Press, 2026

An open, frank rumination on a brother’s death and its reverberations throughout a family

Every family has its stories and secrets. Laurie Hertzel’s family had more than its share. At an early age, Laurie, the seventh of the ten Hertzel children, took on the challenge of sorting them out. Not old enough to be one of the Big Kids, yet too old to be with the Three Little Kids, she spent most of her time alone, reading, wandering, and observing her family as they moved around her in their house in Duluth. Though her parents were not warm, there were moments of closeness in those years—gifts of Laura Ingalls Wilder’s  Little House books and special trips to the dairy for a sundae—but everything shattered after the sudden death of Laurie’s oldest sibling, eighteen-year-old Bobby, when she was just nine years old.

Moving back and forth in time, Laurie reflects on Bobby’s death and what happens to a family’s story when no one can talk about a tragedy and its toll. In Ghosts of Fourth Street, readers witness how the apparition of memories, the shadow of needs unmet, and the spirit of a family once whole all linger long after the death of a child and brother. As Laurie shares her experiences, we see the emergence of her fascination with story and truth as she teaches herself to read and finds solace and inspiration in books amid the tensions and competing agendas within her big, complicated family.

With keen attention, candor, and grace, Laurie paints a vivid portrait of 1960s Duluth as she poignantly examines a family contending with grief and the fact that life steadily goes on—snow and school buses, Christmases and Thanksgivings, ice skating and tobogganing and climbing trees, with ghosts always lingering at the edges.

Retail e-book files for this title are screen-reader friendly.

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cover of Ghosts of Glen Canyon: History beneath Lake Powell

Ghosts of Glen Canyon

History beneath Lake Powell

C Gregory Crampton

University of Utah Press, 2009

Drift down the Colorado River through Glen Canyon and explore the people and places that encompass the history of this majestic canyon before it drowned in the rising waters of Lake Powell.
Author Gregory Crampton led the historical investigations of Glen and San Juan Canyons from 1957 to 1963 under contract with the National Park Service. The objective was to locate and record historical sites that would be lost to the rising waters of the reservoir. This book records that effort.

First published in 1986, this edition has been revised to include several new “ghosts” of Glen Canyon, including a never-before-published foreword by Edward Abbey. It also showcases stunning color photographs by Philip Hyde and includes hundreds of black-and-white photographs taken by the original salvage crews.

This informative guide to the historic treasures of Glen Canyon includes numbered maps keyed to each location. It is a book for both the armchair traveler and the lake enthusiast eager for a journey through the past to a place few had the privilege to know.
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cover of Ghosts of New York: A Novel

Ghosts of New York

A Novel

Jim Lewis

West Virginia University Press, 2021

*A NEW YORK TIMES NOTABLE BOOK OF THE YEAR*
“A wondrous novel, with prose that sparkles like certain sidewalks after rain. . . . That’s it, I thought. That’s exactly what it’s like to live in New York.” —New York Times Book Review

Ghosts of New York is a novel in which the laws of time and space have been subtly suspended. It interweaves four strands: a photographer newly returned to the neighborhood where she grew up, after years spent living overseas; a foundling raised on 14th Street; a graduate student, his romantic partner, and his best friend entangled in a set of relationships with far-reaching personal and political repercussions; and a shopkeeper suffering from first love late in life. Mixing prophecy, history, and a hint of speculative fiction, its stories are bound together even as they are propelled into stranger territory. And undergirding it all is a song, which appears, disappears, and then resurfaces.

Ghosts of New York explores complex lives through indelible renderings of settings—a bar, a night market, a recording studio—that alternate between familiar and unsettling. The work of a celebrated novelist and veteran of the art, film, and music scenes in New York and Austin (described as “a rare talent” by the New York Times and “a powerful literary voice” by Jeffrey Eugenides), this novel will immediately absorb readers intrigued by creative people and the places that sustain and challenge them.
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cover of Ghosts of Organizations Past: Communities of Organizations as Settings for Change

Ghosts of Organizations Past

Communities of Organizations as Settings for Change

Dan Ryan

Temple University Press, 2015

In Ghosts of Organizations Past, Dan Ryan asks, “Why are urban communities such hard places to implement community improvement programs?” Looking at New Haven, Connecticut, and a now-defunct program called Fighting Back, which was created to build community coalitions against the abuse of alcohol and other drugs, Ryan shows how the normal properties of organizations generate apparent pathologies. He shows how the “ghosts,” or artifacts, of past organizations, both inhibited and enhanced Fighting Back's chances of success.

Ryan draws on concepts from the study of organizations, social capital, and social networks to re-think questions such as “What kind of thing is a community?” and “Why is it so difficult to build community initiatives out of organizations?” He provides a social organizational explanation for problems familiar to anyone who has been involved in community programs, issues that are usually understood as personal incompetence, turf wars, greed, or corruption.

Ghosts of Organizations Past describes the challenges of using organizations to create change in places in dire need of it.
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cover of Ghosts of Passion: Martyrdom, Gender, and the Origins of the Spanish Civil War

Ghosts of Passion

Martyrdom, Gender, and the Origins of the Spanish Civil War

Brian D. Bunk

Duke University Press, 2007

The question of what caused the Spanish Civil War (1936–39) is the central focus of modern Spanish historiography. In Ghosts of Passion, Brian D. Bunk argues that propaganda related to the revolution of October 1934 triggered the broader conflict by accentuating existing social tensions surrounding religion and gender. Through careful analysis of the images produced in books, newspapers, posters, rallies, and meetings, Bunk contends that Spain’s civil war was not inevitable. Commemorative imagery produced after October 1934 bridged the gap between rhetoric and action by dehumanizing opponents and encouraging violent action against them.

In commemorating the uprising, revolutionaries and conservatives used the same methods to promote radically different political agendas: they deployed religious imagery to characterize the political situation as a battle between good and evil, with the fate of the nation hanging in the balance, and exploited traditional gender stereotypes to portray themselves as the defenders of social order against chaos. The resulting atmosphere of polarization combined with increasing political violence to plunge the country into civil war.

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cover of Ghosts of the African Diaspora: Re-Visioning History, Memory, and Identity

Ghosts of the African Diaspora

Re-Visioning History, Memory, and Identity

Joanne Chassot

Dartmouth College Press, 2018

The first monograph to investigate the poetics and politics of haunting in African diaspora literature, Ghosts of the African Diaspora: Re-Visioning History, Memory, and Identity examines literary works by five contemporary writers—Fred D’Aguiar, Gloria Naylor, Paule Marshall, Michelle Cliff, and Toni Morrison. Joanne Chassot argues that reading these texts through the lens of the ghost does cultural, theoretical, and political work crucial to the writers’ engagement with issues of identity, memory, and history. Drawing on memory and trauma studies, postcolonial studies, and queer theory, this truly interdisciplinary volume makes an important contribution to the fast-growing field of spectrality studies.
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cover of Ghosts of the Colorado Plains

Ghosts of the Colorado Plains

Perry Eberhart

Ohio University Press, 1996

Since the second quarter of the nineteenth century, changing conditions have built and emptied small and large towns across the Colorado plain. At the time when Denver was little more than an overpopulated campsite along Cherry Creek there were numerous other settlements to the east and south, each with its own dreams of growth, gold or silver strikes, railroad connections, and rising influence over the surrounding territory. In Ghosts of the Colorado Plains, Eberhart traces some 150 of these ill-fated settlements, providing accounts of their birth, peak activity, and ultimate demise.

As early trapping, mining, cattle, farming, and transportation industries brought successive waves of “easterners” into the territory, they created some of the most colorful communities of their time. The trail towns Boston and Trail City were reputed to be two of the roughest towns in the entire west. Real estate schemers and promoters offered dreams of civilization and respectability in the “cow towns.” Elsewhere, the stage stations, side of the road settlements, and farm centers arose out of the basic necessities of commerce and from a simple desire of far-flung settlers, trappers, and others for a place to congregate, celebrate, trade, brawl, and receive news from the east. Though the personalities and events which animated these communities are all but forgotten, the towns themselves are the legacy of the competing forces that opened and developed the Colorado territory.

Readers of Guide to Colorado Ghost Towns and Mining Camps will welcome Ghosts of the Colorado Plains as an extension of Eberhart’s colorful blend of history and on-site information to a larger and much neglected area of the state. Through historical records, vignettes of personalities, and over 250 photos and 80 maps, Eberhart provides ready access to the towns and settlment sites of eastern Colorado’s past. For travelers, Ghosts of the Colorado Plains offers numerous pleasant excursions and investigations; for those less inclined to take to the field in search of artifacts and sites, the book offers fascinating glimpses of Colorado’s disappearing past.

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cover of Ghosts: Death’S Double And The Phenomena Of Theatre

Ghosts

Death’S Double And The Phenomena Of Theatre

Alice Rayner

University of Minnesota Press, 2006

Making spirits visible has been a part of the theatrical experience since at least the sixteenth century. Instead of illusions, however, ghostly doubles in theatre are materially real and pervasive.

In Ghosts, Alice Rayner examines theatre as a memorial practice that is haunted by the presence of loss, looking at how aspects of stagecraft turn familiar elements into something uncanny. Citing examples from the works of Shakespeare, Beckett, and Suzan-Lori Parks as well as the films Vertigo, Gaslight, and The Sixth Sense, she begins by describing time as it is employed by theatre with multiple aspects of presence, duration, and passage. Suggesting that objects connect past to present through the sense of touch, she explores how props are suspended backstage between motion and meaning. Her final chapters consider the curtain as theatre’s means for attempting to divide real and imaginary worlds.

If ghosts hover where secrets—secrets of the past, secrets from oneself, secrets of life and death—are kept, then, according to Rayner, “theatre is where ghosts best make their appearances and let communities and individuals know that we live amid secrets hiding in plain sight.”

Alice Rayner is associate professor of drama at Stanford University and author of, most recently, To Act, To Do, To Perform: Drama and the Phenomenology of Action.
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