4531 books match the query 'Cultural & Ethnic Studies' and 116 start with h

cover of History's Erratics: Irish Catholic Dissidents and the Transformation of American Capitalism, 1870-1930

History's Erratics

Irish Catholic Dissidents and the Transformation of American Capitalism, 1870-1930

David M. Emmons

University of Illinois Press, 2024

As Ice Age glaciers left behind erratics, so the external forces of history tumbled the Irish into America. Existing both out of time and out of space, a diverse range of these Roman-Catholic immigrants saw their new country in a much different way than did the Protestants who settled and claimed it. These erratics chose backward looking tradition and independence over assimilation and embraced a quintessentially Irish form of subversiveness that arose from their culture, faith, and working-class outlook. David M. Emmons draws on decades of research and thought to plumb the mismatch of values between Protestant Americans hostile to Roman Catholicism and the Catholic Irish strangers among them. Joining ethnicity and faith to social class, Emmons explores the unique form of dissidence that arose when Catholic Irish workers and their sympathizers rejected the beliefs and symbols of American capitalism.

A vibrant and original tour de force, History’s Erratics explores the ancestral roots of Irish nonconformity and defiance in America.

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cover of Hmong America: Reconstructing Community in Diaspora

Hmong America

Reconstructing Community in Diaspora

Chia Youyee Vang

University of Illinois Press, 2010

The first scholarly work to come from inside the Hmong community, Hmong America documents Chia Youyee Vang's own migration from Laos to Minnesota at age nine and the transformations she has witnessed in Hmong communities throughout the migration and settlement processes.

Vang depicts Hmong experiences in Asia and examines aspects of community building in America to reveal how new Hmong identities have been formed and how they have challenged popular assumptions about race and ethnicity in multicultural America. Combining participant observation and archival research with personal experience, Vang constructs a nuanced and complex portrait of the more than 130,000 Hmong people who came to the United States as political refugees beginning in the mid-1970s. Her critique of previous representations of the Hmong community provides the sociological underpinnings for a bold reassessment of Hmong history in the greater context of globalization. This new understanding redefines concepts of Hmong homogeneity and characterizes ordinary Hmong migrants not as passive victims but as dynamic actors who have exercised much power over their political and social destinies.

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cover of Hmong Means Free: Life in Laos and America

Hmong Means Free

Life in Laos and America

Sucheng Chan

Temple University Press, 1994

This collection of evocative personal testimonies by three generations of Hmong refugees is the first to describe their lives in Laos as slash-and-burn farmers, as refugees after a Communist government came to power in 1975, and as immigrants in the United States. Reflecting on the homes left behind, their narratives chronicle the difficulties of forging a new identity.

From Jou Yee Xiong's Life Story: 
"I stopped teaching my sons many of the Hmong ways because I felt my ancestors and I had suffered enough already. I thought that teaching my children the old ways would only place a burden on them."

From Ka Pao Xiong's (Jou Yee Xiong's son) Life Story: 
"It has been very difficult for us to adapt because we had no professions or trades and we suffered from culture shock. Here in America, both the husband and wife must work simultaneously to earn enough money to live on. Many of our children are ignorant of the Hmong way of life…. Even the old people are forgetting about their life in Laos, as they enjoy the prosperity and good life in America."

From Xang Mao Xiong's Life Story: 
"When the Communists took over Laos and General Vang Pao fled with his family, we, too, decided to leave. Not only my family, but thousands of Hmong tried to flee. I rented a car for thirty thousand Laotian dollars, and it took us to Nasu…. We felt compelled to leave because many of us had been connected to the CIA…. Thousands of Hmong were traveling on foot. Along the way, many of them were shot and killed by Communist soldiers. We witnessed a bloody massacre of civilians."

From Vue Vang's Life Story: 
"Life was so hard in the [Thai refugee] camp that when we found out we could go to the United States, we did not hesitate to grasp the chance. We knew that were we to remain in the camp, there would be no hope for a better future. We would not be able to offer our children anything better than a life of perpetual poverty and anguish."

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cover of Hmong in Wisconsin

Hmong in Wisconsin

Mai Zong Vue

Wisconsin Historical Society Press, 2020

Unknown to many Americans at the time, the Hmong helped the US government fight Communists in Laos during the Secret War of the 1960s and 1970s, a parallel conflict to the Vietnam War. When Saigon fell and allies withdrew, the surviving Hmong fled for their lives, spending years in Thai refugee camps before being relocated to the United States and other countries.

Many of these families found homes in Wisconsin, which now has the third largest Hmong population in the country, following California and Minnesota. As one of the most recent cultural groups to arrive in the Badger State, the Hmong have worked hard to establish a new life here, building support systems to preserve traditions and to help one another as they enrolled in schools, started businesses, and strived for independence. 

Told with a mixture of scholarly research, interviews, and personal experience of the author, this latest addition to the popular People of Wisconsin series shares the Hmong’s varied stories of survival and hope as they have become an important part of Wisconsin communities.

 
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cover of Hoecakes, Hambone, and All That Jazz: African American Traditions in Missouri

Hoecakes, Hambone, and All That Jazz

African American Traditions in Missouri

Rose M. Nolen

University of Missouri Press, 2003

Many African Americans in Missouri are the descendants of slaves brought by the French or the Spanish to the Louisiana Territory in the 1700s or by Americans who moved from slave states after the Louisiana Purchase in the 1800s. In Hoecakes, Hambone, and All That Jazz, Rose M. Nolen explores the ways in which those Missouri “immigrants with a difference”—along with other Africans brought to America against their will—developed cultural, musical, and religious traditions that allowed them to retain customs from their past while adapting to the circumstances of the present.

Nolen writes, “Instead of the bond of common ancestors and a common language, which families had shared in Africa, the enslaved in the United States were bound together by skin color, hair texture, and condition of bondage. Out of this experience a strong sense of community was born.” Nolen traces the cultural traditions shaped by African Americans in Missouri from the early colonial period through the Civil War and Reconstruction and shows how those traditions were reshaped through the struggles of the civil rights movement and integration. Nolen demonstrates how the strong sense of community built on these traditions has sustained African Americans throughout their history.
 
Nolen focuses on some of the extraordinary Missourians produced by that community, among them William Wells Brown, “the first black man born in America to write plays, a novel, and accounts of his travels in Europe, as well as a ‘slave narrative’”; John Berry Meachum, a former slave who founded a “floating school,” anchored in the Mississippi River and thus exempt from state law, where blacks could be educated; J. W. “Blind” Boone, the celebrated composer and concert pianist; Elizabeth Keckley, who purchased her freedom, started her own business, and became dress designer and confidante to Mary Todd Lincoln; and Lucinda Lewis Haskell, daughter of a former slave, who helped establish the St. Louis Colored Orphan’s Home.
 
Hoecakes, Hambone, and All That Jazz recalls the many advances African Americans have made throughout Missouri’s history and uses the accomplishments of individuals to demonstrate the considerable contribution of African American culture to Missouri and all of the United States.
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cover of Holding Fast: Resilience and Civic Engagement Among Latino Immigrants

Holding Fast

Resilience and Civic Engagement Among Latino Immigrants

James A. McCann

Russell Sage Foundation, 2020

The fight over immigration reform and immigrants’ rights in the U.S. has been marked by sharp swings in both public sentiment and official enforcement. In 2006, millions of Latino immigrants joined protests for immigration reform. Deferred Action for Childhood Arrivals, a policy granting work permits and protection from deportation to undocumented immigrants who entered the country before age 16, was enacted in 2012, despite a sharp increase in deportations during the Bush and Obama administrations. The 2016 election of Donald J. Trump prompted a surge in anti-immigrant sentiment which threatened DACA and other progressive immigration policies. In Holding Fast, political scientists James McCann and Michael Jones-Correa investigate whether and how these recent shifts have affected political attitudes and civic participation among Latino immigrants.
​
 Holding Fast draws largely from a yearlong survey of Latino immigrants, including both citizens and noncitizens, conducted before and after the 2016 election. The survey gauges immigrants’ attitudes about the direction of the country and the emotional underpinnings of their political involvement. While survey respondents expressed pessimism about the direction of the United States following the 2016 election, there was no evidence of their withdrawal from civic life. Instead, immigrants demonstrated remarkable resilience in their political engagement, and their ties to America remained robust. 

McCann and Jones-Correa examine Latino immigrants’ trust in government as well as their economic concerns and fears surrounding possible deportations of family members and friends. They find that Latino immigrants who were concerned about the likelihood of deportation were more likely to express a lack of trust in government. Concerns about personal finances were less salient. Disenchantment with the U.S. government did not differ based on citizenship status, length of stay in America, or residence in immigrant-friendly states. Foreign-born Latinos who are naturalized citizens shared similar sentiments to those with fewer political rights, and immigrants in California, for example, express views similar to those in Texas.

Addressing the potential influence immigrant voters may wield in in the coming election, the authors point to signs that the turnout rate for naturalized Latino immigrant may be higher than that for Latinos born in the United States.  The authors further underscore the importance of the parties' platforms and policies, noting the still-tenuous nature of Latino immigrants’ affiliations with the Democratic Party. 

Holding Fast outlines the complex political situation in which Latino immigrants find themselves today. Despite well-founded feelings of anger, fear, and skepticism, in general they maintain an abiding faith in the promise of American democracy. This book provides a comprehensive account of Latino immigrants’ political opinions and a nuanced, thoughtful outlook on the future of Latino civic participation. It will be an important contribution to scholarly work on civic engagement and immigrant integration.
 
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cover of Holding Up More Than Half the Sky: Chinese Women Garment Workers in New York City, 1948-92

Holding Up More Than Half the Sky

Chinese Women Garment Workers in New York City, 1948-92

Xiaolan Bao

University of Illinois Press, 2001

In 1982, 20,000 Chinese-American garment workers—most of them women—went on strike in New York City. Every Chinese garment industry employer in the city soon signed a union contract. The successful action reflected the ways women's changing positions within their families and within the workplace galvanized them to stand up for themselves. 

Xiaolan Bao's now-classic study penetrates to the heart of Chinese American society to explain how this militancy and organized protest, seemingly so at odds with traditional Chinese female behavior, came about. Drawing on more than one hundred interviews, Bao blends the poignant personal stories of Chinese immigrant workers with the interwoven history of the garment industry and the city's Chinese community. Bao shows how the high rate of married women employed outside the home profoundly transformed family culture and with it the image and empowerment of Chinese American women. At the same time, she offers a complex and subtle discussion of the interplay of ethnic and class factors within New York's garment industry. 

Passionately told and prodigiously documented, Holding Up More Than Half the Sky examines the journey of a community's women through an era of change in the home, on the shop floor, and walking the picket line.

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cover of Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance

Hollywood Asian

Philip Ahn and the Politics of Cross-Ethnic Performance

Hye Seung Chung

Temple University Press, 2006

From silent films to television programs, Hollywood has employed actors of various ethnicities to represent "Oriental"characters, from Caucasian stars like Loretta Young made up in yellow-face to Korean American pioneer Philip Ahn, whose more than 200 screen performances included roles as sadistic Japanese military officers in World War II movies and a wronged Chinese merchant in the TV show Bonanza. The first book-length study of Korean identities in American cinema and television, Hollywood Asian investigates the career of Ahn (1905-1978), a pioneering Asian American screen icon and son of celebrated Korean nationalist An Ch'ang-ho. In this groundbreaking scholarly study, Hye Seung Chung examines Ahn's career to suggest new theoretical paradigms for addressing cross-ethnic performance and Asian American spectatorship. Incorporating original material from a wide range of sources, including U.S. government and Hollywood screen archives, Chung's work offers a provocative and original contribution to cinema studies, cultural studies, and Asian American as well as Korean history.
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cover of Hollywood at the Intersection of Race and Identity

Hollywood at the Intersection of Race and Identity

Delia Malia Caparoso Konzett

Rutgers University Press, 2020

Hollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood’s task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities?  The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film’s sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal?
 
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cover of Hollywood's African American Films: The Transition to Sound

Hollywood's African American Films

The Transition to Sound

Ryan Friedman

Rutgers University Press, 2011

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor.
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cover of Hollywood's Hawaii: Race, Nation, and War

Hollywood's Hawaii

Race, Nation, and War

Delia Malia Caparoso Konzett

Rutgers University Press, 2017

Whether presented as exotic fantasy, a strategic location during World War II, or a site combining postwar leisure with military culture, Hawaii and the South Pacific figure prominently in the U.S. national imagination. Hollywood’s Hawaii is the first full-length study of the film industry’s intense engagement with the Pacific region from 1898 to the present.
 
Delia Malia Caparoso Konzett highlights films that mirror the cultural and political climate of the country over more than a century—from the era of U.S. imperialism on through Jim Crow racial segregation, the attack on Pearl Harbor and WWII, the civil rights movement, the contemporary articulation of consumer and leisure culture, as well as the buildup of the modern military industrial complex. Focusing on important cultural questions pertaining to race, nationhood, and war, Konzett offers a unique view of Hollywood film history produced about the national periphery for mainland U.S. audiences. Hollywood’s Hawaii presents a history of cinema that examines Hawaii and the Pacific and its representations in film in the context of colonialism, war, Orientalism, occupation, military buildup, and entertainment. 
 
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cover of Hollywood's Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino

Hollywood's Italian American Filmmakers

Capra, Scorsese, Savoca, Coppola, and Tarantino

Jonathan J. Cavallero

University of Illinois Press, 2011

Hollywood's Italian American Filmmakers explores the different ways in which Italian American directors from the 1920s to the present have responded to their ethnicity. While some directors have used film to declare their ethnic roots and create an Italian American "imagined community," others have ignored or even denied their background. Jonathan J. Cavallero examines the films of Frank Capra, Martin Scorsese, Nancy Savoca, Francis Ford Coppola, and Quentin Tarantino with a focus on what the films reveal about each director's view on Italian American identities. Whereas Capra's films highlight similarities between immigrant characters and WASP Americans, Scorsese accepts his ethnic heritage but also sees it as confining. Similarly, many of Coppola's films provide a nostalgic treatment of Italian American identity, but with little criticism of the culture's more negative aspects. And while Savoca's movies reveal her artful ability to recognize how ethnic, gender, and class identities overlap, Tarantino's films exhibit a playfully postmodern engagement with Italian American ethnicity.
 
Cavallero's exploration of the films of Capra, Scorsese, Savoca, Coppola, and Tarantino demonstrates how immigrant Italians fought prejudice, how later generations positioned themselves in relation to their predecessors, and how the American cinema, usually seen as a cultural institution that works to assimilate, has also served as a forum where assimilation was resisted.
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cover of Holy Prayers in a Horse's Ear: A Japanese American Memoir

Holy Prayers in a Horse's Ear

A Japanese American Memoir

Kathleen Tamagawa, Edited by Greg Robinson and Elena Tajima Creef

Rutgers University Press, 2008

Originally published in 1932, Kathleen Tamagawa’s pioneering Asian American memoir is a sensitive and thoughtful look at the personal and social complexities of growing up racially mixed during the early twentieth century. Born in 1893 to an Irish American mother and a Japanese father and raised in Chicago and Japan, Tamagawa reflects on the difficulty she experienced fitting into either parent’s native culture.
 

            She describes how, in America, her every personal quirk and quality was seen as quintessentially Japanese and how she was met unpredictably with admiration or fear—perceived as a “Japanese doll” or “the yellow menace.” When her family later moved to Japan, she was viewed there as a “Yankee,” and remained an outsider in that country as well. As an adult she came back to the United States as an American diplomat’s wife, but had trouble feeling at home in any place.
 

            This edition, which also includes Tamagawa’s recently rediscovered short story, “A Fit in Japan,” and a critical introduction, will challenge readers to reconsider how complex ethnic identities are negotiated and how feelings of alienation limit human identification in any society. 

 

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cover of Home Away From Home: A History of Basque Boardinghouses

Home Away From Home

A History of Basque Boardinghouses

Jeronima Echeverria

University of Nevada Press, 1999

In this meticulously researched study of Basque boardinghouses in the United States, Jeronima Echeverria offers a compelling history of the institution that most deeply shaped Basque immigrant life and served as the center of Basque communities throughout the West. She weaves into her narrative the stories of the boarding house owners and operators and the ways they made their establishments a home away from home for their fellow compatriots, as well as the stories of the young Basques who left the security of their beloved homeland to find work in the United States.

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cover of Home Girls, 40th Anniversary Edition: A Black Feminist Anthology

Home Girls, 40th Anniversary Edition

A Black Feminist Anthology

Barbara Smith

Rutgers University Press, 2024

Home Girls, the pioneering anthology of Black feminist thought, features writing by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and contains work by many of feminism's foremost thinkers. This edition features an updated list of contributor biographies and an all-new preface that provides Barbara Smith the opportunity to look back on forty years of the struggle, as well as the influence the work in this book has had on generations of feminists. The preface from the previous Rutgers edition remains, as well as all of the original pieces, set in a fresh new package. 

Contributors: Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willi (Willie) M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Spears Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita J. Weems.
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cover of Home Girls: A Black Feminist Anthology

Home Girls

A Black Feminist Anthology

Smith, Barbara

Rutgers University Press, 2000

The pioneering anthology Home Girls features writings by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and writings. This edition features an updated list of contributor biographies and an all-new preface that provides a fresh assessment of how Black women's lives have changed-or not-since the book was first published.

Contributors are Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems.

[more]
cover of Home Girls: Chicana Literary Voices

Home Girls

Chicana Literary Voices

Alvina E. Quintana

Temple University Press, 1996

"Home Girls makes an original, bold, and significant contribution to feminist studies, Chicana/o studies, and literature. Quintana accomplishes what few critics in Chicana/o studies have done: she applies different interpretive paradigms to her reading of Chicana texts, blending ethnography with literary criticism, ideological analysis with semiotics. Her reading of literary texts is rich in texture and detail." --Rosa Linda Fregoso, author of Bronze Screen: Chicana and Chicano Film Culture Chicana writers in the United States write to inspire social change, to challenge a patriarchal and homophobic culture, to redefine traditional gender roles, to influence the future. Alvina E. Quintana examines how Chicana writers engage literary convention through fiction, poetry, drama, and autobiography as a means of addressing these motives. Her analysis of the writings of Gloria Anzaldua, Ana Castillo, Denise Chavez, Sandra Cisneros, and Cherrie Moraga addresses a multitude of issues: the social and political forces that influenced the Chicana aesthetic; Chicana efforts to open a dialogue about the limitation of both Anglo-American feminism and Chicano nationalism; experimentations with content and form; the relationship between imaginative writing and self-reflexive ethnography; and performance, domesticity, and sexuality. Employing anthropological, feminist, historical, and literary sources, Quintana explores the continuity found among Chicanas writing across varied genres--a drive to write themselves into being.
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cover of Home Is Where Your Politics Are: Queer Activism in the U.S. South and South Africa

Home Is Where Your Politics Are

Queer Activism in the U.S. South and South Africa

Jessica A. Scott

Rutgers University Press, 2024

Home Is Where Your Politics Are is a transnational consideration of queer and trans activism in the US South and South Africa. Through ethnographic exploration of queer and trans activist work in both places, Jessica Scott paints a vibrant picture of what life is like in relation to a narrative that says that queer life is harder, if not impossible, in rural areas and on the African continent. The book asks questions like, what do activists in these places care about and how do stories about where they live get in the way of the life they envision for the queer and trans people for whom they advocate? Answers to these questions provide insight that only these activists have, into the complexity of locally based advocacy strategies in a globalized world.
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cover of Home Team Away: Watching European Football in Urban China

Home Team Away

Watching European Football in Urban China

Yuan Gong

University of Michigan Press, 2026

Home Team Away calls for a rethinking of sport fandom that is divorced from an attachment to location. As the first comprehensive account of the European football fandom in China, this book explores how the Chinese middle class subjectivity is formed through the cross-cultural, digital consumption of the Big Five leagues. Yuan Gong captures the embodied experiences of fans and fan clubs, fan discourses and activities unfolding on digital platforms on Weibo, Weixin, and Hupu, combining fieldwork in Shanghai and virtual ethnography. Gong argues that Chinese fans’ decisions to follow and engage with European football result from their material conditions, ideological contestation, and technology appropriation as a new demographic bloc arising during China’s transition to authoritarian digital capitalism. By engaging with their home teams away, the Chinese middle class fans perform as citizens with a global vision despite the resurgence of the nationalist and anti-Western sentiments.

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cover of Home and Hegemony: Domestic Service and Identity Politics in South and Southeast Asia

Home and Hegemony

Domestic Service and Identity Politics in South and Southeast Asia

Kathleen M. Adams and Sara Dickey, Editors

University of Michigan Press, 2000

In the intimate context of domestic service, power relations take on one of their most personalized forms. Domestic servants and their employers must formulate their political identities in relationship to each other, sometimes reinforcing and sometimes challenging broader social hierarchies such as those based on class, caste or rank, gender, race and ethnicity, nationality, sexual orientation, and kinship relations.
This pathbreaking collection builds on recent examinations of identity in the postcolonial states of South and Southeast Asia by investigating the ways in which domestic workers and their employers come to know and depict one another and themselves through their interactions inside and outside of the home. This setting provides a particularly apt arena for examining the daily negotiations of power and hegemony.
Contributors to the volume, all anthropologists, provide rich ethnographic analyses that avoid a narrow focus on either workers or employers. Rather, they examine systems of power through specific topics that range from the notion of "nurture for sale" to the roles of morality and humor in the negotiation of hierarchy and the dilemmas faced by foreign employers who find themselves in life-and-death dependence on their servants.
With its provocative theoretical and ethnographic contributions to current debates, this collection will be of interest to scholars in Asian studies, women's studies, anthropology, sociology, and cultural studies.
Kathleen M. Adams is Associate Professor of Anthropology, Loyola University of Chicago. Sara Dickey is Associate Professor of Anthropology, Bowdoin College.
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cover of Homeboys Forever: The Lifetime Consequences of Gang Membership

Homeboys Forever

The Lifetime Consequences of Gang Membership

Avelardo Valdez

University of Chicago Press, 2026

What is the end of the story after a lifetime in gangs?
 
Violence, addiction, imprisonment . . . we don’t have to look hard to see the negative consequences of gang involvement. But what does it look like to spend a life—from adolescence to adulthood—in gangs? Sociologist Avelardo Valdez and his research team have been following the lives of Mexican American men in San Antonio, Texas, over a remarkable twenty years, watching and listening as they navigate adolescent delinquency and gang involvement, advance into a life of crime, and—sometimes—attempt to break from gang life and build lives in conventional society.

When gang affiliation exploded in the 1990s, adolescent street gang membership surged in the Mexican American community of Westside San Antonio. Valdez was quick to begin investigating how young men embedded in a system with little support for lasting change turned to gang violence, drug use, and other risky behaviors. The honesty of these men’s accounts draws our attention to the economic, political, and sociocultural context of impoverished communities in San Antonio. Being constantly written off as troublemakers and criminals eroded the self-respect that these young men once had. They were once lithe, active, and full of self-confidence, but after a lifetime of constant harassment and entanglements with the legal system, they now have a perpetual look of exhaustion and defeat.

Encouraging readers to question who is at fault when young men become involved in gangs and other delinquent behaviors, Homeboys Forever is a humanizing account of marginalized youth who struggle to overcome the systemic inequities that have led to a lifetime of heartbreaking consequences. 
 
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cover of Homecoming Queers: Desire and Difference in Chicana Latina Cultural Production

Homecoming Queers

Desire and Difference in Chicana Latina Cultural Production

Danielson, Marivel T

Rutgers University Press, 2009

Homecoming Queers provides a critical discussion of the multiple strategies used by queer Latina authors and artists in the United States to challenge silence and invisibility within mainstream media, literary canons, and theater spaces. Marivel T. Danielson's analysis reveals the extensive legacy of these cultural artists, including novelists, filmmakers, students and activists, comedians, performers, and playwrights. By clearly discussing the complexities and universalities of ethnic, racial, sexual, gender, and class intersections between queer Chicana and U.S. Latinas, Danielson explores the multiple ways identity shapes and shades creative expression. Weaknesses and gaps are revealed in the treatment of difference as a whole, within dominant and marginalized communities.

Spanning multiple genres and forms, and including scholarly theory alongside performances, films, narratives, and testimonials, Homecoming Queers leads readers along a crucial path toward understanding and overcoming the silences that previously existed across these fields.

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cover of Homesick

Homesick

Nicholas Shapiro

Duke University Press, 2025

Following Hurricane Katrina, the Federal Emergency Management Agency (FEMA) distributed over 120,000 trailers for emergency housing. Produced from engineered wood containing toxic amounts of formaldehyde, these shelters were vectors of illness and death. Although they were subsequently banned, FEMA trailers were resold and again used for housing, scattering their harm to other people and areas. In Homesick, Nicholas Shapiro draws on almost fifteen years working with impacted community members to trace how the story of toxic emergency housing units expands into a story of how all of our shelters became a seat of exposure and how we can collectively struggle for cleaner indoor air. Throughout, Shapiro questions the efficacy of the fundamental tools used to cultivate accountability, repair, and change, arguing for their reimagining. Detailing health effects as well as community and individual efforts to achieve better life, health, and justice, Shapiro highlights how homesickness for an otherwise future can herald meaningful change.
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cover of Honeypot: Black Southern Women Who Love Women

Honeypot

Black Southern Women Who Love Women

E. Patrick Johnson

Duke University Press, 2019

E. Patrick Johnson's Honeypot opens with the fictional trickster character Miss B. barging into the home of Dr. EPJ, informing him that he has been chosen to collect and share the stories of her people. With little explanation, she whisks the reluctant Dr. EPJ away to the women-only world of Hymen, where she serves as his tour guide as he bears witness to the real-life stories of queer Black women throughout the American South. The women he meets come from all walks of life and recount their experiences on topics ranging from coming out and falling in love to mother/daughter relationships, religion, and political activism. As Dr. EPJ hears these stories, he must grapple with his privilege as a man and as an academic, and in the process he gains insights into patriarchy, class, sex, gender, and the challenges these women face. Combining oral history with magical realism and poetry, Honeypot is an engaging and moving book that reveals the complexity of identity while offering a creative method for scholarship to represent the lives of other people in a rich and dynamic way.
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cover of Hong Kong Movers and Stayers: Narratives of Family Migration

Hong Kong Movers and Stayers

Narratives of Family Migration

Janet W. Salaff, Siu-lun Wong, and Arent Greve

University of Illinois Press, 2010

Half a million Hong Kong residents fled their homeland during the thirteen years before Hong Kong's reversion to China in 1997. Nearly half of those returned within the next several years. Filled with detailed, first-hand stories of nine Hong Kong families over nearly two decades, Hong Kong Movers and Stayers is a multifaceted yet intimate look at the forces behind Hong Kong families' successful, and failed, efforts at migration and settlement. 

Defining migration as a process, not a single act of leaving, Hong Kong Movers and Stayers provides an antidote to ethnocentric and simplistic theories by uncovering migration stories as they relate to social structures and social capital. The authors meld survey analysis, personal biography, and sociology and compare multiple families in order to give voice to the interplay of gender, age, and diverse family roles as motivating factors in migration.

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cover of Honor Bound: Race and Shame in America

Honor Bound

Race and Shame in America

Leverenz, David

Rutgers University Press, 2012

As Bill Clinton said in his second inaugural address, “The divide of race has been America’s constant curse.” In Honor Bound, David Leverenz explores the past to the present of that divide. He argues that in the United States, the rise and decline of white people’s racial shaming reflect the rise and decline of white honor. “White skin” and “black skin” are fictions of honor and shame. Americans have lived those fictions for over four hundred years.

To make his argument, Leverenz casts an unusually wide net, from ancient and modern cultures of honor to social, political, and military history to American literature and popular culture.

He highlights the convergence of whiteness and honor in the United States from the antebellum period to the present. The Civil War, the civil rights movement, and the election of Barack Obama represent racial progress; the Tea Party movement represents the latest recoil.

From exploring African American narratives to examining a 2009 episode of Hardball—in which two white commentators restore their honor by mocking U.S. Attorney General Eric Holder after he called Americans “cowards” for not talking more about race—Leverenz illustrates how white honor has prompted racial shaming and humiliation. The United States became a nation-state in which light-skinned people declared themselves white. The fear masked by white honor surfaces in such classics of American literature as The Scarlet Letter and Adventures of Huckleberry Finn and in the U.S. wars against the Barbary pirates from 1783 to 1815 and the Iraqi insurgents from 2003 to the present. John McCain’s Faith of My Fathers is used to frame the 2008 presidential campaign as white honor’s last national stand.

Honor Bound concludes by probing the endless attempts in 2009 and 2010 to preserve white honor through racial shaming, from the “birthers” and Tea Party protests to Joe Wilson’s “You lie!” in Congress and the arrest of Henry Louis Gates Jr. at the front door of his own home. Leverenz is optimistic that, in the twenty-first century, racial shaming is itself becoming shameful.

[more]
cover of Honor and the American Dream: Culture and Identity in a Chicano Community

Honor and the American Dream

Culture and Identity in a Chicano Community

Horowitz, Ruth

Rutgers University Press, 1983

Thirty-second Street in Chicago. A Chicano community, peaceful on a warm summer night, residents socializing, children playing--and gang warfare ready to explode at any time. Ruth Horowitz takes us to the heart of this world, one characterized by opposing sets of values. On the one hand, residents believe in hard work, education, family ties, and the American dream of success. On the other hand, gang members are preoccupied with fighting to maintain their personal and family honor. Horowitz gives us an inside look at this world, showing us how the juxtaposition of two worlds--the streets and the social ladder--and two cultures, Mexican and American, constantly challenges the residents of the community.
[more]
cover of Hooded Americanism: The History of the Ku Klux Klan

Hooded Americanism

The History of the Ku Klux Klan

David M. Chalmers

Duke University Press, 1987

"The only work that treats Ku Kluxism for the entire period of it's existence . . . the authoritative work on the period. Hooded Americanism is exhaustive in its rich detail and its use of primary materials to paint the picture of a century of terror. It is comprehensive, since it treats the entire period, and enjoys the perspective that the long view provides. It is timely, since it emphasizes the undeniable persistence of terrorism in American life."—John Hope Franklin
[more]
cover of Hoodlums: Black Villains and Social Bandits in American Life

Hoodlums

Black Villains and Social Bandits in American Life

William L. Van Deburg

University of Chicago Press, 2004

Martin Luther King Jr. Malcolm X. Muhammad Ali. When you think of African American history, you think of its heroes—individuals endowed with courage and strength who are celebrated for their bold exploits and nobility of purpose. But what of black villains? Villains, just as much as heroes, have helped define the black experience.

Ranging from black slaveholders and frontier outlaws to serial killers and gangsta rappers, Hoodlums examines the pivotal role of black villains in American society and popular culture. Here, William L. Van Deburg offers the most extensive treatment to date of the black badman and the challenges that this figure has posed for race relations in America. He first explores the evolution of this problematic racial stereotype in the literature of the early Republic—documents in which the enslavement of African Americans was justified through exegetical claims. Van Deburg then probes antebellum slave laws, minstrel shows, and the works of proslavery polemicists to consider how whites conceptualized blacks as members of an inferior and dangerous race. Turning to key works by blacks themselves, from the writings of Frederick Douglass and W. E. B. Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits—controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary.

Ultimately, Van Deburg brings his story up-to-date with discussions of prison and hip-hop culture, urban rioting, gang warfare, and black-on-black crime. What results is a work of remarkable virtuosity—a nuanced history that calls for both whites and blacks to rethink received wisdom on the nature and prevalence of black villainy.
[more]
cover of Hope Draped in Black: Race, Melancholy, and the Agony of Progress

Hope Draped in Black

Race, Melancholy, and the Agony of Progress

Joseph R. Winters

Duke University Press, 2016

In Hope Draped in Black Joseph R. Winters responds to the enduring belief that America follows a constant trajectory of racial progress. Such notions—like those that suggested the passage into a postracial era following Barack Obama's election—gloss over the history of racial violence and oppression to create an imaginary and self-congratulatory world where painful memories are conveniently forgotten. In place of these narratives, Winters advocates for an idea of hope that is predicated on a continuous engagement with loss and melancholy. Signaling a heightened sensitivity to the suffering of others, melancholy disconcerts us and allows us to cut against dominant narratives and identities. Winters identifies a black literary and aesthetic tradition in the work of intellectuals, writers, and artists such as W. E. B. Du Bois, Ralph Ellison, Toni Morrison, and Charles Burnett that often underscores melancholy, remembrance, loss, and tragedy in ways that gesture toward such a conception of hope. Winters also draws on Walter Benjamin and Theodor Adorno to highlight how remembering and mourning the uncomfortable dimensions of American social life can provide alternate sources for hope and imagination that might lead to building a better world.
[more]
cover of Hope and Independence: Blacks' Response to Electoral and Party Politics

Hope and Independence

Blacks' Response to Electoral and Party Politics

Patricia Gurin

Russell Sage Foundation, 1989

Over the past fifteen years, a New Black Politics has swept black candidates into office and registered black voters in numbers unimaginable since the days of Reconstruction. Based on interviews with a representative sample of nearly 1,000 voting-age black Americans, Hope and Independence explores blacks' attitudes toward electoral and party politics and toward Jesse Jackson's first presidential bid. Viewed in the light of black political history, the survey reveals enduring themes of hope (for eventual inclusion in traditional politics, despite repeated disappointments) and independence (a strategy of operating outside conventional political institutions in order to achieve incorporation). The authors describe a black electorate that is less alienated than many have suggested. Blacks are more politically engaged than whites with comparable levels of education. And despite growing economic inequality in the black community, the authors find no serious class-based political cleavage. Underlying the widespread support for Jackson among blacks, a distinction emerges between "common fate" solidarity, which is pro-black, committed to internal criticism of the Democratic party, and conscious of commonality with other disadvantaged groups, and "exclusivist" solidarity, which is pro-black but also hostile to whites and less empathetic to other minorities. This second, more divisive type of solidarity expresses itself in the desire for a separate black party or a vote black strategy—but its proponents constitute a small minority of the black electorate and show surprisingly hopeful attitudes toward the Democratic party. Hope and Independence will be welcomed by readers concerned with opinion research, the sociology of race, and the psychology of group consciousness. By probing the attitudes of individual blacks in the context of a watershed campaign, this book also makes a vital contribution to our grasp of current electoral politics.
[more]
cover of Hostile Heartland: Racism, Repression, and Resistance in the Midwest

Hostile Heartland

Racism, Repression, and Resistance in the Midwest

Brent M. S. Campney

University of Illinois Press, 2019

We forget that racist violence permeated the lower Midwest from the pre-Civil War period until the 1930s. From Kansas to Ohio, whites orchestrated extraordinary events like lynchings and riots while engaged in a spectrum of brutal acts made all the more horrific by being routine. Also forgotten is the fact African Americans forcefully responded to these assertions of white supremacy through armed resistance, the creation of press outlets and civil rights organizations, and courageous individual activism. Drawing on cutting-edge methodology and a wealth of documentary evidence, Brent M. S. Campney analyzes the institutionalized white efforts to assert and maintain dominance over African Americans. Though rooted in the past, white violence evolved into a fundamentally modern phenomenon, driven by technologies such as newspapers, photographs, automobiles, and telephones. Other surprising insights challenge our assumptions about sundown towns, who was targeted by whites, law enforcement's role in facilitating and perpetrating violence, and the details of African American resistance.
[more]
cover of Hot Feet and Social Change: African Dance and Diaspora Communities

Hot Feet and Social Change

African Dance and Diaspora Communities

Edited by Kariamu Welsh, Esailama Diouf, and Yvonne Daniel

University of Illinois Press, 2019

The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts.

Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh

[more]
cover of Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic Books

Hot Pants and Spandex Suits

Gender Representation in American Superhero Comic Books

Esther De Dauw

Rutgers University Press, 2021

The superheroes from DC and Marvel comics are some of the most iconic characters in popular culture today. But how do these figures idealize certain gender roles, body types, sexualities, and racial identities at the expense of others?
 
Hot Pants and Spandex Suits offers a far-reaching look at how masculinity and femininity have been represented in American superhero comics, from the Golden and Silver Ages to the Modern Age. Scholar Esther De Dauw contrasts the bulletproof and musclebound phallic bodies of classic male heroes like Superman, Captain America, and Iron Man with the figures of female counterparts like Wonder Woman and Supergirl, who are drawn as superhumanly flexible and plastic. It also examines the genre’s ambivalent treatment of LGBTQ representation, from the presentation of gay male heroes Wiccan and Hulkling as a model minority couple to the troubling association of Batwoman’s lesbianism with monstrosity. Finally, it explores the intersection between gender and race through case studies of heroes like Luke Cage, Storm, and Ms. Marvel.
 
Hot Pants and Spandex Suits is a fascinating and thought-provoking consideration of what superhero comics teach us about identity, embodiment, and sexuality.
[more]
cover of Hot, Hot Chicken: A Nashville Story

Hot, Hot Chicken

A Nashville Story

Rachel Louise Martin

Vanderbilt University Press, 2021

These days, hot chicken is a “must-try” Southern food. Restaurants in New York, Detroit, Cambridge, and even Australia advertise that they fry their chicken “Nashville-style.” Thousands of people attend the Music City Hot Chicken Festival each year. The James Beard Foundation has given Prince’s Chicken Shack an American Classic Award for inventing the dish.

But for almost seventy years, hot chicken was made and sold primarily in Nashville’s Black neighborhoods—and the story of hot chicken says something powerful about race relations in Nashville, especially as the city tries to figure out what it will be in the future.

Hot, Hot Chicken recounts the history of Nashville’s Black communities through the story of its hot chicken scene from the Civil War, when Nashville became a segregated city, through the tornado that ripped through North Nashville in March 2020.
[more]
cover of Hot, Hot Chicken: A Nashville Story

Hot, Hot Chicken

A Nashville Story

Rachel Louise Martin

Vanderbilt University Press, 2021

These days, hot chicken is a “must-try” Southern food. Restaurants in New York, Detroit, Cambridge, and even Australia advertise that they fry their chicken “Nashville-style.” Thousands of people attend the Music City Hot Chicken Festival each year. The James Beard Foundation has given Prince’s Chicken Shack an American Classic Award for inventing the dish.

But for almost seventy years, hot chicken was made and sold primarily in Nashville’s Black neighborhoods—and the story of hot chicken says something powerful about race relations in Nashville, especially as the city tries to figure out what it will be in the future.

Hot, Hot Chicken recounts the history of Nashville’s Black communities through the story of its hot chicken scene from the Civil War, when Nashville became a segregated city, through the tornado that ripped through North Nashville in March 2020.
[more]
cover of Hottest of the Hotspots: The Rise of Eco-precarious Conservation Labor in Madagascar

Hottest of the Hotspots

The Rise of Eco-precarious Conservation Labor in Madagascar

Benjamin Neimark

University of Arizona Press, 2023

Continually recognized as one of the “hottest” of all the world’s biodiversity hotspots, the island of Madagascar has become ground zero for the most intensive market-based conservation interventions on Earth.

This book details the rollout of market conservation programs, including the finding of drugs from nature—or “bioprospecting”—biodiversity offsetting, and the selling of blue carbon credits from mangroves. It documents the tensions that exist at the local level, as many of these programs incorporate populations highly dependent on the same biodiversity now turned into global commodities for purposes of saving it. Proponents of market conservation mobilize groups of ecologically precarious workers, or the local “eco-precariat,” who do the hidden work of collecting and counting species, monitoring and enforcing the vital biodiversity used in everything from drug discovery to carbon sequestration and large mining company offsets.

Providing a voice for those community workers many times left out of environmental policy discussions, this volume proposes critiques that aim to build better conservation interventions with perspectives of the local eco-precariat.
[more]
cover of Hound Dog: A Song by Big Mama Thornton and Interpreted by Elvis Presley and Others

Hound Dog

A Song by Big Mama Thornton and Interpreted by Elvis Presley and Others

Eric Weisbard

Duke University Press, 2023

Many listeners first heard “Hound Dog” when Elvis Presley’s single topped the pop, country, and R&B charts in 1956. But some fans already knew the song from Big Mama Thornton’s earlier recording, a giant but exclusively R&B hit. In Hound Dog Eric Weisbard examines the racial, commercial, and cultural ramifications of Elvis’s appropriation of a Black woman’s anthem. He rethinks the history and influences of rock music in light of Rolling Stone's replacement of Presley’s “Hound Dog” with Thornton’s version in its 2021 “500 Greatest Songs of All Time” list. Taking readers from Presley and Thornton to Patti Page’s “Doggie in the Window,” the Stooges’ “I Wanna Be Your Dog,” and other dog ditties, Weisbard uses “Hound Dog” to reflect on one of rock’s fundamental dilemmas: the whiteness of the wail.
[more]
cover of Houston and the Permanence of Segregation: An Afropessimist Approach to Urban History

Houston and the Permanence of Segregation

An Afropessimist Approach to Urban History

David Ponton

University of Texas Press, 2024

2025 Most Significant Scholarly Book, Texas Institute of Letters

A history of racism and segregation in twentieth-century Houston and beyond.

Through the 1950s and beyond, the Supreme Court issued decisions that appeared to provide immediate civil rights protections to racial minorities as it relegated Jim Crow to the past. For black Houstonians who had been hoping and actively fighting for what they called a “raceless democracy,” these postwar decades were often seen as decades of promise. In Houston and the Permanence of Segregation, David Ponton argues that these were instead “decades of capture”: times in which people were captured and constrained by gender and race, by faith in the law, by antiblack violence, and even by the narrative structures of conventional histories. Bringing the insights of Black studies and Afropessimism to the field of urban history, Ponton explores how gender roles constrained thought in black freedom movements, how the “rule of law” compelled black Houstonians to view injustice as a sign of progress, and how antiblack terror undermined Houston’s narrative of itself as a “heavenly” place.

Today, Houston is one of the most racially diverse cities in the United States, and at the same time it remains one of the most starkly segregated. Ponton’s study demonstrates how and why segregation has become a permanent feature in our cities and offers powerful tools for imagining the world otherwise.

[more]
cover of How Did You Get To Be Mexican

How Did You Get To Be Mexican

Kevin R. Johnson

Temple University Press, 1999

During an interview for a faculty position, a senior professor asked Kevin Johnson bluntly, "How  did you get to be a Mexican?" And, a young woman at a Harvard Law School dinner party inquired, "Are you one of those people whose high school friends are all dead from gangs and stuff?" The son of a Mexican American mother and an Anglo father, Professor Johnson has spent his life in the borderlands between racial identities. In this insightful book, he uses his experiences as  a mixed Latino Anglo to examine issues of diversity, assimilation, race relations, and affirmative action in the contemporary United States.

Johnson also grew up in the borderlands  between classes. He spent his childhood with his mother, first on welfare and  then with a racist working-class stepfather. As an adolescent, he moved to his father's home in a predominantly upper-middle-class suburb. His educational experiences too extend from a racially mixed elementary school to an all-white high school, and  from Berkeley to Harvard Law School. From this vantage point, he analyzes the intersection of race  and class in the United States.

This book looks not just at the question "Who is a Latino?" but also at the question of where persons of mixed Anglo-Latino heritage fit into the racial dynamics of the United States. Professor Johnson's mother was an ardent assimilationist who classified herself as "Spanish"; her failure to become a part o f middle America led her into depression and eventually mental illness. Her son has woven not just her experiences and his own, but also those of friends and relatives, into a complex and  moving story of one white/brown man's search for identity.
[more]
cover of How Dungeons & Dragons Changed the Way We Play

How Dungeons & Dragons Changed the Way We Play

Aaron Trammell

Duke University Press, 2026

First released in 1974, Dungeons & Dragons revolutionized game design and interactive media by allowing players to create and perform their own fictional characters in a fantasy world as expansive as their imaginations would allow. That freedom, and the rules that governed it, weren’t a creative coincidence. In How Dungeons & Dragons Changed the Way We Play, Aaron Trammell excavates the game as an artifact of a burgeoning counterculture obsessed with individualism as well as quantification. Mapping the world onto a grid, building characters whose every trait is assigned a point value, and advancing the game’s narrative through dice throws—countless core mechanics are tied to numbers. Putting the game design of D&D into dialogue with the social and political tensions of the 1970s and 80s, Trammell illuminates how the integrated quantification in the game design led to reductionism, reinforced oppressive gender and racial norms, and accustomed generations of players to the bigoted, xenophobic mores of the Cold War era. He delivers a history of both how games can shape players and how players, united by their own shared values, can shape games in turn.
[more]
cover of How I Got Over: Clara Ward and the World-Famous Ward Singers

How I Got Over

Clara Ward and the World-Famous Ward Singers

Willa Ward-Royster

Temple University Press, 2000

Lavishly illustrated with photographs from the author's collection, this book chronicles the world-famous Ward Singers' story from rural Anderson, South Carolina, to the streets of North Philadelphia and beyond. Told by Clara Ward's older sister, Willa, with the assistance of musician and writer Toni Rose, the Wards' story ranges over the joys and frustrations, triumphs and agonies of what it means to be simultaneously a family, an entertainment business enterprise, and a group with a mission to spread God's word.
[more]
cover of How Jews Became White Folks and What That Says About Race in America

How Jews Became White Folks and What That Says About Race in America

Brodkin, Karen

Rutgers University Press, 1998

The fashion identities in the context of a wider conversation about American nationhood, to whom it belongs and what belonging means. Race and ethnicity, class, gender, and sexuality are all staple ingredients in this conversation. They are salient aspects of social being from which economic practices, political policies, and popular discourses create "Americans." Because all of these facets of social being have such significant meaning on a national scale, they also have major consequences for both individuals and groups in terms of their success and well-being, as well as how they perceive themselves socially and politically.

The history of Jews in the United States is one of racial change that provides useful insights on race in America. Prevailing classifications have sometimes assigned Jews to the white race and at other times have created an off-white racial designation for them. Those changes in racial assignment have shaped the ways American Jews of different eras have constructed their ethnoracial identities. Brodkin illustrates these changes through an analysis of her own family's multi-generational experience. She shows how Jews experience a kind of double vision that comes from racial middleness: on the one hand, marginality with regard to whiteness; on the other, whiteness and belonging with regard to blackness.

Class and gender are key elements of race-making in American history. Brodkin suggests that this country's racial assignment of individuals and groupsconstitutes an institutionalized system of occupational and residential segregation, is a key element in misguided public policy, and serves as a pernicious foundational principle in the construction of nationhood. Alternatives available to non-white and alien "others" have been either to whiten or to be consigned to an inferior underclass unworthy of full citizenship. The American ethnoracial map-who is assigned to each of these poles-is continually changing, although the binary of black and white is not. As a result, the structure within which Americans form their ethnoracial, gender, and class identities is distressingly stable. Brodkin questions the means by which Americans construct their political identities and what is required to weaken the hold of this governing myth.

[more]
cover of How Machines Came to Speak: Media Technologies and Freedom of Speech

How Machines Came to Speak

Media Technologies and Freedom of Speech

Jennifer Petersen

Duke University Press, 2022

In How Machines Came to Speak Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens.
[more]
cover of How Myth Became History: Texas Exceptionalism in the Borderlands

How Myth Became History

Texas Exceptionalism in the Borderlands

John E. Dean

University of Arizona Press, 2016

The myth of Texas origin often begins at the Alamo. This story is based on ideology rather than on truth, yet ideology is the foundation for the U.S. American cultural memory that underwrites official history. The Alamo, as a narrative of national progress, supports the heroic acts that have created the “Lone Star State,” a unified front of U.S. American liberty in the face of Mexican oppression.

How Myth Became History explores the formation of national, ethnic, racial, and class identities in the Texas borderlands. Examining Mexican, Mexican American, and Anglo Texan narratives as competing representations of the period spanning the Texas Declaration of Independence to the Mexican Revolution, John E. Dean traces the creation and development of border subjects and histories. Dean uses history, historical fiction, postcolonial theory, and U.S.-Mexico border theory to disrupt “official” Euro-American histories.

Dean argues that the Texas-Mexico borderlands complicate national, ethnic, and racial differences. He makes this clear in his discussion of the Mexican Revolution, when many Mexican Americans who saw themselves as Mexicans fought for competing revolutionary factions in Mexico, while others who saw themselves as U.S. Americans tried to distance themselves from Mexico altogether.

Analyzing literary representations of the border, How Myth Became History emphasizes the heterogeneity of border communities and foregrounds narratives that have often been occluded, such as Mexican-Indio histories. The border, according to Dean, still represents a contested geographical entity that destabilizes ethnic and racial groups. Border dynamics provide critical insight into the vexed status of the contemporary Texas-Mexico divide and point to broader implications for national and transnational identity.
[more]
cover of How Racism Takes Place

How Racism Takes Place

George Lipsitz

Temple University Press, 2011

White identity in the United States is place bound, asserts George Lipsitz in How Racism Takes Place. An influential scholar in American and racial studies, Lipsitz contends that racism persists because a network of practices skew opportunities and life chances along racial lines. That is, these practices assign people of different races to different spaces and therefore allow grossly unequal access to education, employment, transportation, and shelter.

Revealing how seemingly race-neutral urban sites contain hidden racial assumptions and imperatives, Lipsitz examines the ways in which urban space and social experience are racialized and emphasizes that aggrieved communities do not passively acquiesce to racism. He recognizes the people and communities that have reimagined segregated spaces in expressive culture as places for congregation.

How Racism Takes Place not only exposes the degree to which this white spatial imagining structures our society but also celebrates the black artists and activists who struggle to create a just and decent society.

 

[more]
cover of How Strange It Seems: The Cultural Life of Jews in Small-Town New England

How Strange It Seems

The Cultural Life of Jews in Small-Town New England

Michael Hoberman

University of Massachusetts Press, 2008

Jews have lived in small-town New England since the colonial era, but during the last hundred years they have been especially active contributors to the region's cultural life. Part oral history, part ethnography, and part literary portrait, How Strange It Seems tells the story of this often overlooked group, tracing its patterns of settlement, economic activity, civic involvement, and religious life since the late 1800s. 

Based on more than fifty interviews with men and women of all ages from Maine, New Hampshire, Vermont, Massachusetts, and Connecticut, it seeks to understand what is distinctive—and not so distinctive—about contemporary Jewish communities outside the larger urban centers of the Northeast. Michael Hoberman weaves the personal stories of these individuals and families into a collective narrative that offers as much folklore as history and is equal parts Jewish and Yankee. He introduces us to Hiram Adelman, a Russian immigrant peddler and potato farmer who settled in northernmost Maine because its climate was comparable to his native Siberia, and to Shmuel Simenowitz, an urban transplant who produces kosher maple syrup in southern Vermont. We also meet Suzie Laskin, who moved to the White Mountains region of New Hampshire in the 1900s and soon established a local havurah, and Bob August of Whately, Massachusetts, who once ran what may have been the world's only Christmas tree farm owned by a Jewish family. 

Each section of the book explores how small-town New England Jews have both departed from and mimicked the broader patterns of Jewish American experience, while also illustrating how they have acclimated themselves to local practices without relinquishing a strong sense of Jewish identity. Accompanying the text are photographs by Janice Sorensen that include portraits of many of the interviewees and lively glimpses of the region's present-day Jewish revival.

[more]
cover of How Things Fall Apart: What Happened to the Cuban Revolution

How Things Fall Apart

What Happened to the Cuban Revolution

Elizabeth Dore

Duke University Press, 2023

In How Things Fall Apart Elizabeth Dore reveals the decay of the Cuban political system through the lives of seven ordinary Cuban citizens. Born in the 1970s and 1980s, they recount how their lives changed over a tumultuous stretch of thirty-five years: first when Fidel Castro opened the country to tourism following the fall of the Soviet bloc; then when Raúl Castro allowed market forces to operate; and finally when President Trump’s tightening of the US embargo combined with the COVID-19 pandemic caused economic collapse. With warmth and humanity, they describe learning to survive in an environment where a tiny minority has grown rich, the great majority has been left behind, and inequality has destroyed the very things that used to give meaning to Cubans’ lives. In this book, everyday Cubans illuminate their own stories and the slow and agonizing decline of the Cuban Revolution.
[more]
cover of How We Came to Be: An Intellectual Genealogy of Chicano Scholars

How We Came to Be

An Intellectual Genealogy of Chicano Scholars

Edited by Teresa Córdova, Aída Hurtado, Francisco J. Hernández, Avelardo Valdez; Foreword by Juan González

University of Arizona Press, 2026

This work chronicles the lives and legacies of Chicana and Chicano scholars whose formative experiences in the Chicano Movement shaped the development of Chicano studies and transformed higher education. Originating from the Reuniónes de Colegas—gatherings of veteran scholars reflecting on their shared histories—the volume features sixteen essays organized into five thematic sections that explore the intersections of activism, scholarship, and institutional change.

The contributors document how grassroots organizing evolved into academic inquiry, leading to the creation of departments, student support systems, and policy reforms that advanced equity and representation in universities. Essays address how community-engaged research influenced urban planning, health advocacy, and cultural production, while also highlighting Indigenous and transnational epistemologies that redefined theoretical frameworks in Chicano studies. The volume concludes with reflections on academic leadership and the breaking of barriers by Chicana scholars in higher education administration.

Together, these essays offer a powerful intellectual history and a testament to a generation’s enduring commitment to social justice. How We Came to Be is both a scholarly archive and a call to action, preserving the legacy of those who built Chicano studies and inspiring future generations to continue the work of transformation within and beyond the academy.

Contributors

José Calderón

Gilberto Cárdenas

Teresa Carrillo

Teresa Córdova

Estevan Flores

Yvette G. Flores

Felipe Gonzales

Deena J. González

Francisco J. Hernández

Inés Hernández-Ávila

Francisco Hernández Vázquez

Aída Hurtado

Larry Trujillo

Avelardo Valdez

Carlos G. Vélez-Ibáñez

James Diego Vigil

[more]
cover of How We Write Now: Living with Black Feminist Theory

How We Write Now

Living with Black Feminist Theory

Jennifer C. Nash

Duke University Press, 2024

In How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.
[more]