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Herndon Davis, an artist and journalist, dedicated his life to depicting the major landmarks and personalities of Colorado in watercolor, oil, and pen and pencil. Best known for the Face on the Barroom Floor, the portrait of an alluring woman on the floor of the Teller House Hotel barroom in Central City, Colorado, Davis was a prolific artist whose murals, sketches, and portraits can be found all over the state, from the Sage Room of the Oxford Hotel on Seventeenth Street to the Denver Press Club poker room. Despite his numerous contributions, his work was never showcased or exhibited in the traditional manner.

In this biography and first-ever collection featuring most of his life’s work, authors Craig Leavitt and Thomas J. Noel provide a detailed look into Davis’s life and career and include a catalog of almost 200 of his paintings and drawings from Colorado and around the country. They also put his work into the broader context of the time through comparison with such contemporary Colorado artists as Muriel Sibell Wolle, Allen Tupper True, Charles Waldo Love, and Juan Menchaca.

Published to coincide with the Denver Public Library’s 2016 exhibition—the only public display of Davis’s work to date—and bringing deserved attention to this overlooked figure, Herndon Davis: Painting Colorado History, 1901-1962 is an important contribution to Colorado’s cultural history.

This book and the accompanying exhibit are sponsored by the Western History/Genealogy Department at the Denver Public Library.

After Abraham Lincoln's assassination in 1865, William H. Herndon began work on a brief, "subjective" biography of his former law partner, but his research turned up such unexpected and often startling information that it became a lifelong obsession. The biography finally published in 1889, Herndon's Lincoln, was a collaboration with Jesse W. Weik in which Herndon provided the materials and Weik did almost all the writing. For this reason, and because so much of what Herndon had to say about Lincoln was not included in the biography, David Donald has observed, "To understand Herndon's own rather peculiar approach to Lincoln biography, one must go back to his letters." An exhaustive collection of what Herndon was told by others about Lincoln was published by Douglas L. Wilson and Rodney O. Davis in Herndon's Informants: Letters, Interviews, and Statements about Abraham Lincoln . In this new volume, Wilson and Davis have produced a comprehensive edition of what Herndon himself wrote about Lincoln in his own letters. Because of Herndon's close association with Lincoln, his intimate acquaintance with his partner's legal and political careers, and because he sought out informants who knew Lincoln and preserved information that might otherwise have been lost, his letters have become an indispensable resource for Lincoln biography. Unfiltered by a collaborator and rendered in Herndon's own distinctive voice, these letters constitute a matchless trove of primary source material. Herndon on Lincoln: Letters is a must for libraries, research institutions, and students of a towering American figure and his times.

Winner of the Abraham Lincoln Institute Book Award

More than 600 letters and interviews providing information about Abraham Lincoln's prepolitical and prelegal careers are included in this volume, a priceless collection never before available in one place.

Women to whom Lincoln proposed marriage, political allies and adversaries, judges and fellow attorneys, longtime comrades, erstwhile friends--all speak out here in words first gathered by William H. Herndon, Lincoln's law partner, between 1865 and 1890. Historian David Herbert Donald has called Herndon's materials "the basic source for Abraham Lincoln's early years."

Some of those Herndon questioned were illiterate; others could read but barely write. Completion of this undertaking took the editors to three major collections for the mammoth task of transcribing documents that often were nearly illegible.

Invaluable to Lincoln scholars and intriguing to anyone curious about Lincoln and his times, the book includes an introduction, scholarly annotations, a registry of the informants, and a detailed topical index.

Hero of the Angry Sky draws on the unpublished diaries, correspondence, informal memoir, and other personal documents of the U.S. Navy’s only flying “ace” of World War I to tell his unique story. David S. Ingalls was a prolific writer, and virtually all of his World War I aviation career is covered, from the teenager’s early, informal training in Palm Beach, Florida, to his exhilarating and terrifying missions over the Western Front. This edited collection of Ingalls’s writing details the career of the U.S. Navy’s most successful combat flyer from that conflict.

While Ingalls’s wartime experiences are compelling at a personal level, they also illuminate the larger, but still relatively unexplored, realm of early U.S. naval aviation. Ingalls’s engaging correspondence offers a rare personal view of the evolution of naval aviation during the war, both at home and abroad. There are no published biographies of navy combat flyers from this period, and just a handful of diaries and letters in print, the last appearing more than twenty years ago. Ingalls’s extensive letters and diaries add significantly to historians’ store of available material.

Whether it's the rule-defying lifer, the sharp-witted female newshound, or the irascible editor in chief, journalists in popular culture have shaped our views of the press and its role in a free society since mass culture arose over a century ago.
 
Drawing on portrayals of journalists in television, film, radio, novels, comics, plays, and other media, Matthew C. Ehrlich and Joe Saltzman survey how popular media has depicted the profession across time. Their creative use of media artifacts provides thought-provoking forays into such fundamental issues as how pop culture mythologizes and demythologizes key events in journalism history and how it confronts issues of race, gender, and sexual orientation on the job.
 
From Network to The Wire, from Lois Lane to Mikael Blomkvist, Heroes and Scoundrels reveals how portrayals of journalism's relationship to history, professionalism, power, image, and war influence our thinking and the very practice of democracy.

Volume 20 in the Leonard J. Arrington Lecture Series, sponsored by the Utah State University special collections and archives division.

"Not only was Churchill the most illustrious and the most distinguished Chancellor that the University of Bristol has ever had, but he was also in his prime, from the 1940s onwards, probably the most famous and the most distinguished chancellor of any university anywhere in the world." David Cannadine

Heroic Offerings sheds light on the study of religion in Sparta, one of Greece’s most powerful city-states and the long-term rival of Athens. Sparta’s history is well known, but its archaeology has been much less satisfactorily explored. Through the comprehensive study of a distinctive class of terracotta votive offerings from a specific sanctuary, Gina Salapata explores both coroplastic art and regional religion. By integrating archaeological, historical, literary, and epigraphic sources, she provides important insights into the heroic cults of Lakonia and contributes to an understanding of the political and social functions of local ritual practice.

Geoffrey Bell's Hesitant Comrades is the first published history of the policies, actions and attitudes of the British working class towards the Irish national revolution of 1916-21.

Drawing principally on primary sources, Bell brings to light for the first time important incidents in British/Irish history, including how the leaders of British trade unions were complicit in Belfast loyalist sectarianism; the troubled nature of the Labour Party's relations with its Irish community; and how the Bolsheviks criticised British Marxists over their inaction on Ireland. The author also considers socialist debates on the compatibility of Irish nationalism with socialism, as well as the contentious 'Ulster question'. He examines prominent figures of the era, ranging from Ramsay MacDonald to Sylvia Pankhurst. With sources ranging from newly discovered writings to reports of police spies - Hesitant Comrades is a scholarly, provocative and groundbreaking perspective on the fragile relationship between the British left and the Irish revolution.

Three Stories. Two Worlds. One Revolution. Revealing the German Experience in the American Revolution through the Experiences of an Officer, a Baroness, and a Chaplain
In 1775 the British Empire was in crisis. While it was buried in debt from years of combat against the French, revolution was stirring in its wealthiest North American colonies. To allow the rebellion to fester would cost the British dearly, but to confront it would press their exhausted armed forces to a breaking point. Faced with a nearly impossible decision, the administrators of the world’s largest empire elected to employ the armies of the Holy Roman Empire to suppress the sedition of the American revolutionaries. By 1776 there would be 18,000 German soldiers marching through the wilds of North America, and by war’s end there would be over 30,000.
To the colonists these forces were “mercenaries,” and to the Germans the Americans were “rebels. ”While soldiers of fortune fight for mere profit, the soldiers of the Holy Roman Empire went to war in the name of their country, and were paid little for their services, while their respective kings made fortunes off of their blood and sacrifice among the British ranks. Labeled erroneously as “Hessians,” the armies of the Holy Roman Empire came from six separate German states, each struggling to retain relevance in a newly enlightened and ever-changing world.
In Hessians: Officer, Baroness, Chaplain—Three German Experiences in the American Revolution historian Brady J. Crytzer explores the German experience during the American Revolution through the lives of three individuals from vastly different walks of life, all thrust into the maelstrom of North American combat. Here are the stories of a dedicated career soldier, Johann Ewald, captain of a Field-Jäger Corps, who fought from New York to the final battles along the Potomac; Frederika Charlotte Louise von Massow, Baroness von Riedesel, who raced with her young children through the Canadian wilderness to reunite with her long-distant husband; and middle-aged chaplain Philipp Waldeck, who struggled to make sense of it all while accompanying his unit through the exotic yet brutal conditions of the Caribbean and British Florida. Beautifully written, Hessians offers a glimpse into the American Revolution as seen through the eyes of the German armies commanded to destroy it.

Heterosexual Africa? The History of an Idea from the Age of Exploration to the Age of AIDS builds from Marc Epprecht’s previous book, Hungochani (which focuses explicitly on same-sex desire in southern Africa), to explore the historical processes by which a singular, heterosexual identity for Africa was constructed—by anthropologists, ethnopsychologists, colonial officials, African elites, and most recently, health care workers seeking to address the HIV/AIDS pandemic. This is an eloquently written, accessible book, based on a rich and diverse range of sources, that will find enthusiastic audiences in classrooms and in the general public.

Epprecht argues that Africans, just like people all over the world, have always had a range of sexualities and sexual identities. Over the course of the last two centuries, however, African societies south of the Sahara have come to be viewed as singularly heterosexual. Epprecht carefully traces the many routes by which this singularity, this heteronormativity, became a dominant culture. In telling a fascinating story that will surely generate lively debate, Epprecht makes his project speak to a range of literatures—queer theory, the new imperial history, African social history, queer and women’s studies, and biomedical literature on the HIV/AIDS pandemic. He does this with a light enough hand that his story is not bogged down by endless references to particular debates.

Heterosexual Africa? aims to understand an enduring stereotype about Africa and Africans. It asks how Africa came to be defined as a “homosexual-free zone” during the colonial era, and how this idea not only survived the transition to independence but flourished under conditions of globalization and early panicky responses to HIV/AIDS.

In the early twentieth century, marriage manuals sought to link marital sex to the progress of civilization, searching for the history of what they considered to be normal sexuality. In Heterosyncrasies, Karma Lochrie looks to the foundation of modern society in the Middle Ages to undertake a profound questioning of the heterosexuality of that history. Lochrie begins this provocative rethinking of sexuality by dismantling the very idea of normal through a study of the development of statistics in the nineteenth century. She then intervenes in contemporary debates about queer versus ostensibly stable heterosexual social and sexual categories by exposing the "heterosyncratic" organization of sexuality in the Middle Ages and by clarifying the dubious contribution that the concept of normality has made to the construction of sexuality. In medieval texts from the letters of Heloise to Lollard heretical attacks on the Church, to Chaucer's Canterbury Tales, medical discourse surrounding the clitoris, and finally the Amazons of medieval myth, Lochrie focuses on female sexuality in the Middle Ages in an effort to discern a less binary, more diversified understanding of it. Lochrie demonstrates how the medieval categories of natural and unnatural were distinctly different from our modern categories of normal and abnormal. In her work we see how abandoning heteronormativity as a medieval organizer of sexualities profoundly changes the way we understand all sexualities - past, present, and possibly even future. Heterosyncrasies is a milestone in the study of sexual identity politics, revealing not only how presumptions of normality obscure our understanding of the past, but also how these beliefs affect our present-day laws, society, and daily life.

Why are some genocides prominently remembered while others are ignored, hidden, or denied? Consider the Turkish campaign denying the Armenian genocide, followed by the Armenian movement to recognize the violence. Similar movements are building to acknowledge other genocides that have long remained out of sight in the media, such as those against the Circassians, Greeks, Assyrians, the indigenous peoples in the Americas and Australia, and the violence that was the precursor to and the aftermath of the Holocaust.

The contributors to this collection look at these cases and others from a variety of perspectives. These essays cover the extent to which our biases, our ways of knowing, our patterns of definition, our assumptions about truth, and our processes of remembering and forgetting as well as the characteristics of generational transmission, the structures of power and state ideology, and diaspora have played a role in hiding some events and not others. Noteworthy among the collection’s coverage is whether the trade in African slaves was a form of genocide and a discussion not only of Hutus brutalizing Tutsi victims in Rwanda, but of the execution of moderate Hutus as well.

Hidden Genocides is a significant contribution in terms of both descriptive narratives and interpretations to the emerging subfield of critical genocide studies.

Contributors: Daniel Feierstein, Donna-Lee Frieze, Krista Hegburg, Alexander Laban Hinton, Adam Jones, A. Dirk Moses, Chris M. Nunpa, Walter Richmond, Hannibal Travis, and Elisa von Joeden-Forgey

Tracing the Victorian crisis over the representation of working-class women to the 1842 Parliamentary bluebook on mines, with its controversial images of women at work, Hidden Hands argues that the female industrial worker became even more dangerous to represent than the prostitute or the male radical because she exposed crucial contradictions between the class and gender ideologies of the period and its economic realities.

Drawing on the recent work of feminist historians, Patricia Johnson lays the groundwork for a reinterpretation of Victorian social-problem fiction that highlights its treatment of issues that particularly affected working-class women: sexual harassment; the interconnections between domestic ideology and domestic violence; their relationships to male-dominated working-class movements such as Luddism, Chartism, and unionism; and their troubled connection to middle-class feminism.

Uncovering a series of images in Victorian fiction ranging from hot-tempered servants and sexually harassed factory girls to working-class homemakers pictured as beaten dogs, Hidden Hands demonstrates that representations of working-class women, however marginalized or incoherent, reveal the very contradictions they are constructed to hide and that the dynamics of these representations have broad implications both for other groups, such as middle-class women, and for the emergence of working-class women as writers themselves.

This collection examines the mutually influential interactions of gender and the state in Latin America from the late colonial period to the end of the twentieth century. Locating watershed moments in the processes of gender construction by the organized power of the ruling classes and in the processes by which gender has conditioned state-making, Hidden Histories of Gender and the State in Latin America remedies the lack of such considerations in previous studies of state formation.
Along these lines, the book begins with two theoretical chapters by the editors, Elizabeth Dore and Maxine Molyneux. Dore opens by arguing against the prevailing view that the nineteenth century was marked by a gradual emancipation of women, while Molyneux considers how various Latin American state forms—liberal, corporatist, socialist, neoliberal—have more recently sought to incorporate women into their projects of social reform and modernization. These essays are followed by twelve case studies that examine how states have contributed to the normalization of male and female roles and relations. Covering an impressive breadth not only of historical time but also of geographical scope, this volume moves from Brazil to Costa Rica, from Mexico to Chile, traversing many countries in between. Contributors explore such topics as civic ritual in Bolivia, rape in war-torn Colombia, and the legal construction of patriarchy in Argentina. They examine the public regulation of domestic life, feminist lobby groups, class compromise, female slaves, and women in rural households—distinct, salient aspects of the state-gender relationship in specific countries at specific historical junctures.
By providing a richly descriptive and theoretically grounded account of the interaction between state and gender politics in Latin America, this volume contributes to an important conversation between feminists interested in the state and political scientists interested in gender. It will be valuable to such disciplines as history, sociology, international comparative studies, and Latin American studies.

Contributors. María Eugenia Chaves, Elizabeth Dore, Rebecca Earle, Jo Fisher, Laura Gotkowitz, Donna J. Guy, Fiona Macaulay, Maxine Molyneux, Eugenia Rodriguez, Karin Alejandra Rosemblatt, Ann Varley, Mary Kay Vaughan

The serious illness of three presidents—Woodrow Wilson, Franklin Delano Roosevelt, and John F. Kennedy—as well as the injury Ronald Reagan received in the assassination attempt upon him have revealed our woefully inadequate system for handling presidential incapacity. The authors believe that this flawed system poses a major threat to the nation, and they provide sobering reports on how the government functioned (or failed to function) during times of presidential impairment. The public was kept in the dark regarding the gravity of the presidential condition, often unaware that critical decisions were being made while the president was suffering from a severe illness.

Hidden Illness in the White House contains startling new information on the severity of Roosevelt’s illness during the crucial Yalta negotiations and the fact that Kennedy suffered from Addison’s disease, a life-threatening illness, long before he was elected to the presidency. In each case the authors demonstrate that a largely successful effort was made to conceal the president’s true medical condition from the public.

Hidden Out in the Open is the first English-language volume on Spanish migration to the United States in the late nineteenth and early twentieth centuries. This panoramic study covers a period defined by the crucial transformations of the Progressive Era in the United States, and by similarly momentous changes in Spain following the Restoration of the Bourbon monarchy under Alfonso XII.
 
The chapters in this volume are geographically wide-ranging, reflecting the transnational nature of the Spanish diaspora in the Americas, encompassing networks that connected Spain, Cuba, Latin American countries, the United States, and American-controlled territories in Hawai’i and Panama. The geographic diversity reveals the different jobs immigrants engaged in, from construction gangs in the Panama Canal to mining crews in Arizona and West Virginia. Contributors analyze the Spanish experience in the United States from a variety of perspectives, discussing rural and urban enclaves, the role of the state, and the political mobilization of migrants, using a range of methodological approaches that examine ethnicity, race, gender, and cultural practices through the lenses of sociology, history, and cultural studies.
 
The mention of the Spanish influence in the United States often conjures up images of conquistadores and padres of old. Forgotten in this account are the Spanish immigrants who reached American shores in the late nineteenth and early twentieth centuries. Hidden Out in the Open reveals the role of the modern migration of Spaniards in this "land of immigrants" and rectifies the erasure of Spain in the American narrative. The book will be of interest to scholars and students of US history and the history of modern Spain and Europe, as well as those interested ethnic and migration/diaspora studies, Hispanic/Latino studies, and the study of working class and radicalism.

Contributors: Brian D. Bunk, Christopher J. Castañeda, Thomas Hidalgo, Beverly Lozano, Phylis Cancilla Martinelli, Gary R. Mormino, George E. Pozzetta†, Ana Varela-Lago.

In Hidden Thunder, renowned watercolor artist Geri Schrab and archaeologist Robert "Ernie" Boszhardt give readers an up-close-and-personal look at rock art. With an eye toward preservation, Schrab and Boszhardt take you with them as they research, document, and interpret at the ancient petroglyphs and pictographs made my Native Americans in past millennia. In addition to publicly accessible sites such as Wisconsin’s Roche-a-Cri State Park and Minnesota’s Jeffers Petroglyphs, Hidden Thunder covers the artistic treasures found at several remote and inaccessible rock art sites—revealing the ancient stories through words, full-color photographs, and artistic renditions.

Offering the duo perspectives of scientist and artist, Boszhardt shares the facts that archaeologists have been able to establish about these important artifacts of our early history, while Schrab offers the artist's experience, describing her emotional and creative response upon encountering and painting these sites. Viewpoints by members of the Menominee, Ho-Chunk, Ojibwe, and other Native nations offer additional insight on the historic and cultural significance of these sites. Together these myriad voices reveal layers of meaning and cultural context that emphasize why these fragile resources—often marred by human graffiti and mishandling or damage from the elements—need to be preserved.

What does it mean to describe cinematic effects as “movie magic,” to compare filmmakers to magicians, or to say that the cinema is all a “trick”? The heyday of stage illusionism was over a century ago, so why do such performances still serve as a key reference point for understanding filmmaking, especially now that so much of the cinema rests on the use of computers?
 
To answer these questions, Colin Williamson situates film within a long tradition of magical practices that combine art and science, involve deception and discovery, and evoke two forms of wonder—both awe at the illusion displayed and curiosity about how it was performed. He thus considers how, even as they mystify audiences, cinematic illusions also inspire them to learn more about the technologies and techniques behind moving images. Tracing the overlaps between the worlds of magic and filmmaking, Hidden in Plain Sight examines how professional illusionists and their tricks have been represented onscreen, while also considering stage magicians who have stepped behind the camera, from Georges Méliès to Ricky Jay.
 
Williamson offers an insightful, wide-ranging investigation of how the cinema has functioned as a “device of wonder” for more than a century, while also exploring how several key filmmakers, from Orson Welles to Christopher Nolan and Martin Scorsese, employ the rhetoric of magic. Examining pre-cinematic visual culture, animation, nonfiction film, and the digital trickery of today’s CGI spectacles, Hidden in Plain Sight provides an eye-opening look at the powerful ways that magic has shaped our modes of perception and our experiences of the cinema. 

As other teens returned home from school, thirteen-year-old José Silva headed for work at a restaurant, where he would remain until 2:00 a.m. Francisca Herrera, a tomato picker, was exposed to pesticides while she was pregnant and gave birth to a baby without arms or legs. Silva and Herrera immigrated illegally to the United States, and their experiences are far from unique. In this comprehensive, balanced overview of the immigration crisis, Nancy Brown Diggs examines the abusive, unethical conditions under which many immigrants work, and explores how what was once a border problem now extends throughout the country. Drawing from a wide spectrum of sources, Hidden in the Heartland demonstrates how the current situation is untenable for both illegal immigrants and American citizens. A vivid portrait of the immigration crisis, the book makes a passionate case for confronting this major human rights issue—a threat to the very unity of the country.

Of the Rosenbluth family, only the older children, Faiga and Luzer, had gone into hiding before the SS rounded up the Jews of Kanczuga, Poland. Hidden is Faiga and Luzer’s story, a memoir whose intimate and quiet particularity makes the incomprehensible enormity of the Holocaust immediate, human, and devastatingly real.
In alternating first-person narratives, Faiga (Fay) and Luzer (Leo) take readers into their very different but inextricably linked experiences in Nazi-occupied Poland. Faiga, the once-dignified young lady from a good home with servants and a seat by the eastern wall of the synagogue, spends two years wandering the perilous countryside, hoping to be taken for a peasant. Mere miles away, knowing nothing of his sister’s fate, Luzer, the leather wholesaler’s only son, lies silent all day in the stifling dark corner of a barn, where the smell of the cows’ warm hides are a piquant reminder of his lost world. Hidden deftly summons that world, as the familiar comforts and squabbles of life in a well-to-do, religious Jewish family are slowly overwhelmed by the grim news coming out of Germany. We follow Faiga and Luzer through the early forebodings and deprivations of the war, into hiding among righteous Poles and erstwhile neighbors-turned-betrayers, and finally, at war’s end, back once more into the world—but not necessarily into safety. Told in a confident, clear, and unsentimental prose, this is a story of heroism and tragedy writ large and small, of two young people coming of age in a world in chaos and then trying to return to "normal" after experiences as unimaginable as they are unforgettable.

High Country Summers considers the emergence of the “summer home” in Colorado’s Rocky Mountains as both an architectural and a cultural phenomenon. It offers a welcome new perspective on an often-overlooked dwelling and lifestyle. Writing with affection and insight, Melanie Shellenbarger shows that Colorado’s early summer homes were not only enjoyed by the privileged and wealthy but crossed boundaries of class, race, and gender. They offered their inhabitants recreational and leisure experiences as well as opportunities for individual re-invention—and they helped shape both the cultural landscapes of the American West and our ideas about it.

Shellenbarger focuses on four areas along the Front Range: Rocky Mountain National Park and its easterly gateway town, Estes Park; “recreation residences” in lands managed by the US Forest Service; Lincoln Hills, one of only a few African-American summer home resorts in the United States; and the foothills west of Denver that drew Front Range urbanites, including Denver’s social elite. From cottages to manor houses, the summer dwellings she examines were home to governors and government clerks; extended families and single women; business magnates and Methodist ministers; African-American building contractors and innkeepers; shop owners and tradespeople. By returning annually, Shellenbarger shows, they created communities characterized by distinctive forms of kinship.

High Country Summers goes beyond history and architecture to examine the importance of these early summer homes as meaningful sanctuaries in the lives of their owners and residents. These homes, which embody both the dwelling (the house itself) and dwelling (the act of summering there), resonate across time and place, harkening back to ancient villas and forward to the present day.

High Plains Horticulture explores the significant, civilizing role that horticulture has played in the development of farmsteads and rural and urban communities on the High Plains portions of Colorado, Kansas, Nebraska, South Dakota, and Wyoming, drawing on both the science and the application of science practiced since 1840. Freeman explores early efforts to supplement native and imported foodstuffs, state and local encouragement to plant trees, the practice of horticulture at the Union Colony of Greeley, the pioneering activities of economic botanists Charles Bessey (in Nebraska) and Aven Nelson (in Wyoming), and the shift from food production to community beautification as the High Plains were permanently settled and became more urbanized. In approaching the history of horticulture from the perspective of local and unofficial history, Freeman pays tribute to the tempered idealism, learned pragmatism, and perseverance of individuals from all walks of life seeking to create livable places out of the vast, seemingly inhospitable High Plains. He also suggests that, slowly but surely, those that inhabit them have been learning to adjust to the limits of that fragile land. High Plains Horticulture will appeal to not only scientists and professionals but also gardening enthusiasts interested in the history of their hobby on the High Plains.