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Everyone worries about privacy these days. As corporations and governments devise increasingly sophisticated data gathering tools and joining Facebook verges on obligatory, concerns over the use and abuse of personal information are undeniable. But the way privacy functions on the virtual frontier of the Internet is only a subset of the fascinating ways we work to achieve it throughout our everyday lives. In Islands of Privacy, Christena Nippert-Eng pries open the blinds, giving us an intimate view into the full range of ordinary people’s sometimes extraordinary efforts to preserve the border between themselves and the rest of the world.

Packed with stories that are funny and sad, familiar and strange, Islands of Privacy tours the myriad arenas where privacy battles are fought, lost, and won. Nippert-Eng explores how we manage our secrets, our phone calls and e-mail, the perimeters of our homes, and our interactions with neighbors. She discovers that everybody practices the art of selectively concealing and disclosing information on a daily basis. This important balancing act governs a wide range of behaviors, from deciding whether to give our bosses our cell phone numbers to choosing what we carry in our wallets or purses. Violations of privacy and anxiety about how we grant it to each other also come under Nippert-Eng’s microscope as she crafts a compelling argument that successfully managing privacy is critical for successfully maintaining our relationships with each other and our selves.

Roaming from the beach to the bank and from the bathroom to the bus, Nippert-Eng’s keenly observed and vividly told book gives us the skinny on how we defend our shrinking islands of privacy in the vast ocean of accessibility that surrounds us.

The volume contains selected papers from an international workshop in 2005, at the Hungarian Academy in Rome. They aim at investigating the registers of fifteenth-century supplications to the Apostolic Penitentiary of the Holy See and to analyze the multiplicity of issues in which a context of the local needs of Western Christians and the central power of the Pope had been occurring.

The contributions make clear that local and individual factors and practice of Christian faith and religion must not be seen as separated from the global power of the Roman curia. The latter’s influence could become directly important for any individual in any local space, also … et usque ad ultimum terrae (Acts 1:8), in the utmost peripheries of the Christian world. The assistance by the Apostolic Penitentiary was indispensable in a large variety of cases. The occupation with such cases happened in the local and regional space as well as in the globalized centre of the Holy See.

The last two decades have given rise to a proliferation of scholarship by Israeli feminists working in diverse fields, ranging from sociology to literature, anthropology, and history. As the Israeli feminist movement continually decentralizes and diversifies, it has become less Eurocentric and heterocentric, making way for pluralistic concerns. Collecting fifteen previously published essays that give voice to this diversity, Israeli Feminist Scholarship showcases articles on Ashkenazi, Mizrahi, Palestinian, and lesbian identities as well as on Israeli women’s roles as mothers, citizens and activists, and soldiers.

Citing evidence that these scholars have redefined their object of inquiry as an open site of contested and constructed identity, luminary Esther Fuchs traces the history of Israeli feminism. Among the essays are Jewish historian Margalit Shilo’s study of the New Hebrew Woman, sociologist Ronit Lentin’s analysis of gendered representations of the Holocaust in Israeli culture, peace activist Erella Shadmi on lesbianism as a nonissue in Israel, and cultural critic Nitza Berkovitch’s examination of womanhood as constructed in Israeli legal discourse.

Creating a space for a critical examination of the relationship between disparate yet analogous discourses within feminism and Zionism, this anthology reclaims the mobilizing, inclusive role of these multifaceted discourses beyond the postmodern paradigm.

In the late 1980s, the introduction of crack cocaine and easy access to guns led to the emergence of the street gang culture and an explosion of gun violence in Boston. Black and Latino youth were both perpetrators and victims of firearm violence as the city grappled with a staggering number of shootings and homicides. Officers within the Boston Police Department struggled to find new and creative ways to combat the growing violence and neutralize gang influence. Paul Joyce was one of those officers.

Throughout his extensive career with the Boston Police, Joyce was at the forefront of the Department’s anti-gang and youth violence initiatives, including during the height of gang and gun violence in the late 1980s through early 1990s. Later in his career, after thirty-one years in policing, Joyce transitioned to academia as a criminologist, seeking to better understand the lives of the gang members he had encountered during his time as an officer. He interviewed thirty Black and Latino men who witnessed and led the emergence of the street gang phenomenon in Boston. Joyce’s strong relationship with community leaders led to the recruitment of the men, who ultimately entrusted him with their life stories and their inner worlds. Using the men’s own words to describe the tragedies they endured, the crimes they committed, and the penalties they paid, Joyce now shares their stories of life before, during, and after gang membership.

Joyce examines the influences that motivated the men toward joining gangs, their gang experiences, and the turning points that shaped their paths later in life, whether leading to desistance from or continued persistence in criminal behavior. Joyce explores their lives from childhood into adulthood, providing a deep analysis of the factors that influenced the entire trajectory of gang members’ lives. By utilizing this life-course approach, Joyce adds to the discourse regarding what influences a gang member’s ability or inability to transition out of criminality and the gang life.

This uniquely candid look at gang membership, humanized by the perspectives of the men who experienced it, provides invaluable insight into the complex interplay of the social, cultural, and personal factors that shape individuals’ life courses. This, in turn, has important implications regarding the types of outside interventions that would be the most effective in making a positive difference in the lives of current and former gang members.

The recent flashpoint of Colin Kaepernick taking a knee renews a long tradition of athlete-activists speaking out against racism, injustice, and oppression. Like Kaepernick, Jackie Robinson, Paul Robeson, Muhammad Ali, Bill Russell, Tommie Smith, and John Carlos—among many others, of all races, male and female, pro and amateur—all made the choice to take a side to command public awareness and attention rather than “shut up and play,” as O. J. Simpson, Michael Jordan, and Tiger Woods did. Using their celebrity to demand change, these activists inspired fans but faced great personal and professional risks in doing so. It Was Always a Choice traces the history and impact of these decisive moments throughout the history of U.S. sports.

David Steele identifies the resonances and antecedents throughout the twentieth century of the choices faced by athletes in the post-Kaepernick era, including the advance of athletes’ political organizing in the era of activism following the death of George Floyd. He shows which athletes chose silence instead of action—“dropping the baton,” as it were—in the movement to end racial inequities and violence against Black Americans. The examples of courageous athletes multiply as LeBron James, Megan Rapinoe and the activist-athletes of the NBA, WNBA, and NFL remain committed to fighting daily and vibrantly for social change.

One union, many voices—Alabama coal miners and the century-long fight for justice.

Much of Alabama's labor history is written in its coal fields. This book records the critical contribution that District 20 of the United Mine Workers of America played in the state's labor movement through its strong stands on such issues as child labor, public education, and inter-racial unions. 

Standing at the cutting edge of social and political history, these essays cover five periods over a century of union activity: the emergence of a militant labor force during mining's formative years; the World War I era, when mine operators tried to divide black and white labor; the increasing role of the state in labor relations during the interwar years; rapid changes in the union between 1942 and 1975; and the 1977-79 strike, the largest in the United Mine Workers' history. 

Through historic photographs and depictions of living and working conditions, contributors Edwin L. Brown, Colin J. Davis, Daniel Letwin, Brian M. Kelly, Peter Alexander, Glenn Feldman, and Robert H. Woodrum portray the world that miners, both black and white, made. In a state where racial segregation was the norm,even the earliest District 20 contract proposals demanded equal pay for equal work regardless of color. It Is Union and Liberty shows that the UMW in Alabama stands apart from perceptions of southern trade unionism as exclusionary and racially fragmented. It sheds light on an important segment of the state's labor history and is a testament to District 20 on its centennial celebration.
 

2025 John G. Cawelti Award for the Best Textbook/Primer, Popular Culture Association/American Culture Association (PCA/ACA)
2025 Longlist, Kraszna-Krausz Moving Image Book Award

How changing depictions of pregnancy in comedy from the start of the twentieth century to the present show an evolution in attitudes toward women’s reproductive roles and rights.

Some of the most groundbreaking moments in American film and TV comedy have centered on pregnancy, from Lucille Ball’s real-life pregnancy on I Love Lucy, to the abortion plot on Maude; Murphy Brown’s controversial single motherhood; Arnold Schwarzenegger’s pregnancy in Junior; or the third-trimester stand-up special Ali Wong: Baby Cobra.

In the first book-length study of pregnancy in popular comedy, Victoria Sturtevant examines the slow evolution of pregnancy tropes during the years of the Production Code; the sexual revolution and changing norms around nonmarital pregnancy in the 1960s and ‘70s; and the emphasis on biological clocks, infertility, adoption, and abortion from the 1980s to now.

Across this history, popular media have offered polite evasions and sentimentality instead of real candor about the physical and social complexities of pregnancy. But comedy has often led the way in puncturing these clichés, pointing an irreverent and satiric lens at the messy and sometimes absurd work of gestation. Ultimately, Sturtevant argues that comedy can reveal the distortions and lies that treat pregnancy as simple and natural “women’s work,” misrepresentations that rest at the heart of contemporary attacks on reproductive rights in the US.

Finalist: 2024 ACLS Open Access Book Prize Multimodal Category Finalist 

“i used to love to dream” is a mixtap/e/ssay that performs hip-hop scholarship using sampled and live instrumentation; repurposed music, film, and news clips; and original rap lyrics. As a genre, the mixtap/e/ssay brings together the mixtape—a self-produced or independently released album issued free of charge to gain publicity—and the personal and scholarly essays. “i used to love to dream” names Decatur, Illinois—the author's hometown—as a reference point for place- and time-specific rapped ruminations about the ideas of growing up, moving away, and pondering one's life choices. At the same time, the tracks attempt to account for moral, philosophical, and ethical dimensions undergirding unease about authenticity, or staying true to oneself and to one’s city or neighborhood, as well as the external factors that contribute to such feelings. Using the local to ask questions about the global, “i used to love to dream” highlights outlooks on Black life generally, and Black manhood in particular, in the United States.

The tracks are presented along with liner notes and a short documentary about the making of the mixtap/e/ssay, and accompanying articles to provide context for the tracks for listeners both in classrooms and outside of them.