Beate Allert
University of Delaware Press, 2026
Interiority in German Women’s Writing for the first time systematically gathers and engages with contributions of German women authors to the discourse on interiority (Innerlichkeit) from 1750 to 1850. This volume shifts the recent focus on abstract theoretical and medical discourses on inwardness to the origins of interiority in literature and philosophy as written and experienced by women from the Age of Sensibility (Empfindsamkeit) to the Romantic era. At the same time, it makes a claim for and explores the ramifications of understanding interiority as a feminine discourse. Contributors investigate the works of women authors who searched to find rescue from their cultural and personal entrapment via creative spaces and various modes of interiority in theatrical performances, poetic writings, letters, biographical narratives, prose, and fairy tales. From the case studies and literary analyses in the volume, interiority emerges as a spectrum of approaches to defining, resisting, and transforming the innermost self.
Erin A. Clark
Utah State University Press, 2020
Angela Hume
Omnidawn, 2021
Poems that address cultural pressures placed on women and girls.
This is a book for those who were raised to be girls and expected to become women, for those who were told they were too girly and not girly enough, and for those who were ogled, talked over, touched, fed, imagined, and indoctrinated in ways they didn’t want. Angela Hume considers the persistent instructions to smile, be quiet, and act happy, all administered with the promise that this forced behavior would make everything better. The poems address rigid social norms and, ultimately, walk through the uncomfortable realizations about the bigger systems at play and call on us to examine our own complicity in them.
Mary Roberts
Duke University Press, 2007
Roberts draws on a range of sources, including paintings, photographs, and travelogues discovered in archives in Britain, Turkey, Egypt, and Denmark. She rethinks the influential harem works of the realist painter John Frederick Lewis, a British artist living in Cairo during the 1840s, whose works were granted an authoritative status by his British public despite the actual limits of his insider knowledge. Unlike Lewis, British women were able to visit Ottoman harems, and from the mid-nineteenth century on they did so in droves. Writing about their experiences in published travelogues, they undermined the idea that harems were the subject only of male fantasies. The elite Ottoman women who orchestrated these visits often challenged their guests’ misapprehensions about harem life, and a number of them exercised power as patrons, commissioning portraits from European artists. Their roles as art patrons defy the Western idea of the harem woman as passive odalisque.

Anne Ruggles Gere
University of Illinois Press, 1997

Ashley Walters
Rutgers University Press, 2027
In the early 1900s, a handful of unconventional couples emerged within the American radical Left. In Intimate Radicals, Ashley Walters tells the story of a group of young, East European Jewish women and white, Anglo-Saxon Protestant men— such as Jack London, Sinclair Lewis, and William English Walling, among other notable figures in American literature, domestic and international affairs, and early Hollywood—and how they imbued their romances with revolutionary principles. The relationships captivated the public and became a source of intrigue, largely driven by the growth of human-interest journalism. Through individual biographies, historical narrative, and literary analysis, Walters reveals the cultural and political contingencies of desire.
As Progressive Era radicals rebelled against the constraints of an earlier era, East European Jews—and Jewish women in particular— came to embody a new cosmopolitan ideal and European revolutionary spirit. Drawing on letters, newspapers, literature, and film, Walters shows how the public reception of these patrician-immigrant relationships lent credence to a new cultural mythology of Jewish womanhood. The men’s desire for East European Jewish women, she also points out, can be viewed as a form of “radical tourism,” in which men who enjoy a degree of privilege pursue an alluring Other in the hope of obtaining a more worldly identity.
This book is published with the support of the Jordan Schnitzer First Book Publication Award, administered by the Association for Jewish Studies.
Krupa Shandilya
Northwestern University Press, 2017
Margot Ford McMillen & Heather Roberson
University of Missouri Press, 2004
Frank Lentricchia
Duke University Press, 1991
Contributors. Frank Lentricchia, Anthony Decurtis, Daniel Aaron, Hal Crowther, John A. McClure, Eugene Goodheart, Charles Molesworth, Dennis A. Foster, and John Frow
Doris Drucker
University of Chicago Press, 2004
William C. Davis
Southern Illinois University Press, 2016
Oyeronke Oyewumi
University of Minnesota Press, 1997
Edited by T. Paul Schultz
University of Chicago Press, 1995
Gabriella Lukács
Duke University Press, 2020
Don N. Hagist
Westholme Publishing, 2026
She was stabbed by her drunken husband on a storm-tossed ship in the North Atlantic. She forgave him before she died—and history never recorded her first name. Mrs. Whitlow, wife of a British soldier, is just one of the thousands of women who followed their husbands to war during the American Revolution. These women lived in the barracks and camps and endured the hardships of garrisons and campaigns in an unfamiliar and often hostile land. They faced the challenges with fortitude, proving themselves resourceful, industrious, and intrepid, but their involvement in the conflict that founded the United States has been largely lost to history. Incidents and brief mentions abound in the military writings and iconography of the era, but stories of individual lives are nearly nonexistent, which has caused this large population to be almost entirely overlooked.
Combining archival research with deeply human storytelling, Invisible Lives: British Soldiers’ Wives in the American Revolution by Don N. Hagist brings together, for the first time, the myriad glimpses of these wives to tell the larger story of how they lived, worked, suffered, and survived as women in a foreign war. Drawing on court martial proceedings, muster rolls, marriage licenses, newspaper notices, and rare surviving letters, this meticulously researched work reconstructs the lives of women who were present in every theater of the Revolutionary War. What emerges is a portrait of remarkable resilience. These women crossed oceans, survived sieges, nursed the wounded, and raised children in the chaos of an eighteenth-century war. These many moments come together to provide a more complete and invaluable picture of British soldiers’ wives and their place in the army and the surrounding society. For readers of women’s history, military history, and the American Revolution, this is an overdue and deeply moving reckoning with the lives history had left behind.

Catriona MacLeod
Intellect Books, 2022
Wendy Law-Yone
Northwestern University Press, 2003
Kristie Miller
University of Arizona Press, 2004

Olga Anastasia Pelensky
Ohio University Press, 1991
Born into a Victorian Danish family, Karen Christentze Dinesen married her second cousin, a high-spirited and philandering baron, and moved to Kenya where she ran a coffee plantation, painted, and wrote. She later returned to Denmark, lived through the German occupation during World War II, and became a pivotal figure in Heretica, a major literary movement that flourished in Denmark after the war. By the time of her death, Dinesen was an international figure. Truman Capote would later call Out of Africa one of the most beautiful books of the century.
Despite the popularity of her writing, little is known about her life. For this provocative biography, Pelensky has uncovered hundreds of papers in libraries and private collections, and discovered new interview sources in Africa, Denmark, and England to help put the pieces of Dinesen’s life together. Her father’s outspoken sympathy for the plight of the American Indians, his suicide and the effects of his personal anguish as a failed adventurer are illuminated as major forces on Dinesen’s imagination. The Danish history of romance and masquerade and the tradition of pantomime in Denmark are also explored as themes that recur in Dinesen’s work.
Edited by Esther Fuchs
Rutgers University Press, 2005
Israeli women do not enjoy the equality, status, and power often attributed to them by the media and popular culture. Despite significant achievements and progress, as a whole they continue to earn less than their male counterparts, are less visible and influential in the political arena, do not share equal responsibilities or privileges in the military, have unequal rights and freedoms in family life and law, and are less influential in shaping the nation's self image and cultural orientation.
Bringing together classic essays by leading scholars of Israeli culture, this reader exposes the hidden causes of ongoing discrimination and links the restrictions that Israeli women experience to deeply entrenched structures, including colonial legacies, religious traditions, capitalism, nationalism, and ongoing political conflict. In contrast, the essays also explore how women act creatively to affect social change and shape public discourse in less ostensible ways.
Providing balanced perspectives from the social sciences and the humanities, this comprehensive reader reflects both an emerging consensus and exciting diversity in the field. It is the definitive text for courses in Israeli women's studies.
Brigitte Reimann
Seagull Books, 2016
Maitreyi Devi
University of Chicago Press, 1994
Ruby Berkley Goodwin
Southern Illinois University Press, 1953
From the preface by Carmen Kenya Wadley:
“Is it good to be black? To Ruby Berkley Goodwin it was....The black she writes about has nothing to do with skin color, but it does have a great deal to do with self images, values, spiritual strength, and most of all love. Unlike the contradicting definitions of blackness we see reflected in today's crime statistics, movies, television, newspapers, political speeches, advertisements, and sociological reports, Ruby Berkley Goodwin's definition of blackness is simple and to the point: black is good. It's Good to be Black is more than the story (history) of a black family living in Du Quoin, Illinois, during the early 1900s; it is a reaffirmation for all of us who know in our hearts that there is still good in the world and that some of that good is black.”
David Ware
Butler Center for Arkansas Studies, 2015
edited by Judith Hicks Stiehm
Temple University Press, 1996
In the last twenty-five years the U.S. military has seen the abolition of women's separate corps, the appointment of women generals, and an unprecedented increase in the ratio of women to men. Also, women are now permitted to serve on combat planes and ships. Despite these developments, most civilians know very little about women in the military.
This collection includes unusual accounts by women on active duty, retired officers, women who have worked for the armed forces in a civilian capacity, and civilian academics. The book offers insights on a variety of pressing issues including minority women, lesbians, combat, the role of gender in weapons design, and the changing mission of the military.
Through personal accounts and commentaries, this book dispels many of the myths about women and the military and explores the reasons for the persistence of misconceptions in the face of increased female participation. This comprehensive effort will be of interest to anyone who wants to know the truth about women in the armed forces and will be a wake-up call to women who feel that the military is irrelevant to them.
Contributors: Rhonda Cornum, Virginia Solms, Billie Mitchell, Connie L. Reeves, Brenda L. Moore, Nina Richman-Loo, Rachel Weber, Lucinda Joy Peach, M. C. Devilbiss, Carol Burke, Susan Jeffords, Miriam Cooke.
Denise Tolan
CavanKerry Press, 2023