2285 books match the query 'Women' and 76 start with i

cover of Interiority in German Women's Writing

Interiority in German Women's Writing

Beate Allert

University of Delaware Press, 2026

Interiority in German Women’s Writing for the first time systematically gathers and engages with contributions of German women authors to the discourse on interiority (Innerlichkeit) from 1750 to 1850. This volume shifts the recent focus on abstract theoretical and medical discourses on inwardness to the origins of interiority in literature and philosophy as written and experienced by women from the Age of Sensibility (Empfindsamkeit) to the Romantic era. At the same time, it makes a claim for and explores the ramifications of understanding interiority as a feminine discourse. Contributors investigate the works of women authors who searched to find rescue from their cultural and personal entrapment via creative spaces and various modes of interiority in theatrical performances, poetic writings, letters, biographical narratives, prose, and fairy tales. From the case studies and literary analyses in the volume, interiority emerges as a spectrum of approaches to defining, resisting, and transforming the innermost self. 

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cover of Interrogating Gendered Pathologies

Interrogating Gendered Pathologies

Erin A. Clark

Utah State University Press, 2020

Interrogating Gendered Pathologies points out and critiques unjust patterns of pathology. Erin A. Frost and Michelle F. Eble assemble a transdisciplinary approach from/to technologies, rhetorics, philosophies, epistemologies, and biomedical data to consider the effects of biomedicine’s gendered norms on people’s lives. Using a range of complementary and intersectional theoretical approaches, contributors ask questions about rhetoric’s role in healthcare and how it differs depending on patient embodiment and the ways nonnormative bodies are pathologized.
 
These chapters engage common narratives about the ways in which gender in healthcare is secondary and highlights the stories of people who have battled to prioritize their own bodies through extraordinary difficulties. Employing a multiplicity of voices, the book represents a number of different perspectives on what it might look like to return health and medical data to embodied experience, to consider the effects of gendered and intersectional biomedical norms on lived realities, and to subvert the power of institutions in ways that move us toward biomedical justice.
 
This collection contributes to the burgeoning field of health and medical rhetorics by rhetorically and theoretically intervening in what are often seen as objective and neutral decisions related to the body and to scientific and medical data about bodies. Interrogating Gendered Pathologies will be of interest to feminist scholars in the field of rhetoric and writing studies, specifically those in the rhetorics of health and medicine, as well as scholars of technical communication, feminist studies, gender studies, technoscience studies, and bioethics.
 
Contributors: Leslie Anglesey, Mary Assad, Beth Boser, Lillian Campbell, Marleah Dean, Lori Beth De Hertogh, Leandra Hernandez, Elizabeth Horn-Walker, Caitlin Leach, Jordan Liz, Miriam Mara, Cathryn Molloy, Kerri Morris, Maria Novotny, Sage Perdue, Colleen Reilly
 
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cover of Interventions for Women

Interventions for Women

Angela Hume

Omnidawn, 2021

Poems that address cultural pressures placed on women and girls.
 
This is a book for those who were raised to be girls and expected to become women, for those who were told they were too girly and not girly enough, and for those who were ogled, talked over, touched, fed, imagined, and indoctrinated in ways they didn’t want. Angela Hume considers the persistent instructions to smile, be quiet, and act happy, all administered with the promise that this forced behavior would make everything better. The poems address rigid social norms and, ultimately, walk through the uncomfortable realizations about the bigger systems at play and call on us to examine our own complicity in them.
 

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cover of Intimate Outsiders: The Harem in Ottoman and Orientalist Art and Travel Literature

Intimate Outsiders

The Harem in Ottoman and Orientalist Art and Travel Literature

Mary Roberts

Duke University Press, 2007

Until now, the notion of a cross-cultural dialogue has not figured in the analysis of harem paintings, largely because the Western fantasy of the harem has been seen as the archetype for Western appropriation of the Orient. In Intimate Outsiders, the art historian Mary Roberts brings to light a body of harem imagery that was created through a dynamic process of cultural exchange. Roberts focuses on images produced by nineteenth-century European artists and writers who were granted access to harems in the urban centers of Istanbul and Cairo. As invited guests, these Europeans were “intimate outsiders” within the women’s quarters of elite Ottoman households. At the same time, elite Ottoman women were offered intimate access to European culture through their contact with these foreign travelers.

Roberts draws on a range of sources, including paintings, photographs, and travelogues discovered in archives in Britain, Turkey, Egypt, and Denmark. She rethinks the influential harem works of the realist painter John Frederick Lewis, a British artist living in Cairo during the 1840s, whose works were granted an authoritative status by his British public despite the actual limits of his insider knowledge. Unlike Lewis, British women were able to visit Ottoman harems, and from the mid-nineteenth century on they did so in droves. Writing about their experiences in published travelogues, they undermined the idea that harems were the subject only of male fantasies. The elite Ottoman women who orchestrated these visits often challenged their guests’ misapprehensions about harem life, and a number of them exercised power as patrons, commissioning portraits from European artists. Their roles as art patrons defy the Western idea of the harem woman as passive odalisque.

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cover of Intimate Practices: Literacy and Cultural Work in U.S. Women's Clubs, 1880-1920

Intimate Practices

Literacy and Cultural Work in U.S. Women's Clubs, 1880-1920

Anne Ruggles Gere

University of Illinois Press, 1997

 
      Winner of the 1995 University of Illinois Press-National Women's Studies
        Association manuscript prize
      Women's clubs at the turn of the century were numerous, dedicated to
        a number of issues, and crossed class, religious, and racial lines. Emphasizing
        the intimacy engendered by shared reading and writing in these groups,
        Anne Ruggles Gere contends that these literacy practices meant that club
        members took an active part in reinventing the nation during a period
        of major change. Gere uses archival material that documents club members'
        perspectives and activities around such issues as Americanization, womanhood,
        peace, consumerism, benevolence, taste, and literature--and offers a rare
        depth of insight into the interests and lives of American women from the
        fin de siècle through the beginning of the roaring twenties.
      Intimate Practices is unique in its exploration of a range of
        women's clubs--Mormon, Jewish, white middle-class, African American, and
        working class--and paints a vast and colorful multicultural, multifaceted
        canvas of these widely-divergent women's groups.
 
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cover of Intimate Radicals: East European Jewish Women and Progressive American Desires

Intimate Radicals

East European Jewish Women and Progressive American Desires

Ashley Walters

Rutgers University Press, 2027

In the early 1900s, a handful of unconventional couples emerged within the American radical Left. In Intimate Radicals, Ashley Walters tells the story of a group of young, East European Jewish women and white, Anglo-Saxon Protestant men— such as Jack London, Sinclair Lewis, and William English Walling, among other notable figures in American literature, domestic and international affairs, and early Hollywood—and how they imbued their romances with revolutionary principles. The relationships captivated the public and became a source of intrigue, largely driven by the growth of human-interest journalism. Through individual biographies, historical narrative, and literary analysis, Walters reveals the cultural and political contingencies of desire.

 As Progressive Era radicals rebelled against the constraints of an earlier era, East European Jews—and Jewish women in particular— came to embody a new cosmopolitan ideal and European revolutionary spirit. Drawing on letters, newspapers, literature, and film, Walters shows how the public reception of these patrician-immigrant relationships lent credence to a new cultural mythology of Jewish womanhood. The men’s desire for East European Jewish women, she also points out, can be viewed as a form of “radical tourism,” in which men who enjoy a degree of privilege pursue an alluring Other in the hope of obtaining a more worldly identity.

This book is published with the support of the Jordan Schnitzer First Book Publication Award, administered by the Association for Jewish Studies.

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cover of Intimate Relations: Social Reform and the Late Nineteenth-Century South Asian Novel

Intimate Relations

Social Reform and the Late Nineteenth-Century South Asian Novel

Krupa Shandilya

Northwestern University Press, 2017

Intimate Relations remaps the discussion on gender and the nation in South Asia through a close study of the domestic novel as a literary genre and a tool for social reform. As a product of the intersection of literary and social reform movements, in the late nineteenth century the domestic novel became a site for literary innovation and also for rethinking women’s roles in society and politics. Krupa Shandilya focuses primarily on social reform movements that negotiated the intimate relations between men and women in Hindu and Muslim society, namely, the widow remarriage act in Bengal (1856) and the education of women promoted by the Aligarh movement (1858–1900). Both movements were invested in recovering woman as a “respectable” subject for the Hindu and Muslim nation, where respectability connoted asexual spirituality. While most South Asian literary scholarship has focused on a normative Hindu woman, Intimate Relations couples discussion of the representation of the widow in bhadralok (upper-caste, middle-class) society with that of the courtesan of sharif (upper-class, Muslim, feudal) society in Bengali and Urdu novels from the 1880s to the 1920s. By drawing together their disparate histories in the context of contemporaneous social reform movements, Shandilya reflects on the similarities of Hindu and Islamic constructions of the gendered nation.
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cover of Into the Spotlight: Four Missouri Women

Into the Spotlight

Four Missouri Women

Margot Ford McMillen & Heather Roberson

University of Missouri Press, 2004

As a companion volume to their earlier book, Called to Courage: Four Women in Missouri History, Margot Ford McMillen and Heather Roberson’s Into the Spotlight provides the biographies of four more remarkable Missouri women. Although these women came from radically different circumstances, they all shared a common sense of purpose, determination, and courage, and each used her own unique position to empower herself and others

Sacred Sun, also called Mohongo, was a Native American of the Osage tribe in Missouri. In 1827, her people lost their land, their sacred places, and many of their traditions. Seeking answers to the dilemma faced by her people, and possibly aid from the French, she journeyed to Europe with a group of prominent Osage and a French entrepreneur. The harrowing events she experienced there would shape the woman she became when she returned to the Osage tribe, which had been forced to move to Oklahoma and was still struggling to survive.

Emily Newell Blair was born into a successful southwest Missouri family. Although she was born at a time when the contributions of women in the workforce were quite limited, she was encouraged by her family to get an education and expand her skills in writing and speaking. When women did begin to pursue education and careers, Blair was at the forefront, working tirelessly to secure voting rights for women. Eventually, she was elected to the Democratic National Committee and later poured her energy into organizing Democratic women’s clubs.

Josephine Baker grew up in segregated turn-of-the-century St. Louis society, which determined human worth by the color of one’s skin. Her mixed ethnic background left Baker feeling isolated both from her own black family and from white society. Driven to develop her own unique style, she became a star of song and stage, toured Europe, served as a spy, and was a fervent civil rights and antiracism activist.

Elizabeth Virginia Wallace, known to her family as “Bess,” grew up in one of Missouri’s most prominent families. She married a neighborhood boy—considered unacceptable by her mother—who would go on to become President Harry Truman. Bess Truman, called “the boss” by her husband, worked side by side with him, editing his speeches and providing advice and guidance through innumerable crises during and after World War II.

Into the Spotlight provides valuable new insights into Missouri and American history, as well as women’s history, and will be a welcome addition to the Missouri Heritage Readers Series.
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cover of Introducing Don DeLillo

Introducing Don DeLillo

Frank Lentricchia

Duke University Press, 1991

If you want to find out what a rock critic, a syndicated columnist, and scholars of American literature have to say about one of America’s most important contemporary novelists, turn to Introducing Don DeLillo. Placing the author’s work in a cultural context, this is the first book-length collection on DeLillo, adding considerably to the emerging critical discourse on his work.
Diversity is the key to this striking assemblage of cultural criticism edited by Frank Lentricchia. Special features include an expanded version of the Rolling Stone interview with the author (“An Outsider in this Society”) and the extraordinary tenth chapter of DeLillo’s Ratner’s Star. Accessibly written and entertaining, the collection will be of great interest to both students and scholars of contemporary American literature as well as to general readers interested in DeLillo’s work.

Contributors. Frank Lentricchia, Anthony Decurtis, Daniel Aaron, Hal Crowther, John A. McClure, Eugene Goodheart, Charles Molesworth, Dennis A. Foster, and John Frow

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cover of Invent Radium or I'll Pull Your Hair: A Memoir

Invent Radium or I'll Pull Your Hair

A Memoir

Doris Drucker

University of Chicago Press, 2004

"And don't forget, once you are married to a Rothschild you can become a famous woman," Doris Schmitz's mother told her. "Be another Madame Curie and invent radium! You'll be famous!" Doris reminded her that radium had already been discovered. "Don't argue," her mother said. "You're going to invent radium or I'll pull your hair. You're just being negative, like your father."

Rothschilds and radium were the horizons of Doris's childhood. Born in Germany in the early twentieth century, she came of age in an upper-middle-class family that struggled to maintain its bourgeois respectability between the two World Wars. Doris Drucker (she met her husband Peter—of management fame—in the 1930s) has penned a lively and charming memoir that brings to life the Germany of her childhood. Rather than focusing on the rise of Hitler, Drucker weaves history into her story of the day-to-day life of a relatively apolitical family. She chronicles here the crowds that gathered to see the Zeppelin, her attempts to negotiate her Prussian mother's plans for her (like marrying well and becoming a famous scientist), ski trips and hikes, the schools she attended, her father's struggles to support the family, and all the stuff and drama that make up a childhood. Drucker's energetic storytelling, eye for the telling detail, and sly humor draw the reader into her portrait of a way of life made forever poignant by its place in history so close to the brutalities of World War II.

From the boarding school that forbade girls to look at their own legs while they bathed to the unfortunate confusion that resulted from Doris's misinterpretation of "Warsaw has fallen" as "The Waschfrau [washerwoman] has fallen," the tales recounted in Invent Radium or I'll Pull Your Hair give dimension and depth to a milieu that has been flattened by the historical events around it.
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cover of Inventing Loreta Velasquez: Confederate Soldier Impersonator, Media Celebrity, and Con Artist

Inventing Loreta Velasquez

Confederate Soldier Impersonator, Media Celebrity, and Con Artist

William C. Davis

Southern Illinois University Press, 2016

She went by many names—Mary Ann Keith, Ann Williams, Lauretta Williams, and more—but history knows her best as Loreta Janeta Velasquez, a woman who claimed to have posed as a man to fight for the Confederacy. In Inventing Loreta Velasquez, acclaimed historian William C. Davis delves into the life of one of America’s early celebrities, peeling back the myths she herself created to reveal a startling and even more implausible reality.

This groundbreaking biography reveals a woman quite different from the public persona she promoted. In her bestselling memoir, The Woman in Battle, Velasquez claimed she was an emphatic Confederate patriot, but in fact she never saw combat. Instead, during the war she manufactured bullets for the Union and persuaded her Confederate husband to desert the Army.

After the Civil War ended, she wore many masks, masterminding ambitious confidence schemes worth millions, such as creating a phony mining company, conning North Carolina residents to back her financially in a fake immigration scheme, and attracting investors to build a railroad across western Mexico. With various husbands, Velasquez sought her fortune both in the American West and in the Klondike, though her endeavors cost one husband his life. She also became a social reformer advocating on behalf of better prison conditions, the Cuban revolt against Spain, and the plight of Cuban refugees. Further, Velasquez was one of the first women to venture into journalism and presidential politics. Always a sensational press favorite, she displayed throughout her life an uncanny ability to manipulate popular media and to benefit from her fame in a way that prefigured celebrities of our own time, including using her testimony in a Congressional inquiry about Civil War counterfeiting as a means of promoting her latest business ventures.

So little has been known of Velasquez’s real life that some postmodern scholars have glorified her as a “woman warrior” and used her as an example in cross-gender issues and arguments concerning Hispanic nationalism. Davis firmly refutes these notions by bringing the historical Velasquez to the surface. The genuine story of Velasquez’s life is far more interesting than misguided interpretations and her own fanciful inventions.
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cover of Invention Of Women: Making An African Sense Of Western Gender Discourses

Invention Of Women

Making An African Sense Of Western Gender Discourses

Oyeronke Oyewumi

University of Minnesota Press, 1997

The “woman question,” this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western construction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Author Oyeronke Oyewumi reveals an ideology of biological determinism at the heart of Western social categories-the idea that biology provides the rationale for organizing the social world. And yet, she writes, the concept of “woman,” central to this ideology and to Western gender discourses, simply did not exist in Yorubaland, where the body was not the basis of social roles.

Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed and that the subordination of women is universal. The Invention of Women demonstrates, to the contrary, that gender was not constructed in old Yoruba society, and that social organization was determined by relative age.

A meticulous historical and epistemological account of an African culture on its own terms, this book makes a persuasive argument for a cultural, context-dependent interpretation of social reality. It calls for a reconception of gender discourse and the categories on which such study relies. More than that, the book lays bare the hidden assumptions in the ways these different cultures think. A truly comparative sociology of an African culture and the Western tradition, it will change the way African studies and gender studies proceed. 
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cover of Investment in Women's Human Capital

Investment in Women's Human Capital

Edited by T. Paul Schultz

University of Chicago Press, 1995

How are human capital investments allocated between women and men? What are the returns to investments in women's nutrition, health care, education, mobility, and training? In thirteen wide-ranging and innovative empirical analyses, Investment in Women's Human Capital explores the nature of human capital distributions to women and their effect on outcomes within the family.

Section I considers the experiences of high-income countries, examining the limitations of industrialization for the advancement of women; returns to secondary education for women; and state control of women's education and labor market productivity through the design of tax systems and the public subsidy of children.

The remaining four sections investigate health, education, household structure and labor markets, and measurement issues in low-income countries, including the effect of technological change on transfers of wealth to and from children in India; women's and men's responses to the costs of medical care in Kenya; the effects of birth order and sex on educational attainment in Taiwan; wage returns to schooling in Indonesia and in Cote d'Ivoire; and the increasing prevalence of female-headed households and the correlates of gender differences in wages in Brazil.
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cover of Invisibility by Design: Women and Labor in Japan's Digital Economy

Invisibility by Design

Women and Labor in Japan's Digital Economy

Gabriella Lukács

Duke University Press, 2020

In the wake of labor market deregulation during the 2000s, online content sharing and social networking platforms were promoted in Japan as new sites of work that were accessible to anyone. Enticed by the chance to build personally fulfilling careers, many young women entered Japan's digital economy by performing unpaid labor as photographers, net idols, bloggers, online traders, and cell phone novelists. While some women leveraged digital technology to create successful careers, most did not. In Invisibility by Design Gabriella Lukács traces how these women's unpaid labor became the engine of Japan's digital economy. Drawing on interviews with young women who strove to sculpt careers in the digital economy, Lukács shows how platform owners tapped unpaid labor to create innovative profit-generating practices without employing workers, thereby rendering women's labor invisible. By drawing out the ways in which labor precarity generates a demand for feminized affective labor, Lukács underscores the fallacy of the digital economy as a more democratic, egalitarian, and inclusive mode of production.
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cover of Invisible Lives: British Soldiers' Wives in the American Revolution

Invisible Lives

British Soldiers' Wives in the American Revolution

Don N. Hagist

Westholme Publishing, 2026

She was stabbed by her drunken husband on a storm-tossed ship in the North Atlantic. She forgave him before she died—and history never recorded her first name. Mrs. Whitlow, wife of a British soldier, is just one of the thousands of women who followed their husbands to war during the American Revolution. These women lived in the barracks and camps and endured the hardships of garrisons and campaigns in an unfamiliar and often hostile land. They faced the challenges with fortitude, proving themselves resourceful, industrious, and intrepid, but their involvement in the conflict that founded the United States has been largely lost to history. Incidents and brief mentions abound in the military writings and iconography of the era, but stories of individual lives are nearly nonexistent, which has caused this large population to be almost entirely overlooked. 

Combining archival research with deeply human storytelling, Invisible Lives: British Soldiers’ Wives in the American Revolution by Don N. Hagist brings together, for the first time, the myriad glimpses of these wives to tell the larger story of how they lived, worked, suffered, and survived as women in a foreign war. Drawing on court martial proceedings, muster rolls, marriage licenses, newspaper notices, and rare surviving letters, this meticulously researched work reconstructs the lives of women who were present in every theater of the Revolutionary War. What emerges is a portrait of remarkable resilience. These women crossed oceans, survived sieges, nursed the wounded, and raised children in the chaos of an eighteenth-century war. These many moments come together to provide a more complete and invaluable picture of British soldiers’ wives and their place in the army and the surrounding society. For readers of women’s history, military history, and the American Revolution, this is an overdue and deeply moving reckoning with the lives history had left behind.

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cover of Invisible Presence: The Representation of Women in French-Language Comics

Invisible Presence

The Representation of Women in French-Language Comics

Catriona MacLeod

Intellect Books, 2022

In this groundbreaking study of French-language comic strips, Catriona MacLeod looks at the representation of women across three distinct categories: as main characters and as secondary figures created by male artists, and as characters created by women artists. Drawing from feminist scholarship, especially well-known film and literary theorists, the book asks what it means to draw and depict women from within a phallocentric, male-dominated paradigm as well as how the particular medium of bande dessinée (the French-language graphic novel) has shaped dominant representations of women.

MacLeod’s exploration focuses on the representation of female characters in French comics across genres, artistic styles, and time periods. Until now, these characters and their creators have received relatively little scholarly attention, or have only been considered individually, rather than within wider patterns of female representation; this book aims to correct that. 
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cover of Irrawaddy Tango

Irrawaddy Tango

Wendy Law-Yone

Northwestern University Press, 2003

A novel of love, vengeance and political unrest in South East Asia

Irrawaddy Tango, a pepper-tongued, tango-dancing Asian beauty rises from a village girlhood to become the wife of her country's dictator and then a leader of the rebel forces arrayed against him. Tango captures the attention of an ambitious colonel --the self-proclaimed Supremo--while dancing at a talent contest. Once married, she is forced to endure the cruelties of a ruthless and foolish husband, is kidnapped by rebel forces, recaptured and brutally punished by her husband's military clique, and eventually exiled to America. Her return to the fictional Republic of Daya (clearly Burma) brings about the destruction of her husband and his dictatorship. Irrawaddy Tango tells the unsettling tale of powerful men and powerless women. It evokes as well the harshness of exile, revealing the misunderstandings between East and West and by doing so captures the intensity of living between the two.
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cover of Isabella Greenway: An Enterprising Woman

Isabella Greenway

An Enterprising Woman

Kristie Miller

University of Arizona Press, 2004

She was at home on the western range and in New York salons. An energetic entrepreneur who managed a ranch, an airline, and a resort. A politician who became a key player in the New Deal. Isabella Greenway blazed a trail for remarkable women in Arizona politics today, from Janet Napolitano to Sandra Day O'Connor. Now Kristie Miller offers an intimate view of this extraordinary woman.

Isabella Greenway's life was linked with both Theodore Roosevelt and Franklin D. Roosevelt. Her infancy was spent on a snow-swept ranch in North Dakota, where young TR was a neighbor and a friend. In her teens, she captivated Edith Wharton's New York as a glamorous debutante. A bridesmaid in the wedding of Eleanor and Franklin Roosevelt, Isabella was the bride of Robert Ferguson, a Scottish nobleman and one of TR's Rough Riders. They went west when he developed tuberculosis; after his death, she married his fellow Rough Rider, Arizona copper magnate John Greenway.

In Tucson, the energetic Isabella ran an airline, worked with disabled veterans, and founded the world-famous Arizona Inn. When the Great Depression brought hard times, Eleanor Roosevelt recruited Isabella to work for the Democratic Party. Isabella played a decisive role in Franklin Roosevelt's nomination to the presidency in 1932; the New York Times called her "the most-talked-of woman at the National Democratic Convention." She was elected to Congress as Arizona's only US Representative, and again drew national media attention when she challenged FDR for not being sufficiently progressive.

Miller's meticulous biography captures a life of adventure and romance, from southern tobacco country to the ballrooms of New York, from western ranches to the dome of the US Capitol. She shows national politics played out behind the scenes, Isabella's lifelong friendship with Eleanor Roosevelt, and the drama of a loyal wife caring for a dying husband despite having fallen in love with a younger man. The book also shows Greenway's considerable influence on the development of Arizona's business and politics in the early decades of statehood. Although Isabella Greenway died in 1953, the Arizona Inn—a tribute to her enterprise—remains a premier resort hotel, celebrating its 75th anniversary in 2005. This book, too, celebrates Isabella's energy, vision, indomitable spirit, and love of life.
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cover of Isak Dinesen: The Life And Imagination Of A Seducer

Isak Dinesen

The Life And Imagination Of A Seducer

Olga Anastasia Pelensky

Ohio University Press, 1991

Born into a Victorian Danish family, Karen Christentze Dinesen married her second cousin, a high-spirited and philandering baron, and moved to Kenya where she ran a coffee plantation, painted, and wrote. She later returned to Denmark, lived through the German occupation during World War II, and became a pivotal figure in Heretica, a major literary movement that flourished in Denmark after the war. By the time of her death, Dinesen was an international figure. Truman Capote would later call Out of Africa one of the most beautiful books of the century.

Despite the popularity of her writing, little is known about her life. For this provocative biography, Pelensky has uncovered hundreds of papers in libraries and private collections, and discovered new interview sources in Africa, Denmark, and England to help put the pieces of Dinesen’s life together. Her father’s outspoken sympathy for the plight of the American Indians, his suicide and the effects of his personal anguish as a failed adventurer are illuminated as major forces on Dinesen’s imagination. The Danish history of romance and masquerade and the tradition of pantomime in Denmark are also explored as themes that recur in Dinesen’s work.

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cover of Israeli Women's Studies: A Reader

Israeli Women's Studies

A Reader

Edited by Esther Fuchs

Rutgers University Press, 2005

Israeli women do not enjoy the equality, status, and power often attributed to them by the media and popular culture. Despite significant achievements and progress, as a whole they continue to earn less than their male counterparts, are less visible and influential in the political arena, do not share equal responsibilities or privileges in the military, have unequal rights and freedoms in family life and law, and are less influential in shaping the nation's self image and cultural orientation.

Bringing together classic essays by leading scholars of Israeli culture, this reader exposes the hidden causes of ongoing discrimination and links the restrictions that Israeli women experience to deeply entrenched structures, including colonial legacies, religious traditions, capitalism, nationalism, and ongoing political conflict. In contrast, the essays also explore how women act creatively to affect social change and shape public discourse in less ostensible ways.

Providing balanced perspectives from the social sciences and the humanities, this comprehensive reader reflects both an emerging consensus and exciting diversity in the field. It is the definitive text for courses in Israeli women's studies.

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cover of It All Tastes of Farewell: Diaries, 1964–1970

It All Tastes of Farewell

Diaries, 1964–1970

Brigitte Reimann

Seagull Books, 2016

Continuing where Reimann's earlier book of diaries, I Have No Regrets, left off, in 1964, this volume is a compelling and frank account of one woman’s life and loves in 1960s East Germany.

It All Tastes of Farewell is a frank account of one woman’s life and loves in 1960s East Germany. As a writer, Brigitte Reimann could not help but tell a compelling story, and that is born out here in her diaries, which are gripping as any novel. She recorded only what mattered: telling details, emotional truths, and political realities. Never written for publication and first published in full in German only after the fall of the Berlin Wall, these diaries offer a unique record of what it felt like to live in a country that no longer exists, was represented for years largely through Cold War propaganda, and is still portrayed in fairy-tale Stasi dramas. Here we get a sense of lived experience as if Doris Lessing or Edna O’Brien had been allowed in with their notebooks. This volume continues where her earlier book of diaries, I Have No Regrets, left off, in 1964. It sees Reimann grow wistful and at times bitter, as her love life, her professional life, and her health all suffer. Yet throughout she retains a lively appetite for new experiences and a dedication to writing. Finally, she finds security in a surprising new love, and although she died soon after this volume ends, the novel she was writing was to become a much-read cult hit after her death.
 
A remarkable document from a time and place that we still struggle to see clearly, It All Tastes of Farewell is unforgettable, a last gift from an essential writer.
 
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cover of It Does Not Die: A Romance

It Does Not Die

A Romance

Maitreyi Devi

University of Chicago Press, 1994

Precocious, a poet, a philosopher's daughter, Maitreyi Devi was sixteen years old in 1930 when Mircea Eliade came to Calcutta to study with her father. More than forty years passed before Devi read Bengal Nights, the novel Eliade had fashioned out of their encounter, only to find small details and phrases, even her given name, bringing back episodes and feelings she had spent decades trying to forget. It Does Not Die is Devi's response. In part a counter to Eliade's fantasies, the book is also a moving account of a first love fraught with cultural tensions, of false starts and lasting regrets.

Proud of her intelligence, Maitreyi Devi's father had provided her with a fine and, for that time, remarkably liberal education — and encouraged his brilliant foreign student, Eliade, to study with her. "We were two good exhibits in his museum," Devi writes. They were also, as it turned out, deeply taken with each other. When their secret romance was discovered, Devi's father banished the young Eliade from their home.

Against a rich backdrop of life in an upper-caste Hindu household, Devi powerfully recreates the confusion of an over-educated child simultaneously confronting sex and the differences, not only between European and Indian cultures, but also between her mother's and father's view of what was right. Amid a tangle of misunderstandings, between a European man and an Indian girl, between student and teacher, husband and wife, father and daughter, she describes a romance unfolding in the face of cultural differences but finally succumbing to cultural constraints. On its own, It Does Not Die is a fascinating story of cultural conflict and thwarted love. Read together with Eliade's Bengal Nights, Devi's "romance" is a powerful study of what happens when the oppositions between innocence and experience, enchantment and disillusion, and cultural difference and colonial arrogance collide.

"In two novels written forty years apart, a man and a woman tell stories of their love. . . . Taken together they provide an unusually touching story of young love unable to prevail against an opposition whose strength was tragically buttressed by the uncertainties of a cultural divide."—Isabel Colegate, New York Times Book Review

"Recreates, with extraordinary vividness, the 16-year-old in love that she had been. . . . Maitreyi is entirely, disarmingly open about her emotions. . . . An impassioned plea for truth."—Anita Desai, New Republic

"Something between a reunion and a duel. Together they detonate the classic bipolarities: East-West, life-art, woman-man."—Richard Eder, New York Newsday

"One good confession deserves another. . . . Both books gracefully trace the authors' doomed love affair and its emotional aftermath."—Nina Mehta, Chicago Tribune
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cover of It's Good to Be Black

It's Good to Be Black

Ruby Berkley Goodwin

Southern Illinois University Press, 1953

From the preface by Carmen Kenya Wadley:

“Is it good to be black? To Ruby Berkley Goodwin it was....The black she writes about has nothing to do with skin color, but it does have a great deal to do with self images, values, spiritual strength, and most of all love. Unlike the contradicting definitions of blackness we see reflected in today's crime statistics, movies, television, newspapers, political speeches, advertisements, and sociological reports, Ruby Berkley Goodwin's definition of blackness is simple and to the point: black is good. It's Good to be Black is more than the story (history) of a black family living in Du Quoin, Illinois, during the early 1900s; it is a reaffirmation for all of us who know in our hearts that there is still good in the world and that some of that good is black.”
 

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cover of It's Official!: The Real Stories behind Arkansas’s State Symbols

It's Official!

The Real Stories behind Arkansas’s State Symbols

David Ware

Butler Center for Arkansas Studies, 2015

Since Arkansas’s creation as an independent territory in 1819, its legislature has officially designated a wide assortment of symbols. Some of these refer to economic mainstays while others attest to the aspirations of those who saw a bright future for their extensive and varied community. This volume’s essays examine each of Arkansas’s officially designated symbols, outlining their genesis, their significance at the time of their adoption, and their place in modern Arkansas. Combining political narratives, natural history, and the occasional “shaggy dog” story, Ware makes a case for considering the symbols as useful keys to understanding both the Arkansas that has been and the one it hopes to be.
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cover of It's Our Military Too: Women and the U.S Military

It's Our Military Too

Women and the U.S Military

edited by Judith Hicks Stiehm

Temple University Press, 1996

In the last twenty-five years the U.S. military has seen the abolition of women's separate corps, the appointment of women generals, and an unprecedented increase in the ratio of women to men. Also, women are now permitted to serve on combat planes and ships. Despite these developments, most civilians know very little about women in the military.

This collection includes unusual accounts by women on active duty, retired officers, women who have worked for the armed forces in a civilian capacity, and civilian academics. The book offers insights on a variety of pressing issues including minority women, lesbians, combat, the role of gender in weapons design, and the changing mission of the military.

Through personal accounts and commentaries, this book dispels many of the myths about women and the military and explores the reasons for the persistence of misconceptions in the face of increased female participation. This comprehensive effort will be of interest to anyone who wants to know the truth about women in the armed forces and will be a wake-up call to women who feel that the military is irrelevant to them.



Contributors: Rhonda Cornum, Virginia Solms, Billie Mitchell, Connie L. Reeves, Brenda L. Moore, Nina Richman-Loo, Rachel Weber, Lucinda Joy Peach, M. C. Devilbiss, Carol Burke, Susan Jeffords, Miriam Cooke.

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cover of Italian Blood: A Memoir

Italian Blood

A Memoir

Denise Tolan

CavanKerry Press, 2023

A memoir dealing with the aftermath of abuse.

“I’ve heard that some volcanic eruptions are soft with oozing streams of lava dancing down the side of the volcano like a Las Vegas chorus line. My father’s eruptions were quick, like bricks being thrown through a window.”

Denise Tolan’s memoir-in-essay traces the legacy of violence in an Italian American family, showing how abuse reverberates both in the body and mind of a family. The book’s first part, “Blood is Not Water,” lays out how the origins of violence can infect the roots of a family tree. The second part, “Good Blood Doesn’t Lie,” shows what grows from those roots. Italian Blood is a raw, heartbreaking series of essays where everything is connected through literal and metaphorical blood. These essays offer a connection to anyone who suffered childhood shame, violence, or fear and provide reassurance that they are not alone.
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