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Innovative and informed by a wealth of new evidence, In Search of Belonging answers important questions about the ways Latinas perform citizenship in today’s America.

This volume highlights the work of the late Gordon M. Day, renowned for his groundbreaking research on the history and culture of the Western Abenakis and their Indian neighbors. Where previous historians had tended to portray northern New England as an area largely devoid of aboriginal peoples, Day established beyond all doubt the presence of Abenaki settlements along the eastern shore of Lake Champlain as well as the upper reaches of the Connecticut and Merrimack rivers. 

For nearly three decades, Day focused his work on the community of Saint Francis, or Odanak, in Quebec, to which Abenaki refugees from interior New England had fled, beginning in the mid-seventeenth century and continuing into the nineteenth. Drawing on the methods of several disciplines, including ethnology, linguistics, and ethnohistory, he synthesized data from fragmentary historical records, oral traditions, and place names to reconstruct a world assumed to be lost.

In the mid-1990s, Patricia Foxen traveled back and forth between the Guatemalan highlands and Providence, Rhode Island, to understand the migration paths of K'iche' Mayan Indians who had fled the Guatemalan civil war to work in the factories and fisheries of New England. More than two decades later, many Mayans are still migrating to the US. As Foxen argues, the recent surge in Mayan border crossings must be contextualized within both the longer history of violence, marginality, and exclusion that has long led Guatemala's Indigenous populations to be "survivors on the move," as well as contemporary push factors such as climate change and growing inequality that have forced people from their communities.

And yet one of the most significant drivers of continued emigration today, ironically, is the very culture of migration (described in the book) that has accelerated social change within many Indigenous communities, setting in motion a complex series of economic and cultural shifts that have compelled a continuous movement of people and generations to the US. Reading this story in 2020—at a time of massive growth in flows of irregular migrations around the world—can help us better understand the highly complex set of factors that propel long-term migrations and that shape transnational communities on both sides of the border.

In Search of Providence offers a layered, historically grounded perspective that speaks to the local specificity behind the migration experience in order to point to the universal themes and contradictions of contemporary global displacements.

The rich, complex lives of African Americans in Texas were often neglected by the mainstream media, which historically seldom ventured into Houston's Fourth Ward, San Antonio's East Side, South Dallas, or the black neighborhoods in smaller cities. When Bill Minutaglio began writing for Texas newspapers in the 1970s, few large publications had more than a token number of African American journalists, and they barely acknowledged the things of lasting importance to the African American community. Though hardly the most likely reporter—as a white, Italian American transplant from New York City—for the black Texas beat, Minutaglio was drawn to the African American heritage, seeking its soul in churches, on front porches, at juke joints, and anywhere else that people would allow him into their lives. His nationally award-winning writing offered many Americans their first deeper understanding of Texas's singular, complicated African American history.

This eclectic collection gathers the best of Minutaglio's writing about the soul of black Texas. He profiles individuals both unknown and famous, including blues legends Lightnin' Hopkins, Amos Milburn, Robert Shaw, and Dr. Hepcat. He looks at neglected, even intentionally hidden, communities. And he wades into the musical undercurrent that touches on African Americans' joys, longings, and frustrations, and the passing of generations. Minutaglio's stories offer an understanding of the sweeping evolution of music, race, and justice in Texas. Moved forward by the musical heartbeat of the blues and defined by the long shadow of racism, the stories measure how far Texas has come . . . or still has to go.

A critical and personal inquiry into the historical factors behind Hawaiian identity

Deep within the historical imagination, there lies the image of a Western explorer surrounded by dark and strange natives. In the modern and postmodern spaces of tourism, one finds the reflections of an antiquated nativism that is already dead, however commercially viable. And in the statutes of the State of Hawai‘i, the Aloha spirit is codified into the ideology of multiculturalism. Where, among the multiple representations and constructions of what is "Hawaiian," is Hawaiian identity actually lived?

Informed by recent developments in literary criticism and social theory, In the Nature of Things addresses the presumption that nature exists independent of culture and, in particular, of language. The theoretical approaches of the contributors represent both modernist and postmodernist positions, including feminist theory, critical theory, Marxism, science fiction, theology, and botany. They demonstrate how the concept of nature is invoked and constituted in a wide range of cultural projects—from the Bible to science fiction movies, from hunting to green consumerism. Ultimately, it weeks to link the work of theorists concerned with nature and the environment to nontheorists who share similar concerns.

In Their Own Words: Stewart Indian School Writings and Reflections examines Stewart Indian School through writings produced by its students. Stewart was established in 1890 in Carson City, Nevada, to educate and assimilate Native American children. Students from across the West attended the school, which evolved from a militaristic institution into one that, by the late 1960s and 1970s, emphasized academics and athletics. The U.S. government closed Stewart in 1980, citing financial and structural concerns.

In the book, student writings document daily lessons and activities, thoughts about academic and vocational training, and responses to life within the institution. The school’s publications also gave students a platform for expression, serving as a window into what it meant to be Native in a government-run boarding school system. 

The book includes original interviews with Stewart alumni covering the 1950s, 1960s, and 1970s. These firsthand accounts provide new information about student life, including positive and negative perspectives, and offer context for the varied experiences of those who attended.

Together, the writings and interviews offer a fuller understanding of student life at Stewart.

Analyzing how 1980s visual culture provided a vital space for women artists to theorize and visualize their own bodies and sexualities

In 1982, the protests of antiporn feminists sparked the censorship of the Diary of a Conference on Sexuality, a radical and sexually evocative image-text volume whose silencing became a symbol for the irresolvable feminist sex wars. In Visible Archives documents the community networks that produced this resonant artifact and others, analyzing how visual culture provided a vital space for women artists to theorize and visualize their own bodies and sexualities.

Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade’s worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin.

The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women’s rights face challenges and restrictions across the nation.

The home pregnancy test is a technology that can be purchased in drug stores, gas stations, and online, and the results are often casually posted to social media. But, as sociologist and attorney Joan Robinson argues, no technology is as simple as it appears. In Whose Hands traces this test from its origin story in a lab to its day-to-day existence in the hands of users, showing that mundane technologies matter, especially when they are used as tools of surveillance and self-surveillance. The book is the result of Robinson's fourteen-year exploration of the social life of the home pregnancy test, and it describes the breadth and beauty of people's messy reproductive lives today. Based on archival and legal research as well as interviews with home pregnancy test users, it shows how even those technologies that we use because they're convenient can be tools of shame, surveillance, and control. 
 

The first literary biography of a much-neglected American writer, this book explores the multiple tensions at the core of Mary E. Wilkins Freeman's life and work. A prolific short story writer and novelist, Freeman (1852–1930) developed a reputation as a local colorist who depicted the peculiarities of her native New England. Yet as Leah Blatt Glasser shows, Freeman was one of the first American authors to write extensively about the relationships women form outside of marriage and motherhood, the role of work in women's lives, the complexity of women's sexuality, and the interior lives of women who rebel rather than conform to patriarchal strictures.

In a Closet Hidden traces Freeman's evolution as a writer, showing how her own inner conflicts repeatedly found expression in her art. As Glasser demonstrates, Freeman's work examined the competing claims of creativity and convention, self-fulfillment and self-sacrifice, spinsterhood and marriage, lesbianism and heterosexuality.