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"Went to the movies. Wept. Matchless entertainment." So wrote Franz Kafka in one of his diaries, giving us but one hint of his little-known passion for the cinema. Until now, Kafka aficionados have been left to speculate about which films moved Kafka so powerfully and how those films might have influenced his writing. With Kafka Goes to the Movies, German actor and film director Hanns Zischler draws on years of detective work to provide the first account of Kafka's moviegoing life.

Since many of Kafka's visits to the cinema occurred during bachelor trips with Max Brod, Zischler's research took him not only to Kafka's native Prague but to film archives in Munich, Milan, and Paris. Matching Kafka's cinematic references to reviews and stills from daily papers, Zischler hunted down rare films in collections all across Europe. A labor of love, then, by a true man of the cinema, Kafka Goes to the Movies brims with discoveries about the pioneering years of European film. With a wealth of illustrations, including reproductions of movie posters and other rare materials, Zischler opens a fascinating window onto movies that have been long forgotten or assumed lost.

But the real highlights of the book are those about Kafka himself. Long considered one of the most enigmatic figures in literature, the Kafka that emerges in this work is strikingly human. Kafka Goes to the Movies offers an absorbing look at a witty, passionate, and indulgently curious writer, one who discovered and used the cinema as a place of enjoyment and escape, as a medium for the ambivalent encounter with modern life, and as a filter for the changing world around him.

Michael Blake's Dances with Wolves transformed denigrating Indian sterotypes and created widespread interest in Native American culture. The subsequent popularity of books on this topic underscores the power of a tale well told. While Blake's story relates the early chapters of Native Americans' survival struggles, later accounts of this struggle remain untold.
The Indians of Hungry Hollow authentically presents these later chapters. The days of Hungry Hollow have long passed, but the opportunity to capture its lessons of community, strong values, and an urge to thrive in matters of the heart and soul are still very much with us.
These are stories of survival, community, sharing, and caring. The situations are often dire: winter in the middle of the Depression; an Indian settlement illegally taken from its inhabitants and set on fire; boaters stranded by bad weather and threatened with death. But if the situations are extreme, the telling of the stories is consistently optimistic yet completely without self-pity or sentimentality, and the characters always find a way through the darkness.
Dunlop's unique style of storytelling is compelling and informative, and these historically significant stories help to elucidate the transition of the American Indian culture from post-tribal days to the present.
Bill Dunlop is a respected Ottawa elder and storyteller. Marcia Fountain-Blacklidge is a professional writer, counselor, and consultant.

Hanged by the Nigerian government on November 10, 1995, Ken Saro-Wiwa became a martyr for the Ogoni people and human rights activists, and a symbol of modern Africans’ struggle against military dictatorship, corporate power, and environmental exploitation. Though he is rightly known for his human rights and environmental activism, he wore many hats: writer, television producer, businessman, and civil servant, among others. While the book sheds light on his many legacies, it is above all about Saro-Wiwa the man, not just Saro-Wiwa the symbol.

Roy Doron and Toyin Falola portray a man who not only was formed by the complex forces of ethnicity, race, class, and politics in Nigeria, but who drove change in those same processes. Like others in the Ohio Short Histories of Africa series, Ken Saro-Wiwa is written to be accessible to the casual reader and student, yet indispensable to scholars.

Haile Selassie I, the last emperor of Ethiopia, was as brilliant as he was formidable. An early proponent of African unity and independence who claimed to be a descendant of King Solomon, he fought with the Allies against the Axis powers during World War II and was a messianic figure for the Jamaican Rastafarians. But the final years of his empire saw turmoil and revolution, and he was ultimately overthrown and assassinated in a communist coup.

Written by Asfa-Wossen Asserate, Haile Selassie’s grandnephew, this is the first major biography of this final “king of kings.” Asserate, who spent his childhood and adolescence in Ethiopia before fleeing the revolution of 1974, knew Selassie personally and gained intimate insights into life at the imperial court. Introducing him as a reformer and an autocrat whose personal history—with all of its upheavals, promises, and horrors—reflects in many ways the history of the twentieth century itself, Asserate uses his own experiences and painstaking research in family and public archives to achieve a colorful and even-handed portrait of the emperor.

An offbeat and brilliant imagining of a "lost novel" by Isaac Babel

A celebrated writer returns to his hometown of Odessa, pondering a deal with the secret police, pining for a daughter living abroad, and hoping to pen one last homage to his own past. Isaac Babel, the world famous spinner of tales about Cossacks and gangsters, arrives in Odessa to be treated for asthma-and perhaps help a condemned prisoner to escape. Or is it Babel who intends to escape?

For six decades our only record of Babel's visit has been the contents of letters and postcards sent abroad to his mother and sister. In King of Odessa, Robert A. Rosenstone imagines a version of this visit and the novel Babel wrote during those weeks. Babel himself is concerned with more than literary plots as he considers an escape just as he starts an affair with an actress who may be a police spy. He also ruminates on his past-his childhood as a sickly Jewish boy, the horrifying 1905 pogrom, the famous rides with the Cossacks that inspired Red Calvary, and above all his complicated relationships with women. Throughout the novel Rosenstone captures Babel's lively wit, his exhaustion with fame and the Soviet system, and his infectious charm.

This would prove to be Babel's last visit to Odessa. Three years later, he was arrested as a spy and executed. Rosenstone, the acclaimed biographer of writer and activist John Reed, mixes historical facts and fiction with the talent of a gifted storyteller. The result is a captivating exploration of a great writer surrounded by history and on the brink of falling out of it forever.

The first African statesman to achieve world recognition was Kwame Nkrumah (1909-1972), who became president of the new Republic of Ghana in 1960. He campaigned ceaselessly for African solidarity and for the liberation of southern Africa from white settler rule. His greatest achievement was to win the right of black peoples in Africa to have a vote and to determine their own destiny. He turned a dream of liberation into a political reality. He was the leader of Ghana who urged Africa to shed the colonial yoke and who inspired black people everywhere to seek their freedom. This revised edition of Birmingham’s fine and accessible biography chronicles the public accomplishments of this extraordinary leader, who faced some of the century’s most challenging political struggles over colonial transition. African nationalism, and pan-Africanism. It also relates some of the personal trials of a complex individual. As a student in America in the late 1930s, Nkrumah, shy, disorganized, but ambitious and persistent, earned four degrees in ten years. For political training he then went to England. Nkrumah found writing difficult throughout his lifetime, but once back in his African homeland, with its oral heritage, Nkrumah blossomed as a charming conversationalist, a speechmaker, and eventually a visionary and inspiring leader. Nkrumah’s crusades were controversial, however, and in the 1960s he gradually lost his heroic stature both among his own people and among his fellow leaders. He lived his last years in exile. This remarkable life story, which touches on many of the issues facing modern Africa, will open a window of understanding for the general leader as well as for graduate and undergraduate classes. In this new edition, Birmingham also examines Nkrumah’s exile and provides insight into the image of Nkrumah that has emerged in the light of research recently published.