732 books match the query 'Indigenous' and 8 start with k
Helga Teiwes
University of Arizona Press, 1991
Carroll L Riley
University of Utah Press, 1999
In The Kachina and the Cross, Carroll Riley weaves elements of archaeology, anthropology, and history to tell a dramatic story of conflict between the Pueblo Indians and Franciscan missionaries in the seventeenth-century Spanish colony of New Mexico.
Until now, histories of the early Southwest have tended to concentrate on the Spanish presence, with little mention of Indian resistance or the decade-long war that eventually erupted. In The Kachina and the Cross Riley completes the picture by utilizing archaeological and anthropological research from the past forty years, fleshing out the story of the first century of sustained Spanish-Pueblo relations.
Keewaydinoquay Peschel
University of Michigan Press, 2006
Edited by Joyce N. Bennett and Tiffany D. Creegan Miller
Amherst College Press, 2027
Kemtzij: Weaving Reciprocal Indigenous Ontologies in Kaqchikel Maya Arts focuses on the artistic contributions of contemporary Kaqchikel Mayas in Guatemala and their diasporas. Rather than representing Kaqchikel Mayas as exclusively existing in their pre-Hispanic past, the contributors to this edited volume—Kaqchikel and non-Kaqchikel scholars—demonstrate the distinct interdisciplinary ways that contemporary Kaqchikels engage with present-day Maya aesthetics and artistic initiatives in Guatemala and abroad. With a focus on the key concepts of reciprocity and duality, the chapters in this book consider the myriad ways in which Kaqchikel Mayas express their identities, through poetry, textiles, community street art, and digital photo collages. Kemtzij is unique in being published bilingually in Kaqchikel and English, making it one of few texts to consider Kaqchikel lives and artistic production—and the ontological implications of that work—in and through the Kaqchikel language.
Víctor Montejo; Translated by Sean S. Sell
University of Arizona Press, 2024
W. S. Penn
University of Arizona Press, 2000
Young Pal needs help with his dreaming.
Palimony Blue Larue, a mixblood growing up in a small California town, suffers from a painful shyness and wants more than anything to be liked. That's why Mary Blue, his Nez Perce mother, has dreamed the weyekin, the spirit guide, to help her bring into the world the one lasting love her son needs to overcome the diffidence that runs so deep in his blood. The magical (and not totally competent) weyekin pops in and out of Pal's life at the most unexpected times—and in the most unlikely guises—but seems to have difficulty setting him on the right path. Is there any hope for Palimony Blue?
Don't ask his father, La Vent Larue; La Vent is past hope, past help, a city zoning planner and a pawn in the mayor's development plans who ends up crazy and in jail after he shoots the mayor in the—well, never mind. Better to ask Pal's mother, who summons the weyekin when she isn't working on a cradle board for Pal and his inevitable bride. And while you're at it, ask the women in Pal's life: Sally the preacher's daughter, Brandy the waitressing flautist, Tara the spoiled socialite. And be sure to ask Amanda, if you can catch her. If you can dream her.
Using comic vision to address serious concerns of living, Penn has written a freewheeling novel that will surpass most readers' expectations of "ethnic fiction." Instead of the usual polemics, it's marked by a sense of humor and a playfulness of language that springs directly from Native American oral tradition.
What more can be said about a book that has to be read to the end in order to get to the beginning? That Killing Time with Strangers is unlike any novel you have read before? Or perhaps that it is agonizingly familiar, giving us glimpses of a young man finding his precarious way in life? But when the power of dreaming is unleashed, time becomes negotiable and life's joys and sorrows go up for grabs. And as sure as yellow butterflies will morph into Post-It notes, you will know you have experienced a new and utterly captivating way of looking at the world.
Michael G. Laramie
Westholme Publishing, 2027
James D. Drake
University of Massachusetts Press, 1999
Sometimes described as “America's deadliest war,” King Philip's War proved a critical turning point in the history of New England, leaving English colonists decisively in command of the region at the expense of native peoples. Although traditionally understood as an inevitable clash of cultures or as a classic example of conflict on the frontier between Indians and whites, in the view of James D. Drake it was neither. Instead, he argues, King Philip's War was a civil war, whose divisions cut across ethnic lines and tore apart a society composed of English colonizers and Native Americans alike. According to Drake, the interdependence that developed between English and Indian in the years leading up to the war helps explain its notorious brutality. Believing they were dealing with an internal rebellion and therefore with an act of treason, the colonists and their native allies often meted out harsh punishments. The end result was nothing less than the decimation of New England's indigenous peoples and the consequent social, political, and cultural reorganization of the region. In short, by waging war among themselves, the English and Indians of New England destroyed the world they had constructed together. In its place a new society emerged, one in which native peoples were marginalized and the culture of the New England Way receded into the past.