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“It shall be the chosen land, perpetual sunshine shall kiss its trees and vines, and, being storied in luscious fruits and compressed into ruddy wine, will be sent to the four points of the compass to gladden the hearts of all mankind . . . They will breathe the pure and bracing air, bask in the healing sunshine, drink the invigorating wine, and eat the life prolonging fruit.” —from a brochure advertising the Staked Plains from the Missouri Pacific Railway Company, 1889

Land of Bright Promise is a fascinating exploration of the multitude of land promotions and types of advertising that attracted more than 175,000 settlers to the Panhandle–South Plains area of Texas from the late years of the nineteenth century to the early years of the twentieth. Shunned by settlers for decades because of its popular but forbidding image as a desert filled with desperados, savage Indians, and solitary ranchers, the region was seen as an agricultural and cultural wasteland. The territory, consequently, was among the last to be settled in the United States.

But from 1890 to 1917, land companies and agents competed to attract new settlers to the plains. To this end, the combined efforts of local residents, ranchers and landowners, railroads, and professional real estate agents were utilized. Through brochures, lectures, articles, letters, fairs, and excursion trips, midwestern farmers were encouraged to find new homes on what was once feared as the “Great American Desert.” And successful indeed were these efforts: from 13,787 in 1890, the population grew to 193,371 in 1920, with a corresponding increase in the amount of farms and farm acreage.

The book looks at the imagination, enthusiasm, and determination of land promoters as they approached their task, including their special advertisements and displays to show the potential of the area. Treating the important roles of the cattlemen, the railroads, the professional land companies, and local boosters, Land of Bright Promise also focuses on the intentions and expectations of the settlers themselves. Of special interest are the fifteen historical photographs and reproductions of promotional pieces from the era used to spur the land boom. What emerges is an engaging look at a critical period in the development of the Texas Panhandle and an overview of the shift from cattle to agriculture as the primary industry in the area.

The scarcity of surface water which has so marked the Great Plains is even more characteristic of its subdivision, the Texas High Plains. Settlers on the plateau were forced to use pump technology to tap the vast ground water resources—the underground rain—beneath its flat surface.

The evolution from windmills to the modern high-speed irrigation pumps took place over several decades. Three phases characterized the movement toward irrigation. In the period from 1910 to 1920, large-volume pumping plants first appeared in the region, but, due to national and regional circumstances, these premature efforts were largely abortive. The second phase began as a response to the drouth of the Dust Bowl and continued into the 1950s. By 1959, irrigation had become an important aspect of the flourishing High Plains economy. The decade of the 1960s was characterized chiefly by a growing alarm over the declining ground water table caused by massive pumping, and by investigations of other water sources.

Land of the Underground Rain is a study in human use and threatened exhaustion of the High Plains' most valuable natural resource. Ground water was so plentiful that settlers believed it flowed inexhaustibly from some faraway place or mysteriously from a giant underground river. Whatever the source, they believed that it was being constantly replenished, and until the 1950s they generally opposed effective conservation of ground water. A growing number of weak and dry wells then made it apparent that Plains residents were "mining" an exhaustible resource.

The Texas High Plains region has been far more successful in exploiting its resource than in conserving it. The very success of its pump technology has produced its environmental crisis. The problem brought about by the threatened exhaustion of this resource still awaits a solution.

This study is the first comprehensive history of irrigation on the Texas High Plains, and it is the first comprehensive treatment of the development of twentieth-century pump irrigation in any area of the United States.

"This selection of twenty of Texas' proudest architectural achievements is a tiny sampling of the state's rich, but little-heralded, architectural heritage. The visual presentation of these buildings in Richard Payne's insightful photographs is evidence enough to any student of Texas culture that there are deep and meaningful tracks of our civilization in the state's built environment. . . . In the stones of the Alamo and the steel and glass of our downtown skyscrapers lie the silent embodiment of who we are and where we have been."
—from the Introduction

Texas architecture has never been, nor is it likely to be in the future, an easily digested whole. This collection, drawn from the 1983 Texas Society of Architects' exhibit "Creating Tomorrow's Heritage," provides a look at twenty of the most interesting responses to the challenges posed by Texas history and geography. It reveals that what Texas architecture lacks in cohesiveness, it more than compensates for in vitality. Variations in circumstance and background, coupled with the kind of freedom which heterogeneity breeds, have produced a lively climate for architectural development in Texas—a place where, in the absence of pat answers, intriguing questions have been raised. The same freedom which has produced a dearth of cohesion has encouraged exploration and invention. The same disparities which have made tidy categorization of historical movements or periods difficult have led to some evocative hybrids—new and telling syntheses which are genuinely of their place.

Of interest to anyone who has strolled the Paseo del Rio in San Antonio or admired the dramatically lit State Capitol at night, Landmarks of Texas Architecture is a book to be looked at and enjoyed, a place to start in creating one's own list of architectural favorites. Part of the growing interest in Texas history and culture, Landmarks adds to our understanding of the forces which shaped the Texas of yesterday and will build the Texas of tomorrow.

Ronnie Earle was a Texas legend. During his three decades as the district attorney responsible for Austin and surrounding Travis County, he prosecuted corrupt corporate executives and state officials, including the notorious US congressman Tom DeLay. But Earle maintained that the biggest case of his career was the one involving Frank Hughey Smith, the ex-convict millionaire, alleged criminal mastermind, and Dixie Mafia figure.

With the help of corrupt local authorities, Smith spent the 1970s building a criminal empire in auto salvage and bail bonds. But there was one problem: a rival in the salvage business threatened his dominance. Smith hired arsonists to destroy the rival; when they botched the job, he sent three gunmen, but the robbery they planned was a bloody fiasco. Investigators were convinced that Smith was guilty, but many were skeptical that the newly elected and inexperienced Earle could get a conviction. Amid the courtroom drama and underworld plots the book describes, Willie Nelson makes a cameo. So do the private eyes, hired guns, and madams who kept Austin not only weird but also riddled with vice. An extraordinary true story, Last Gangster in Austin paints an unusual picture of the Texas capital as a place that was wild, wonderful, and as crooked as the dirt road to paradise.

The phenomenon of colonization by big land companies, common throughout the history of the United States, came late to the Panhandle-Plains of West Texas. Ranchers held sway there up into the 20th century. Then, realizing that the future followed the plow, they, joined by business owners and speculators, founded towns on their land, competed for railroad connections, provided irrigation wells and other improvements, and engaged in a variety of advertising activities to interest prospective settlers and to sell the land to farmers at a profit. Trainloads of such "prospectors" were brought in to tour the land; and salesmen of all kinds roamed all the more settled states painting enticing pictures of the fertile lands which their employers offered for sale.

Major George W. Littlefield created the Littlefield Lands Company and founded the town of Littlefield, Texas, in 1912, in order to sell as farmland a part of his Yellow House Ranch. His sales manager, Arthur P. Duggan (his nephew by marriage, and grandfather of the author of this study), used many of the techniques then current to attract buyers for the Lamb County land in and around Littlefield. He dug wells and operated a demonstration farm; he planted trees, planned a park, and otherwise beautified the town; he helped to create and maintain a school, a bank, and a number of businesses; and he negotiated contracts and coordinated the activities of innumerable independent land agents.

Because the role of the big land company in the settlement of the United States has not, on the whole, received the attention which it deserves, this detailed examination of the operations of one such company is of particular significance. Most of the book is devoted to the creation of the company, the steps taken to make the area attractive to potential settlers, and the problems which beset the building of the community. One chapter discusses the techniques and the difficulties of selling land through independent agents. The final chapter considers the people who moved onto the Littlefield tracts—where they came from, why they came, what their reactions were to the plains country, and how they learned to cope with their new environment. An appendix gives pertinent information about all land transactions conducted by the company between 1912 and 1920, and about each buyer.

For this study the author made use of previously unknown records discovered while he was gathering information for a biography of Major Littlefield.

A woman who went West with her husband in the 1840s must have expected hardships and privation, but during the 1940s, when Etta Koch stopped off in Big Bend with her young family and a 23-foot travel trailer in tow, she anticipated no more than a civilized camping trip between her old home in Ohio and a new one in Arizona. It was only when she found herself moving into an old rock house without plumbing or electricity in the new Big Bend National Park that Etta realized, "From the sheltered life of a city girl of moderate circumstances, I too would have to face the reality of frontier living."

In this book based on her journals and letters, Etta Koch and her daughter June Cooper Price chronicle their family's first years (1944-1946) in the Big Bend. Etta describes how her photographer husband Peter Koch became captivated by the region as a place for natural history filmmaking-and how she and their three young daughters slowly adapted to a pioneer lifestyle during his months' long absences on the photo-lecture circuit. In vivid, often humorous anecdotes, she describes making the rock house into a home, getting to know the Park Service personnel and other neighbors, coping with the local wildlife, and, most of all, learning to love the rugged landscape and the hardy individuals who call it home.

Every place is a product of the stories we tell about it—stories that do not merely describe but in fact shape geographic, social, and cultural spaces. Lone Star Vistas analyzes travelogues that created the idea of Texas. Focusing on the forty-year period between Mexico’s independence from Spain (1821) and the beginning of the US Civil War, Astrid Haas explores accounts by Anglo-American, Mexican, and German authors—members of the region’s three major settler populations—who recorded their journeys through Texas. They were missionaries, scientists, journalists, emigrants, emigration agents, and military officers and their spouses. They all contributed to the public image of Texas and to debates about the future of the region during a time of political and social transformation. Drawing on sources and scholarship in English, Spanish, and German, Lone Star Vistas is the first comparative study of transnational travel writing on Texas. Haas illuminates continuities and differences across the global encounter with Texas, while also highlighting how individual writers’ particular backgrounds affected their views on nature, white settlement, military engagement, Indigenous resistance, African American slavery, and Christian mission.

From frontier times in the Republic of Texas until today, Texans have been making gorgeous quilts. Karoline Patterson Bresenhan and Nancy O'Bryant Puentes documented the first 150 years of the state's rich heritage of quilt art in Lone Stars: A Legacy of Texas Quilts, 1836–1936 and Lone Stars II: A Legacy of Texas Quilts, 1936–1986. Now in Lone Stars III, they bring the Texas quilt story into the twenty-first century, presenting two hundred traditional and art quilts that represent "the best of the best" quilts created since 1986.

The quilts in Lone Stars III display the explosion of creativity that has transformed quilting over the last quarter century. Some of the quilts tell stories, create landscapes, record events, and memorialize people. Others present abstract designs that celebrate form and color. Their makers have embraced machine quilting, as well as hand sewing, and they often embellish their quilts with buttons, beads, lace, ribbon, and even more exotic items. Each quilt is pictured in its entirely, and some entries also include photographs of quilt details. The accompanying text describes the quilt's creation, its maker, and its physical details.

With 16.3 million American quilters who spend $3.6 billion annually on their pastime, the quilting community has truly become a force to reckon with both artistically and socially. Lone Stars III is the perfect introduction to this world of creativity.

"No. 7"—as Carpenter, the youngest of seven children, called himself—was born in Missouri in 1854 and moved west with his family, first to Kansas, then to the settlements near Pikes Peak, and finally, in 1872, to Texas with his elder brother. From the time he made his first cattle drive, he wanted no other life but that of herding longhorns across the free and flat grasslands of the West. His schooling was the trail, the campfire, the saddle. In 1900, after a full and active life, he retired to his own ranch west of the Pecos. As the years passed, he sadly watched the fences go up and the free range disappear. Thus this book came to be written from the longing memory of a time-stranded cowman. He tells his story in the hard-punching, gritty language, direct humor, and attachment to bald fact and frank opinion that characterize the true Westerner.

Elton Miles has provided an introduction that fills in the details of Carpenter's life and completes a "vivid picture of the genuine old-time cowman," as Southwest Review observed.

Winner, 2022 Ottis Lock Endowment “Best Book” Award from the East Texas Historical Association

In Lynching and Leisure, Terry Anne Scott examines how white Texans transformed lynching from a largely clandestine strategy of extralegal punishment into a form of racialized recreation in which crowd involvement was integral to the mode and methods of the violence. Scott powerfully documents how lynchings came to function not only as tools for debasing the status of Black people but also as highly anticipated occasions for entertainment, making memories with friends and neighbors, and reifying whiteness. In focusing on the sense of pleasure and normality that prevailed among the white spectatorship, this comprehensive study of Texas lynchings sheds new light on the practice understood as one of the chief strategies of racial domination in the nineteenth- and twentieth-century South.