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Children love to play in risky—often misunderstood to mean unsafe—ways. It is often how they learn. Research shows that activities like climbing on trees and boulders, hiking in nature, and playing in a creek are excellent ways for kids to develop their creativity and their senses, because playing outdoors evokes different sights, sounds, smells, and textures. 

Letting Play Bloom analyzes five outstanding case studies of children’s nature-based risky play spaces—the Slide Hill at Governors Island in New York, the Berkeley (CA) Adventure Playground, and Wildwoods at Fernbank Museum in Atlanta, as well as sites in the Netherlands and Australia. Author Lolly Tai provides detailed explanations of their background and design, and what visitors can experience at each site. 

She also outlines the six categories of risky—not hazardous—play, which involve great heights, rapid speeds, dangerous tools, dangerous elements, rough-and-tumble play, and wandering or getting lost. These activities allow children to explore and challenge themselves (testing their limits) to foster greater self-worth while also learning valuable risk-management skills such as dealing with fear-inducing situations.

Filled with more than 200 photographs, Letting Play Bloom advocates for a thoughtful landscape design process that incorporates the specific considerations children need to fully experience the thrill that comes from playing in nature.

Lit to Lit examines the traditional split between the study of literature and composition and rhetoric programs, asking writing studies scholars to think critically and creatively about the role literature can play in the teaching of writing and the field’s conceptions of its own relation to writing. Grounded in diverse experiences and practices, contributors offer provocative but thoughtful analyses of how composition and literature can be brought together in the study and teaching of writing.

Complex forms of writing should not be the sole territory of one subfield or discipline but rather should benefit from multiple perspectives generated by those with keen and abiding interests in writing writ large. Many in the field of composition and rhetoric also have an active engagement in the literary arts, particularly the flowering of literature from diverse cultural experiences in the last decades. What new teaching and learning approaches could emerge from a synthesis of theoretical, literary, rhetorical, poetic, and compositional methods? This question becomes even more compelling when considering how English departments often house programs in journalism and creative writing, allowing robust opportunities for multiple ways of thinking about and studying complex texts.

Lit to Lit makes visible the generative overlap between subfields already present in the broad field of English, pointing to new ways forward that value each area’s separate endeavors while highlighting the possibilities for what could be built together.

This revised edition incorporates new examples, research, and theory along with added discussion of digital and online folklore.

Living Folklore is a comprehensive, straightforward introduction to folklore as it is lived, shared and practiced in contemporary settings. Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field’s history and major terms to theories, interpretive approaches, and fieldwork.

Many teachers of undergraduates find the available folklore textbooks too complex or unwieldy for an introductory level course. It is precisely this criticism that Living Folklore addresses; while comprehensive and rigorous, the book is specifically intended to meet the needs of those students who are just beginning their study of the discipline. Its real strength lies in how it combines carefully articulated foundational concepts with relevant examples and a student-oriented teaching philosophy.