275 books match the query 'Letters' and 77 start with l

cover of Letters to Kate: Life after Life

Letters to Kate

Life after Life

Carl H. Klaus

University of Iowa Press, 2006

Sorrow is “not a state but a process” that needs “not a map but a history. . . . There is something new to be chronicled every day,” writes C. S. Lewis in A Grief Observed. When Carl Klaus's wife of thirty-five years died suddenly from a cerebral hemorrhage, right before Thanksgiving in 2002, he took the only road toward recovery that made sense to him: he started writing letters to her, producing a unique history of grief, solace, and love. His vivid and thoughtful letters will resonate with everyone whose loss confronts them with emotional, psychological, and philosophical questions for which there are no easy answers.During his first year without Kate, Carl writes himself into the life that comes after the life he loved. From days of grief in the darkness of a midwestern winter, to springtime, with a return to life in the garden and a memorial service for Kate on a sunny afternoon, to fall, with a pilgrimage to their favorite vacation spot in Hawaii, Carl documents his year-long experience of remembering, meditating, and evolving a new life. Individually his letters provide the insights of a master diarist; collectively, they have the arc of a master essayist. Recording the full range of mourning from intense shock to moments of exceptional affirmation, Klaus's stories and reflections on loss bear witness to universal truths about the first and most significant year of mourning.
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cover of Letters to Women: New Letters, volume 2

Letters to Women

New Letters, volume 2

Theodore Dreiser. Edited by Thomas P. Riggio

University of Illinois Press, 2008

Theodore Dreiser led a long and controversial life, almost always pursuing some serious question, and not rarely pursuing women. This collection, the second volume of Dreiser correspondence to be published by the University of Illinois Press, gathers previously unpublished letters Dreiser wrote to women between 1893 and 1945, many of them showing personal feelings Dreiser revealed nowhere else. Here he both preens and mocks himself, natters and scolds, relates his jaunts with Mencken and his skirmishes with editors and publishers. He admits his worries, bemoans his longings, and self-consciously embarks on love letters that are unafraid to smolder and flame. To one reader he sends “Kisses, Kisses, Kisses, for your sweety mouth” and urges his needy requests: “Write me a love-letter Honey girl.” Alongside such amorous play, he often expressed his deepest feelings on philosophical, religious, and social issues that characterize his public writing.

Chronologically arranged and meticulously edited by Thomas P. Riggio, these letters reveal how wide and deep Dreiser’s needs were. Dreiser often discussed his writing in his letters to women friends, telling them what he wanted to do, where he thought he succeeded and failed, and seeking approval or criticism. By turns seductive, candid, coy, and informative, these letters provide an intimate view of a master writer who knew exactly what he was after.

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cover of Letters to a Fellow Seeker: A Short Introduction to the Quaker Way

Letters to a Fellow Seeker

A Short Introduction to the Quaker Way

Steve Chase

QuakerPress, 2012

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cover of Letters with Smokie: Blindness and More-than-Human Relations

Letters with Smokie

Blindness and More-than-Human Relations

Rod Michalko

University of Manitoba Press, 2023

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cover of Letters, 1-30

Letters, 1-30

Peter Damian

Catholic University of America Press, 1989

Peter Damian (1007-1072), an eleventh-century monk and man of letters, left a large and significant body of correspondence. Over one hundred and eighty letters have been preserved, principally from Damian's own monastery of Fonte Avellana. Ranging in length from short memoranda to longer monographs, the letters provide a contemporary account of many of the controversies of the eleventh century: purgatory, the Eucharist, clerical marriage and celibacy, immorality, and others. Peter Damian, or "Peter the Sinner" as he often referred to himself, was one of the most learned men of his day, and his letters are filled with both erudition and zeal for reform.
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cover of Letters, 1-91

Letters, 1-91

Saint Ambrose

Catholic University of America Press, 1954

The Letters 1-91 of Saint Ambrose.
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cover of Letters, 121-150

Letters, 121-150

Owen J. Peter Damian

Catholic University of America Press, 2004

No description available
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cover of Letters, 151-180

Letters, 151-180

Owen J. Peter Damian

Catholic University of America Press, 2005

No description available
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cover of Letters, 31-60

Letters, 31-60

Peter Damian

Catholic University of America Press, 1990

Peter Damian (1007-1072), an eleventh-century monk and man of letters, left a large and significant body of correspondence. Over one hundred and eighty letters have been preserved, principally from Damian's own monastery of Fonte Avellana. Ranging in length from short memoranda to longer monographs, the letters provide a contemporary account of many of the controversies of the eleventh century: purgatory, the Eucharist, clerical marriage and celibacy, immorality, and others. Peter Damian, or "Peter the Sinner" as he often referred to himself, was one of the most learned men of his day, and his letters are filled with both erudition and zeal for reform.
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cover of Letters, 61-90

Letters, 61-90

Peter Damian

Catholic University of America Press, 1992

Peter Damian (1007-1072), an eleventh-century monk and man of letters, left a large and significant body of correspondence. Over one hundred and eighty letters have been preserved, principally from Damian's own monastery of Fonte Avellana. Ranging in length from short memoranda to longer monographs, the letters provide a contemporary account of many of the controversies of the eleventh century: purgatory, the Eucharist, clerical marriage and celibacy, immorality, and others. Peter Damian, or "Peter the Sinner" as he often referred to himself, was one of the most learned men of his day, and his letters are filled with both erudition and zeal for reform.
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cover of Letters, Kinship, and Social Mobility in Nigeria

Letters, Kinship, and Social Mobility in Nigeria

Olufemi Vaughan

University of Wisconsin Press, 2023

In 2003, Olufemi Vaughan received from his ninety-five-year-old father, Abiodun, a trove of more than three thousand letters written by four generations of his family in Ibadan, Nigeria, between 1926 and 1994. The people who wrote these letters had emerged from the religious, social, and educational institutions established by the Church Missionary Society, the preeminent Anglican mission in the Atlantic Nigerian region following the imposition of British colonial rule. Abiodun, recruited to be a civil servant in the colonial Department of Agriculture, became a leader of a prominent family in Ibadan, the dominant Yoruba city in southern Nigeria. Reading deeply in these letters, Vaughan realized he had a unique set of sources to illuminate everyday life in modern Nigeria.

Letter writing was a dominant form of communication for Western-educated elites in colonial Africa, especially in Nigeria. Exposure to the modern world and a growing sense of nationalism were among the factors that led people to begin exchanging letters, particularly in their interactions with British colonial authorities. Through careful textual analysis and broad contextualization, Vaughan reconstructs dominant storylines, including themes such as kinship, social mobility, Western education, modernity, and elite consolidation in colonial and post-colonial Nigeria. Vaughan brings his prodigious skills as an interdisciplinary scholar to bear on this wealth of information, bringing to life a portrait, at once intimate and expansive, of a community during a transformative period in African history. 
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cover of Letters, Numbers, Forms: Essays, 1928-70

Letters, Numbers, Forms

Essays, 1928-70

Raymond Queneau

University of Illinois Press, 2007

The first English translation of essays from one of the twentieth century's most intriguing avant-garde writers

Compiled from two volumes of Raymond Queneau's essays (Bâtons, chiffres et lettres and Le Voyage en Grèce), these selections find Queneau at his most playful and at his most serious, eloquently pleading for a certain classicism even as he reveals the roots of his own wildly original oeuvre. Ranging from the funny to the furious, they follow Queneau from modernism to postmodernism by way of countless fascinating detours, including his thoughts on language, literary fashions, myth, politics, poetry, and other writers (Faulkner, Flaubert, Hugo, and Proust). Translator Jordan Stump provides an introduction as well as explanatory notes about key figures and Queneau himself.

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cover of Letters, Volume 1

Letters, Volume 1

John Barsanuphius and John

Catholic University of America Press, 2006

No description available
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cover of Letters, Volume 1 (1–185)

Letters, Volume 1 (1–185)

Saint Basil

Catholic University of America Press, 1951

No description available
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cover of Letters, Volume 1 (1–82)

Letters, Volume 1 (1–82)

Saint Augustine

Catholic University of America Press, 1951

No description available
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cover of Letters, Volume 2

Letters, Volume 2

John Barsanuphius and John

Catholic University of America Press, 2006

No description available
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cover of Letters, Volume 2 (186–368)

Letters, Volume 2 (186–368)

Saint Basil

Catholic University of America Press, 1955

No description available
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cover of Letters, Volume 2 (83–130)

Letters, Volume 2 (83–130)

Saint Augustine

Catholic University of America Press, 1953

No description available
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cover of Letters, Volume 3 (131-164)

Letters, Volume 3 (131-164)

Saint Augustine

Catholic University of America Press, 1953

No description available
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cover of Letters, Volume 4 (165–203)

Letters, Volume 4 (165–203)

Saint Augustine

Catholic University of America Press, 1955

No description available
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cover of Letters, Volume 5 (204–270)

Letters, Volume 5 (204–270)

Saint Augustine

Catholic University of America Press, 1956

No description available
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cover of Letters, Volume 6 (1*–29*)

Letters, Volume 6 (1*–29*)

Saint Augustine

Catholic University of America Press, 1989

No description available
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cover of Letters: A Bilingual Edition

Letters

A Bilingual Edition

Hortense Mancini

Iter Press, 2025

The first translated collection of Hortense Mancini’s correspondence.

During the seventeenth century, Hortense Mancini, Duchess of Mazarin (1646–99), became an icon of women’s emancipation. In 1668, she shocked Europe when she fled her coercive husband and began a nomadic exile. Her notoriety increased in 1675 with the publication of her memoir—one of the first to appear in French by a woman—and was later magnified by her stint as the royal mistress of Charles II of England and by her establishment of a freethinking salon in London. As a salonnière, an exile, and a litigant fighting for legal separation from her husband, Mancini’s letters were a means of connection, collusion, and survival as well as cultural collaboration. Collected and translated here for the first time, this correspondence charts her struggle for autonomy in her own words.
 
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cover of Life and Letters of General W. H. L. Wallace

Life and Letters of General W. H. L. Wallace

Isabel Wallace. Foreword by John Y. Simon

Southern Illinois University Press, 2000

Originally published in 1909, this biography by Isabel Wallace recounts the life of her adoptive father, the little-recognized William Hervy Lamme Wallace, the highest-ranking Union officer to fall at the battle of Shiloh.

Born in 1821 in Ohio, Wallace and his family moved to Illinois in 1834, where he was educated at Rock Springs Seminary in Mount Morris. On his way to study law with Abraham Lincoln in Springfield in 1844, Wallace was persuaded by local attorney T. Lyle Dickey, a close friend of Lincoln, to join his practice in Ottawa instead. Wallace eventually married Dickey’s daughter, Martha Ann, in 1851.

When the Civil War broke out, both Wallace and Dickey immediately volunteered for service with the Eleventh Illinois, which assembled in Springfield. Wallace was elected as the unit’s colonel; a successful lawyer, a friend of President Lincoln, a generation older than most privates, and an officer with Mexican War experience, he was entirely suited for such command. Wallace was appointed brigadier general for his performance at Fort Donelson, the first notable Union victory in the Civil War. Wallace’s troops had saved the day, although the Eleventh Illinois had lost nearly two-thirds of its men. He then moved with his troops to Pittsburg Landing, Tennessee, where Confederates launched a surprise attack on the forces of Major General Ulysses S. Grant at Shiloh Church on Sunday, April 6, 1862. Wallace, who held only temporary command of one of Grant’s six divisions, fought bravely but was mortally wounded as he began to withdraw his men on the afternoon of the battle. His wife, who had arrived at Pittsburg Landing by steamer on the day of the battle, was at his side when he died three days later. Grant praised Wallace in 1868 as “the equal of the best, if not the very best, of the Volunteer Generals with me at the date of his death.”

Isabel Wallace traces her father’s life from his upbringing in Ottawa through his education, his service in the Mexican War, his law practice, his courtship of and marriage to her mother, and his service in the Eleventh Illinois until his mortal injury at Shiloh. She also details his funeral and her and her mother’s life in the postwar years. Based on the copious letters and family papers of the general and his wife, the biography also provides historical information on federal politics of the period, including commentary on Lincoln’s campaign and election and on state politics, especially regarding T. Lyle Dickey, Wallace’s father-in-law and law partner, prominent Illinois politician, and associate of Lincoln. It is illustrated with fifteen black-and-white halftones.

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cover of Lives, Letters, and Quilts: Women and Everyday Rhetorics of Resistance

Lives, Letters, and Quilts

Women and Everyday Rhetorics of Resistance

Vanessa Kraemer Sohan

University of Alabama Press, 2020

How writers, activists, and artists without power resist dominant social, cultural, and political structures through the deployment of unconventional means and materials

In Lives, Letters, and Quilts: Women and Everyday Rhetorics of Resistance, Vanessa Kraemer Sohan applies a translingual and transmodal framework informed by feminist rhetorical practice to three distinct case studies that demonstrate women using unique and effective rhetorical strategies in political, religious, and artistic contexts. These case studies highlight a diverse set of actors uniquely situated by their race, gender, class, or religion, but who are nevertheless connected by their capacity to envision and recontextualize the seemingly ordinary means and materials available to them in order to effectively persuade others.

The Great Depression provides the backdrop for the first case study, a movement whereby thousands of elderly citizens proselytized and fundraised for a monthly pension plan dreamt up by a California doctor in the hopes of lifting themselves out of poverty. Sohan investigates how the Townsend Plan’s elderly supporters—the Townsendites—worked within and across language, genre, mode, and media to enable them for the first time to be recognized by others, and themselves, as a viable political constituency.

Next, Sohan recounts the story of Quaker minister Eliza P. Kirkbride Gurney who met President Abraham Lincoln in 1862. Their subsequent epistolary exchanges concerning conscientious objectors made such an impression on him that one of her letters was rumored to be in his pocket the night of his assassination. Their exchanges and Gurney’s own accounts of her transnational ministry in her memoir provide useful examples of how, throughout history, women rhetors have adopted and transformed typically underappreciated forms of rhetoric—such as the epideictic—for their particular purposes.

The final example focuses on the Gee’s Bend quiltmakers—a group of African American women living in rural Alabama who repurpose discarded work clothes and other cast-off fabrics into the extraordinary quilts for which they are known. By drawing on the means and materials at hand to create celebrated works of art in conditions of extreme poverty, these women show how marginalized artisans can operate both within and outside the bounds of established aesthetic traditions and communicate the particulars of their experience across cultural and economic divides.

 
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cover of Love, H: The Letters of Helene Dorn and Hettie Jones

Love, H

The Letters of Helene Dorn and Hettie Jones

Hettie Jones

Duke University Press, 2016

"It works, we're in business, yeah Babe!" So begins this remarkable selection from a forty-year correspondence between two artists who survived their time as wives in the Beat bohemia of the 1960s and went on to successful artistic careers of their own.
 
From their first meeting in 1960, writer Hettie Jones—then married to LeRoi Jones (Amiri Baraka)—and painter and sculptor Helene Dorn (1927–2004), wife of poet Ed Dorn, found in each other more than friendship. They were each other's confidant, emotional support, and unflagging partner through difficulties, defeats, and victories, from surviving divorce and struggling as single mothers, to finding artistic success in their own right. 
 
Revealing the intimacy of lifelong friends, these letters tell two stories from the shared point of view of women who refused to go along with society’s expectations. Jones frames her and Helene's story, adding details and explanations while filling in gaps in the narrative. As she writes, "we'd fled the norm for women then, because to live it would have been a kind of death."
 
Apart from these two personal stories, there are, as well, reports from the battlegrounds of women's rights and tenant's rights, reflections on marriage and motherhood, and contemplation of the past to which these two had remained irrevocably connected. Prominent figures such as Allen Ginsberg and Timothy Leary appear as well, making Love, H an important addition to literature on the Beats. 
 
Above all, this book is a record of the changing lives of women artists as the twentieth century became the twenty-first, and what it has meant for women considering such a life today. It's worth a try, Jones and Dorn show us, offering their lives as proof that it can be done.
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cover of L’Honnête Femme: The Respectable Woman in Society and the New Collection of Letters and Responses by Contemporary Women

L’Honnête Femme

The Respectable Woman in Society and the New Collection of Letters and Responses by Contemporary Women

Jacques Du Bosc

Iter Press, 2014

I heartily recommend this translation and edition of the two works by Jacques Du Bosc. The introduction provides a solid, erudite entry to Du Bosc and his world, with a clear emphasis on the gender issues central to the Other Voice. Especially good is the detailed study ofthe reception of these works. Moreover, the translation is clear and readable. A great deal of work was required to transform the periodic sentences and paragraphs of seventeenthcentury French prose into an English work that is so readable and lucid for a contemporary reader who is not a specialist in the field. The long, informative titles to the essays and letters (already transparent in the table of contents) further situate material that can seem obscure to a contemporary reader. The informative notes, especially the biographical tags and the excellent use of Furetière to explore ambiguous or archaic phrases, illuminate a world that would otherwise seem opaque to many contemporary readers.
—Reverend John J. Conley, SJ
Knott Professor of Philosophy, Loyola University Maryland
 
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