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Contributors include: Harvey M. Bricker, Victoria R. Bricker, John F. Chuchiak IV, Christine L. Hernández, Bryan R. Just, Merideth Paxton, and John Pohl. Additional support for this publication was generously provided by the Eugene M. Kayden Fund at the University of Colorado.

A full range of rock art appearances, including dendroglyphs, pictographs, and a selection of portable rock objects

The Indians of northeastern North America are known to us primarily through reports and descriptions written by European explorers, clergy, and settlers, and through archaeological evidence. An additional invaluable source of information is the interpretation of rock art images and their relationship to native peoples for recording practical matters or information, as expressions of their legends and spiritual traditions, or as simple doodling or graffiti. The images in this book connect us directly to the Indian peoples of the Northeast, mainly Algonkian tribes inhabiting eastern Pennsylvania, Maryland and the lower Potomac River Valley, New York, New Jersey, the six New EnglandStates, and Atlantic Canada. Lenik provides a full range of rock art appearances in the study area, including some dendroglyphs, pictographs, and a selection of portable rock objects. By providing a full analysis and synthesis of the data, including the types and distribution of the glyphs, and interpretations of their meaning to the native peoples, Lenik reveals a wealth of new information on the culture and lifeways of the Indians of the Northeast.

Complex and time-consuming to produce, iron-ore mirrors stand out among Prehispanic artifacts for their aesthetic beauty, their symbolic implications, and the complexity and skill of their assembly. Manufactured Light presents the latest archaeological research on these items, focusing on the intersection of their significance and use and on the technological aspects of the manufacturing processes that created them.

The volume covers the production, meaning, and utilization of iron-ore mirrors in various Mesoamerican communities. Chapters focus on topics such as experimental archaeology projects and discussions of workshops in archaeological contexts in the Maya, Central Mexico, and northwest Mexico regions. Other chapters concentrate on the employment and ideological associations of these mirrors in Prehispanic times, especially as both sacred and luxury items. The final chapters address continuities in the use of mirrors from Prehispanic to modern times, especially in contemporary indigenous communities, with an emphasis on examining the relationship between ethnographic realities and archaeological interpretations.

While the symbolism of these artifacts and the intricacy of their construction have long been recognized in archaeological discussions, Manufactured Light is the first synthesis of this important yet under-studied class of material culture. It is a must-read for students and scholars of Mesoamerican archaeology, ethnography, religion, replicative experimentation, and lithic technology.

Contirbutors include: Marc G. Blainey, Thomas Calligaro, Carrie L. Dennett, Emiliano Gallaga, Julie Gazzola, Sergio Gómez Chávez, Olivia Kindl, Brigitte Kovacevich, Achim Lelgemann, José J. Lunazzi, John J. McGraw, Emiliano Melgar, Joseph Mountjoy, Reyna Solis, and Karl Taube.

Material Meanings focuses on the social context in which things are produced and in which they are given meaning.

With firm roots in antiquarianism, archaeology began as the study and collection of things. Even today objects take center stage in many areas of archaeological inquiry. But the past few decades have seen a proliferation of the ways anthropological archaeologist analyze raw materials, tools, techniques, finished products, and discarded objects.

Material Meanings examines current approaches to material culture in the archaeological record from three perspective: ethnoarchaeology and technological traditions, material science, and theoretical approaches to materiality. The focus of this book is not on artifacts themselves but on the social context in which things are produced and in which they are given meaning, the technical choices of an artifact producer within a larger technical system, and their interpretation by modern researchers.

The chapters represent a broad range of theoretical perspectives, methods, and data sets. Several chapters consider methodological issues in reconstructing technical systems. Most contributions, however, apply this understanding to larger questions of social identity and ethnicity, emphasizing historical context or models of cultural process.

They examine the production, use, and disposal of marriage figurines from six sites—Campo Dos, Cerro Palenque, Copán, Currusté, Tenampua, and Travesia—and explore their role in rituals and ceremonies, as well as in the forming of social bonds and the celebration of relationships among communities. They find evidence of historical traditions reproduced over generations through material media in social relations among individuals, families, and communities, as well as social differences within this network of connected yet independent settlements.

Material Relations provides a new and dynamic understanding of how social houses functioned via networks of production and reciprocal exchange of material objects and will be of interest to Mesoamerican archaeologists, anthropologists, and art historians.

The use of such calendars is mentioned in historical and ethnographic works, but very few examples are known to exist. Each of the three calendars transcribed and translated by John M. Weeks, Frauke Sachse, and Christian M. Prager - and housed at the University of Pennsylvania Museum of Archaeology and Anthropology - is unique in structure and content. Moreover, except for an unpublished study of the 1722 calendar by Rudolf Schuller and Oliver La Farge (1934), these little-known works appear to have escaped the attention of most scholars. Introductory essays contextualize each document in time and space, and a series of appendixes present previously unpublished calendrical notes assembled in the early twentieth century.

Providing considerable information on the divinatory use of calendars in colonial highland Maya society previously unavailable without a visit to the University of Pennsylvania's archives, Maya Daykeeping is an invaluable primary resource for Maya scholars. Mesoamerican Worlds Series

Based on fieldwork and reflection over a period of almost fifty years, Maya Potters’ Indigenous Knowledge utilizes engagement theory to describe the indigenous knowledge of traditional Maya potters in Ticul, Yucatán, Mexico. In this heavily illustrated narrative account, Dean E. Arnold examines craftspeople’s knowledge and skills, their engagement with their natural and social environments, the raw materials they use for their craft, and their process for making pottery.

Following Lambros Malafouris, Tim Ingold, and Colin Renfrew, Arnold argues that potters’ indigenous knowledge is not just in their minds but extends to their engagement with the environment, raw materials, and the pottery-making process itself and is recursively affected by visual and tactile feedback. Pottery is not just an expression of a mental template but also involves the interaction of cognitive categories, embodied muscular patterns, and the engagement of those categories and skills with the production process. Indigenous knowledge is thus a product of the interaction of mind and material, of mental categories and action, and of cognition and sensory engagement—the interaction of both human and material agency.

Engagement theory has become an important theoretical approach and “indigenous knowledge” (as cultural heritage) is the focus of much current research in anthropology, archaeology, and cultural resource management. While Dean Arnold’s previous work has been significant in ceramic ethnoarchaeology, Maya Potters' Indigenous Knowledge goes further, providing new evidence and opening up different concepts and approaches to understanding practical processes. It will be of interest to a wide variety of researchers in Maya studies, material culture, material sciences, ceramic ecology, and ethnoarchaeology.

Focusing on the Postclassic and Colonial periods, Maya Worldviews at Conquest provides a regional investigation of archaeological and epigraphic evidence of Maya ideology, landscape, historical consciousness, ritual practices, and religious symbolism before and during the Spanish conquest. Through careful investigation, the volume focuses on the impact of conversion, hybridization, resistance, and revitalization on the Mayans’ understanding of their world and their place in it.

The volume also addresses the issue of anthropologists unconsciously projecting their modern worldviews on the culture under investigation. Thus, the book critically defines and strengthens the use of worldviews in the scholarly literature regardless of the culture studied, making it of value not only to Maya scholars but also to those interested in the anthropologist’s projection of worldview on other cultures in general.

This collection of Ford's works focuses on the development of ceramic chronology—a key tool in Americanist archaeology.

This valuable book is an excellent overview of long-term archaeological investigations in the valley that remains at the forefront of studies on the First Americans.


 

In southwest Nebraska, a stretch of Medicine Creek approximately 20 kilometers long holds a remarkable concentration of both late Paleoindian and late prehistoric sites. Unlike several nearby similar and parallel streams that drain the divide between the Platte and Republican Rivers, Medicine Creek has undergone 70 years of archaeological excavations that reveal a long occupation by North America's earliest inhabitants.


 

Donna Roper has collected the written research in this volume that originated in a conference celebrating the 50th anniversary of the 1947 River Basin Survey. In addition to 12 chapters reviewing the long history of archaeological investigations at Medicine Creek, the volume contains recent analyses of and new perspectives on old sites and old data. Two of the sites discussed are considered for pre-Clovis status because they show evidence of human modification of mammoth faunal remains in the late Pleistocene Age. Studies of later occupation of Upper Republican phase sites yield information on the lifeways of Plains village people.

 

Presented by major investigators at Medicine Creek, the contributions are a balanced blend of the historical research and the current state-of-the-art work and analysis. Roper's comprehensive look at the archaeology, paleontology, and geomorphology at Medicine Creek gives scientists and amateurs a full assessment of a site that has taught us much about the North American continent and its early people.


 

Environmental conditions clearly influenced the cultural development of societies in the Intermountain West, but how did interactions with neighbors living along the region’s borders affect a society’s growth and advancement, its cultural integrity, and its long-term survival? Relationships among different societies are, of course, crucial to the spread of information, innovation, and belief systems; to the maintenance of exchange and mating networks; and to the forging of ethnic identity. In these ways and others, intergroup relationships can be as strong a force in shaping a society’s identity and future as are local social and economic dynamics.

Meetings at the Margins focuses on the ways in which different ­societies in the Intermountain West profoundly influenced each other’s histories throughout the more than fourteen millennia of prehistoric occupation. Historically, inhabitants of this region frequently interacted with more than forty different groups—neighbors who spoke some two dozen different languages and maintained diverse economies. The contributors to this volume demonstrate that in the prehistoric Intermountain West, as elsewhere throughout the world, intergroup interactions were pivotal for the dynamic processes of cultural cohesion, differentiation, and change, and they affirm the value of a long-term, large-scale view of prehistory.
 

In Memory Traces, art historians and archaeologists come together to examine the nature of sacred space in Mesoamerica. Through five well-known and important centers of political power and artistic invention in Mesoamerica—Tetitla at Teotihuacan, Tula Grande, the Mound of the Building Columns at El Tajín, the House of the Phalli at Chichén Itzá, and Tonina—contributors explore the process of recognizing and defining sacred space, how sacred spaces were viewed and used both physically and symbolically, and what theoretical approaches are most useful for art historians and archaeologists seeking to understand these places.

Memory Traces acknowledges that the creation, use, abandonment, and reuse of sacred space have a strongly recursive relation to collective memory and meanings linked to the places in question and reconciles issues of continuity and discontinuity of memory in ancient Mesoamerican sacred spaces. It will be of interest to students and scholars of Mesoamerican studies and material culture, art historians, architectural historians, and cultural anthropologists.

Contributors: Laura M. Amrhein, Nicholas P. Dunning, Rex Koontz, Cynthia Kristan-Graham, Matthew G. Looper, Travis Nygard, Keith M. Prufer, Matthew H. Robb, Patricia J. Sarro, Kaylee Spencer, Eric Weaver, Linnea Wren

Any overview of prehispanic society in the Americas would identify its obsidian core-blade production as a unique and highly inventive technology. Normally termed prismatic blades, these long, parallel-sided flakes are among the sharpest cutting tools ever produced by humans. Their standardized form permitted interchangeable use, and such blades became the cutting tool of choice throughout Mesoamerica between 600–800 B.C. Because considerable production skill is required, increased demand may have stimulated the appearance of craft specialists who played an integral role in Mesoamerican society. Some investigators have argued that control over obsidian also had a significant effect on the development and organization of chiefdom and state-level societies.

While researchers have long recognized the potential of obsidian studies, recent work has focused primarily on compositional analysis to reconstruct trade and distribution networks. Study of blade production has received much less attention, and many aspects of this highly evolved craft are still lost.

This volume seeks to identify current research questions in Mesoamerican lithic technology and to demonstrate that replication studies coupled with experimental research design are valuable analytical approaches to such questions.

A Dan Josselyn Memorial Publication

This invaluable classic provides the framework for the development of American archaeology during the last half of the 20th century.

In 1958 Gordon R. Willey and Philip Phillips first published Method and Theory in American Archaeology—a volume that went through five printings, the last in 1967 at the height of what became known as the new, or processual, archaeology. The advent of processual archaeology, according to Willey and Phillips, represented a "theoretical debate . . . a question of whether archaeology should be the study of cultural history or the study of cultural process."

Willey and Phillips suggested that little interpretation had taken place in American archaeology, and their book offered an analytical perspective; the methods they described and the structural framework they used for synthesizing American prehistory were all geared toward interpretation. Method and Theory served as the catalyst and primary reader on the topic for over a decade.

This facsimile reprint edition of the original University of Chicago Press volume includes a new foreword by Gordon R. Willey, which outlines the state of American archaeology at the time of the original publication, and a new introduction by the editors to place the book in historical context. The bibliography is exhaustive. Academic libraries, students, professionals, and knowledgeable amateurs will welcome this new edition of a standard-maker among texts on American archaeology.


 

A diverse and highly regarded group of scholars reference a broad array of literature from around the world as they cover their areas of expertise in the practice and theory of paleoethnobotany—starch grain analysis, stable isotope analysis, ancient DNA, digital data management, and ecological and postprocessual theory.

The only comprehensive edited volume focusing on method and theory to appear in the last twenty-five years, Method and Theory in Paleoethnobotany addresses the new areas of inquiry that have become central to contemporary archaeological debates, as well as the current state of theoretical, methodological, and empirical work in paleoethnobotany.

Presents the broad picture and analysis of excavations at three cultural centers in central Mexico

This classic work published in 1942, ten years after archaeological excavations were begun in the Valley of Mexico by Linné's team, presents additional data that had not been fully detailed in the previously published Archaeological Researches at Teotihuacan. It provides comparative information on the high-status ruins situated on the fringes of the Valley of Mexico and excavation results from a compound within the city of Teotihuacan. This information is of critical use to archaeologists still excavating at Teotihuacan in projecting compound extent, types of artifacts expected to be discovered, and patterns of artifacts to be found in particular types of rooms. The characteristics of burials is also explored.

This book, along with its predecessor, is an important primary resource for Americanists. Staffan Brunius's foreword offers a broad background of Linné's life and work. The introduction by George Cowgill focuses more specifically on the conduct and impact of the archaeological exavations.
G. C. Vaillant has stated, "The greatest achievement of Dr. Linné from the viewpoint of the general student is the presentation of a technical field excavation in such terms that anyone can follow his text and see the relationship between the details of position of specimens and the larger problems of history and anthropology."

Sigvald Linné was Professor of Ethnography at the University of Stockholm and Director of the Swedish National Museum of Ethnography until 1969. He published several other books, including The Technique of South American Ceramics. Staffan Brunius

is Curator of the Americas at the National Museum of Ethnography in Stockholm. George L. Cowgill is Professor of Anthropology at Arizona State University and coeditor of The Collapse of Ancient States and Civilizations.

Additional reviews:
This book . . . makes Linne's work widely available again to those interested and may prompt a new generation of specialists to examine the original material either in Stockholm's National Museum of Ethnography, Mexico's Museo Nacional de Antropologia or the Teotihuacan site itself. Testament to the lasting value of Linne's work is given in a succinct and helpful new introduction by anthropologist George L. Cowgill. A more recent curator of the Americas at Stockholm's ethnographical museum, Steffan Brunius, also chips in with a brief contextualization of Linne's work against the background of the early Swedish-American tradition.—The Historian